‘The One Jesus Christ’: Romans 5:12–21 and the development of Karl Barth's christology

2014 ◽  
Vol 67 (3) ◽  
pp. 265-284 ◽  
Author(s):  
Orrey McFarland

AbstractAlthough many Barth scholars have begun to argue for the necessity of evaluating Barth's theology as an interpretation of scripture, so far these efforts have focused more on hermeneutical questions and less on the specifics of Barth's exegesis, the specific ways his conclusions derive from that exegesis, and the interplay between his exegetical work and his theology. Accordingly, this article seeks to contribute to Barth studies by tracing the development of Barth's christology through his exegesis of Romans 5:12–21 in the first edition of the Romans commentary and Barth's later essay Christ and Adam – specifically how he understands the function of Christ's particularity in relation to his universal soteriological significance. These works have been selected not only because they give extended treatments of the text but also because there is a wide timespan between them. Furthermore, in contrast to the second edition of Romans and the Church Dogmatics, these texts remain relatively untapped, and will consequently provide a unique entry-point into Barth's exegetical work. By looking at Barth's theological development through his exegesis of Paul's text, we have a benchmark by which both to trace Barth's development and to critique it: does Barth do justice to both the particular and universal aspects of the christology of Romans 5:12–21? In this way, I intend to take seriously Barth's recurring assertion that his project succeeded or failed by how well it functioned as biblical interpretation. It will be demonstrated that the early Barth was unable to allow Christ's particularity to have much of a soteriological function in his interpretation of Romans 5:12–21, and was thus compelled to downplay the particularity of Christ which is emphasised in the text and instead emphasise his universality as the only aspect of soteriological value. By contrast, the later Barth grounded Christ's universality precisely in his particularity; that is, the Christ-event only had universal soteriological consequence because it was the action of a particular, historical Jesus. Yet, despite any problems we might find with Barth's interpretations, both works display Barth as an interpreter seeking to grapple with the nuances of scripture and with one of the central issues of the biblical text, and of soteriology in general: the relation of the one to the many.

1956 ◽  
Vol 9 (3) ◽  
pp. 236-250
Author(s):  
John Godsey

It may sound a bit presumptuous to speak of the architecture of a dogmatics which is not yet complete, but the size and scope of Professor Barth's Church Dogmatics to date would seem to justify our attempt to examine its outer structure in order to discover the basic dynamic principles involved in this Protestant ‘Summa’. In following this procedure, however, we should be aware that we are working backwards, for, unlike the many dogmatics in which the Christian Faith has been forced into a pre-established mould, Professor Barth has been willing to cast the mould in accordance with the demands of the Faith itself. This is not to deny in any way the obvious human element involving meticulous planning and unusually sensitive organisational skill, but is to state clearly that the Church Dogmatics is not a system conforming to the dictates of human reason, but is a bold yet humble attempt to write a systematic theology which conforms to the revelation of God in Jesus Christ. As such, the architectural plans must necessarily result from obedient and faithful listening to the Word of God spoken to the Church, and all future designs must remain fluid and prepared for unexpected changes.


1962 ◽  
Vol 15 (2) ◽  
pp. 193-203
Author(s):  
G. W. Bromiley

There is good hope that the present year will see the appearance of the English translation of IV, 3 of the Church Dogmatics, and with it the conclusion of the doctrinal treatment of the atonement1 and the publication of all the Dogmatik thus far available. Necessarily divided into two halves because of its great length, this third part is devoted to the prophetic work of Jesus Christ in reconciliation. It thus represents an original attempt on the part of the author to work out in detail a theme which has often been suggested in earlier theology, but which has never been given the treatment accorded to the priestly work on the one side or the kingly work on the other.


Karl Barth ◽  
2021 ◽  
pp. 362-382
Author(s):  
Christiane Tietz

Barth’s Church Dogmatics is the most extensive theological work of the twentieth century. Barth worked on it from 1932 until 1967, reconceptualizing theology from the very foundations. He distinguishes three forms of the Word of God, avoiding a biblicistic reading of the Bible. The doctrine of the Trinity is a consequent exposition of the concept of God’s self-revelation in Jesus Christ. This God is the one who loves in freedom, that is who relates to human beings because of grace. Barth therefore completely transforms the Reformed doctrine of double predestination. The doctrine of creation as well has to be derived from God’s self-revelation; God created the world because God wanted a covenantal partner. To this creation belong shadow sides as well as nothingness. God in Jesus Christ entered the confrontation with nothingness and reconciled the world with God. Only from reconciliation can we understand the essence of sin.


1989 ◽  
Vol 42 (4) ◽  
pp. 541-555
Author(s):  
David K. Miell

In III, 2 of the Church Dogmatics, Barth develops the analogy of relations revealed in Jesus Christ to obtain between three levels or ‘planes’ of persons in relationship. These are (i) within the Triune God as the eternal relation between the Father and the Son; (ii) between God and man as the free election by God that man should be his covenant partner; (iii) between human persons as the basic form of humanity. The single factor which constitutes this analogy, the one thing which is similar in spite of all the great dissimilarity between God and man, the indestructible imago Dei, is the concept of personal relationship, the dyad, the I-Thou encounter. This theme of personal relationship is central not only in its location within the Church Dogmatics but perhaps throughout Barth's theology.


2011 ◽  
Vol 45 (2/3) ◽  
Author(s):  
H.J.M. Van Deventer

Grammatical-historical exegesis: quid est et quo vadis?This article investigates the grammatical-historical method of biblical interpretation. The aim is to indicate certain problems in the approach through critical investigation and to make suggestions regarding changes to this method. Emphasis is placed on the historical- and reader-focused aspects related to reading an ancient biblical text. The development of the grammaticalhistorical method is placed against the backdrop of the development of biblical interpretation in general. Lastly, suggestions are made on how the results of the historical-Jesus research can contribute to responsible exegesis.


Daphnis ◽  
2013 ◽  
Vol 42 (2) ◽  
pp. 331-378
Author(s):  
Johann Anselm Steiger ◽  
Franziska May

This study on the most extensive work on the Bible that Lutheran Protestantism has ever produced, the so-called Kurfürstenbibel or Elector’s Bible (first published in 1641), presents the bible’s formation under the authorial leadership of Johann Gerhard and Salomon Glassius, the style used in presenting concise biblical commentary, the many supplements to the biblical text, and the impressive array of artwork. This study also demonstrates that the preparation, drafting, and publication of the Kurfürstenbibel is, on the one hand, a media production that serves to represent the elector’s sovereignty. At the same time, however, this medium also communicates the understanding that any mediality of governmental authority finds its limit wherever it sees its own sovereign right on earth confronted with the Son of God who alone is the ultimate medium of salvation.


Author(s):  
Cynthia L. Rigby

This chapter explores Barth’s understanding of justification, sanctification, and vocation. It begins by directing the reader’s attention to a 1957 sermon, delivered at the prison in Basel, which considers salvation, faith, and the relationship between divine and human agency. The chapter then considers Barth’s understanding of reconciliation in Church Dogmatics IV, paying particular attention to justification before Jesus Christ, sanctification for Jesus Christ, and vocation as the Christian’s cooperation in the work of Christ. A concern throughout is to show that Barth takes reconciliation, centred in the one who is fully divine and fully human, to be both entirely the work of God and also fully our own.


2019 ◽  
Vol 37 (1) ◽  
pp. 89-110
Author(s):  
Rachel Fensham

The Viennese modern choreographer Gertrud Bodenwieser's black coat leads to an analysis of her choreography in four main phases – the early European career; the rise of Nazism; war's brutality; and postwar attempts at reconciliation. Utilising archival and embodied research, the article focuses on a selection of Bodenwieser costumes that survived her journey from Vienna, or were remade in Australia, and their role in the dramaturgy of works such as Swinging Bells (1926), The Masks of Lucifer (1936, 1944), Cain and Abel (1940) and The One and the Many (1946). In addition to dance history, costume studies provides a distinctive way to engage with the question of what remains of performance, and what survives of the historical conditions and experience of modern dance-drama. Throughout, Hannah Arendt's book The Human Condition (1958) provides a critical guide to the acts of reconstruction undertaken by Bodenwieser as an émigré choreographer in the practice of her craft, and its ‘materializing reification’ of creative thought. As a study in affective memory, information regarding Bodenwieser's personal life becomes interwoven with the author's response to the material evidence of costumes, oral histories and documents located in various Australian archives. By resurrecting the ‘dead letters’ of this choreography, the article therefore considers how dance costumes offer the trace of an artistic resistance to totalitarianism.


Imbizo ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 40-54
Author(s):  
Oyeh O. Otu

This article examines how female conditioning and sexual repression affect the woman’s sense of self, womanhood, identity and her place in society. It argues that the woman’s body is at the core of the many sites of gender struggles/ politics. Accordingly, the woman’s body must be decolonised for her to attain true emancipation. On the one hand, this study identifies the grave consequences of sexual repression, how it robs women of their freedom to choose whom to love or marry, the freedom to seek legal redress against sexual abuse and terror, and how it hinders their quest for self-determination. On the other hand, it underscores the need to give women sexual freedom that must be respected and enforced by law for the overall good of society.


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