Survival and Revival of Terminal Classic Traditions at Postclassic Mayapán

2009 ◽  
Vol 20 (4) ◽  
pp. 581-606 ◽  
Author(s):  
Susan Milbrath ◽  
Carlos Peraza Lope
Keyword(s):  
East Coast ◽  
Political Power ◽  
Classic Maya ◽  
Carnegie Institution ◽  
Terminal Classic ◽  
International Style ◽  
Archaeological Project ◽  
Local Traditions ◽  
The City ◽  
Chichen Itza

AbstractRecent INAH excavations and reanalysis of data from the Carnegie Institution archaeological project document the survival and revival of Classic and Terminal Classic traditions at Postclassic Mayapán, the last Maya capital in Mexico. The survival of some Terminal Classic ceramic types and architectural forms at Mayapán around A.D. 1100–1200 reflects a pattern of continuity. A revival of earlier traditions is notable in the erection of stelae marking the katun endings and in Postclassic architecture that incorporates iconographie elements from Terminal Classic Puuc sites and the city of Chichén Itzá. The rulers and priests of Mayapán displayed their connection with the Terminal Classic Maya heritage to assert political power. The Puuc revival at Mayapán is linked with the Xiu priests, whereas the revival of the Itzá heritage of Chichén Itzá is affiliated with the Cocom rulers. Between A.D. 1250 and 1400, revival-style architecture at Mayapán was inspired by local traditions in the area of Yucatán. After A.D. 1400, trade contact with the East Coast inspired new art forms linked with the international style associated with Mixteca-Puebla art.

THE STUCCOED AND PAINTED BENCHES OF XOCHICALCO, MORELOS, MEXICO

2020 ◽  
pp. 1-20
Author(s):  
Jesper Nielsen ◽  
Claudia Alvarado León ◽  
Christophe Helmke
Keyword(s):  
Classic Maya ◽  
Pivotal Role ◽  
Cultural Tradition ◽  
Central Mexico ◽  
Terminal Classic ◽  
Mexican State ◽  
Chichen Itza

Abstract The cultural tradition of stuccoed and polychromatic murals in central Mexico dates back to Early Classic Teotihuacan and continued into the subsequent Epiclassic period, with the stunning murals from Cacaxtla as the most famous and well-studied example. In this paper, we present three examples of stuccoed and richly painted benches or thrones from the mayor Epiclassic site of Xochicalco in the Mexican state of Morelos. A careful iconographic and epigraphic analysis of the imagery, as well as the associated hieroglyphic signs from one of the benches, leads us to suggest that these benches played a pivotal role in displaying the religious, mythological, and historical underpinnings of hierarchical power at Xochicalco. Based on comparisons with benches and seats from Classic Maya culture and, in particular, the contemporaneous Terminal Classic city of Chichen Itza, which was deeply involved in interregional relations with central Mexico, we also suggest that the Xochicalco benches may even have served as royal seats or thrones.

Lords of the Hills

1994 ◽  
Vol 5 (1) ◽  
pp. 63-95 ◽  
Author(s):  
Nicholas P. Dunning ◽  
Jeff Karl Kowalski
Keyword(s):  
Agricultural Soils ◽  
Ninth Century ◽  
Classic Maya ◽  
Ancient Maya ◽  
Late Classic ◽  
Important Relationship ◽  
Late Ninth Century ◽  
The City ◽  
Chichen Itza ◽  
Divine Kingship

AbstractA regional investigation of the ancient Maya settlement patterns of the Puuc suggests that this region was occupied by increasing numbers of people seeking to maximize control over prime agricultural soils during the Late Classic period. During the Late Classic the eastern Puuc region was controlled by numerous autonomous major centers that carried on the Classic Maya tradition of divine kingship. During the late ninth century a.d., the city of Uxmal briefly emerged as the politically dominant center of the region and was involved in an important relationship with the city of Chichen Itza. By a.d. 950, however, Uxmal and the other major centers of the Puuc had ceased all important elite activities.

‘Imagined San Francisco’: Unpacking Urban Regime Theory through Interactive Cartography

2017 ◽  
Vol 11 (1) ◽  
pp. 126-143
Author(s):  
Ocean Howell
Keyword(s):  
San Francisco ◽  
Political Power ◽  
Regime Theory ◽  
Commercial Development ◽  
Urban Regime Theory ◽  
Digital Mapping ◽  
Urban Regime ◽  
Historical Processes ◽  
The City ◽  
Interactive Cartography

American urban historians have begun to understand that digital mapping provides a potentially powerful tool to describe political power. There are now important projects that map change in the American city along a number of dimensions, including zoning, suburbanization, commercial development, transportation infrastructure, and especially segregation. Most projects use their visual sources to illustrate the material consequences of the policies of powerful agencies and dominant planning ‘regimes.’ As useful as these projects are, they often inadvertently imbue their visualizations with an aura of inevitability, and thereby present political power as a kind of static substance–possess this and you can remake the city to serve your interests. A new project called ‘Imagined San Francisco’ is motivated by a desire to expand upon this approach, treating visual material not only to illustrate outcomes, but also to interrogate historical processes, and using maps, plans, drawings, and photographs not only to show what did happen, but also what might have happened. By enabling users to layer a series of historical urban plans–with a special emphasis on unrealized plans–‘Imagined San Francisco’ presents the city not only as a series of material changes, but also as a contingent process and a battleground for political power.

This Is an Abridged Account of Delhi Which Is an Old City and One of the Chosen Ones amongst the Cities

2018 ◽  
Author(s):  
Mirza Sangin Beg
Keyword(s):  
Popular Culture ◽  
East India Company ◽  
Ordinary People ◽  
Work Spaces ◽  
History Of ◽  
English East India Company ◽  
Local Traditions ◽  
The Cost ◽  
The City ◽  
Cost Of Construction

The second part of the translation has three segments. The first is dedicated to the history of Delhi from the time of the Mahabharat to the periods of Anangpal Tomar to the Mughal Emperor Humayun as also Sher Shah, the Afghan ruler. In the second and third segments Mirza Sangin Beg adroitly navigates between twin centres of power in the city. He writes about Qila Mubarak, or the Red Fort, and gives an account of the several buildings inside it and the cost of construction of the same. He ambles into the precincts and mentions the buildings constructed by Shahjahan and other rulers, associating them with some specific inmates of the fort and the functions performed within them. When the author takes a walk in the city of Shahjahanabad, he writes of numerous residents, habitations of rich, poor, and ordinary people, their mansions and localities, general and specialized bazars, the in different skills practised areas, places of worship and revelry, processions exemplifying popular culture and local traditions, and institutions that had a resonance in other cultures. The Berlin manuscript gives generous details of the officials of the English East India Company, both native and foreign, their professions, and work spaces. Mirza Sangin Beg addresses the issue of qaum most unselfconsciously and amorphously.

Colloquium 4 A Man of No Substance: The Philosopher in Plato’s Gorgias

2018 ◽  
Vol 33 (1) ◽  
pp. 95-112
Author(s):  
S.Montgomery Ewegen
Keyword(s):  
Political Power ◽  
Philosophical Thinking ◽  
The One ◽  
The City

Abstract At the center of Plato’s Gorgias, the shameless and irascible Callicles offers an attack against philosophy (484c and following). During this attack, he describes philosophy as a pastime fit only for the young which, if practiced beyond the bloom of youth, threatens to render those who practice it politically inept and powerless. Moreover, when taken too far, philosophy provokes the city into stripping the philosopher of all of his rights and property, leaving him with no οὐσία at all (486c). Thus, according to Callicles, far from making one powerful within the city, philosophy ultimately renders one impotent and utterly without substance. In what follows I argue that the Socrates of the Gorgias agrees with this characterization of the philosopher as the one who lacks power and οὐσία. However, whereas Callicles sees such a condition as the most worthless and pitiable sort, Socrates sees it as the unique and singular posture from out of which true philosophical thinking, and true political power, are possible. As I will show, through the course of the Gorgias as a whole, Socrates offers a counter-discourse that presents the philosopher as a powerless person lacking οὐσία who is precisely thereby able to undertake a pursuit of the truth and the good. Phrased otherwise: Socrates takes ignorance understood as lack or powerlessness to be the very condition for the possibility of philosophy and true political power, while showing rhetoric understood as the pretense of wisdom to be an obstruction to these.

A MAYA CARVED SHELL PLAQUE FROM TULA, HIDALGO, MEXICO

2001 ◽  
Vol 12 (2) ◽  
pp. 175-197 ◽  
Author(s):  
Donald McVicker ◽  
Joel W. Palka
Keyword(s):  
Social Context ◽  
Classic Period ◽  
Central Mexico ◽  
Late Classic ◽  
Field Museum ◽  
Terminal Classic ◽  
Non Local ◽  
Chichen Itza ◽  
Terminal Classic Period

In the early 1880s, a finely carved Maya shell picture plaque was found at the Toltec capital of Tula, central Mexico, and was subsequently acquired by The Field Museum in Chicago. The shell was probably re-carved in the Terminal Classic period and depicts a seated lord with associated Maya hieroglyphs on the front and back. Here the iconography and glyphic text of this unique artifact are examined, the species and habitat of the shell are described, and its archaeological and social context are interpreted. The Tula plaque is then compared with Maya carved jade picture plaques of similar size and design that were widely distributed throughout Mesoamerica, but were later concentrated in the sacred cenote at Chichen Itza. It is concluded that during the Late Classic period, these plaques played an important role in establishing contact between Maya lords and their counterparts representing peripheral and non-Maya domains. The picture plaques may have been elite Maya gifts establishing royal alliances with non-local polities and may have become prestige objects used in caches and termination rituals.

THE LATE AND TERMINAL CLASSIC CERAMIC SEQUENCE AT LA MILPA, BELIZE: IMPLICATIONS FOR ITS OCCUPATION HISTORY

2014 ◽  
Vol 25 (1) ◽  
pp. 115-137 ◽  
Author(s):  
Kerry Lynn Sagebiel
Keyword(s):  
Exponential Growth ◽  
Late Classic ◽  
Percentage Frequency ◽  
Terminal Classic ◽  
Attribute Analysis ◽  
La Milpa ◽  
History Of ◽  
Archaeological Project ◽  
Ritual Architecture

AbstractPrevious interpretations of the occupation history of La Milpa, Belize, which were based on preliminary ceramic data, suggested that occupation of the site fluctuated dramatically from the Late Preclassic to the Terminal Classic (400 b.c.–a.d. 850). It was determined that the modest Late Preclassic village became a large Early Classic city with regal-ritual architecture and carved monuments. In Late Classic I, it appeared the site was nearly abandoned. Its reoccupation and exponential growth in Late Classic II was followed by rapid abandonment before the end of the Late Classic III/Terminal Classic. New ceramic analyses utilizing attribute analysis with an emphasis on formal modes has clarified the sequence and, in turn, softened the occupation curves. This article provides descriptions of the Late Classic I, II, and III ceramics, along with revised percentage frequency graphs of La Milpa's occupation history based primarily on the work of the La Milpa Archaeological Project (1992–2002).

Trace Element Analysis of Obsidian Artifacts from a Classic Maya Residential Group at Nohmul, Belize

1984 ◽  
Vol 49 (4) ◽  
pp. 815-820 ◽  
Author(s):  
Norman Hammond ◽  
Mary D. Neivens ◽  
Garman Harbottle
Keyword(s):  
Neutron Activation Analysis ◽  
Trace Element Analysis ◽  
Colonial Period ◽  
Classic Maya ◽  
Classic Period ◽  
Late Classic ◽  
Element Analysis ◽  
Residential Group ◽  
Terminal Classic ◽  
Before And After

Forty-nine obsidian artifacts from a Classic period residential group at Nohmul, northern Belize, have been analyzed by neutron activation analysis. The majority of the samples originated from Ixtepeque, and the remainder from El Chayal. Increasing prominence of the Ixtepeque source from the Late Classic into the Terminal Classic (i.e., before and after ca. A.D. 800) suggests greater use of a coastal distribution route known to have originated in the Formative and to have remained in use through the colonial period.

Kavaklidere-Ankara: The Formation of a Residential District During the 1950s

2015 ◽  
Vol 40 (1) ◽  
pp. 33-42
Author(s):  
Çılga Resuloğlu ◽  
Elvan Altan Ergut
Keyword(s):  
Daily Life ◽  
Capital City ◽  
Functional Requirements ◽  
Rapid Urbanization ◽  
Economic Context ◽  
International Style ◽  
Residential District ◽  
The 1950S ◽  
The Relationship ◽  
The City

This paper aims to examine the formation of Kavaklıdere as a ‘modern’ residential district during the 1950s. Contemporary urbanization brought about changes in various regions of Ankara, among which Kavaklıdere emerged as an important location with features that defined a new stage in the development of the identity of the capital city. The construction of houses in this district from the early 1950s onwards was in accordance with new functional requirements resulting from the needs of the contemporary socio-economic context, and exemplified the relationship between architectural approaches and social developments. In line with the rapid urbanization of Ankara throughout the 1950s, daily life in Kavaklıdere was transformed, as experienced in the apartment blocks that were the newly constructed sites of modernization. The contemporary transformation of Kavaklıdere was apparently formal and spatial, with the modernist architectural approach of the period, i.e. the so-called International Style, beginning to dominate in the shaping of its changing character. Nonetheless, the transformation was not only architectural but also social: the characteristics of this part of the city were then defined by structures like these apartment blocks, which brought modernist design features, together with modern ways of living, into wider public use and appreciation. The paper discusses how the identity of Kavaklıdere as a residential district was formed in the context of the mid-twentieth century, when these new residences emerged as pioneering modernist architectural housing, the product of social change, which housed and hence facilitated the ‘modern’ lifestyle of that time.

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