The Creole Circus and Popular Entertainment in 19th Century Argentina and Uruguay

Author(s):  
William G. Acree

Theater in Argentina and Uruguay, which together compose the Plata river region of Latin America, has been a predominant form of entertainment since the 19th century. Theaters abound in Montevideo, while its sister city. Buenos Aires, has its own Broadway in the famed Corrientes Street. In the age of digital culture, the theater remains a mainstay of cultural life for Argentines and Uruguayans. The success of theater and the making of a theatergoing public in the region have their roots first in the variety of entertainment offered by hemispheric travelers to the region from the 1820s through the 1880s and then, most significantly, in shows put on by itinerant circus troupes in the countryside that only later filled urban theaters. From the mid-1880s through 1900 these circus troupes performed plays known as dramas criollos that dealt with rural traditions and explored issues of migration, social stratification, and tensions of economic modernization. These Creole dramas, like the narrative and poetic tales of gaucho heroes that informed them, became wildly successful, attracting spectators in the countryside and city alike, in venues ranging from makeshift tents to the most opulent theaters. They also became the namesake of the circo criollo, which referred as much to types of performers staging the tales as to the circus event where people flocked to see the new main attraction—the dramas. In effect, the Creole drama phenomenon expanded the presence of popular entertainment across the region and consolidated a theatergoing public. It also gave way to a new strand of modern popular culture in which storylines and characters reappeared in other media, and the impact of the Creole drama experience long outlived the spectacle itself.

2020 ◽  
Vol 12 (3) ◽  
pp. 22-29
Author(s):  
Jonibek Butaev ◽  

The article is devoted to the analysis of the activities of the Samarkand Regional Statistics Committee in the second half of the XIX -early XX centuries. Statistical committees and departments established in the second half of the 19th century in the province of Turkestan and all regions to study the socio-economic, political and cultural life of the country, compile statistical reports and collections, as well as consolidate the colonial policy of the empire. The article analyzes the data of the Statistics Committee and the Department of Samarkand region.


2016 ◽  
pp. 69-77
Author(s):  
Maria BOSTENARU DAN ◽  
◽  
Cristina Olga Gociman ◽  

This paper investigates the mapping of the impact of natural hazards as included in several databases reviewed or created by the author. These are: - The database of the contribution of the session series “Natural hazards’ impact on urban areas and infrastructure”, convened and co-convened by the first author over 15 years at the European Geosciences General Assembly. - A database created from reviews of students supervised by the authors in frame of the course “Protection of settlements against risks” at the home university. - A collection of historical photographs from the 19th century on different natural and man-made hazards from the Canadian Centre for Architecture, the archive review of which has been performed by the first author and which will be subject of a book to be published about the time of the conference. -Two reviewed collections, one from the exhibition and book on “Images of disasters” (German research) and one on the book “Illustrated history of natural disasters” which include major disasters from the beginning of the mankind. In frame of the paper maps of the spread of data will be presented, created using both arcGIS online and GoogleMaps (see https://www.google.com/maps/d/edit?mid=zpbbz3WgVMBs.k-3vhGj- -l1M&usp=sharing), comparing the source and the type of hazard, to see eventual overlappings between the databases.


2016 ◽  
Vol 5 (1) ◽  
pp. 70-80
Author(s):  
Kasper Schiølin

The understanding of technology as rational means to well-defined ends does not make sense anymore. To a still greater extent the usage of digital technologies is compulsive, and without clear purpose. It would be tempting to interpret such repetitive and useless behaviour in a Batailleian sense as an accumulation of excess energy, which would cause a state of ecstasy that encounters the hegemony of utility. However, the compulsive behaviour is only apparently useless. The circuit of exuberant energy produced by the compulsive user is the very life nerve of the anonymous digital industry, which absorbs every click, finger slide, retweet, like or Google-search – deliberately as well as compulsively – to ensure its growth and power. In this sense, technology seems to be neither a sheer material extension of human rationality, nor an abundant source of excess energy, but a blind, ravenous, and limitless will to nothing but itself. Bataille’s notion of excess energy is indeed an obvious choice for interpreting the compulsive behaviour of digital culture. Although Bataille’s reception of Nietzsche is evident, he only slightly touches upon the obvious relationship between his notion of excess energy and the will. Adopting the metaphysics of will, developed by Schopenhauer, Nietzsche, and others in the 19th century will help to diagnose an already arrived future, where no energy is left to transgress binary logic.


Prospects ◽  
1997 ◽  
Vol 22 ◽  
pp. 193-210 ◽  
Author(s):  
Mark Hodin

During the last decade of the 19th century, vaudeville became the nation's most popular entertainment form, drawing unprecedented numbers of spectators and appealing to members of diverse socioeconomic groups by staging a rapid succession of acrobats, comedians, legitimate theater stars, pet-tricks, and dramatic sketches. In a cultural scene that Lawrence Levine and others tell us was marked by the historical separation between legitimate and mass cultural practices, critical observers (then and since) have greeted the diversity of vaudeville's audience and the range of its performance with a mixture of surprise and liberal enthusiasm.


2021 ◽  
Vol 4 (7) ◽  
pp. 15-22
Author(s):  
Zebiniso A. Akhmedova ◽  

The article analyzes the culture of Turkestan in the second half of the 19th century. The social, economic, politicaland cultural life of Bukhara during the Mangit dynasty is revealed. Clarified trade and diplomatic relations between Bukhara and Russia.On the basis of the works of Ahmad Donish, the economic and political situation in Bukhara, as well as relations with neighboring countries, are studied. The author draws attention to the military-bureaucratic colonial system of tsarism in Turkestan and reveals the reasons for the emergence of ideas of national liberation in the country. Examples are used to analyze the life of Bukhara before and after the invasion of tsarism


Author(s):  
Jim Powell

Losing the Thread is the first full-length study of the effect of the American Civil War on Britain’s raw cotton trade and on the Liverpool cotton market. It details the worst crisis in the British cotton trade in the 19th century. Before the civil war, America supplied 80 per cent of Britain’s cotton. In August 1861, this fell to almost zero, where it remained for four years. Despite increased supplies from elsewhere, Britain’s largest industry received only 36 per cent of the raw material it needed from 1862 to 1864. This book establishes the facts of Britain’s raw cotton supply during the war: how much there was of it, in absolute terms and in relation to the demand, where it came from and why, how much it cost, and what effect the reduced supply had on Britain’s cotton manufacture. It includes an enquiry into the causes of the Lancashire cotton famine, which contradicts the historical consensus on the subject. Examining the impact of the civil war on Liverpool and its cotton market, the book disputes the historic portrayal of Liverpool as a solidly pro-Confederate town. It also demonstrates how reckless speculation infested and distorted the raw cotton market, and lays bare the shadowy world of the Liverpool cotton brokers, who profited hugely from the war while the rest of Lancashire starved.


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