scholarly journals Design concept of horse arena in Malaysia – A case study

Author(s):  
Nur Fadilah Darmansah ◽  
Sitti Diana Tamjehi ◽  
Abdul Wafi Razali ◽  
Nadia Zaini ◽  
Sharifah Nur Farhana Syed Sahimi
Keyword(s):  
2013 ◽  
Vol 483 ◽  
pp. 497-501
Author(s):  
Xiao Li Chen ◽  
Xiang Li

Product family is a series of products with similar characteristics. It is a strategy used by modern enterprise to achieve product diversification with limited development, manufacturing and service. Product DNA is the design commonality of enterprises product family, it is distinctive and aesthetic by reflecting the company's brand value and design concept, in addition ,it include some essential elements such as form, color, material and composition. This paper introduces the methods of drawing product DNA and analysing the relevance of design features to brand style by case study.


Author(s):  
Jiangyan Lu ◽  
Yushuai Lang

To summarize the problems and needs of the current rural life, identify the pathway that suits the sustainable development of rural areas, and propose the design concept and method that meet the current rural ecological design requirements. Use the organized research approaches. This chapter makes a case study of Nanma Village, provides the theoretical and design practice reference for the rural sustainable development in China, and establishes the knowledge and methodology system that meets the requirements of rural sustainable development. This chapter proposes the design concept and method in line with the current requirements of rural ecological design, suggests that the current village design should be adapted to “local conditions,” and indicates that the harmonious development between human and environment will be a new possible direction for the rural sustainable development and design in future.


Author(s):  
Buthayna Hasan Eilouti

Form in architecture is a product of a complex set of layers and generators. One major generator of these is the design concept. In this context, a concept can be considered as the nexus that orchestrates all considerations and layers to keep them coherent and consistent. Furthermore, the concept represents the clearest semantic message conveyed by the designer through the building to the viewers and users. Similar to the role of DNA, concept functions as the hidden molecule that carries the instructions that the design needs to emerge and evolve. This chapter discusses the structure of form as a language, and its various generators, with a focus on the role of concept in the resultant morphological output. The discussion of form is followed by another of concept. The discussion of the impact of concept on design is supported by a contemporary case study. The case study is used to illustrate the role of a concept as a driving force and its implications in the design derivation, as well as its impacts on the various layers of the final morphology.


2010 ◽  
Vol 97-101 ◽  
pp. 4429-4432 ◽  
Author(s):  
Mei Yan Wang ◽  
Lian Guan Shen ◽  
Yi Min Deng

Conceptual design is a critical design phase during which initial design solutions, called design concepts, are developed. These design concepts must be evaluated to ensure they satisfy the specified design requirements and the most appropriate design concept must be selected. It is often difficult for the designer, especially for the novice, to make an appropriate design concept evaluation and selection. Existing work on design evaluation lacks an effective tool for evaluating the temporal performance of the design concepts. To address this problem, a Critical Path Method (CPM) from project management is adapted for design evaluation, whereby a CPM network is converted from a causal behavioral process (CBP) and the methodologies relating to CPM are also applied to design improvement. A case study of a lever-clamp assembly system is also presented to illustrate as well as validate the method.


2012 ◽  
Vol 02 (10) ◽  
pp. 25-30 ◽  
Author(s):  
S.S. Kalashetty
Keyword(s):  

2020 ◽  
Vol 179 ◽  
pp. 02058
Author(s):  
Xinbo Shen ◽  
Min Li ◽  
Lei Yu

With the continuous improvement of the medical level in China, the quality of hospital service and the environment have attracted people’s attention. The hospital is a place with relatively dense population, and the general hospital consists of a number of departments with complicated procedures and staggered routes. In order to improve the efficiency of medical treatment, stabilize the mood of patients, and respond to the call of establishing a human-oriented hospital, it is particularly important to design a reasonable and comprehensive hospital wayfinding and signage system. In this paper, the universal design concept and principles which are more suitable for everyone are applied to the hospital wayfinding and signage system. Through the field investigation of the Second Affiliated Hospital of Nanchang University, the author analyzes the problems and sums up the design criteria which are suitable for the hospital wayfinding and signage system.


Author(s):  
Valentina Nisi ◽  
Nuno Nunes ◽  
Kanarak Isarankura ◽  
Jodi Forlizzi

Sustainability is an outstanding global issue. Our present vision of wellbeing requires resource consumption that cannot be reproduced in a sustainable way. In this chapter, the authors present a case study of “Cozinha da Madeira” (CdM), a service design concept. CdM is a design concept that highlights how one can leverage tourism in order to promote sustainable services and experiences. Through the design of the CdM transformational experience, one invites customers to appreciate local products, resources, and traditions of the island, and in general orient themselves towards more sustainable practices in their further travels abroad as well as in their own home countries. The authors are currently developing a Web-based mobile application based on the premises and research presented in this chapter in order to deliver the service to potential users and evaluate the hypothesis.


2021 ◽  
pp. 300-317
Author(s):  
Gabriele Wix

By paying close attention to the material body of the book, Max Ernst’s (1891–1976) oeuvre extends beyond literature and represents a significant contribution to the artist’s book in the 20th century. In his book design, Ernst emphasises the importance of the body of the book and thus seamlessly puts theory into practice. By drawing on this curatorial project as well as the current scholarship on the materiality of the book, the article focuses on two topics: first, it presents an overview of Max Ernst’s largely unknown poetic and essayistic work, including the discovery of a document that was lost for 65 years. Second, it is a case study of the material body of a book about books. By quoting and transforming Ernst’s book designs, the graphic designers implemented a very surprising postmodern design concept.


Sign in / Sign up

Export Citation Format

Share Document