El tratamiento del orden de palabras en algunas gramáticas Españoles de los siglos XIX y XX

2000 ◽  
Vol 27 (2-3) ◽  
pp. 415-436
Author(s):  
Eugenia Casielles Suárez

Summary This paper examines the treatment of word order in some of the most influential grammars of Spanish from the 19th century and beginning of the 20th century, with special attention given to the interpretation they offer of displaced elements, particularly subjects and objects. Although there was not much in the grammatical tradition about this topic that these authors could build upon, a careful reading of their works reveals an awareness of the difficulties involved in explaining word order variation. Furthermore, we find very valuable suggestions regarding the topical nature of some displacements, and the emphatic or focal interpretation of others.

2000 ◽  
Vol 27 (2-3) ◽  
pp. 415-436
Author(s):  
Eugenia Casielles

SummaryThis paper examines the treatment of word order in some of the most influential grammars of Spanish from the 19th century and beginning of the 20th century, with special attention given to the interpretation they offer of displaced elements, particularly subjects and objects. Although there was not much in the grammatical tradition about this topic that these authors could build upon, a careful reading of their works reveals an awareness of the difficulties involved in explaining word order variation. Furthermore, we find very valuable suggestions regarding the topical nature of some displacements, and the emphatic or focal interpretation of others.RésuméDans cet article, on examine de quelle manière les plus influentes grammaires espagnoles de la fin du XIXe et du début du XXe siècle traitaient de la question de l’ordre des mots, accordant une attention particulière à l’interprétation offerte des éléments disloqués, surtout les sujets et les compléments d’objet. Bien qu’il n’y avait pas grand-chose dans la tradition grammaticale d’alors qui pouvait servir de base aux auteurs, une lecture attentive de leurs oeuvres montre qu’on avait conscience des difficultés liées à l’explication de la variation dans l’ordre des mots. De plus, on trouve sur ces dislocations de précieuses suggestions quant à la nature ‘topicalisée’ des unes et la nature emphatique ou ‘focalisée’ des autres.ZusammenfassungDer Beitrag untersucht die Behandlung der Wortstellung in den einflußreichsten Grammtiken des Spanischen aus dem 19. und frühen 20. Jahrhundert, unter besonderer Berücksichtigung der Erklärungen, die sie für sog. versetzbare Elemente anbieten, insbesondere, was Subjekt und Objekt angeht. Obgleich es kaum eine grammatische Tradition gab, auf der diese Autoren sich hätten stützen können, fördert eine sorgfältige Lektüre ihrer Werke doch ein Bewußtsein der Probleme zutage, die beim Erklären der Wortstellungsvariation auftreten. Darüberhinaus finden sich in ihnen auch eine Reihe wertvoller Vorschläge bezüglich der herausstellenden Natur solcher versetzbarer Elemente sowie der emphatischen und fokussierenden Auslegung anderer.


1970 ◽  
pp. 47-55
Author(s):  
Sarah Limorté

Levantine immigration to Chile started during the last quarter of the 19th century. This immigration, almost exclusively male at the outset, changed at the beginning of the 20th century when women started following their fathers, brothers, and husbands to the New World. Defining the role and status of the Arab woman within her community in Chile has never before been tackled in a detailed study. This article attempts to broach the subject by looking at Arabic newspapers published in Chile between 1912 and the end of the 1920s. A thematic analysis of articles dealing with the question of women or written by women, appearing in publications such as Al-Murshid, Asch-Schabibat, Al-Watan, and Oriente, will be discussed.


1999 ◽  
Vol 26 (1) ◽  
pp. 27-51
Author(s):  
Jan Richard Heier

Accounting has always been utilitarian in nature. It adapts to the changes in the business environment by meeting the need for new types of information. The change in waterborne transportation in the U.S. during the 19th century provides an example of such an environmental change that led to a need for accounting adaptation. With the advent of the steamboat, old accounting methods were modified and new ones created to meet the changes in the business environment. In the process, a standardized ships-accounting model was developed. The model can be seen in the accounting records of three ships that sailed at the beginning of the 20th century.


Author(s):  
Julia Bacskai-Atkari

This chapter examines word order variation and change in the high CP-domain of Hungarian embedded clauses containing the finite subordinating C head hogy ‘that’. It is argued that the complementizer hogy developed from an operator of the same morphophonological form, meaning ‘how’, and that its grammaticalization path develops in two steps. In addition to the change from an operator, located in a specifier, into a C head (specifier-to-head reanalysis), the fully grammaticalized complementizer hogy also changed its relative position on the CP-periphery, ultimately occupying the higher of two C head positions (upward reanalysis). Other complementizers that could co-occur with hogy in Old Hungarian eventually underwent similar reanalysis processes. Hence the possibility of accommodating two separate C heads in the left periphery was lost and variation in the relative position of complementizers was replaced by a fixed order.


Author(s):  
Svetlana Petrova ◽  
Helmut Weiß

This chapter surveys the word order variation in the right periphery of the clause in OHG. The investigation is based on a corpus including all dependent clauses introduced by the complementizer thaz ‘that’ in the minor OHG documents, a collection of up to forty smaller texts of various genres. The analysis shows that the majority of the data can be explained within a standard OV grammar, assuming additional extraposition of heavy XPs to the right. But apart from these cases, there is evidence supporting the assumption of leftward movement of the verb to an intermediate functional projection vP which is optional with basic OV but obligatory with basic VO. In addition, the chapter presents patterns which evidently involve verb movement to a higher functional head, above vP, and discusses the nature of the landing site of the verb in these cases.


2016 ◽  
Vol 3 (2) ◽  
pp. 3 ◽  
Author(s):  
Mara Calvini ◽  
Maria Stella Siori ◽  
Spartaco Gippoliti ◽  
Marco Pavia

The revised catalogue of primatological material stored in the Museo Regionale di Scienze Naturali of Torino and in the Dipartimento di Scienze della Vita e Biologia dei Sistemi of the Università degli Studi di Torino and belonging to the historical material of the Torino University is introduced. The material, 494 specimens belonging to 399 individuals of 122 taxa, is of particular importance since specimens were mainly obtained during the 19th Century and the beginning of the 20th Century. A relevant part of the collection was created by the collaborators of the Museum, among which it is worth to mention F. De Filippi, A. Borelli and E. Festa, while other material came from purchases and donations from private people or the Royal Zoological Garden of Torino. Great part of the specimens is stuffed but also the osteological materials are of particular importance, as many of them derived from the specimens before being prepared and consisting of skulls or more or less complete skeletons. After this revision, the Lectotype and Paralectotypes of <em>Alouatta</em> <em>palliata</em> <em>aequatorialis</em> have been selected, and the type-specimen of the <em>brunnea</em> variety of <em>Cebus</em> <em>albifrons</em> <em>cuscinus</em> has been recognized. In addition, some specimens of particular historical-scientific importance have also been identified and here presented for the first time.


1997 ◽  
Vol 24 (1-2) ◽  
pp. 115-138
Author(s):  
Marina Maquieira

Summary This paper examines a treatise on Spanish grammar, i.e., a particular grammar which follows the tradition of French philosophical grammar. Bachiller D. Antonio Martínez de Noboa’s work, published in 1839, appears in a century when the Spanish grammatical tradition is at its best. Texts like Vicente Salvá’s (1786–1849) and of course Andrés Bello’s (1781–1865) have in recent years attracted the attention of researchers. However, Martínez de Noboa’s work is much less known, although Gómez Asencio (1981, 1985) did highlight its importance in his two indispensable studies of the period between 1771 and 1847. The Nueva Gramática de la lengua Castellana is indebted to the framework set by José Gómez de Hermosilla (1835) and Jacobo Saqueniza (1828), although it does include some original observations. This paper examines the structure of the work in question and aims to show how it is in global terms a unified text combining different aspects, of which the most striking is without doubt the syntactic one. With this aim in mind certain specific examples of the analogy pertaining to syntax have been studied. First those he himself highlighted, e.g., the article/pronoun and verb and then those comments on syntax which are logically pertinent, e.g., conjunctions. Noboa himself was cited as was Saqueniza as having been responsible for the introduction of distinction between coordinate and subordinate conjunctions in Spanish grammar, along with the distinction between simple and complex clauses. On the purely syntactic level, it was also Noboa who refined the whole notion of verbal government. Finally, there is a brief summary of the section dedicated to pronunciation and spelling which are also considered by the author to be in some way related to the other parts of the grammar. In sum, what makes this work particularly interesting is undoubtedly the emphasis on syntax as more studies had been carried out on morphology than in any other area up until the 19th century and continued after Noboa to monopolise questions concerning grammar throughout this century.


Buildings ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 27
Author(s):  
Klara Kroftova

An urban residential building from the second half of the 19th century and the start of the 20th century, the so-called tenement house, is a significant representative of the architecture of the developing urban fabric in Central Europe. The vertical and horizontal load-bearing structures of these houses currently tend to show characteristic, repeated defects and failures. Their knowledge may, in many cases, facilitate and speed up the design of the historic building’s restoration without compromising its heritage value in this process. The article presents the summary of the most frequently occurring defects and failures of these buildings. The summary, however, is not an absolute one, and, in the case of major damage to the building, it still applies that, first of all, a detailed analysis of the causes and consequences of defects and failures must be made as a basic prerequisite for the reliability and long-term durability of the building’s restoration and rehabilitation. An integral part of the rehabilitation of buildings must be the elimination of the causes of the appearance of their failures and remediation of all defects impairing their structural safety, health safety and energy efficiency.


Popular Music ◽  
2021 ◽  
Vol 40 (1) ◽  
pp. 18-41
Author(s):  
David Temperley

AbstractThe origins of syncopation in 20th-century American popular music have been a source of controversy. I offer a new account of this historical process. I distinguish between second-position syncopation, an accent on the second quarter of a half-note or quarter-note unit, and fourth-position syncopation, an accent on the fourth quarter of such a unit. Unlike second-position syncopation, fourth-position syncopation tends to have an anticipatory character. In an earlier study I presented evidence suggesting British roots for second-position syncopation. in contrast, fourth-position syncopation – the focus of the current study – seems to have had no presence in published 19th-century vocal music, British or American. It first appears in notation in ragtime songs and piano music at the very end of the 19th century; it was also used in recordings by African-American singers before it was widely notated.


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