scholarly journals Fashioning an Imperial Metropolis at the 1896 Berliner Gewerbeausstellung

2021 ◽  
pp. 1-22
Author(s):  
Katherine Arnold
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Racial Difference ◽  
New Technologies ◽  
Colonial Power ◽  
Industrial City ◽  
International Exhibitions ◽  
Mass Entertainment ◽  
At Home

Abstract The 1896 Berliner Gewerbeausstellung was a transformative moment for city and nation alike. The exhibition announced Berlin's pre-eminence as a scientific and industrial city and bolstered an emergent German national identity. Including displays of Egypt and Germany's formal colonies also revealed Germany's competence as a colonial power. By illustrating its skill in both aggressive conquest and subtle intervention, city and nation thought themselves capable of competing with European rivals at home and abroad. However, the two visions of colonialism, cloaked in the guise of mass entertainment, have rarely been brought into conversation with one another. This article seeks to discuss this colonial–Oriental dichotomy by focusing on tensions between education and entertainment in display techniques, particularities of racial difference in ethnographic display, the use of advertising, and the insertion of new technologies. Contributing to a deeper understanding of race, empire, and modernity in the German context, the Gewerbeausstellung offers a jumping off point for further comparison to other local, regional, and international exhibitions and an avenue to explore how notions of modernity factored into formal and informal imperial arrangements. Ultimately, it sheds light on how an exhibition helped to fashion a global, imperial city at the turn of the twentieth century.

Trustees across the Ocean

2017 ◽  
Author(s):  
Joel Blecher
Keyword(s):  
Twentieth Century ◽  
New Technologies ◽  
The Political ◽  
Colonial Power ◽  
Military Elite ◽  
Challenges And Opportunities ◽  
British Colonial ◽  
New Challenges ◽  
Social Goods ◽  
The Rich

The first part of this chapter investigates continuities and changes as the figures and texts of the commentary tradition migrated eastward to India and found new life under the rich patronage of the sultanates in Gujarat and the Deccan from the fifteenth to eighteenth centuries. These patrons appeared to value both the intellectual and social goods on offer in the commentarial practice, and thus the fortunes of migrant hadith commentators and the political and military elite in India were intertwined. The second part of this chapter explores how reformist groups such as the Deobandis and the Ahl-i Hadith again turned to hadith commentary to navigate new challenges and opportunities in nineteenth- and twentieth-century India, as British colonial power intensified, established competing institutions of law and education, and introduced new technologies of print. Excerpts from the commentaries of Anwar Shah al-Kashmiri and Siddiq Hassan Khan are given special attention.

“To Feel at Home in the Wonderful World of Modern Science”: New Chinese Historiography and Qing Intellectual History

2017 ◽  
Vol 30 (3) ◽  
pp. 325-358
Author(s):  
Ori Sela
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Intellectual History ◽  
Large Body ◽  
Modern Science ◽  
Early Twentieth Century ◽  
Chinese Historiography ◽  
Eighteenth And Nineteenth Centuries ◽  
The Way ◽  
At Home

ArgumentIn recent decades a large body of scholarship on the first half of twentieth-century China has successfully shown the ways in which history and historiography had been constructed at the time, as well as the links between history, national identity, education, and politics that was forged during this period. In this paper, I examine Qing intellectual history, in particular that of the mid or “High Qing.” I discuss the development of the historiography of this field in the early twentieth century by drawing on the larger developments in historiography; by demonstrating how these developments had shaped Qing intellectual history for later times; by focusing on the historical actors’ sense of the importance of “science,” being “scientific,” and “modernization”; and, by unraveling the intimate connections to older historiographical narratives going back all the way to the eighteenth and nineteenth centuries.

Faeries, Aliens, and Leviathans: Science and Fantasy in Ian McDonald's King of Morning, Queen of Day

2019 ◽  
Vol 49 (2) ◽  
pp. 290-303
Author(s):  
Richard Howard
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Science Fiction ◽  
Science Studies ◽  
Irish Studies ◽  
Early Twentieth Century ◽  
Politics And Religion ◽  
Unexplored Area ◽  
Late Nineteenth ◽  
Cultural Movement

Irish science fiction is a relatively unexplored area for Irish Studies, a situation partially rectified by the publication of Jack Fennell's Irish Science Fiction in 2014. This article aims to continue the conversation begun by Fennell's intervention by analysing the work of Belfast science fiction author Ian McDonald, in particular King of Morning, Queen of Day (1991), the first novel in what McDonald calls his Irish trilogy. The article explores how McDonald's text interrogates the intersection between science, politics, and religion, as well as the cultural movement that was informing a growing sense of a continuous Irish national identity. It draws from the discipline of Science Studies, in particular the work of Nicholas Whyte, who writes of the ways in which science and colonialism interacted in late nineteenth and early twentieth-century Ireland.

Racializing Mercy: Capital Punishment and Race in Twentieth-Century England and Wales

2020 ◽  
Vol 38 (4) ◽  
pp. 883-910
Author(s):  
Lizzie Seal ◽  
Alexa Neale
Keyword(s):  
Twentieth Century ◽  
Capital Punishment ◽  
Justice System ◽  
Racial Difference ◽  
Institutional Racism ◽  
Access To Justice ◽  
England And Wales ◽  
Men Of Color ◽  
Unequal Access ◽  
To Receive

Fifty-seven men of color were sentenced to death by the courts of England and Wales in the twentieth century and were less likely to receive mercy than white contemporaries. Though shocking, the data is perhaps unsurprising considering institutional racism and unequal access to justice widely highlighted by criminologists since the 1970s. We find discourses of racial difference were frequently mobilized tactically in nineteenth- and twentieth-century England and Wales: to support arguments for mercy and attempt to save prisoners from the gallows. Scholars have identified historically and culturally contingent narratives traditionally deployed to speak to notions of lesser culpability. These mercy narratives reveal contemporary ideals and attitudes to gender or class. This article is original in identifying strategic mercy narratives told in twentieth-century England and Wales that called on contemporary tropes about defendants' race. The narratives and cases we explore suggest contemporary racism in the criminal justice system of England and Wales has a longer history than previously acknowledged.

Howling “A Hot Time”: The Paradoxical Anthem of the Progressive Age

2020 ◽  
pp. 1-24
Author(s):  
DEIRDRE O'CONNELL
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
White Supremacy ◽  
American Exceptionalism ◽  
Black Culture ◽  
Time Served ◽  
Musical Traditions

This study investigates the shifting meanings invested in the ragtime song “A Hot Time in the Old Time, Tonight” at the turn of the twentieth century. Complicating the tune's place in the canon of military, political, and national anthems was its associations with “vice,” black culture, and white supremacy. By mapping the ritual and representational uses of the song, this investigation demonstrates how “A Hot Time” served paradoxical functions that simultaneously affirmed and unsettled American exceptionalism. In doing so, this article traces the processes of obfuscation whereby black musical traditions and white supremacy defined America's distinctive national identity.

A Tower of Tangled Histories: The Upper Silesia Tower in Poznań and the Making of an Unromantic Poland, 1911–1955

Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cold War ◽  
World War I ◽  
Material Structure ◽  
World War ◽  
Upper Silesia ◽  
The Cold War ◽  
The City ◽  
Over Time

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

scholarly journals Problematizing Olympic Nationality

AJIL Unbound ◽  
2020 ◽  
Vol 114 ◽  
pp. 374-379
Author(s):  
Peter J. Spiro
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Focal Point ◽  
Professional Sports ◽  
Sports Teams ◽  
Olympic Athletes ◽  
Nation States ◽  
International Solidarity

One can hope that the convening of the Tokyo Olympics will be a cause for global celebration. Tokyo could prove a focal point for international solidarity, a moment of relief and release after all of humanity faced down an insidious, invisible, and largely indiscriminate attacker. Unified as we otherwise may be, athletes will still come to the Games as representatives of nation-states. That may be an unavoidable organizing principle. Less justifiable will be the requirement that athletes be nationals of the states they play for. Under the Olympic Charter and the rules of particular sporting federations, athletes are subject to a non-state nationality regime that restricts the capacity of individuals to compete for countries for whose delegations they would otherwise qualify. This regime looks to maintain the putative integrity of Olympic competition by maintaining the unity of sporting and sociological national identity. But that legacy of the twentieth century no longer works in the twenty first. Nationality and associated criteria for participant eligibility undermine the autonomy of athletes and the quality of participation. The rules can no longer guarantee any affective tie between athlete and nation, instead arbitrarily enabling some, but not all, to compete on the basis of citizenship decoupled from identity. We don't require that athletes playing for our professional sports teams hale from the cities they represent. There's no reason why we need to require more of our Olympic athletes.

scholarly journals “There'll Always Be an England”: Representations of Colonial Wars and Immigration, 1948–1968

2001 ◽  
Vol 40 (4) ◽  
pp. 557-584 ◽  
Author(s):  
Wendy Webster
Keyword(s):  
National Identity ◽  
Racial Difference ◽  
Media Representations ◽  
Colonial Rule ◽  
Common Theme ◽  
National Belonging ◽  
Daily Mail ◽  
National Community ◽  
British Colonial ◽  
The 1950S

“In Malaya,” theDaily Mailnoted in 1953, “three and a half years of danger have given the planters time to convert their previously pleasant homes into miniature fortresses, with sandbag parapets, wire entanglements, and searchlights.” The image of the home as fortress and a juxtaposition of the domestic with menace and terror were central to British media representations of colonial wars in Malaya and Kenya in the 1950s. The repertoire of imagery deployed in theDaily Mailfor the “miniature fortress” in Malaya was extended to Kenya, where the newspaper noted wire over domestic windows, guns beside wine glasses, the charming hostess in her black silk dress with “an automatic pistol hanging at her hip.” Such images of English domesticity threatened by an alien other were also central to immigration discourse in the 1950s and 1960s. In the context of the decline of British colonial rule after 1945, representations of the empire and its legacy—resistance to colonial rule in empire and “immigrants” in the metropolis—increasingly converged on a common theme: the violation of domestic sanctuaries.Colonial wars of the late 1940s and 1950s have received little attention in literatures on national identity in early postwar Britain, but the articulation of racial difference through immigration discourse, and its significance in redefining the postimperial British national community has been widely recognized. As Chris Waters has suggested in his work on discourses of race and nation between 1947 and 1963, these years saw questions of race become central to questions of national belonging.

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