Divine Patterns: Louis Agassiz and American Men of Letters. Some Preliminary Explorations

1976 ◽  
Vol 10 (3) ◽  
pp. 349-381
Author(s):  
Ian F. A. Bell

To arrive at Pound's Canto XXIII from Poe's ‘ Sonnet to Science ’ is a problematic task for more and less obvious reasons. Part of the way in which we may make the approach is through the resonances of certain figures prominent in the history of ideas; in particular to Louis Agassiz, the Swiss-born geologist and natural historian who was a central personality in Cambridge circles from his arrival in America in 1846 until his death in 1873. Apart from Edward Lurie's excellent biography, Louis Agassiz, A Life in Science (Chicago, 1960), the twentieth century bears only scattered reference to him, whereas the latter half of the nineteenth century celebrated his work enthusiastically and prolifically. Part of the reason for his diminished presence after the turn of the century lies undoubtedly in his position outside the mainstream of contemporary biological thinking, particularly as a result of his quarrel with Asa Gray during the 1850s; Agassiz was the only scientist of influential standing to oppose himself to the doctrine of Evolution. Consequently, he occupies a far less prominent place in the history of biology than he did in his own era.

2020 ◽  
Vol 22 (37) ◽  
pp. 171-190
Author(s):  
Anna Kowalcze-Pawlik

This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation by Józef Paszkowski, and on the stage, in two twentieth-century theatrical adaptations that provide contrasting images of Othello: 1981/1984 televised Othello, dir. Andrzej Chrzanowski and the 2011 production of African Tales Based on Shakespeare, in which Othello’s part is played by Adam Ferency (dir. Krzysztof Warlikowski). The paper details the political and social contexts of each of these stage adaptations, as both of them employ brownface and blackface to visualise Othello’s “political colour.” The function of blackface and brownface is radically different in these two productions: in the 1981/1984 Othello brownface works to underline Othello’s overall sense of alienation, while strengthening the existing stereotypes surrounding black as a skin colour, while the 2011 staging makes the use of blackface as an artificial trick of the actor’s trade, potentially unmasking the constructedness of racial prejudices, while confronting the audience with their own pernicious racial stereotypes.


Author(s):  
R. Lee Lyman

The earliest archaeological spindle graph was published in 1883 by natural historian and avocational archaeologist Charles C. Abbott. Evidence that he obtained the idea from paleontology, which first published spindle graphs in the 1830s and 1840s, is circumstantial at best, and differences in graph styles weigh against such borrowing. Several spindle graphs published in the 1890s and early 1900s by archaeologist William Henry Holmes either depict his views on inevitable progressive evolution—a theory rapidly falling from anthropological favor—or were so speculative as to likely have had little influence on the discipline. During the first couple decades of the twentieth century, physicist/geographer/anthropologist Franz Boas (often referred to as the father of anthropology) published numerous line graphs of quantitative data. He influenced archaeologists Leslie Spier and Manual Gamio who used line graphs to display temporally varying frequencies of artifacts. About the same time, the wife and husband team of Madeleine Kidder and Alfred V. Kidder published several line graphs of relative frequencies of pottery types against stratigraphic provenience, seemingly largely as a result of Madeleine’s influence because Alfred never again published such a graph and instead favored phyletic seriation graphs of a type reminiscent of Sir William Flinders Petrie’s sequence dating graphs from the turn of the century.


Author(s):  
Anca I. Lasc

This chapter examines influential collecting and taste manuals from the second half of the nineteenth century dedicated to both a male, respectively a female, audience. After providing a brief history of collecting and its development in post-revolutionary France, the chapter explains how the visual and critical discourses about the proper appearance of the modern, private interior and about the arrangement of objects displayed therein informed the development of a new historicist, themed aesthetic. This new aesthetic required a mastermind to supervise the organization of each interior decorating ensemble within the upper as well as the middle-class private home - increasingly more decorated in the aftermath of the Industrial and Consumer Revolutions - paving the way to the work of the later interior decorators at the end of the nineteenth and the beginning of the twentieth century.


Author(s):  
Brenda Assael

The epilogue begins with consideration of the way the nineteenth-century London restaurant features in individual and collective memory. It insists that such memories were not exclusively characterized by notions of dispossession, melancholy, or regret, and the distance between eating out in the middle of the nineteenth century and the dawn of the twentieth century was often expressed through the sentiments of progress and improvement. It then moves on to a reflection on how returning the restaurant to a central role in our understanding of metropolitan history in the Victorian and Edwardian period has important connotations for how the history of Modern Britain, more broadly, might be researched and written. In particular, the restaurant requires more attention to be given to the more materially grounded aspects of the urban experience as much as it does to the more abstracted motifs of representation, performance, and subjectivity.


1972 ◽  
Vol 13 (4) ◽  
pp. 609-630 ◽  
Author(s):  
R. A. Caulk

Several centuries after firearms had been introduced, they were still of little importance in Ethiopia, where cavalry continued to dominate warfare until the second half of the nineteenth century. Nevertheless, they were much sought after by local leaders ambitious to secure their autonomy or to grasp supreme authority. The first of these warlords to make himself emperor, Tēwodros (1855–68), owed nothing to firearms. However, his successors, Yohannis IV (1872–89) and Minīlik (d. 1913), did. Both excelled in their mastery of the new technology and acquired large quantities of quick-firing weapons. By the last quarter of the nineteenth century, possession of firearms — principally the breech loading rifle — had become a precondition for successfully contending for national leadership. Yet the wider revolution associated (as in Egypt) with the establishment of a European-style army did not follow. Nor was rearmament restricted to the following of the emperor. Despite the revival of imperial authority effected by Yohannis and Minīlik, rifles and even machine-guns were widely enough spread at the turn of the century to reinforce the fragmentation of power long characteristic of the Ethiopian state. Into the early twentieth century, it remained uncertain if the peculiar advantages of the capital in the import of arms would be made to serve centralization.


1982 ◽  
Vol 12 (1) ◽  
pp. 17-24 ◽  
Author(s):  
Erwin H. Ackerknecht

SynopsisPsychosomatic medicine begins with the Greeks. It finds a place in Galen's system as diseases of passion, a concept current until the middle of the nineteenth century. The great French and German clinicians of the nineteenth century were all familiar with psychosomatic diseases. During the twentieth century the field was for a while monopolized by psychoanalysts. The psychosomatic specialist is essentially the doctor who listens to the patient.


1996 ◽  
Vol 29 (3) ◽  
pp. 289-310 ◽  
Author(s):  
Malcolm Nicolson

In his classic textbook,The History of Biology, Erik Nordenskiöld suggested that there had existed, throughout the nineteenth century, not one but two distinct forms of plant geography. He designated one of these traditions of inquiry ‘floristic’ plant geography, tracing its origins back to the work of Carl Linnaeus on species and their distributions. The second form Nordenskiöld termed ‘morphological’, by which he meant that its practitioners concentrated upon the study of vegetation rather than flora. He located the origins of this tradition of inquiry within the botanical work of Alexander von Humboldt.


1979 ◽  
Vol 15 (3) ◽  
pp. 379-390
Author(s):  
Frederick Sontag

For some time it seemed as if Christianity itself required us to say that ‘God is in history’. Of course, even to speak of ‘history’ is to reveal a bias for eighteenth- and nineteenth-century forms of thought. But the justification for talking about the Christian God in this way is the doctrine of the incarnation. The centre of the Christian claim is that Jesus is God's representation in history, although we need not go all the way to a full trinitarian interpretation of the relationship between God and Jesus. Thus, the issue is not so much whether God can appear or has appeared within, or entered into, human life as it is a question of what categories we use to represent this. To what degree is God related to the sphere of human events? Whatever our answer, we need periodically to re-examine the way we speak about God to be sure the forms we use have not become misleading.


2021 ◽  

This volume examines Arnold Gehlen’s theory of the state from his philosophy of the state in the 1920s via his political and cultural anthropology to his impressive critique of the post-war welfare state. The systematic analyses the book contains by leading scholars in the social sciences and the humanities examine the interplay between the theory and history of the state with reference to the broader context of the history of ideas. Students and researchers as well as other readers interested in this subject will find this book offers an informative overview of how one of the most wide-ranging and profound thinkers of the twentieth century understands the state. With contributions by Oliver Agard, Heike Delitz, Joachim Fischer, Andreas Höntsch, Tim Huyeng, Rastko Jovanov, Frank Kannetzky, Christine Magerski, Zeljko Radinkovic, Karl-Siegbert Rehberg and Christian Steuerwald.


Author(s):  
Severin Fowles ◽  
Barbara Mills

As an introduction to the Handbook, this chapter examines the question of history in Southwest archaeology in two senses. First, it traces the intellectual history of research in the region: from the nineteenth-century inauguration of Southwest archaeology as an extension of American military conquest, to the museum-oriented expeditions of the turn of the century, to the scientific advances and the growth of culture resource management during the twentieth century, to the impacts of Indigenous critiques and the development of collaborative approaches most recently. Second, the chapter explores the shifting status of “history” as a central goal of archaeological practice. How have archaeologists constructed—or resisted—narratives to account for the contingent unfolding of Indigenous and colonial societies in the region? What bodies of method and theory have guided these efforts? In addressing these questions, the chapter marks and participates in a growing historical turn in Southwest archaeology.


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