Memoirs, Memory, and Historical Experience

1994 ◽  
Vol 7 (1) ◽  
pp. 103-119 ◽  
Author(s):  
Gabriel Motzkin
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Paradigm Shifts ◽  
Historical Science ◽  
Historical Experience ◽  
History And Memory ◽  
The Past ◽  
Early Eighteenth Century ◽  
Subjective Truth

The ArgumentAgainst the idea that modern historiography developed in the eighteenth century as a completely new way of looking at the past, this paper argues that modern historical science borrowed its sense of experience from seventeenth-century memoirs. However, seventeenth-century rnemorialists made very different as sumptions than modern historians about the relations between time, memory, and history. One consequence of their introduction of lived subjectivity into the depiction of the past was a debate in early eighteenth-century France about the relations between history and fiction, some arguing that fiction is a better way of grasping the subjective truth of the past. These debates about the relations between history and memory and between history and fiction have resurfaced recently. The historical moods that are one context for paradigm shifts share common motifs, such as a sense of defeat, of distance between the present and the immediate past, and a need for consolation through the elaboration of a new mode of experiencing the past.

XXI: Mortality in Magherafelt, County Derry, in the early eighteenth century reappraised

1982 ◽  
Vol 23 (89) ◽  
pp. 50-60 ◽  
Author(s):  
William Macafee ◽  
Valerie Morgan
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Case Studies ◽  
Demographic History ◽  
Historical Demography ◽  
The Past ◽  
Detailed Case ◽  
Tax Returns ◽  
Early Eighteenth Century ◽  
Population Patterns

The study of Irish historical demography has long been an area of complexity and controversy; and the further back into the past the search for patterns and trends is pushed, the more the problems multiply. Much of the difficulty stems from the inadequacy and/or variability of the available sources. Hearth-tax returns, enumeration lists of various types, estate records and registers of baptisms, marriages and burials, all pose problems of interpretation and in addition, for any single area, they are likely to provide only fragmentary and discontinuous evidence. $$Largely because of these difficulties, only a limited number of detailed analyses of population patterns in specific areas as far back as the late seventeenth century and early eighteenth century have been attempted. Yet at the same time the work which has been done has made it apparent both that this is a crucial period in terms of demographic history and that only detailed case studies can provide the evidence necessary to enlarge upon our current very general understanding.

The Musical Topic of the Mass in B Minor

2018 ◽  
Author(s):  
Daniel R. Melamed
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Church Music ◽  
Sacred Music ◽  
The Other ◽  
Entire Spectrum ◽  
Giovanni Pierluigi Da Palestrina ◽  
Early Eighteenth Century

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.

The Convent of Santa Clara, the Elite and Social Change in Eighteenth Century Querétaro

2001 ◽  
Vol 33 (2) ◽  
pp. 257-290 ◽  
Author(s):  
ELLEN GUNNARSDÓTTIR
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Social Change ◽  
Colonial Mexico ◽  
Social Strategies ◽  
The Past ◽  
The Social

This article focuses on the changes that occurred within Querétaro's elite from the late Habsburg to the high Bourbon period in colonial Mexico from the perspective of its relationship to the convent of Santa Clara. It explores how creole elite families of landed background with firm roots in the early seventeenth century, tied together through marriage, entrepreneurship and membership in Santa Clara were slowly pushed out of the city's economic and administrative circles by a new Bourbon elite which broke with the social strategies of the past by not sheltering its daughters in the city's most opulent convent.

Introduction

2019 ◽  
pp. 1-26
Author(s):  
Quintin Colville ◽  
James Davey
Keyword(s):  
Eighteenth Century ◽  
Political Influences ◽  
The Past ◽  
Current State ◽  
Naval History ◽  
The Subject ◽  
Early Eighteenth Century ◽  
The Many ◽  
Historical Profession

This introduction gives on overview of the sub-discipline of naval history since its emergence in the early eighteenth-century. It outlines the various social, cultural and political influences that have shaped the subject over the past three centuries, and discusses its relationship with the wider historical profession. The second half of the introduction sums up the current state of naval history, describing the many historiographies that now have a bearing on how the subject is conducted. Each contribution to the volume is introduced in this context, offering a precis of the chapters that follow.

Gratitude in the Early Eighteenth Century

2020 ◽  
pp. 77-105
Author(s):  
Ashraf H. A. Rushdy
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Self Interest ◽  
Early Eighteenth Century

This chapter explores the writings of four philosophers who were either directly or implicitly responding to the philosophers of the seventeenth century discussed in the previous chapter. The chapter looks at two philosophers who seem to adopt parts of the Hobbesian worldview—Pufendorf and Mandeville—and two who explicitly contest it: Shaftesbury and Butler. The primary questions they ask involve human motivations—whether they can be altruistic or must be acts of self-interest or self-love.

City of Women, City of God

2018 ◽  
Author(s):  
Brianna Leavitt-Alcántara
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
Religious Experience ◽  
Spiritual Renewal ◽  
Religious Orders ◽  
City Of God ◽  
Early Eighteenth Century ◽  
Demographic Shifts

Chapter 1 examines the hagiography of local holy woman Anna Guerra de Jesús who migrated to Guatemala’s capital in the late seventeenth century. While the early modern Catholic ideal of feminine piety prized enclosure, obedience, and virginity, Anna was neither nun nor virgin, but rather a poor abandoned wife and mother. And although Church decrees clearly required actively religious laywomen to live in cloistered communities, Anna became an independent beata (laywoman who took informal vows) and Jesuit tertiary. This chapter explores Anna’s lived religious experience as a poor migrant and abandoned wife and mother, her engagement with female mysticism and devotional networks, and her alliances with powerful priests and religious orders. It also places Anna’s story within the context of late seventeenth and early eighteenth-century Santiago de Guatemala, particularly urban demographic shifts and social tensions, as well as movements for spiritual renewal and enthusiastic lay female piety.

John Weaver and the Origins of English Pantomime: A Neoclassical Theory and Practice for Uniting Dance and Theatre

2001 ◽  
Vol 42 (2) ◽  
pp. 191-214 ◽  
Author(s):  
Nancy Taylor
Keyword(s):  
Eighteenth Century ◽  
Theory And Practice ◽  
Neoclassical Theory ◽  
The Past ◽  
Rare Combination ◽  
The Arts ◽  
Early Eighteenth Century

Theatre historians have long acknowledged John Weaver as the father of English pantomime. In 1985, however, the foremost Weaver scholar, Richard Ralph, noted that no one had systematically studied Weaver's pantomime descriptions, printed in The Loves of Mars and Venus, nor had classical influences upon Weaver been sufficiently investigated.1 Scholarship in the past fifteen years has not filled these gaps; thus, this article begins an examination of these two areas of Weaver's work. They are especially significant because the pantomime descriptions and classical influences reveal that Weaver was a scholar-artist, a rare combination in his era, whose theories and practices deepened the interplay among the arts in early eighteenth-century England.2

Whom Do We Trust to Translate? An Early Eighteenth-Century Muslim Translation of the Gospels into Persian

2018 ◽  
Vol 69 (2) ◽  
pp. 199-213
Author(s):  
Kenneth J. Thomas
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Native Speaker ◽  
Christian Community ◽  
Muslim Scholar ◽  
Early Eighteenth Century ◽  
Key Terms ◽  
Base Text

Seventeenth-century Muslim scholar Khatun Abadi, commissioned by his shah, was the first native speaker to translate the Gospels into Persian. The goal was an accurate rendition, accompanied by notes intended to address contradictions and false claims of Christians. The translation was completed in 1703 but first published in 1995, in Iran. Understanding translation to be an act of interpretation, this study asks if we can trust a translation made by someone who does not accept the interpretation of the community that calls the text scripture. Based on analysis of translator notes, translation deviations from its Arabic base text, and the choice of key terms, the study concludes that the translator maintained the text’s integrity with few exceptions but that his notes are problematic from the perspective of the Christian community. Lessons are suggested for Christian translators who work with persons of other faiths or prepare renditions to be used by them.

‘TO MAKE OF LISBON A NEW ROME’: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S

2011 ◽  
Vol 8 (2) ◽  
pp. 179-214 ◽  
Author(s):  
JOÃO PEDRO D'ALVARENGA
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Dynamic Process ◽  
Historical Consciousness ◽  
Early Eighteenth Century ◽  
Performance Conditions ◽  
Portuguese Music

ABSTRACTThe elevation of the Portuguese Royal Chapel to the rank of Patriarchal Church in 1716 was part of a larger process of ‘Romanization’ – that is, of assimilation and adaptation of Roman models within Portuguese music and culture. This involved the training of numerous chaplain-singers and young Portuguese composers in Rome, as well as the importation of chant books, ministers, singers and even the maestro di cappella of the Cappella Giulia, Domenico Scarlatti. According to the anonymous ‘Breve rezume de tudo o que se canta en cantochaõ, e canto de orgaõ pellos cantores na santa igreja patriarchal’ (Brief summary of all that is sung in plainchant and polyphony by the singers at the holy Patriarchal Church) – a document written at some point between 1722 and 1724 – the repertory of the Patriarchal Church was a varied mixture of works by thirty-two identified composers, mostly Italian and Portuguese, from a period ranging from the sixteenth century to the early eighteenth century. Some of the repertory for Holy Week is also extant in three large choirbooks prepared by a copyist from the Patriarchal Church in 1735 and 1736 for use in the Ducal Chapel in Vila Viçosa. These include ‘modern’ additions to late sixteenth-century and seventeenth-century pieces and also some curious reworkings, made with the purpose of adjusting older works to newly ‘Romanized’ performance conditions and aesthetic ideals. The sources examined in this article thus show that Portuguese ‘Romanization’, far from being a simple transplantation of ideas and practices from the centre to the periphery, was a dynamic process of acculturation and adaptation rooted in emerging forms of historical consciousness.

Mortality on Convict Voyages to Australia, 1788–1868

1989 ◽  
Vol 13 (3) ◽  
pp. 285-313
Author(s):  
John McDonald ◽  
Ralph Shlomowitz
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
North America ◽  
Mortality Rates ◽  
Indentured Labor ◽  
East Indies ◽  
The Past ◽  
Late Nineteenth ◽  
And Migration ◽  
Eighteenth And Nineteenth Centuries

During the past two decades, there has been an outpouring of research on the seaboard mortality associated with intercontinental migration during the seventeenth, eighteenth, and nineteenth centuries. The focus of historical interest in this linkage between mortality and migration has been the Atlantic slave trade. We now have mortality rates on voyages from various regions in Africa to various destinations in the Americas, from the late seventeenth century to the mid-nineteenth century (see Curtin, 1968, 1969: 275-286; Klein and Engerman, 1976, 1979; Klein, 1978; Postma, 1979; Miller, 1981; Cohn and Jensen, 1982a, 1982b; Cohn, 1985; Eltis, 1984, 1987; Steckel and Jensen, 1986; Galenson, 1986). These slave studies have spawned renewed interest in the mortality associated with other seaborne populations, and mortality rates have been calculated on Dutch immigrant voyages to the East Indies during the eighteenth century, European convict and immigrant voyages to North America and European immigrant voyages to Australia during the eighteenth and nineteenth centuries, and Indian and Pacific Islander indentured labor voyages to Fiji and Queensland, Australia, during the late nineteenth and early twentieth centuries (see Riley, 1981; Eltis, 1983; Cohn, 1984, 1985, 1987, 1988; Grubb, 1987; Ekirch, 1987; Morgan, 1985; Shlomowitz, 1986, 1987, 1989; McDonald and Shlomowitz, 1988, forthcoming).

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