The Ecology and History of the Mediterranean Olive Grove: The Spanish Great Expansion, 1750 - 2000

Rural History ◽  
2012 ◽  
Vol 23 (2) ◽  
pp. 161-184 ◽  
Author(s):  
JUAN INFANTE-AMATE

AbstractThis article argues that the landscape dominated by olive groves that is now seen as characteristic of southern Spain is a relatively recent phenomenon. In the eighteenth, nineteenth and much of the twentieth century, olives were not an industrial crop, grown on a large scale for the production of oil. Instead, olive trees were largely grown by small peasant farmers and used to produce timber and fodder as well as foodstuffs, forming one component of a diverse peasant economy. This article will analyse the changing role of the olive within the landscape of the Spanish Mediterranean, and explore the process by which production moved towards single crop cultivation by large industrial enterprises.

2020 ◽  
Author(s):  
Sergio Aranda-Barranco ◽  
Andrew S Kowalski ◽  
Penélope Serrano-Ortiz ◽  
Enrique P Sánchez-Cañete

<p>The management of olive groves has a direct impact on the environment in the Mediterranean region since it is one of the most representative crops in this area. In order to prevent erosion and improve the physical-chemical conditions of the soil in these crops, the maintenance of weed cover in the alleys is an increasingly common practice. It increases the organic carbon content in the soil, improves biodiversity indices and enhances various ecosystem services such as pollination and infiltration. Now, the role of vegetation cover in olive groves on biogeochemical cycles is being studied. Although previous studies have quantified the combined effect of weed cover and olive trees on carbon and water at ecosystem level, the role of this conservation practice at the leaf level has not yet been explored.</p><p>The aim of this study is to quantify the effect of weed cover on the net CO<sub>2</sub> assimilation (A<sub>n</sub>) and transpiration (T) rates in an irrigated olive grove. To do this, two plots of olive trees with irrigation (Olea europea L. "Arbequina") in southeast Spain were sampled. In the weed-cover one (WC), spontaneous vegetation is maintained until it is mechanically mowed and left in place. In the weed-free (WF) a glyphosate-based herbicide is applied. The data were taken with a portable gas analyzer (LI-6800, Li-Cor) controlling the following environmental variables on olive leaves: atmospheric CO<sub>2</sub>, relative humidity, photosynthetic active radiation and temperature. One campaign per month was carried out (from January-2018 to January-2019) where 10 random trees were analysed in each treatment. In addition, an eddy covariance tower provided CO<sub>2</sub> and H<sub>2</sub>O fluxes at ecosystem level and they were compared with the fluxes obtained from leaf-level campaigns.</p><p>The results shown significant differences for T only in the period after mowing with T<sub>wc</sub>= 2.0 ± 0.7 mmol H<sub>2</sub>O m<sup>-2</sup>s<sup>-1</sup> vs T<sub>wf </sub>= 2.5 ± 1.0 mmol H<sub>2</sub>O m<sup>-2</sup>s<sup>-1</sup>. However, in this period ET is equal in both treatments, which suggests that the alleys with mowed weed has more ET than bare soil in the other treatment. On the other hand, there are significant differences for A<sub>net</sub> only in the period before mowing with A<sub>net-wc</sub> = 5.5 ± 3.1 μmol CO<sub>2</sub> m<sup>-2</sup>s<sup>-1</sup> vs A<sub>net-wf</sub> = 8.0 ± 3.6 μmol CO<sub>2</sub> m<sup>-2</sup>s<sup>-1</sup>. When the weeds are mowed, A<sub>net</sub> is matched in both treatments. However, higher values of NEE<sub>wc</sub> than NEE<sub>wf  </sub>are observed in the period before mowing. This suggest that the weed-cover olive groves at ecosystem level take up more carbon when the weed-cover is established although the leaves of olive trees are capturing less CO<sub>2</sub>.</p>


1985 ◽  
Vol 20 (2-3) ◽  
pp. 182-205 ◽  
Author(s):  
Shabtai Rosenne

En s'efforçant, au lendemain de la guerre [1914 – 1918], de poser les bases d'une société de peuples régie par le droit, les fondateurs de cette communauté internationale nouvelle se rendaient pleinement compte qu'il ne saurait y avoir une société organisée sans un pouvoir judiciaire chargé de veiller, en dehors de toute préoccupation de politique et de force, à la stricte observation du droit. C'est dans cette conviction qu'ils ont prévu, dès l'origine, la création de la Cour permanente de Justice internationale.Feinberg in 1931Reviewing the history of the Permanent Court of International Justice and of the International Court of Justice from 1922—the World Court, a convenient but possibly misleading expression which embraces both the Permanent Court from 1922 to 1945 and the present International Court of Justice established as an integral part of the United Nations since—four clearly separated periods can be discerned. They run from 1922 to 1931, 1932 to 1940, 1946 to 1966, and from 1967 onwards.The establishment of the League of Nations and the Permanent Court after a cataclysmic war in Europe and the awe-inspiring Russian Revolution released a wave of euphoria upon the exhausted and war-weary peoples of what is now known as Western Europe, and they placed great hopes in the new League and Court.


1974 ◽  
Vol 9 (2-3) ◽  
pp. 179-184
Author(s):  
Per Antonsen

The author focuses on problems in the economy of the developing countries likely to arise as a consequence of mineral exploitation in the new territories. A general shortage of mineral resources, although predicted, should not uncritically be adopted as a sufficient explanation of the demonstrated interest of industrial enterprises in undertaking heavy investments in the new territories. The economic security claimed by institutions financing large-scale investments, may just as likely force the companies to seek options for long-term supplies from these areas, unhampered by the politically caused instabilities perceived in the Third World. This development may tend to push the developing countries into the role of subsidiary suppliers in the world market. The committees preparing the UN Conference on the Law of the Sea have so far taken no realistic measures to counteract this possibility, which may prove detrimental to the economies of several developing countries. The Conference will, in the opinion of the author, provide little but a settlement of disputed interests among the coastal states.


Author(s):  
Andrea Giardina

Marxism has slowly declined in recent literature on the economic and social history of the ancient world. If one happens to run into the name of Marx or the term Marxism, it is generally within the context of polemical remark. In spite of recurrent attempts to resuscitate it as an ideal foil for anti-Communist polemic, Marxism made its final exit from the field of ancient historical studies in the 1960s, when new Marxist and Marxist-inspired historiography came to the fore. This chapter discusses the changing role of Marxism in Italian history-writing. It focuses on the historians who claim themselves as Marxists, and those who employ Marxist categories and draw on Marxist theory yet refuse to be defined as Marxists. The chapter examines the debates of the different groups on the historiographic phase marked by the circulation of Marxist concepts, analytical tools, and models outside the strictly Marxist milieu. One of the most striking aspects of this phase is the existence of a trend for the formation of research groups that shared not only an affinity or ideological adherence to Marxism, but also an interest in historical theory and a similar orientation in cultural politics. These interdisciplinary approaches stimulated the confluence of individual competences in group projects aimed at singling out new topics and developing investigational strategies. This historiographic phase also reflected a sense of community, a refusal of traditional academic hierarchies, a wish to keep individualism in check, and the rejection of erudite isolation. In Italy, these forms of association served as a means for ethical and political self-representation of cultural hegemony.


This chapter extends the book’s insights about nature, technology, and nation to the larger history of the modern period. While the modern nation loses its grip as a locus of identity and analysis, attempts to understand the operation, disruption, and collapse of continental and global infrastructures continue to mix the natural and the machinic in ways that define them both. Those vulnerabilities emphasize large-scale catastrophe; historiographically, they mask the crucial role of small-scale failures in the experience and culture of late modernity, including its definition of nature. Historical actors turned the uneven geographical distribution of small-scale failures into a marker of distinctive local natures and an element of regional and national identity. Attending to those failures helps not only situate cold-war technologies in the larger modern history of natural and machinic orders; it helps provincialize the superpowers by casting problematic “other” natures as central and primary.


Author(s):  
Patricia Emison

The span of this book is roughly that of directors who had started out in silent pictures reaching the end of their careers, including their transitions to color. The introduction of sound recording and color both transformed filmmaking, not least its cost. Misgivings were voiced early on about the moral effect of the new art, even as censorship was deplored. Mannerism as an art-historical concept was being developed to supplement that of Renaissance naturalism even as filmmakers were trying to reconcile the realism to which photography might seem suited with the artificiality it also enabled. Although studying the history of film inevitably dredges up evidence of racism, sexism, and other prejudices, the history of film, like the history of art, is too complex and has long been too deeply engrained in our cultural lives for historians to choose to be ignorant of once admired works we may now in part or thoroughly deplore, as well as minor yet elucidating works that may likewise be problematic, at least in part. The supposition that respect is the default response to any work of art underestimates the changing role of laughter and other forms of active disregard, particularly during the last century.


Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.


Arts ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 81 ◽  
Author(s):  
L.E.A. Braden ◽  
Thomas Teekens

The effect of an artist’s prestige on the price of artwork is a well-known, central tenant in art market research. In considering how an artist’s prestige proliferates, much research examines networks, where certain artistic groupings and associations promote individual member’s artistic standing (i.e., “associative status networks”). When considering the role of associative status networks, there are two models by which status may increase. First, the confirmation model suggests that actors of similar status are associated with each other. Second, the increase model suggests that a halo effect occurs, whereby an individual’s status increases by association with higher-status artists. In this research, we examine the association of artists through museum exhibition to test confirmation versus increase models, ascertaining whether prestige acquisition is a selection or influence process. This research capitalizes on the retrospective digitization of exhibition catalogues, allowing for large-scale longitudinal analysis heretofore unviable for researchers. We use the exhibition history of 1148 artists from the digitized archives of three major Dutch museums (Stedelijk, Boijmans-Van Beuningen, Van Abbe) from 1930 to 1989, as well as data on artists’ market performance from artprice.com and bibliographic data from the WorldCat database. We then employ network analysis to examine the 60-year interplay of associative status networks and determine how different networks predict subsequent auction performance. We find that status connections may have a point of diminishing returns by which comparison to high prestige peers increases one’s own prestige to a point, after which a high-status comparison network becomes a liability.


1990 ◽  
Vol 1 (2) ◽  
pp. 257-276 ◽  
Author(s):  
Stephen L. Black

AbstractThe Carnegie Institution of Washington's 1924–1937. Uaxactun Project, one of the first large-scale excavations in the Maya area, established the role of dirt archaeology in Maya studies. The archaeologists who worked on this pioneering project developed many field methods and approaches that remain in use today. A review of the project and of the careers of its participants shows the critical role the Carnegie Uaxactun Project has played in the history of Maya archaeology.


2013 ◽  
Vol 40 (1) ◽  
pp. 115-143 ◽  
Author(s):  
Nikolai M. Dronin ◽  
Andrei P. Kirilenko

Agriculture in Russia has always had to contend with unfavorable climate. At the same time, large-scale socio-economic experiments have also strained the country’s food production potential throughout the 20th century. The relative role of climate and state agricultural policies in affecting production of cereals was studied for the period of 1958–2010. The study used statistical yield modeling to explain the variations in observed yields with slowly changing progress in technology and management and weather variability. The correlation between the actual and weather-explained yields is moderate to high: measured at the level of the entire country, Pearson’s r is 0.74 and Spearman’s rho is 0.68. Further, we suggest that the residual yield variability can be explained partially with the influence of large-scale changes in agricultural policies at the state level. Between these policies, we consider the following key periods in the history of Russian agriculture: “Virgin Lands” campaign (end of 1950s), Kosygin-Liberman initiatives (late 1960s), Brezhnev’s investment programmes in response of stagnation of agriculture (late 1970s – early 1980s), Gorbachev’s “Perestrojka” (1985–1991), and land privatization and price liberalization (1990s).


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