scholarly journals XXVI.—Memoir on the Practice of Banishment, as it obtained in the Reign of James II. among those who were sentenced to death for their Participation in the Rebellion of the Duke of Monmouth. By George Roberts, Esq.

Archaeologia ◽  
1852 ◽  
Vol 34 (2) ◽  
pp. 350-356
Author(s):  
George Roberts
Keyword(s):  
Personal History ◽  
General Treatment ◽  
The Public ◽  
The Family ◽  
History Of

At the time I was engaged in collecting materials for my “Life, Progresses, and Rebellion of James Duke of Monmouth,” in 2 vols. 8vo. published in 1844, scarcely any detailed information could be procured respecting any of the exiled followers of the duke. The fate of only four individuals was actually ascertained; and the intimate personal history of no one, much less the general treatment, transportation, and return of any, could be learned from whatever quarter. A lady wrote to me, and obligingly supplied what is to so many an object of great interest, in the shape of a MS. narrative of the transportation, sale, and labour of John Coad; which I advised should be forwarded to Mr. Macaulay for his then expected work. An imperfect copy was accordingly sent, which has since been printed, the deficient part being supplied before the issue to the public from, I believe, the copy lent to me. Another of the kind contributors to my labours was one of the family of the late John Frederick Pinney, Esq. of Somerton Erleigh, who searched amongst old family papers, and has had the gratification of having produced for my use matter important to general history and biography.

scholarly journals Stanley Melbourne Bruce - Viscount Bruce of Melbourne, 1883-1967

1970 ◽  
Vol 16 ◽  
pp. 57-62
Keyword(s):  
Family Business ◽  
Royal Society ◽  
Prime Minister ◽  
Public Life ◽  
Grammar School ◽  
Preparatory School ◽  
The Public ◽  
The United Kingdom ◽  
The Family ◽  
History Of

The public life of Stanley Melbourne Bruce, Prime Minister of Australia, a Viscount of the United Kingdom, a Fellow of the Royal Society, was one of the most paradoxical in the history of his native country. Bruce was born in Melbourne on 15 April 1883, of a well-to-do mercantile family. 1893 saw the collapse of a great land boom, the failure of some banks and an acute general depression. The family business, Paterson, Laing and Bruce, was in difficulties. Stanley Bruce’s father sold his mansion in the fashionable suburb of Toorak. Stanley himself had to leave his preparatory school—the fees were not available. His father, who appears to have been a singularly determined man, then proceeded to restore the fortunes of the business. In 1896 the young Stanley went to the well-known Melbourne Grammar School, where he was a most successful all-round student. It has been given to few boys at a great school to be not only captain of football, of cricket, of athletics, and of rowing, but also Senior Prefect (i.e. Captain) of the School.

The Pre-Psychotic Schizoid: A Character Study

1931 ◽  
Vol 77 (319) ◽  
pp. 804-818
Author(s):  
Stanley M. Coleman
Keyword(s):  
Personal History ◽  
Character Study ◽  
The Family ◽  
History Of

This paper is an attempt to study the family and personal history of a schizoid individual, J. M—, who developed schizophrenia (dementia paranoides) at the age of 22.

scholarly journals On the Concepts of the “Family” and the “Household” in the Political Theory of Jean Bodin

2019 ◽  
Vol 18 (4) ◽  
pp. 130-148
Author(s):  
Gulnara Bayazitova
Keyword(s):  
Political Theory ◽  
The Political ◽  
Ancient Rome ◽  
The Public ◽  
Secondary Sources ◽  
Jean Bodin ◽  
The Family ◽  
History Of ◽  
The Difference ◽  
The Republic

The article examines the tradition of formation of the concepts “family” (famille) and “household” (ménage) in the political theory of the French lawyer, Jean Bodin. The article looks into different editions of Six Books of the Commonwealthto explore the connotations of the key concepts and the meaning that Bodin ascribed to them. As secondary sources, Bodin uses the works by Xenophon, Aristotle, Apuleus, and Marcus Junianus Justin, as well as the Corpus Juris Civilis. Bodin examines three different traditions, those of Ancient Greece, Ancient Hebrew, and Ancient Rome. Each of these traditions has its own history of the concepts of the “family” and of the “household”. Bodin refers to ancient traditions for polemics, but eventually offers his own understanding, not only of the concepts of “famille” and “ménage”, but also of the term «République», defined as the Republic, a term that (with some reservations) refers to the modern notion of state. The very fact that these concepts are being used signifies the division of the political space into the spheres of the private and the public. Furthermore, the concepts of the “family” and of the “household” are key to understand the essence of sovereignty as the supreme authority in the Republic. The author concludes that the difference between Bodin’s concepts of the “family” and the “household” lies not only in the possession of property and its legal manifestation, but also in the fact that the “household” is seen by Bodin as the basis of the Republic, the first step in the system of subordination to the authority.

THE DRAMATURGİCAL ROLE OF CHORAL SCENES İN VASİF ADİGOZALOV’S OPERA “DEAD”

2021 ◽  
Vol 6 (12) ◽  
pp. 57-67
Author(s):  
Leyla ZALIYEVA
Keyword(s):  
Main Idea ◽  
Vocal Music ◽  
Musical Language ◽  
Music Culture ◽  
The Public ◽  
Women's Choir ◽  
The Family ◽  
History Of ◽  
History Of Literature

Vasif Adigozalov was one of the artists who attracted attention during the brilliant development of the Azerbaijani composition school in the 70 s of the XX century. Born in Karabakh, a fascinating sorner of Azerbaijan, in the family of the famous and talented singer Zulfu Adigozalov’s works reflected the priceless pages of the national music culture. The story-based opera “The Dead”, which entered the history of literature as a comedy, is also regarded as the first comedy opera in our music history. However, every Azerbaijani who knows the work realizes what a great tragedy is actually happening here. V.Adigozalov began writing this work after graduating from the conservatory. The play was performed at the Azerbaijan State Opera and Ballet Theater named after M.F.Akhundof, in 1963. In V.Adigozalov’s opera, the choir acts as one of the main characters in the dramatic development of the work. Each choral stage server as a driving force within, as well as conditioning the course of events. The choir also represents the image of the public and character that expresses the main idea of the work. In this respect, particular attention should be paid to women’s choir. Because women who are victims of this ignorance. Therefore, the screams, deep tragedies and dramas of the women’s choir are reflected. Another concrete example of the women’s theme is seen in the scenes with Nazli and her mother. In particular, choral scenes, which express Nazli’s belief in the return of his dead sister, eventually lost all hope, and the moaning of traumatized young girls, are the dramatic culmination of the tragedy in opera. When we look at the musical language of the choirs, national intonation and rhythmic features draw attention. The intonations of folk music, characteristic of the composer’s musical language, are clearly felt in all stages of the opera and in the choir. Considering the unique melodies of V.Adigozalov’s vocal music in the vocal and choral performance is important. This direction is also reflevted in other music and stage work, including the composer’s vocal music.

La familia en México colonial: Una historia de conflictos cotidianos

1998 ◽  
Vol 14 (2) ◽  
pp. 389-406 ◽  
Author(s):  
Pilar Gonzalbo Aizpuru
Keyword(s):  
National Identity ◽  
Family Structure ◽  
Social Organization ◽  
Daily Life ◽  
Family Studies ◽  
The Public ◽  
Recent Advances ◽  
The Family ◽  
History Of ◽  
The Relationship

In recent decades scholars have become interested in the nature of daily life and the history of the family. Studies of those subjects in Mexico, although scattered and unsystematic, now constitute an important body of work. Large questions, such as the formation of a national identity, biological and cultural mestizaje, changes in social organization, and the preservation of traditions and ancestral beliefs, can be better understood if considered from the perspective of family structure, manifestations of daily life, and the relationship between the public and the private. This essay seeks to assess the recent advances in these fields.

The History of the Department of State: VI

1911 ◽  
Vol 5 (1) ◽  
pp. 118-143
Author(s):  
Gaillard Hunt
Keyword(s):  
Foreign Relations ◽  
Early Period ◽  
Federal System ◽  
Andrew Jackson ◽  
Department Of State ◽  
The Public ◽  
Limited Experience ◽  
The Family ◽  
History Of ◽  
The Subject

In his first annual message, December 8, 1829, President Andrew Jackson said : The great and constant increase of business in the Department of State forced itself at an early period upon the attention of the Executive, Thirteen years ago it was, in Mr. Madison’s last message to Congress, made the subject of an earnest recommendation, which has been repeated by both of his successors; and my comparatively limited experience has satisfied me of its justness. It has arisen from many causes, not the last of which is the large addition that has been made to the family of independent nations and the proportionate extension of our foreign relations. The remedy proposed was the establishment of a home department — a measure which does not appear to have met the views of Congress on account of its supposed tendency to increase, gradually and imperceptibly, the already too strong bias of the federal system towards the exercise of authority not delegated to it. I am not, therefore, disposed to revive the recommendation, but am not the less impressed with the importance of so organizing that Department that its Secretary may devote more of his time to our foreign relations. Clearly satisfied that the public good would be promoted by some suitable provision on that subject, I respectfully invite your attention to it.

Early and Progressive Cognitive Disorder Imposes CADASIL Syndrome in the Diagnostic Assumption

2021 ◽  
Author(s):  
Mircea-Catalin Fortofoiu
Keyword(s):  
Brain Mri ◽  
Cognitive Disorder ◽  
Personal History ◽  
Emotional Lability ◽  
State Of Health ◽  
Diagnostic Challenge ◽  
The Family ◽  
History Of ◽  
Skin Biopsies ◽  
Multiple Treatments

The case presented is a diagnostic challenge considering the family and medical history of the 65-year-old patient with a family history of migraine depression, emotional lability, and gait disorders manifested at his grandmother, his mother, and his sister. After multiple hospitalizations for the described symptoms and multiple treatments with questionable results, the diagnosis was imposed by the appearance described by brain MRI to which were added the data from the patient's family and personal history. Of course, a full confirmation of the diagnosis would have required skin biopsies and genetic testing that the patient refused to perform. However, due to its peculiarities, the presented case tries to offer a diagnostic orientation path for practitioners in situations where previous diagnoses and treatments are not sufficiently conclusive either due to the impossibility of performing specific tests at that time or either because of the patient's indifference to his state of health.

scholarly journals ZAMORSCY – ART IN PUBLIC SPACE BY THE FAMILY OF ARTISTS

space&FORM ◽  
2021 ◽  
Vol 45 ◽  
pp. 259-276
Author(s):  
Paula Jeziorna ◽  
Keyword(s):  
Public Space ◽  
Research Problem ◽  
Main Research ◽  
The Public ◽  
The Family ◽  
History Of ◽  
The City ◽  
Point Of Reference ◽  
Contemporary Artists

The main research problem of the study is an attempt to present the family of Anna, Ryszard and Jan Zamorscy as contemporary artists associated with Wrocław through the implementation of artistic objects in the public space of the city. Although their work goes beyond outdoor facilities, thanks to the openness and universality of the space in which their works are located, they have become a permanent part of the inhabitants' awareness and the history of the city. The work shows a different view of the artists' activity, where the point of reference is the place of exhibition of artistic objects, and not their subject, scale, material of execution or the entire creative output of the Zamorscy family.

LT: Yes, I think so. You move between and among all those different states. In a way desire, libido, that sort of drive, that energy— without it you probably wouldn’t do anything. But when you have it, when you’re experiencing it very, very strongly, so that it’s pushing you in all sorts of ways, you’re also at its mercy. You can feel content, maybe, in the moment when you’re not feeling that, but you’re also in a static state. You may have a period of equilibrium but you’re always going to head toward a state of disequilibrium. PN: There are several moments in Cast in Doubt where Horace finds himself ‘without or separate from desire’; ‘Indeed I felt blank’, he says (C, 141). LT: Yes—a desire not to desire. I’m working on a story now in which a woman likes to watch pornography. But to say ‘I like this’, or to say ‘I want to see this’, means that those things are not in her life. That’s the implication. That’s why nobody wants to be caught wanting. We’re filled with desires, but you’re not supposed to say that you have them. Because if you have them, it means that you’re lacking. At the ICA panel on Straight Sex, Lynne Segal in November talked about female heterosexual agency in so-called straight sex that everybody agrees is not so straight. Later all I could think about was that implied in the term ‘I desire’ is its own negation, a negation of agency. If you desire then you have a problem. But you can always say, ‘I wanted him and I got him.’ PN: But he wasn’t good enough! LT: Then I wanted someone else! PN: Can we go back to your first book, Haunted Houses? I gather the title comes from a passage in H.D.’s Tribute to Freud where she says that ‘We are all haunted houses.’ At the end of the novel that haunting is described as ‘A bad feeling that someone or something is never going to let you alone’ (H, 206). What kind of someone or something were you trying to get at in this novel? LT: I guess it’s a question of personal history, psychological history, of one’s family, which never leaves you alone. The idea that you can be completely free of that is bogus. Moving from personal history into public history, your present is always inflected by your past. I believe one can move, with a lot of psychological work, further away from the neurosis of the family, but perhaps never completely. PN: There’s certainly a lot of interest in this first book in forms of recollection and repetition. The young women in the novel fear they will repeat the lives of their mothers, and it’s as if the

2005 ◽  
pp. 53-53
Keyword(s):  
Young Women ◽  
Public History ◽  
Personal History ◽  
The Novel ◽  
Static State ◽  
The Family ◽  
History Of ◽  
The Moment ◽  
Haunted Houses ◽  
As If
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