Utilitarianism and Reform: Social Theory and Social Change, 1750–1800

Utilitas ◽  
1989 ◽  
Vol 1 (2) ◽  
pp. 211-225 ◽  
Author(s):  
J. H. Burns

The object of this article is to examine, with the work of Jeremy Bentham as the principal example, one strand in the complex pattern of European social theory during the second half of the eighteenth century. This was of course the period not only of the American and French revolutions, but of the culmination of the movements of thought constituting what we know as the Enlightenment. Like all great historical episodes, the Enlightenment was both the fulfilment of long-established processes and the inauguration of new processes of which the fulfilment lay in the future. Thus the seminal ideas of seventeenth-century rationalism (in moral and social theory the idea, above all, of natural law) realized and perhaps exhausted their potentialities in the eighteenth-century Enlightenment. The ideas with which this article is concerned, however—conveniently grouped and labelled as the ideas of utilitarianism—only began to achieve systematic development in these later decades of the eighteenth century. Within that period—during the first half and more of Bentham's long life—attempts to apply those ideas to the solution of social problems met largely with failure and frustration. Yet unrealized potentialities remained, the realization of which was reserved for a time when the world of the philosophes no longer existed. The movements for social and political reform which have played so large a part in modern history since the French Revolution may be judged in widely differing ways; but whatever the verdict, these movements surely cannot be understood without due consideration of that part of their origins which lies in eighteenth-century utilitarianism.

Author(s):  
Sarah Mortimer

This essay describes the version of Christianity set out by Faustus Socinus, including his critique of the Trinity and the atonement, and his understanding of Christian ethics. It shows how his theology was taken up and developed by later Socinians, and describes how the role of reason in Socinian theology changed. The challenges which Socinianism posed to mainstream theology, especially in a period when new philosophies were being explored, are outlined. From the middle of the seventeenth century, Arian and then Unitarian ideas were heard, but these then receded into the background in the eighteenth century. It is suggested that the anti-Trinitarians benefited from changing attitudes toward philosophy and human nature during the Enlightenment, but that the French Revolution ushered in a new era of conservatism and hostility toward Socinianism and Unitarianism, at least in Europe.


1967 ◽  
Vol 36 (2) ◽  
pp. 170-188
Author(s):  
Alexander Lipski

It is generally accepted that even though rationalism was predominant during the eighteenth century, a significant mystical trend was simultaneously present. Thus it was not only the Age of Voltaire, Diderot, and Holbach, but also the Age of St. Martin, Eckartshausen and Madame Guyon. With increased Western influence on Russia, it was natural that Russia too would be affected by these contrary currents. The reforms of Peter the Great, animated by a utilitarian spirit, had brought about a secularization of Russian culture. Father Florovsky aptly summed up the state of mind of the Russian nobility as a result of the Petrine Revolution: “The consciousness of these new people had been extroverted to an extreme degree.” Some of the “new people,” indifferent to their previous Weltanschauung, Orthodoxy, adopted the philosophy of the Enlightenment, “Volter'ianstvo” (Voltairism). But “Volter'ianstvo” with its cult of reason and belief in a remote creator of the “world machine,“ did not permanently satisfy those with deeper religious longings. While conventional Orthodoxy, with its emphasis on external rites, could not fill the spiritual vacuum, Western mysticism, entering Russia chiefly through freemasonry, provided a satisfactory alternative to “Volter'ianstvo.”


Author(s):  
Karin Vélez

This chapter begins by examining how two peripheral artworks of the Virgin of Loreto, the eighteenth-century wooden statue from the Moxos missions and the seventeenth-century Roman painting by Caravaggio, each tapped into outside streams of Marian art. The same impetus for transformation is observed for the original icon of the Madonna of Loreto at the Italian shrine. Updates to this icon were spurred by an awareness of the world outside Loreto. The chapter concludes with a return to the frontier, to Canada, to consider some significantly named but lesser known Huron women converts who contributed to Mary's global public image. Overall, these case studies of modifications to the Virgin of Loreto reflect what mattered to people on both sides of the Atlantic about Mary at this time: she was alien, yet she was accessible; she moved, and she could also be moved.


Killing Times ◽  
2019 ◽  
pp. 54-86
Author(s):  
David Wills

This chapter offers an examination of the refining of the instant of execution that takes place with the introduction of trap door gallows in the seventeenth century and, more spectacularly and explicitly, in the late eighteenth century with the French Revolution and the guillotine. The death penalty is thereby distinguished from torture and a post-Enlightenment conception of punishment is introduced, lasting to the present. But the guillotine is bloody, and that underscores a complex visuality of the death penalty that also obtains during the same time period, playing out across diverse genres such as the execution sermon, political and scientific discourses relating to the guillotine, Supreme Court descriptions of crimes, and practices of an entity such as the Islamic State. What develops concurrent with the guillotine—yet remains constant through all those examples--is a form of realist photographic visuality.


2018 ◽  
pp. 135-161
Author(s):  
Annika Mann

This chapter reconsiders the emergence of political economy, biology, and literature as separate fields of research—disciplines—by examining representations of noxious generation in the politics and poetry of the late eighteenth century. In the debate between Edmund Burke and Thomas Paine over the status of the French Revolution, both writers collapse biological theories of reproduction and political theories of social collectivity, depicting generation as the proliferation of embodied collectives stimulated by print. In their poems The First Book of Urizen (1794) and “To a Little Invisible Being, Soon to Become Visible” (probably composed in 1799), William Blake and Anna Barbauld critique that collapse, even as they reflect upon how that collapse is itself facilitated by the tools of poetic discourse, by form and figure. Both poets explore how the “visible form” of writing, the structure of the book, and the figure of the womb are complicit in the generation of new kinds of bodies in the world. In so doing, Blake and Barbauld expose the unavoidably shared ground of poets, political economists, and scientists at the very moment those writers began increasingly articulating their own separateness.


1960 ◽  
Vol 29 (4) ◽  
pp. 424-439 ◽  
Author(s):  
George L. Mosse

The relationship between Christianity and the Enlightenment presents a subtle and difficult problem. No historian has as yet fully answered the important question of how the world view of the eighteenth century is related to that of traditional Christianity. It is certain, however, that the deism of that century rejected traditional Christianity as superstitious and denied Christianity a monopoly upon religious truth. The many formal parallels which can be drawn between Enlightenment and Christianity cannot obscure this fact. From the point of view of historical Christianity, both Protestant and Catholic, the faith of the Enlightenment was blasphemy. It did away with a personal God, it admitted no supernatural above the natural, it denied the relevance of Christ's redemptive task in this world. This essay attempts to discover whether traditional Christian thought itself did not make a contribution to the Enlightenment.


Tekstualia ◽  
2019 ◽  
Vol 4 (59) ◽  
pp. 27-40
Author(s):  
Mirosława Modrzewska

The article explores the affi nities between Byron’s works with the seventeenth-century literary tradition of carnivalesque discourse. These affi nities can be traced in his comical burlesque writings, such as The Devil’s Drive (1813), Beppo (1818), The Vision of Judgement (1822) and Don Juan (1819–1824). There is a well-established British critical tradition which sees the author of Don Juan as a continuator of Alexander Pope’s eighteenth-century mock-heroic convention, but his use of the grotesque mode makes him the heir of Miguel de Cervantes or Francisco Quevedo. Byron’s literary identifi cation with the poetic style of the seventeenth-century baroque can be detected in his predilection for a comical deformation of characters, images and meanings. The poet uses the language of monstrosity and transgression to achieve political and religious provocation and to lure his reader into the world of a liberated language, freed from conventional connotations.


Author(s):  
Robert G. Ingram

Reformation without end reinterprets the English Reformation. No one in eighteenth-century England thought that they lived during ‘the Enlightenment’. Instead, they thought that they still faced the religious, intellectual and political problems unleashed by the Reformation, which began in the sixteenth century. They faced those problems, though, in the aftermath of two bloody seventeenth-century political and religious revolutions. This book is about the ways the eighteenth-century English debated the causes and consequences of those seventeenth-century revolutions. Those living in post-revolutionary England conceived themselves as living in the midst of the very thing which they thought had caused the revolutions: the Reformation. The reasons for and the legacy of the Reformation remained hotly debated in post-revolutionary England because the religious and political issues it had generated remained unresolved and that irresolution threatened more civil unrest. For this reason, most that got published during the eighteenth century concerned religion. This book looks closely at the careers of four of the eighteenth century’s most important polemical divines, Daniel Waterland, Conyers Middleton, Zachary Grey and William Warburton. It relies on a wide range of manuscript sources, including annotated books and unpublished drafts, to show how eighteenth-century authors crafted and pitched their works.


1997 ◽  
Vol 16 (2) ◽  
pp. 77-99 ◽  
Author(s):  
E. Hamm

The history of geology has focused largely on the foundations of geology in the late eighteenth and early nineteenth centuries. Considerable attention has also been given to grand theories of the earth, or cosmogonies, of the seventeenth century. This approach has left out most of eighteenth-century mineralogy; it has also left out mining. The argument here is that Leibniz's Protogaea is best understood in the context of the Harz mines, where Leibniz spent considerable energy doing administrative work and inventing new mining machinery. By looking to the mines we not only make sense of Protogaea, but of most of German mineralogy in the eighteenth century. J. G. Lehmann, J. F. W. Charpentier, C. G. Delius and many other practitioners working in and around mines were deeply concerned with mapping the subterranean structure of the earth's crust and they contrasted their work with the "fantastic" world of theorists. The Freiberg Mining Academy, other institutions, and the way vocabularies of mining changed will also be considered. Finally there are some concluding thoughts on why mining has almost disappeared from the history of geology.


1991 ◽  
Vol 30 (1) ◽  
pp. 20-62 ◽  
Author(s):  
Mark Goldie

In the eighteenth century, most Scottish Protestants took it for granted that Roman Catholicism was antithetical to the spirit of “this enlightened age.” Amid the several polarities that framed their social theory—barbarism and politeness, superstition and rational enquiry, feudal and commercial, Highland and Lowland—popery in every case stood with the first term and Protestantism with the second. Sir Walter Scott's Redgauntlet, set in the 1760s, is redolent of these contrarieties. He draws a stark contrast between the world of Darsie Latimer, the cosmopolitan, bourgeois, and Presbyterian world of an Edinburgh attorney, and the world of Hugh Redgauntlet, rugged and rude, clannish and popish. When the Stuart Pretender appears on the scene he is disguised as a prelate, his odor more of sinister hegemony than of pious sanctimony. Scott's tableau captured the Enlightenment commonplace that the purblind faith of popery was a spiritual halter by which the credulous were led into political despotism. Catholicism, by its treasonable Jacobitism and its mendacious superstition, seemed self-exiled from the royal road of Scottish civil and intellectual improvement.It is not too harsh to suggest that modern scholarship on the Scottish Enlightenment has implicitly endorsed this view, for next to nothing has been written about the intellectual history of Scottish Catholicism, let alone anything comparable with the two full-scale studies now available on the English Catholic Enlightenment. One historian has suggested an alternative view, by suggesting that, in the emergence of the Scottish Enlightenment, it was Catholics and Episcopalians who, as alienated outsiders, helped loosen the straitjacket of Calvinist orthodoxy.


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