The Pottery of the Later Bronze Age in Lowland England

1980 ◽  
Vol 46 ◽  
pp. 297-319 ◽  
Author(s):  
John C. Barrett

This paper discusses the development of pottery styles in southern and eastern England during the first half of the first millennium B.C. The region discussed is Hawkes' Southern Province (1959, fig. 1), and excursions will also be made into the Eastern Province (fig. 1).The discussion of settlement sequences, and the dating of individual sites, is still largely dependent upon ceramic refuse derived from such sites. The analysis of settlement patterns for the earlier part of the first millennium B.C. thus rests upon our understanding of the ceramic traditions of that period, and this has led to considerable confusion. Two problems must be isolated at the outset. The first results from the re-evaluation of British Bronze Age chronology which took place in the 1950's, leading to Hawkes' 1960 scheme and then to Burgess' rather rigid reading of the evidence nine years later (Butler and Smith 1956; Smith, M. A. 1959; Smith, I. F. 1961; Hawkes 1960; Burgess 1969). The main effect, if we are to follow Burgess, was to draw Beakers, Food Vessels and most Urn forms back into an early Bronze Age the end of which, around 1400 B.C., was marked by the end of the Wessex grave series. As for the Middle and Late Bronze Age Burgess concluded that ‘over much of the British Isles there are no settlements, burials, defended sites, pottery, or other non-metallic cultural material which can safely be assigned to the Middle or Late Bronze Age. There are a few localized exceptions such as the Deverel-Rimbury culture and Flat-rim ware’ (Burgess 1969, 29).

Author(s):  
Eric Gubel

Rooted in Late Bronze Age Levantine traditions, Phoenician art emerges in the early first millennium bce, spiced with new elements adopted and adapted from contemporary Egyptian models, while also permeable to influence from artistic trends popular with neighboring cultures and overseas recipients of Phoenician luxurious exports. During its acme between the late ninth and early seventh centuries bce, the art shared a common repertoire of motifs among sculptors, metalsmiths, ivory carvers, and seal cutters in a predominantly Egyptianizing style. Mass-produced terracotta plaques, figurines, and the minor arts displayed a more diversified array of autochthonous characteristics. In line with the evolution of sculpture, the Cypriot component was definitely replaced by Greek idioms from the later sixth century bce onward. If Punic art cannot possibly be defined as a mere perpetuation of the Phoenician production, and was impacted by more complex patterns of cultural interaction (e.g. North Africa, Iberia), the latter’s heritage is undeniable in many artistic media.


Author(s):  
A. Poliakov ◽  
◽  
P. Hommel ◽  
L. Marsadolov ◽  
V. Lurie ◽  
...  

This abstract presents the first results of Kamenniy Log I, the Late Bronze Age settlement at Minusinsk Hollow, radiocarbon dating. This investigation was based on samples from the different dwellings. The analysis, which had been made at the laboratories of the Oxford University, confirmed earlier assumptions about the sustainable chronology of this key site (XIV–X BC).


2004 ◽  
Author(s):  
Leonard Woolley

This monograph describes large-scale excavations undertaken by Sir Leonard Woolley from 1937 to 1939, and again from 1946 to 1949, at the site of Alalakh (modern Tell Atchana) – a late Bronze Age city in the Amuq River valley of Turkey's Hatay Province. Described is the evidence of a series of superimposed palaces and temples, town defences, private houses and graves, in 17 archaeological levels reaching from late Early Bronze Age (Level XVII, c. 2200–2000 BC to Late Bronze Age (Level 0, 13th century BC). Supplementary reports describe the architecture and frescoes, sculptures, and portable objects in fired clay, gold, silver, ivory, stone, and glass.


2018 ◽  
Vol 28 (4) ◽  
pp. 665-688 ◽  
Author(s):  
Joanna Brück ◽  
Alex Davies

Bronze Age metal objects are widely viewed as markers of wealth and status. Items of other materials, such as jet, amber and glass, tend either to be framed in similar terms as ‘prestige goods’, or to be viewed as decorative trifles of limited research value. In this paper, we argue that such simplistic models dramatically underplay the social role and ‘agentive’ capacities of objects. The occurrence of non-metal ‘valuables’ in British Early Bronze Age graves is well-documented, but their use during the later part of the period remains poorly understood. We will examine the deposition of objects of amber, jet and jet-like materials in Late Bronze Age Britain, addressing in particular their contexts and associations as well as patterns of breakage to consider the cultural meanings and values ascribed to such items and to explore how human and object biographies were intertwined. These materials are rarely found in burials during this period but occur instead on settlements, in hoards and caves. In many cases, these finds appear to have been deliberately deposited in the context of ritual acts relating to rites of passage. In this way, the role of such objects as social agents will be explored, illuminating their changing significance in the creation of social identities and systems of value.


2013 ◽  
Vol 1 (1) ◽  
pp. 25 ◽  
Author(s):  
Joachim Lutz ◽  
Ernst Pernicka

The rich copper ore deposits in the Eastern Alps have long been considered as important sources for copper in prehistoric Central Europe. It is, however, not so clear which role each deposit played. To evaluate the amount of prehistoric copper production of the various mining regions it was attempted to link prehistoric metal artefacts with copper ores based on the geochemical characteristics of the ore deposits that have been exploited in ancient times. More than 120 ore samples from the well known mining districts Mitterberg, Viehhofen, Kitzbühel and Schwaz/Brixlegg have been analysed so far (lead isotope ratios, trace elements). Furthermore, about 730 archaeological copper/bronze artifacts were investigated and analysed. These results were combined with analytical data generated by previous archaeometallurgical projects in order to compile a substantial database for comparative studies. In the Early Bronze Age, most metal artifacts were made of copper or bronze with fahlore impurity patterns and most finds from this period match excellently the fahlore deposits in Schwaz and Brixlegg. At the end of the Early Bronze Age, a new variety of copper with lower concentrations of impurities appeared. The impurity patterns of these finds match the ores from the Mitterberg district. In the Middle Bronze Age, this variety of copper Dominated while in the Late Bronze Age fahlores from Schwaz and Brixlegg experienced a comeback. The reason for this may be a decline of the chalcopyrite mines or a rising demand for copper which could not be covered by the chalcopyrite mines alone. The finds of the Early Iron Age are of similar composition and continue the traditions of the Late Bronze Age.


1946 ◽  
Vol 12 ◽  
pp. 121-141 ◽  
Author(s):  
C. M. Piggott

Although a large number of bronze ‘razors’ have been found in these islands, the literature concerning them is very scattered, and there has been no attempt to synthesize the information concerning them. There are frequent references to the so-called ‘plantain’ (our Class I) form or to the ‘maple-leaf’ (Class II) examples with their suggested connection with Siculan razors, but there has been no detailed analysis of their chronological and cultural positions in the British Late Bronze Age. This paper attempts such a classification of the razors on a typological and cultural basis so that they can be fitted with greater accuracy intq their place in Late Bronze chronology.


1981 ◽  
Vol 61 (2) ◽  
pp. 203-237 ◽  
Author(s):  
John Barrett ◽  
Richard Bradley ◽  
Martin Green ◽  
Barry Lewis

SummaryThis paper offers a provisional assessment of the development of settlement in part of Cranborne Chase between the Mesolithic and the Late Bronze Age. It builds upon the results of Pitt Rivers' work in this region between 1880 and 1900, as well as more recent excavation and field survey. Special emphasis is placed on three factors: the relationship between activity in this area and settlement both in central Wessex and on the coastal plain; the place of the more prominent ‘public’ monuments in contemporary patterns of settlement and exchange; and the relationship between cemeteries and contemporary living sites. We present the first results from the extensive excavation of two Deverel-Rimbury enclosures and associated barrows, and a new analysis of Pitt Rivers' work on the urnfield at Handley Barrow 24.


1968 ◽  
Vol 63 ◽  
pp. 277-285 ◽  
Author(s):  
Colin Renfrew

The absolute chronology for the Early Bronze Age of Central and Northern Europe, including that for the Wessex culture of southern Britain, is not yet reliably established. This point was emphasized by V. Gordon Childe in his Retrospect, and the following words were indeed the very last which he wrote. Speaking of ‘the urgency of establishing a reliable chronology’, he stated: ‘a great deal of the argument depends on a precise date for the beginning of Unétice, that is at best very slightly the most probable out of perfectly possible guesses ranging over five centuries’.At that time the basis for the absolute chronology of the Early Bronze Age was, as it largely remains today, a framework of synchronous links built up across Europe to the Mycenaean world of the Aegean Late Bronze Age. The assumption was made—and Childe stressed that it was an assumption—that European development and chronology were to be viewed in terms of ‘the irradation of European barbarism by Oriental civilisation’. Possible links for the European Early Bronze Age with Mycenae and indeed the Near East were eagerly sought in an attempt to build up a coherent chronology founded on this assumption.


Antiquity ◽  
1994 ◽  
Vol 68 (260) ◽  
pp. 518-524 ◽  
Author(s):  
P. Budd ◽  
D. Gale ◽  
R. A. F. Ixer ◽  
R. G. Thomas

Ireland is important in the early metallurgy of northwest Europe, for it has given us a large majority of the Early Bronze Age artefacts from the whole British Isles. Is there tinore to have been mined in early Ireland to produce this bronze or must it have come from elsewhere?


1976 ◽  
Vol 56 (1) ◽  
pp. 24-34 ◽  
Author(s):  
William J. Britnell

SummaryA group of antler cheekpieces are described and illustrated which provide a small but significant contribution to the evidence of horsemanship in the later Bronze Age in the British Isles. Although independent dating evidence is meagre, they form a coherent stylistic and functional type which has parallels in the late Urnfield period in Central Europe. An attempt is made to reconstruct other elements of the bridle, and they are compared with a number of bronze cheekpieces which show some affinity.


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