Inside and outside the landscape

1996 ◽  
Vol 3 (2) ◽  
pp. 176-195 ◽  
Author(s):  
Peter Attema

This paper on perceptions of the Pontine Region in Central Italy starts out with a discussion of a map by the Renaissance artist and engineer Leonardo da Vinci which he made of the Pontine marshes in the early 16th century A.D. Since this map is the earliest rendering known of this former wetland, it is an important document for the reconstruction of the wet areas of the Pontine Region, a landscape unit that falls within the wider survey area of the Pontine Region Project.1 The example shows how deconstruction of historical documents, whether texts or maps, is a prerequisite for an understanding of how landscapes were differently perceived over time. After all we perceive what we want to see. A valid interpretation of Da Vincis's map for archaeological purposes requires, however, insight into both the context of the map and the way in which Leonardo da Vinci handled landscapes in his work. I discuss the map to demonstrate how archaeologists using historical and ethnographical documents run the risk of dealing with ‘outsider’ information whilst thinking they are dealing with sources that take them right inside the landscape, i.e. into the landscape of its past inhabitants. To avoid the pitfall of perceiving what one wants to see, the archaeologist is recommended to obtain insight into the various historical perceptions of his study area. I cite some instances from my work that show how it is possible to extract inside information from ‘outsider’ maps and texts concerning the Pontine Region. It is argued that such inside information is needed to complement Mediterranean survey methodology if the discipline is to develop landscape perception models of Mediterranean regions in antiquity that are not based on a priori notions. The delineation of preference surfaces in the landscape such as forwarded by the archaeological record, is proposed as a starting point for reconstructions of past collective perceptions.

2021 ◽  
Vol 69 (3) ◽  
pp. 561-574
Author(s):  
Nikola Lero

The rapidly burgeoning literature surrounding COVID-19 pandemic fetishistically and prematurely tried to catch the academic momentum, taking almost an a priori, non-debatable, starting point of the conceptualization of the pandemic as the ?new normal?. In Pandemic: COVID-19 Shakes the World and Pandemic! 2: Chronicles of a Time Lost, Slavoj Zizek frames the pandemic as multiple global crises, arguing it will aggressively and drastically rupture the global societal norms and dynamics creating a new order. However, did it? This essay debates this question through the theoretical lenses of Badiou?s Event. It starts by laying down the fundamental theoretical principles and mapping the necessary criteria needed to be fulfilled in order for a happening to be named an Event. Further, it navigates through ideas and arguments presented in Zizek?s publications localizing the pandemic?s global characteristics. Finally, it theoretically deconstructs them providing us with the fundamental answer to the question what COVID-19 pandemic is: a Badiouian event that has/is/will construct the global ?new normal?, multiple consequential crises, or just a temporary situation that reaffirms the existing societal normatives worldwide.


Machines ◽  
2020 ◽  
Vol 8 (3) ◽  
pp. 53
Author(s):  
Maide Bucolo ◽  
Arturo Buscarino ◽  
Carlo Famoso ◽  
Luigi Fortuna ◽  
Salvina Gagliano

Leonardo da Vinci inventions and projects represent an intriguing starting point to remark the concept that innovation must be considered as a continuous route towards evolution in history. Some of the particular ideas and innovations presented by Leonardo da Vinci led us to formulate a link with automatic control. Selected models of the Leonardo da Vinci machines are presented in this paper, taking strictly into account the original mechanical schemes and working principles, but introducing modern low-cost control equipment, emphasizing the role of automatic control and that of electronic control devices, such as microcontrollers, sensors, and communication devices, to completely automate the Leonardo da Vinci machines. The approach outlined in the paper can be applied not only to other Leonardo machines but also to other mechanical equipment not necessarily designed by Leonardo da Vinci. Moreover, it is useful to remark that the approach followed in this paper can be very important also to introduce students, leading by example, to concepts typical of automation and for assisting in learning, keeping in mind the practical applications of advanced automation principles. The main research task of this paper is proving the efficacy of modern digital control techniques and teleoperation in strongly classical mechanical Leonardo machines, remarking that the projects of Leonardo are prompt to be efficiently controlled. This task could not be explored by Leonardo himself due to the lack of control technology. Moreover, the paper is addressed also to stimulate the young generations of engineers in joining classical mechanics with advanced technology. Therefore, the paper is also devoted to give focus on the fact that the Leonardo machines encompass all the key aspects of modern system engineering.


2013 ◽  
Vol 21 (1) ◽  
pp. 10-20 ◽  
Author(s):  
Jens Erik Fenstad

Is a common approach to knowledge about man and nature possible? With Leonardo da Vinci as our starting point we will explore this question. Leonardo was much more than a painter; he was a sharp observer of man and nature. What he saw (structures) and what he did (using his miraculous left hand as syntax) was translated into insights and methods of constructions as recorded in his notebooks. His view was holistic, as witnessed by his study of the eye; from the anatomy of the eye he proceeded outwards to a theory of perspective, and inwards to an understanding how perception and the mind are grounded in the brain. In this we see similarities to current studies of language, mind and brain. It is possible to see a kind of proto-version of the art and science of mathematical modelling in Leonardo. This is a methodology of wide scope, extending far beyond physics and engineering. With a sufficiently broad understanding of the key concepts of structure, syntax and algorithms we have a method strong enough to allow for a common approach to knowledge of man and nature, to what there is and how we know.


Author(s):  
J. A. Nowell ◽  
J. Pangborn ◽  
W. S. Tyler

Leonardo da Vinci in the 16th century, used injection replica techniques to study internal surfaces of the cerebral ventricles. Developments in replicating media have made it possible for modern morphologists to examine injection replicas of lung and kidney with the scanning electron microscope (SEM). Deeply concave surfaces and interrelationships to tubular structures are difficult to examine with the SEM. Injection replicas convert concavities to convexities and tubes to rods, overcoming these difficulties.Batson's plastic was injected into the renal artery of a horse kidney. Latex was injected into the pulmonary artery and cementex in the trachea of a cat. Following polymerization the tissues were removed by digestion in concentrated HCl. Slices of dog kidney were aldehyde fixed by immersion. Rat lung was aldehyde fixed by perfusion via the trachea at 30 cm H2O. Pieces of tissue 10 x 10 x 2 mm were critical point dried using CO2. Selected areas of replicas and tissues were coated with silver and gold and examined with the SEM.


1910 ◽  
Vol 69 (1782supp) ◽  
pp. 138-140
Author(s):  
Edward P. Buffet
Keyword(s):  
Da Vinci ◽  

2018 ◽  
Vol 6 (2) ◽  
pp. 99-115
Author(s):  
Borislav Marušić ◽  
Sanda Katavić-Čaušić

Abstract The aim of this paper is to research the word class adjective in one sequence of the ESP: Business English, more precisely English business magazines online. It is an empirical study on the corpus taken from a variety of business magazines online. The empirical analysis allows a comprehensive insight into the word class adjective in this variety of Business English and makes its contribution to English syntax, semantics and word formation. The syntactic part analyses the adjective position in the sentence. The semantic part of the study identifies the most common adjectives that appear in English business magazines online. Most of the analysis is devoted to the word formation of the adjectives found in the corpus. The corpus is analysed in such a way that it enables its division into compounds, derivatives and conversions. The results obtained in this way will give a comprehensive picture of the word class adjective in this type of Business English and can act as a starting point for further research of the word class adjective.


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