‘SCEPTICISM IN EXCESS’: GIBBON AND EIGHTEENTH-CENTURY CHRISTIANITY

1998 ◽  
Vol 41 (1) ◽  
pp. 179-199 ◽  
Author(s):  
B. W. YOUNG

Since the appearance of volume I of The decline and fall of the Roman empire in 1776, the religion of Edward Gibbon has been subject to intense debate. He has been variously identified as an atheist, a deist, even as a somewhat detached Christian. Examination of his relations, both personal and scholarly, with the varieties of religion and irreligion current in eighteenth-century Britain leads to the conclusion that he remained resolutely critical of all such positions. He did not share the convictions of dogmatic freethinkers, still less those of determined atheists. The product of a nonjuring family, Gibbon benefited from the scholarly legacy of several high church writers, while maintaining a critical attitude towards the claims of Anglican orthodoxy. It was through the deliberate and ironical adoption of the idiom of via media Anglicanism, represented by such theologians as the clerical historian John Jortin, that Gibbon developed a woundingly sceptical appraisal of the history of the early church. This stance made it as difficult for his contemporaries to identify Gibbon's religion as it has since proved to be for modern historians. Gibbon appreciated the central role of religion in shaping history, but he remained decidedly sceptical as to Christianity's ultimate status as revealed and unassailable truth.

1994 ◽  
Vol 45 (4) ◽  
pp. 661-672 ◽  
Author(s):  
W. H. C. Frend

Thus Gibbon opened the thirty-seventh chapter of the History of the decline and fall of the Roman Empire, a lengthy chapter devoted to the twin topics of ‘the institution of monastic life’ and ‘the conversion of the northern barbarians’. The connection between the history of the Roman Empire and the Christian Church was indeed indissoluble. The Church was destined to follow the pattern of the empire by gradually degenerating as it grew in strength from original purity in the life of Christ and the Apostles to become a corrupt and baleful influence on the fortunes of secular society. Looking back over twenty years of research and writing (1767–87) he wrote near the beginning of his final chapter, ‘In the preceding volumes of this History, I have described the triumph of barbarism and religion and I can only resume in a few words, their real or imaginary connection with the ruin of ancient Rome.’ He goes on to list ‘potent and forcible causes of destruction’ by barbarians and Christians respectively. As he finally laid down his pen on 27 June 1787 at Lausanne, he concluded with a sentence whose strict accuracy has sometimes been doubted: ‘It was among the ruins of the Capitol that I first conceived the idea of a work which has amused and exercised twenty years of my life, and which, however inadequate to my wishes, I finally deliver to the curiosity and candour of the public.’ The date of this decision was 15 October 1764. Here we survey briefly the role of ‘religion’, i.e. Christianity in the ruin of the Roman Empire.


1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.


Author(s):  
Simon Goldhill

How did the Victorians engage with the ancient world? This book is an exploration of how ancient Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, the book examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, it demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, the book addresses ideas of citizenship, nationalism, and cultural politics. And through fiction—specifically nineteenth-century novels about the Roman Empire—it discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, it demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.


Author(s):  
Nicolette D. Manglos-Weber

This chapter presents the historical and conceptual background to the book’s argument. It starts with a history of Ghana, followed by an analysis of the trends that have led to high levels of out-migration, and then to a description of Ghanaian populations in Chicago. Next, it addresses the concept of social trust in general and personal trust in particular, developing a theory of personal trust as an imaginative and symbolic activity, and analyzing interracial relations through the lens of racialized distrust. It concludes by describing the role of religion in the integration of immigrant groups into the United States and the particular religious frameworks that characterize Charismatic Evangelical Christianity in Ghana.


Author(s):  
Henry Fielding

Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere.


2002 ◽  
pp. 45-54
Author(s):  
Z.V. Shved

Over the last decade, interest in the heritage of such national thinkers who have worked in the space of sociocultural and religious studies has become relevant. That is why, in our opinion, the appeal to Vyacheslav Lipynsky's creative work is justified. Today, his legacy can be used not only to understand the history of society and the state, but also to understand some aspects of our present. Therefore, you should listen more carefully to the thoughts of this thinker.


2020 ◽  
Vol 1 (2) ◽  
pp. 70-89
Author(s):  
Ahmad Yasid ◽  
Moh Juhdi

Abstract   Islam, religion of tolerance and love of peace is one of Habiburrahman El Shirazy’s, it is a study indicating the values ​​of love and tolerance of Islam in the modern public space area. This study used the underlying theory of the values ​​of love and tolerance as well as the role of Islam in modern times that has been developing in the public discourse that in the history of human civilization there are several things that must be understood that humans have the sense to differentiate between humans and other creatures. From this reason humans can do something to explore and explain things that are not known by others. The method that is used in data collection technique is documentation technique, because this study is descriptive qualitative. This study examines several things including the values of love and tolerance because accepting differences is a distinct pleasure for each particular societies in other words, not seeing other people as deviants or enemies but as partner to complement each other by having an equal position and equally valid and valuable as a way of managing life and living life both individually and collectively. Acceptance of differences demands changes in the legal rule in people's lives so that the role of religion in the modern public space area becomes a middle way to build diversity and a nature that must both appreciate and respect one another, this diversity is seen in the portrait of everyday life which then creates peace, and harmony in interacting with all elements of society.    


2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.


Sign in / Sign up

Export Citation Format

Share Document