scholarly journals Sydney Observatory Goes Public

1990 ◽  
Vol 105 ◽  
pp. 357-359
Author(s):  
N.R. Lomb ◽  
T. Wilson

In 1982, after a 124-year history of research, Sydney Observatory became a branch of a large local museum, the Museum of Applied Arts and Sciences. A four-year, million-dollar project was undertaken to restore the building and its grounds to their nineteenth century appearance. The services needed for a modern museum were also added. One of the larger areas became a modern lecture theater seating up to fifty people, with back projection video, film and slide projectors.Exhibition space within the building is limited to eight rooms of approximately 200 m2 total area. To overcome this lack of space, a proposal has been made for an extension to the rear of the building. An underground 100-seat planetarium is included in the proposal. There is a great need for this as there is no planetarium currently in Sydney.

Author(s):  
W. Andrew Collins ◽  
Willard W. Hartup

This chapter summarizes the emergence and prominent features of a science of psychological development. Pioneering researchers established laboratories in Europe in the mid-nineteenth century to examine the significance of successive changes in the organism with the passage of time. American psychologists, many of whom had studied in the European laboratories, subsequently inaugurated similar efforts in the United States. Scientific theories and methods in the fledgling field were fostered by developments in experimental psychology, but also in physiology, embryology, ethology, and sociology. Moreover, organized efforts to provide information about development to parents, educators, and public policy specialists further propagated support for developmental science. The evolution of the field in its first century has provided a substantial platform for future developmental research.


Author(s):  
Carlo G. Lacaita

150 years after Carlo Cattaneo gave his six “Psychology of Associated Minds” lectures at the Lombard Institute of Arts and Sciences (1859-1866), the new edition of these and other unpublished texts, edited by B. Boneschi, is a significant outcome of a renewed interest in his thought and writings. In this essay, Carlo Lacaita retraces the history of the editions which, in spite of errors and difficulties, have increasingly recomposed and circulated the vast and scattered production of one of the major nineteenth-century European intellectuals.


2000 ◽  
Vol 27 ◽  
pp. 1-29 ◽  
Author(s):  
Jörg Adelberger

The Muri Mountain range is located in the area formed by the boundaries between the federal states of Bauchi, Taraba, and Adamawa in Northern Nigeria. Various small, linguistically, and partly culturally distinct ethnic groups inhabit this mountain region. The Muri Mountains may be counted among those regions of Africa about which academic knowledge was rather scarce until recent times. Here I shall recount the experiences of two nineteenth-century German explorers of Africa, Eduard Vogel and Eduard Robert Flegel, who played an important part in the history of research on the Muri Mountains. Approaching the region from different directions, Vogel and Flegel were the first Europeans to gain detailed knowledge of vthe area and its inhabitants. The Muri Mountains, in themselves, were not a focus of attention for the two travelers, but just an incidental issue on which they touched during their voyages.Most European travelers of that time bypassed the Muri Mountains. This becomes obvious when looking at contemporary maps, on which one can hardly find any geographical information on the area between present-day Gombe and the river Benue until the 1870s (compare the two maps in Rohlfs 1872). Previously, in 1851 Heinrich Barth had arrived at Yola, coming via the Mandara Mountains. After a short stay, however, he had to return to Borno. In the itineraries he collected at Yola, the names of Tangale and Chongom are mentioned as stations on the way from Yola to Dukku (cf. Barth 1857, 2: 701, 708-09, 601-02).


Author(s):  
Elżbieta Dąbrowicz

Comprehensive work on the history of nineteenth-century biographical texts has not been written yet and if it had, it would have to include the laudatory biographies practiced by Warsaw’s Towarzystwo Przyjaciół Nauk (Society of Friends of Arts and Sciences). An extensive collection of them can be found in their yearbooks. This article’s object of interest is Pochwała Józefa Szymanowskiego [Praise of Józef Szymanowski] by Stanisław Kostka Potocki, which was oftentimes cited as an example of exorbitant rhetoric in the past. Widely w Knidos [Venus temple in Knidos] casts shadow on TPN’s entire biographical work. The critics of the aforementioned Pochwała Józefa Szymanowskiego completely overlooked a substantial part of it which could be recognized as the founding story of the organization conceived in the Prussian part of the partitioned Poland; one that was taking its first shaky steps in uncertain times when the situation in Europe and the rest of the world was changing on a daily basis. commented unearned praise of the translation of Świątynia Wenery w Knidos [Venus temple in Knidos] casts shadow on TPN’s entire biographical work. The critics of the aforementioned Pochwała Józefa Szymanowskiego completely overlooked a substantial part of it which could be recognized as the founding story of the organization conceived in the Prussian part of the partitioned Poland; one that was taking its first shaky steps inuncertain times when the situation in Europe and the rest of the world was changing on a daily basis.changing on a daily basis.


1983 ◽  
Vol 28 (7) ◽  
pp. 545-546
Author(s):  
Rae Silver

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


2013 ◽  
Vol 40 (2) ◽  
pp. 244-256 ◽  
Author(s):  
Holger Funk

In the history of botany, Adam Zalužanský (d. 1613), a Bohemian physician, apothecary, botanist and professor at the University of Prague, is a little-known personality. Linnaeus's first biographers, for example, only knew Zalužanský from hearsay and suspected he was a native of Poland. This ignorance still pervades botanical history. Zalužanský is mentioned only peripherally or not at all. As late as the nineteenth century, a researcher would be unaware that Zalužanský’s main work Methodi herbariae libri tres actually existed in two editions from two different publishers (1592, Prague; 1604, Frankfurt). This paper introduces the life and work of Zalužanský. Special attention is paid to the chapter “De sexu plantarum” of Zalužanský’s Methodus, in which, more than one hundred years before the well-known De sexu plantarum epistola of R. J. Camerarius, the sexuality of plants is suggested. Additionally, for the first time, an English translation of Zalužanský’s chapter on plant sexuality is provided.


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