Urban Space and Religion in the United States

Author(s):  
Katie Day

Religion has always been a contextually based phenomenon, particularly in urban space. Cities of every size, in every period, and in every region of the country have been defined by the towers and spires of faith traditions. They have mapped cities, providing anchors to religionists who worship there, and contributing to the construction of civil society and a sense of place. Communities of faith have drawn migrants and immigrants to settle in a particular place and provided resources for adaptation and integration. Houses of worship have often defined neighborhood identities and become progenitors of social capital beyond their walls. Increasingly the physical and social forms of religion are becoming more diverse—different accents, practices, music, dress, and even scents pour into and out of houses of worship that may not be grand old structures but more modest structures built for other purposes, blending into the cityscape. Still, religion is influential in shaping its context both spatially and socially. But the relationship is reciprocal, as context acts on the questions, meanings, and practices of faith groups as well. The city has occupied the religious imaginations of many traditions as an ambivalent symbol, seen as both the locus of depravity and of redemption. Out of these imaginaries religious questions, meanings, practices, and forms of engagement have been shaped. Further, the economic, political, social, and institutional dynamics of the urban space impact the practice and understanding of religion, and how it is expressed and lived out in everyday life. The interaction of religions and urban space—what can be described as a dynamic synapse in a human ecology—is emerging as a focus of exploration in understanding how cities work. Although religion is often overlooked by many urban theorists, researchers, planners, developers, and governments, it is gaining fresh attention by scholars. Drawing on major schools of urban theory—particularly the modernist Chicago School and the postmodern L.A. School of Urbanism—the spatial dimension of urban religion is being analyzed in research projects from a growing number of contexts. Theoretical and empiric work is enabling a deeper understanding of the relationship of religion and cities; they cannot be considered in isolation. Religious agency cannot be exaggerated or romanticized but should be considered as what two researchers have called “one of the ensemble of forces creating the new American metropolis” (Numrich, Paul D., and Elfriede Wedam. Religion and Community in the New Urban America. New York: Oxford University Press, 2015.). In the same way, faith groups of all traditions and dimensions do not exist in isolation of their context as bubbles in city space. The intersection of space and urban religion is complex, especially as both religion and cities are in the midst of great change in the 21st century.

2005 ◽  
Vol 156 (8) ◽  
pp. 288-296
Author(s):  
Vittorio Magnago Lampugnani

In the first half of the 19th century scientific philosophers in the United States, such as Emerson and Thoreau, began to pursue the relationship between man and nature. Painters from the Hudson River School discovered the rural spaces to the north of New York and began to celebrate the American landscape in their paintings. In many places at this time garden societies were founded, which generated widespread support for the creation of park enclosures While the first such were cemeteries with the character of parks, housing developments on the peripheries of towns were later set in generous park landscapes. However, the centres of the growing American cities also need green spaces and the so-called «park movement»reached a first high point with New York's Central Park. It was not only an experimental field for modern urban elements, but even today is a force of social cohesion.


2021 ◽  
pp. 026377582110302
Author(s):  
Asha Best ◽  
Margaret M Ramírez

In this piece, we take up haunting as a spatial method to consider what geography can learn from ghosts. Following Avery Gordon’s theorizations of haunting as a sociological method, a consideration of the spectral offers a means of reckoning with the shadows of social life that are not always readily apparent. Drawing upon art installations in Brooklyn, NY, White Shoes (2012–2016), and Oakland, CA, House/Full of BlackWomen (2015–present), we find that in both installations, Black women artists perform hauntings, threading geographies of race, sex, and speculation across past and present. We observe how these installations operate through spectacle, embodiment, and temporal disjuncture, illuminating how Black life and labor have been central to the construction of property and urban space in the United States. In what follows, we explore the following questions: what does haunting reveal about the relationship between property, personhood, and the urban in a time of racial banishment? And the second, how might we think of haunting as a mode of refusing displacement, banishment, and archival erasure as a way of imagining “livable” urban futures in which Black life is neither static nor obsolete?


2021 ◽  
pp. 089692052098661
Author(s):  
Amanda T. Boston

Gentrification’s racial consequences are garnering increased attention as the process advances into majority–minority urban neighborhoods. This study examines the EB-5 Immigrant Investor Program’s implementation in Brooklyn, New York to ground these trends in policies through which gentrification is promoted, histories of racism and uneven development against which they are unfolding, and their disparate impacts on Black communities. While the program purports to use foreign investment to promote job growth in high unemployment areas, its financing of multimillion and billion-dollar development projects facilitates the displacement of longtime residents of the very places the initiative was designed to improve. Central Brooklyn and its outlying areas, home to one of the largest contiguous Black communities in the United States, are host to numerous EB-5 projects that have failed to produce sustainable job growth for existing residents and heightened the growing crisis of unaffordability. My analysis shows how EB-5 projects have enabled investors to use distressed areas disproportionately inhabited by poor and working-class Black communities to qualify for funding, while redistributing benefits upward to wealthy developers and affluent residents and consumers. Ultimately, the EB-5 program and other neoliberal, colorblind urban development policies exacerbate existing racial inequalities in the organization and operation of urban space.


1986 ◽  
Vol 30 ◽  
pp. 59-78 ◽  
Author(s):  
Bruce Nelson

Recent discussions of the history of American communism have generated a good deal of controversy. A youthful generation of “new social historians” has combined with veterans of the Communist party to produce a portrait of the Communist experience in the United States which posits a tension between the Byzantine pursuit of the “correct line” at the top and the impulses and needs of members at the base trying to cope with a complex reality. In the words of one of its most skillful practitioners, “the new Communist history begins with the assumption that … everyone brought to the movement expectations, traditions, patterns of behavior and thought that had little to do with the decisions made in the Kremlin or on the 9th floor of the Communist Party headquarters in New York.” The “new” historians have focused mainly on the lives of individuals, the relationship between communism and ethnic and racial subcultures, and the effort to build the party's influence within particular unions and working-class constituencies. Overall, the portrait has been critical but sympathetic and has served to highlight the party's “human face” and the integrity of its members.


2019 ◽  
Vol 9 (10) ◽  
pp. 1357 ◽  
Author(s):  
Jinxiu Jin

The relationship among China, the United States and North Korea has already been a focus of international politics. From June 19 to 20, North Korea leader Kim Jong-un ended his third visit to China within 100 days. This is also his three consecutive visits to China since he took office in December 2011. The high density and frequency are not only rare in the history of China-DPRK relations, but also seem to be unique in the history of international relations, indicating that China-DPRK relations are welcoming new era. This paper selects the New York Times’ report on China-DPRK relations as an example, which is based on an attitudinal perspective of the appraisal theory to analyze American attitudes toward China. Attitudes are positive and negative, explicit and implicit. Whether the attitude is good or not depends on the linguistic meaning of expressing attitude. The meaning of language is positive, and the attitude of expression is positive; the meaning of language is negative, and the attitude of expression is negative. The study found that most of the attitude resources are affect (which are always negative affect), which are mainly realized through such means as lexical, syntactical and rhetorical strategies implicitly or explicitly. All these negative evaluations not only help construct a discourse mode for building the bad image of China but also are not good to China-DPRK relations. The United States wants to tarnish image of China and destroy the relationship between China and North Korea by its political news discourse.


2003 ◽  
Vol 174 ◽  
pp. 523-525
Author(s):  
Bruce J. Dickson

This useful textbook provides an overview of US–China relations between the late 19th century and the beginning of the 21st. It gives a clear chronology of events and covers the main events and issues in the relationship. It also embeds the description of these events and issues in the larger international and domestic contexts, allowing it to mesh easily with other textbooks that focus either on China's foreign relations in general or on its domestic developments.


2018 ◽  
Vol 12 (1) ◽  
pp. 2-36
Author(s):  
MARY SIMONSON

AbstractIn July 1922, the New York Times reported that the “encouraging little film” Danse Macabre was screening at the Rialto Theater in New York City. Directed by filmmaker Dudley Murphy, it starred dancers Adolph Bolm and Ruth Page in a visual interpretation of Saint-Saëns's Danse Macabre that synchronized perfectly with live performances of the composition. While film scholars have occasionally cited Danse Macabre and Murphy's other shorts from this period as examples of early avant-garde filmmaking in the United States, discussions of the films are mired in misunderstanding. In this article, I use advertisements, reviews, and other archival materials to trace the production, exhibition, and reception of Murphy's Visual Symphony project. These films, I argue, were not Murphy's alone: rather, they were a collaborative endeavor guided as heavily by musician and film exhibitor Hugo Riesenfeld as by Murphy himself. Recast in this way, the Visual Symphony project highlights evolving approaches to sound–image synchronization in the 1920s, the centrality of theater conductors and musicians to filmmaking in this period, and the various ways in which filmmakers, performers, and exhibitors conceptualized the relationship between music and film, and the live and the mediated, in the final decade of the silent era.


2003 ◽  
Vol 80 (1) ◽  
pp. 145-165 ◽  
Author(s):  
Kristen Alley Swain

This content analysis explores the relationship between proximity/power status factors and news coverage of AIDS in sub-Saharan Africa in the elite press of the United States and Britain. Coverage from six publications— Time, Newsweek, U.S. News & World Report, The Economist, New York Times, and London Times—was compared with reported AIDS incidence in the hardest-hit African countries over two decades. AIDS coverage was related to year of publication, country of origin, and former colony status. Strongest predictors of coverage included military spending, scientific research, GDP, GNP, population, government type, and number of highways. Proximity and power status factors may mediate the flow of capital (information, money, and goods) between dominant and dependent nations.


2021 ◽  
Vol 27 (2) ◽  
pp. 173-200
Author(s):  
Davy Knittle

This article reads the transformation of urban space in US cities during and since the urban renewal of the 1950s and 1960s in dialogue with queer and disability theories of access to the social and the built environment. Knittle focuses on obsolescence as an urban planning strategy used to justify the removal of buildings and people from the present, as he explores how queer and disability studies have negotiated and advocated for access to the present and the future while refusing assimilation to normative social forms. He reads across body and city scales to consider access as dynamic and to map how the ableist expectations projected onto disabled bodies in what Alison Kafer describes as a “curative imaginary” appear on the city scale as an “urban curative imaginary.” To explore resistances to obsolescence that refuse assimilation while demanding access, Knittle reads the “window poems” of queer New York School poet James Schuyler. In these poems, Schuyler documents small and large forms of urban transformation from his Manhattan apartment during the 1950s and 1960s. Schuyler’s poems, Knittle argues, model strategies for how to identify the obsolescence of normative space rather than the obsolescence of queer and disabled bodies. He uses the poems’ focus on the queer potential of how urban spaces change to argue for a queer disability urbanism that takes the dynamism of access as a precondition for negotiating equitable forms of social participation and public life.


Author(s):  
Sara Fanning

This concluding chapter argues that the 1820s was a critical time in the relationship between the United States and Haiti, a time when each exerted influence on the other that had the potential to change their respective histories even more radically. During this decade, Haitian President Jean-Pierre Boyer concentrated on U.S. relations in his work to improve the standing of his nation and opened up the island to African American emigrants as a gambit to strengthen his case for diplomatic recognition from the United States. Boyer's emigration plan found support among a diverse group of Americans, from abolitionists to black-community leaders to hard-nosed businessmen who all saw profit in the enterprise for different reasons. Ultimately, the project had a lasting effect on thousands of emigrants; on the black communities of Boston, Philadelphia, and New York; on Haitian-American relations; and on African American political discourse.


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