The Experience of Enchantment and the Sense of Wonder

Green Letters ◽  
2021 ◽  
pp. 1-15
Author(s):  
Patrick Curry
Keyword(s):  
Author(s):  
Sally Peters ◽  
Keryn Davis ◽  
Ruta McKenzie

This chapter explores how children make sense of their world through the development and refinement of ‘working theories’. Working theories are a key item for young learners, and are emphasized in the New Zealand early childhood curriculum Te Whāriki. Children’s working theories develop in environments where they have opportunities to engage in complex thinking with others, observe, listen, participate, and discuss, within the context of topics and activities. It is through interactions and activities that children begin to own the ideas and beliefs of their culture and begin to make sense of their worlds. However, fostering this learning in early childhood settings is not always easy, and requires skilled adults who can respond appropriately. We explore and discuss the nature of children’s working theories and ways in which adult–child interactions can enhance or inhibit a sense of wonder and curiosity.


2021 ◽  
pp. 096973302199079
Author(s):  
Finn Th Hansen ◽  
Lene Bastrup Jørgensen

Three forms of leadership are frequently identified as prerequisites to the re-humanization of the healthcare system: ‘authentic leadership’, ‘mindful leadership’ and ‘ethical leadership’. In different ways and to varying extents, these approaches all focus on person- or human-centred caring. In a phenomenological action research project at a Danish hospital, the nurses experienced and then described how developing a conscious sense of wonder enhanced their ability to hear, to get in resonance with the existential in their meetings with patients and relatives, and to respond ethically. This ability was fostered through so-called Wonder Labs in which the notion of ‘phenomenon-led care’ evolved, which called for ‘slow thinking’ and ‘slow wondrous listening’. For the 10 nurses involved, it proved challenging to find the necessary serenity and space for this slow and wonder-based practice. This article critiques and examines, from a theoretical perspective, the kind of leadership that is needed to encourage this wonder-based approach to nursing, and it suggests a new type of leadership that is itself inspired by wonder and is guided by 10 tangible elements.


2009 ◽  
Vol 20 (Suppl 1) ◽  
pp. 603-607
Author(s):  
John B. Mulliken
Keyword(s):  

2021 ◽  
Vol 11 (2) ◽  
Author(s):  
Rita Casadei

It is beautiful to be able to have the opportunity to allow oneself a doubt on the unquestionability of one's mental habits; it is beautiful to be able to renew one's energy to relate to the world in a way not bent by the banality of convenience and calculation. It is beautiful to realise that one feels the need for beauty as an inspirational motive for one's thinking, feeling and acting, and as a resource towards a new education. The serious pandemic crisis has probably accelerated a necessary but demanding process that takes time to accomplish: that of becoming aware of a reality based on the principle of interconnection and interdependence – of the person with all his/her dimensions, with each other, with the Cosmos. I believe that this new perception of reality – as the result of an experience – can mark a new step for the discourse and pedagogical practice so as to devote itself to a new form of beauty in the search for a ἀλήθεια (aletheia) truth to be configured as a desire for unveiling and deep understanding of the sense of reality, to be nourished in a revitalised interdisciplinarity, with a sense of wonder and amazement for every aspect of life. Care, responsibility and commitment, if animated by joy and love, can only aspire to excellence, giving the person the opportunity to fully realise his or her dignity and humanity.


Author(s):  
Doris Daou

AbstractFrom the dawn of consciousness, humans have looked up and wondered about what the universe holds. It is that sense of wonder and thirst for knowledge that astronomy has helped fuel. In this paper we look at how education and public outreach has been a major element in preparing the next generation of astronomers and in sharing with the public the excitement of discoveries we make when we explore the Universe. The National Aeronautics and Space Administration (NASA) has a clear set of goals and objectives related to education and public outreach. These goals follow directly from NASA's mission “to inspire the next generation of explorers”. Making progress towards achieving these goals has become an important part of the broad justification for public support of space science. Here we will describe a number of education and public outreach initiatives that are examples of the plethora of NASA funded programs and resources.


Author(s):  
Jack Zipes

Two major tendencies in fairy-tale re-creations and collisions have been observed in the past decades. The first tendency is called remaking and re-creating classic tales. The second tendency is referred to as conflicted mosaics, consists of paintings, sculptures, and photographs that draw on an assortment of fairy-tale fragments to evoke a sense of wonder, if not bafflement. This chapter explores the significance of the two tendencies in fairy-tale collisions with a focus on the recent 2012 exhibit Fairy Tales, Monsters, and the Genetic Imagination, held at the Frist Center for the Visual Arts in Nashville, Tennessee. It also comments on the works of many other talented artists who have been experimenting with the fairy tale along the same lines.


2021 ◽  
pp. 126-140
Author(s):  
Ray Lee

Starting by describing his experience of becoming lost in wonder at the Bakken Museum of Electricity and Life in Minneapolis, in this chapter the artist Ray Lee explores his fascination with the state of wonderment. Referencing his internationally touring sound art works Siren and The Ethometric Museum he reviews the strategies that he has used to attempt to create a sense of wonder, and why this has become both a valuable aspect of his practice and a distinctive part of the audience experience. Throughout the history of science wonder has been a driving force for discovery, yet the sublime, with its suggestion of the spiritual, has more often been used to describe the experience of art. The chapter looks at how wonder creates a sense of creative uncertainty, de Certeau’s ‘rift in time’ or, as Bataille puts it, a state of ‘intolerable non-knowledge, which has no other way out other than ecstasy’.


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