Dunbar, Paul Laurence

Author(s):  
David L. Dudley

Paul Laurence Dunbar, born in Dayton, Ohio, in 1872, became the first African American to make his living solely as a writer. When he died of tuberculosis in 1906, he was perhaps the most famous and best-loved black man in America. During a short but prolific career, Dunbar composed about five hundred poems, one hundred short stories, four novels, many essays, and song lyrics. His public performances of his own works were wildly popular, and generations of African Americans were raised knowing, often by heart, his best-loved poems. In 1896, William Dean Howells, dean of American literary critics, hailed Dunbar’s work, but singled out the dialect poems for special praise. The public preferred them, too. For the decade that remained to him, Dunbar continued to write dialect poems, some of which seem to reinforce negative stereotypes of African Americans, and others that appear to romanticize the “good old days” of the antebellum South. On the other hand, Dunbar produced essays and poetry critical of America and the severe limits and indignities imposed on African Americans. Why would such a writer produce works so contradictory? This has been the crux of Dunbar studies almost from the time of his death. His critical reception reveals much about the taste and political views of subsequent generations of his readers and critics, who would do well to remember the enormous challenges facing Dunbar and all African American artists who strove to find their voices and make a living during those post-Reconstruction years, the “nadir” of the black experience in America.

2021 ◽  
pp. tobaccocontrol-2021-056748 ◽  
Author(s):  
David Mendez ◽  
Thuy T T Le

BackgroundFor many years, national surveys have shown a consistently disproportionately high prevalence of menthol smokers among African Americans compared with the general population. However, to our knowledge, no prior study has quantified the harm that menthol smoking has caused on that population. In this work, we estimate the public health harm that menthol cigarettes have caused to the African American community over the last four decades.MethodsUsing National Health Interview Survey data, we employed a well-established simulation model to reproduce the observed smoking trajectory over 1980–2018 in the African American population. Then, we repeat the experiment, removing the effects of menthol on the smoking initiation and cessation rates over that period, obtaining a new hypothetical smoking trajectory. Finally, we compared both scenarios to calculate the public health harm attributable to menthol cigarettes over 1980–2018.ResultsOur results show that menthol cigarettes were responsible for 1.5 million new smokers, 157 000 smoking-related premature deaths and 1.5 million life-years lost among African Americans over 1980–2018. While African Americans constitute 12% of the total US population, these figures represent, respectively, a staggering 15%, 41% and 50% of the total menthol-related harm.DiscussionOur results show that menthol cigarettes disproportionally harmed African Americans significantly over the last 38 years and are responsible for exacerbating health disparities among that population. Removing menthol cigarettes from the market would benefit the overall US population but, particularly, the African American community.


2016 ◽  
Vol 14 (1) ◽  
pp. 349-373
Author(s):  
George Wilson ◽  
Vincent J. Roscigno

AbstractHas the adoption of “new governance” reforms over the last two decades eroded the public sector as a long-standing occupational niche for African Americans? Utilizing data from the General Social Survey, we address this issue in the context of earnings “returns” to three levels of job authority for African American men and women relative to their White counterparts. Findings, derived from analyses of three waves of the General Social Survey, indicate that the acceleration of this “business model” of work organization in the public sector has had relatively profound and negative consequences for African American income. Specifically, racial parity in earnings returns at all levels of authority in the “pre-reform” period (1992–1994) progressively eroded during “early reform” (2000–2002) and then even more so during the “late reform” (2010–2012) period. Much of this growing public sector disadvantage—a disadvantage that is approaching that seen in the private sector—is driven largely by income gaps between White and African American men, although a similar (though smaller) racial gap is witnessed among women. We conclude by discussing the occupational niche status of public sector work for African Americans, calling for further analyses of the growing inequality patterns identified in our analyses, and drawing attention to the implications for contemporary racial disadvantages.


Author(s):  
Matthew Tokeshi

Abstract The study of American racial politics has long focused on the conditions that activate racial animosity. A central line of research demonstrates that campaign messages that highlight negative stereotypes of African Americans can activate whites' racial attitudes. However, little is known about whether this activation can be overcome. I develop a theory of racial deactivation and test its predictions with two survey experiments. I find that explicitly criticizing the racial nature of an attack restores support for white candidates, but not African American candidates. However, African American and white candidates fare equally well using two rebuttal styles: a credible, non-racial justification of the attacked action or an explicit racial critique combined with the justification. The results have implications for how race affects campaigns, the susceptibility of the American public to racial cues, and campaign strategy.


Author(s):  
Koritha Mitchell

This chapter argues that blacks living during lynching's height accurately read the discourses and practices of their historical moment, and their cultural artifacts reflect their insights. Namely, the plays by black dramatists contain specific characterizations of the nature of lynching, and they inspire black community practices that enable African Americans to continue to interpret their surroundings accurately. In an environment where their extermination was said to make the nation safe, African Americans perceived the truth behind the façade—that lynching was really master/piece theater, designed to reinforce racial hierarchy. African American artists therefore offered scripts that encouraged their communities to continue to rehearse an understanding of themselves as full citizens.


Author(s):  
Christine A. Wooley

Critical accounts of American literary realism have often focused on how realism is an intervention in, rather than a simple representation of, reality. Truth, however, remains a powerful referent for realists and a particularly complex one for postbellum African American writers whose works exemplify, but also interrogate, realism as a mode of representation. This chapter argues that linking African American writers such as Paul Laurence Dunbar and Charles Chesnutt to the realism of William Dean Howells reveals how for these writers, realism itself becomes a way to interrogate the power of stories to define what is true and to intervene in such assumptions. At the same time, these authors’ works increasingly show the limits of such interventions in relation to the intractability of racialized and racist discourse—and the racial disparities such discourse reinforces—at the turn of the twentieth century.


Author(s):  
Todd M. Michney

This chapter compares the process of racial residential transition and patterns of interracial encounters in Glenville and the various neighbourhoods of Southeast Cleveland, finding differences mostly traceable to the white residents’ ethnic and class composition as well as the built environment. With most Jewish residents having left these areas, African Americans’ interactions with Roman Catholic Southern and Eastern Europeans took on greater significance. Aggressive real estate tactics seeking to promote rapid housing turnover became increasingly systematic and racial clashes (notably in the public schools) more common – including violent incidents which nevertheless remained on a low level overall, compared to Detroit and Chicago. Attempts at interracial neighbourhood mobilization continued, although the remaining white ethnics proved less receptive and demographic transition proceeded to the point where the population of these areas became overwhelmingly African American.


Author(s):  
Timo Müller

This chapter traces the emergence of the sonnet in African American literature to the pervasive influence of genteel conventions. These conventions have widely been regarded as conservative or even stultifying, but they provided black poets with various opportunities for self-assertion in the public sphere. The sonnet was a favourite genre among the genteel establishment, and poets pushed the boundaries of black expression by appropriating the form to subvert racial stereotypes, develop a black poetic subjectivity, and participate in the debate over the memory of the Civil War. In tracing these developments, the chapter repositions the outstanding poets of the period, Paul Laurence Dunbar and James Weldon Johnson, alongside their less-known contemporaries, Samuel Beadle, William Stanley Braithwaite, Joseph Seamon Cotter Jr., T. Thomas Fortune, and Henrietta Cordelia Ray.


2010 ◽  
Author(s):  
◽  
Siobhan Smith

One way the mainstream public comes to learn about Historically Black Colleges or Universities is through the media. Reality television show College Hill, aired by Black Entertainment Television, appeared to have the goal of presenting the unique aspects of HBCU life. In spite of this objective, some critics and scholars argued the program fell short, relying on familiar and negative stereotypes to present the majority African-American casts, to the detriment of the reputation of these institutions. To explore this possibility, a content analysis of Seasons 3 and 4 of the program (30 episodes) was conducted. It was found that in general, behaviors and traits of the African-American cast members both supported and contradicted previously established, culturally-based stereotypes of African Americans, and that their appearances suggested normalcy. However, African-American women were portrayed in a significantly more negative manner than their male counterparts. In addition, out of the 327 scenes, only 43 (13.1%) had a reference to the HBCU; 30 scene-level references (69.8%) were to academic goals. Further, while the show mostly depicted the cast members interacting independently of the HBCU backdrop, it appears when the HBCU was referenced on the scene-level, most of these references portray academic, rather than social, concerns. Contrary to the literature regarding College Hill, instances of goals occurred statistically significantly more than instances of anti-goals. In addition, all of these references were considered positive on the episode-level. These findings suggest it is possible that some of the negative portrayals of the cast members might become inseparable from the portrayal of the HBCUs in the mind of the viewer.


2019 ◽  
Vol 9 (2) ◽  
pp. 32-42
Author(s):  
Quaneshia S. Chandler

Mental health issues, such as excessive stress, anxiety and depression, are common among the college students. Students from minority populations disproportionally experience these issues, which impacts their overall functioning. It is well known that African Americans and others underutilise mental health service and are more likely to discontinue services even when they seek such services. Given this observation, the present study examines the attitude of African American college students towards seeking mental health services. Specifically, the study will highlight negative stereotypes attached to seeking mental health services, and how these impact the willingness of African American college students to seek mental health services. The study will explore ways to combat these negative stereotypes. Additionally, the study will also discuss the many barriers that come in to play with African Americans in seeking mental health opportunities. Keywords: Stereotypes, African Americans, mental Health, counseling, willingness.


Author(s):  
Victor Svorinich

Bitches Brew was not created in a void. This chapter illustrates how Davis coincided with the emerging status of African-Americans in late-60s America. The innovations of artists such as Jimi Hendrix, James Brown, and Sly Stone--the trumpeter’s key influences, illustrated the importance of African-American artists and helped shape the transformation in Davis’s life and music. As Davis did on Bitches Brew, these artists pioneered new approaches in self-expression that coincided with the changing cultural and political conditions surrounding them. Davis would insist that Bitches Brew was his music for his generation regardless of how progressive it sounded.


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