Domestic Interiors, National Concerns

2017 ◽  
Author(s):  
Marden Fitzpatrick Nichols
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Gilded Age ◽  
The United States ◽  
The Self ◽  
Interior Decoration ◽  
Building Projects ◽  
Aesthetic Movement ◽  
Domestic Interiors ◽  
The Aesthetic

This chapter examines the phenomenon of “Pompeian” (or “Pompeian Revival”) interior decoration in elite US houses and hotels from the mid-nineteenth to mid-twentieth centuries. The “Pompeian Room” functioned in the popular press and wider discourse of that era as a metonym for an increasingly inaccessible pseudo-aristocracy. The Pompeian Revival Style in the United States must also be seen within the larger scope of the Aesthetic Movement of the last third of the nineteenth century, through which beautification of the American home became a topic of heightened national interest. Pompeian decoration most strongly conveyed the impression of luxury and elevated social status. However, the complex range of contemporary reactions to the Pompeian style, colored by unease about the expansion of private wealth and luxury building projects during the Gilded Age and the years surrounding it, likewise had a national slant. Finally this chapter aims to transcend a singular emphasis on the self-fashioning of patrons in order to incorporate a wider spectrum of contributors and interpreters, such as designers and taste-makers who shaped these spaces.

scholarly journals The Gilded Interior: French Style and American Renaissance

2021 ◽  
pp. 1-22
Author(s):  
Laura C. Jenkins
Keyword(s):  
United States ◽  
New York ◽  
Eighteenth Century ◽  
Gilded Age ◽  
The United States ◽  
Decorative Arts ◽  
American Renaissance ◽  
Interior Decoration ◽  
Architectural Tradition

ABSTRACT In the decades around the turn of the twentieth century, New York was seized by a passion for things French in interior decoration. The influx of French eighteenth-century decorative arts from London and Paris exerted a powerful influence over the imaginations of a new millionaire class, while the emergence of the professional dealer-decorator established channels for the incorporation of these materials into the luxury residence. While these interiors were developed in collaboration with leading US architects such as Richard Morris Hunt and George B. Post, they also posed a subtle challenge to the discourse of intellectualism developed on architects’ behalf. Governed by issues of taste and commerce as well as by artistic judgement, these French interiors presented a compelling vision of aristocratic stature that was at once in keeping, and in conflict, with the aspirations of an American Renaissance. This article considers the role of eighteenth-century French-style interiors in the articulation of a ‘civilised’ architectural tradition in the United States during the so-called Gilded Age. Focusing on the private mansion, it reconsiders the notion of the American Renaissance as a principally academic movement by calling attention to the ways in which it also responded to the requirements of the elite class as well as the commercial marketplace.

Politics, Social Movements, and the Periodization of U.S. History

2009 ◽  
Vol 8 (4) ◽  
pp. 461-473 ◽  
Author(s):  
Rebecca Edwards
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Progressive Era ◽  
Gilded Age ◽  
Recent Literature ◽  
Mark Twain ◽  
The United States ◽  
Late Nineteenth Century ◽  
Late Nineteenth ◽  
Considerable Doubt

It may be perilous for a member of the Society of Historians of the Gilded Age and Progressive Era to propose, in the Journal of the Gilded Age and Progressive Era, that we cease using the term “Gilded Age” as a label for the late nineteenth century. Since I admire Mark Twain, who famously coined the term in a novel that he cowrote with Charles Dudley Warner, such a suggestion feels disloyal if not downright un-American. But in struggling recently to write a synthesis of the United States between 1865 and 1905 (cutoff dates that I chose with considerable doubt), it became apparent to me that “Gilded Age” is not a very useful or accurate term. Intended as an indictment of the elite, it captures none of the era's grassroots ferment and little of its social and intellectual complexity. A review of recent literature suggests that periodizing schemes are now in flux, and a reconsideration may be in order.

The Aesthetic Conflict

2021 ◽  
pp. 39-52
Author(s):  
Douglas W. Shadle
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
New York ◽  
Instrumental Music ◽  
The United States ◽  
Program Music ◽  
Absolute Music ◽  
The Aesthetic ◽  
Open Question ◽  
World Premiere

An aesthetic conflict between advocates of abstract instrumental music (or “absolute music”) and advocates of instrumental music that tells stories (or “program music”) raged throughout Europe and the United States during the second half of the nineteenth century. American critics assessed Dvořák’s Sixth, Seventh, and Eighth Symphonies through the lens of this conflict as they premiered throughout the 1880s and 1890s. But listeners could not reach a consensus about where along the aesthetic spectrum his music fell. Which direction the composer’s new symphony might take therefore remained an open question until its 1893 world premiere in New York, when the results surprised everyone.

scholarly journals How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy

2014 ◽  
Vol 8 (4) ◽  
pp. 501-537 ◽  
Author(s):  
DOUGLAS W. SHADLE
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Print Culture ◽  
The United States ◽  
Program Music ◽  
Santa Claus ◽  
Potential Sources ◽  
European Counterpart ◽  
The Aesthetic ◽  
New Framework

AbstractThe transnational character of the literate musical community in the United States created an environment in which language barriers, ideological biases, and other potential sources of misunderstanding caused print items to change shape quickly as they were transferred from one reader to the next. The aesthetic controversy between William Henry Fry and Richard Storrs Willis surrounding the 1853 premiere of Fry's Santa Claus: Christmas Symphony provides a rich case in point. The controversy at times seemed to draw from a parallel debate in Europe, often called “The War of the Romantics,” which concerned the future of symphonic composition and music's capacity for representation. At others, the controversy seemed to diverge from its European counterpart as central concepts were articulated in new intellectual contexts. The vagaries of print culture help explain these discrepancies. This article outlines the central arguments of the debate, situates them within their transatlantic contexts, and examines how print culture played a significant role in the controversy's unfolding as early as 1839, fifteen years before it took place. More broadly, it constructs a new framework for examining the function and meaning of nineteenth-century music periodicals by illustrating how an antislavery newspaper became an unlikely voice in a debate over program music.

“Indebted to No One”

2020 ◽  
Vol 50 (3) ◽  
pp. 217-247 ◽  
Author(s):  
Ellen Abrams
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
American Mathematical Society ◽  
The United States ◽  
The Self ◽  
Late Nineteenth Century ◽  
Benjamin Franklin ◽  
Rural Identity ◽  
American Life ◽  
Late Nineteenth

In 1894, Ohio mathematician Benjamin Franklin Finkel founded The American Mathematical Monthly to engage a broader audience of mathematicians than were involved with the newly formed American Mathematical Society. Along with mathematical puzzles, articles, and discussions, the first ten volumes of the Monthly included biographies of American mathematicians who worked as teachers, writers, and broadly skilled practitioners. Although the details about each mathematician were different, their biographies often followed a similar narrative template to contemporary depictions of the self-made man. This article argues that the story of the self-made mathematician, as presented in early issues of the Monthly, helped ground mathematics in day-to-day American life while asserting ties to different forms of masculinity. Such assertions were particularly significant in the late nineteenth century when a professional mathematics community was taking shape in the United States, and its leaders were becoming increasingly focused on “modern,” abstract forms of research. By marshalling a variety of cultural tropes tied to self-making, physical labor, rural identity, and manhood, biographies in the Monthly offered a particular image of American mathematics at a time when the boundaries of the category “mathematician” were shifting, and what it meant to be an American mathematician had yet to be defined.

Thinking About Scots Law

1996 ◽  
Vol 1 (1) ◽  
pp. 3-24 ◽  
Author(s):  
Alan Rodger
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
British Empire ◽  
United States Of America ◽  
Case Law ◽  
The United States ◽  
Memorial Lecture ◽  
University Of Edinburgh ◽  
The University

This article is the revised text of the first W A Wilson Memorial Lecture, given in the Playfair Library, Old College, in the University of Edinburgh, on 17 May 1995. It considers various visions of Scots law as a whole, arguing that it is now a system based as much upon case law and precedent as upon principle, and that its departure from the Civilian tradition in the nineteenth century was part of a general European trend. An additional factor shaping the attitudes of Scots lawyers from the later nineteenth century on was a tendency to see themselves as part of a larger Englishspeaking family of lawyers within the British Empire and the United States of America.

‘A Routh O’ Auld Nick-Nackets’ – the antiquarian collection of John Rae

2015 ◽  
Vol 36-37 (1) ◽  
pp. 163-183
Author(s):  
Paul Taylor
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Social Context ◽  
Moral Education ◽  
The United States ◽  
Representative Case ◽  
National Museums ◽  
The Individual ◽  
The University

John Rae, a Scottish antiquarian collector and spirit merchant, played a highly prominent role in the local natural history societies and exhibitions of nineteenth-century Aberdeen. While he modestly described his collection of archaeological lithics and other artefacts, principally drawn from Aberdeenshire but including some items from as far afield as the United States, as a mere ‘routh o’ auld nick-nackets' (abundance of old knick-knacks), a contemporary singled it out as ‘the best known in private hands' (Daily Free Press 4/5/91). After Rae's death, Glasgow Museums, National Museums Scotland, the University of Aberdeen Museum and the Pitt Rivers Museum in Oxford, as well as numerous individual private collectors, purchased items from the collection. Making use of historical and archive materials to explore the individual biography of Rae and his collection, this article examines how Rae's collecting and other antiquarian activities represent and mirror wider developments in both the ‘amateur’ antiquarianism carried out by Rae and his fellow collectors for reasons of self-improvement and moral education, and the ‘professional’ antiquarianism of the museums which purchased his artefacts. Considered in its wider nineteenth-century context, this is a representative case study of the early development of archaeology in the wider intellectual, scientific and social context of the era.

A HISTORICAL PERSPECTIVE ON THE AUDITOR'S ROLE: THE EARLY EXPERlENCE OF THE AMERICAN RAILROADS

1983 ◽  
Vol 10 (1) ◽  
pp. 69-86 ◽  
Author(s):  
James L. Boockholdt
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Internal Control ◽  
Historical Perspective ◽  
The United States ◽  
Advisory Services ◽  
Audit Independence ◽  
Inherent Part

The paper explores the origins of the auditing profession in the United States. It is suggested that the development of the audit function in this country can be traced to reporting by internal and shareholder auditors in the American railroads during the middle of the nineteenth century. Evidence is presented that a recognition of the need for audit independence existed, and that the provision of advisory services and reports on internal control by American auditors have been an inherent part of the auditor's role from that time.

Sign in / Sign up

Export Citation Format

Share Document