Lucas Alamán and 19th-Century Monarchism in Mexico

Author(s):  
Miguel Soto

When Mexico became independent in 1821, the first choice for a political system for the new country was a monarchy. In fact, the Plan of Iguala, which prompted the separation from Spain, called for Ferdinand VII or any member of his family to come rule over the novel nation. While such efforts did not prosper then and in fact precipitated a failed attempt for a national empire, the monarchist option remained alive for several decades, until a French intervention sponsored the enactment of Habsburg archduke Ferdinand Maximilian as emperor of Mexico. When that attempt was defeated in 1867 it marked the end of monarchism there. One of the main promoters of such a political system was Lucas Alamán. A member of a miner’s family from Guanajuato, he became an important and influential statesman of independent Mexico. From 1821, when he first participated in the Spanish congress, until his death in 1853, Alamán, like other thinkers who lived through a transitional period, held paradoxical views; while he promoted industrialization and economic development, he maintained more-traditional views on politics and rather ancestral conceptions regarding the treatment of Indian communities. Either as minister of foreign relations, congressman, or advisor to various governments, he defended his ideas, and more than once they aimed for a monarchist option. His career illustrates the quandaries and dilemmas that the officials of Hispanic America and Old Spain as well confronted in modernizing their societies. As he got involved in public office, he also became the administrator of the Duke of Terranova and Monteleone’s state in Mexico; such a position provided him—through the British agents of the Neapolitan-Sicilian nobleman—with a regular source of information on the European scene. Thus, Alamán was one of the most learned public officials of his time. He also wrote historical works that granted him recognition in academic institutions, such as the Philosophical Society of Philadelphia.

Author(s):  
Svitlana Kobuta

The article dwells on the peculiarities of the author’s usage of different stylistic devices. Richard Aldington uses a variety of lexical and grammatical stylistic devices in his outstanding novel «Death of a Hero». He is trying to implicitly show his readers his real attitude towards the setting hos novel takes place in. The author constantly leads an indirect dialogue with his readers in order to make them understand the real course of events, but instead of addressing them directly and persuading them to take his point of view as a truly accurate one, Richard Aldington uses a whole range of creative metaphors, similes, hyperbolas, allusions, epithets, parallel constructions and other stylistic devices to convey the true meaning of what he describes. His usage of figures of speeches serves a double purpose: a stylistic one, i.e. to beautify the text and make it linguistically and literary rich, and a pragmatic one, i.e to serve as a source of additional information. The article makes an attempt to find the correlation between these two functions and to come to the conclusions concerning their role in the author’s speech of the novel as an additional source of information.


2008 ◽  
pp. 134-151
Author(s):  
A. Shastitko ◽  
M. Ovchinnikov

The article proposes an approach to the analysis of social change and contributes to the clarification of concepts of economic policy. It deals in particular with the notion of "change of system". The author considers positive and normative aspects of the analysis of capitalist and socialist systems. The necessary and sufficient conditions for the system to be changed are introduced, their fulfillment is discussed drawing upon the historical and statistical data. The article describes both economic and political peculiarities of the transitional period in different countries, especially in Eastern Europe.


Author(s):  
Robin Holt

If knowledge does not create a sustained and unified sense of organizational self (skepticism is rife) then strategic inquiry can turn to vision, a move advocated by Henry Mintzberg amongst others. The chapter considers what it is to author a strategic vision, using the novel The Shape of Things to Come by H. G. Wells as an indicative and provocative example of an organizational attempt to present its own form to itself and others. The risks associated with propaganda and dogmatic assertion are discussed, as are the strategy documents by which many modern organizations attempt to instil an equivalent vision to that envisaged by Wells.


2021 ◽  
Vol 1 (1) ◽  
pp. 100-115
Author(s):  
Kate Fischer ◽  
Malika Rakhmonova ◽  
Mike Tran

Abstract Since the spring of 2020 SARS-CoV-2, the novel coronavirus, has upended lives and caused a rethinking of nearly all social behaviors in the United States. This paper examines the ways in which the pandemic, shutdown, and gradual move towards “normal” have laid bare and obfuscated societal pressures regarding running out of time as it pertains to the residential university experience. Promised by movies, television, and older siblings and friends as a limited-time offer, the “typical” college experience is baked into the U.S. imaginary, reinforcing a host of notions of who “belongs” on campus along lines of race, class, and age. Fed a vision of what their whole lives “should be”, students who enter a residential four-year college are already imbued with a nostalgia for what is yet to come, hailed, in Althusser’s (2006[1977]) sense, as university subjects even before their first class. The upheaval of that subjecthood during the pandemic has raised important questions about the purpose of the college experience as well as how to belong to a place that is no longer there.


Author(s):  
Pushpa Raj Jaishi

Vanishing Herds (2011) is Henry Ole Kulet’s novel that hovers around the ecological depletion caused by the anthropocentric attitude of the human beings. Set in the East African Savannah, the novel grapples with the critical issue of anthropogenic environmental degradation. The novel is based on the tribulations of a young Maasai couple –Kedoki and Norpisia whose epic journey through the wilderness provides a window through which the destruction of the physical environment can be viewed. Additionally, the text catalogues the challenges faced by a pastoralist community’s attempt to come to terms with the socio-economic realities of a fast-evolving contemporary society. The paper is an attempt to study this novel under the surveillance of green lens and throw light on the ecological destruction especially the clearing of the forest by human self centered endeavors and to critique the anthropocentric attitude of the human beings that render the environment at the verge of destruction.


2019 ◽  
Vol 41 (2) ◽  
pp. 337-358 ◽  
Author(s):  
Michael Hüther ◽  
Matthias Diermeier

Abstract Can the rise of populism be explained by the growing chasm between rich and poor? With regard to Germany, such a causal relationship must be rejected. Income distribution in Germany has been very stable since 2005, and people’s knowledge on actual inequality and economic development is limited: inequality and unemployment are massively overestimated. At the same time, a persistently isolationist and xenophobic group with diverse concerns and preferences has emerged within the middle classes of society that riggers support for populist parties. This mood is based on welfare chauvinism against immigration rather than on a general criticism of distribution. Since the immigration of recent years will inevitably affect the relevant indicators concerning distribution, an open, cautious but less heated approach is needed in the debate on the future of the welfare state. In order to address and take the local concerns of citizens seriously, an increased exchange with public officials on the ground is needed.


2021 ◽  
Vol 25 (2) ◽  
pp. 208-224
Author(s):  
Mateusz M. P. Kłagisz

The article discusses three Afghan posters as a source of information on the political system between 1978 and 1992 and its internal dynamics. The posters are an integral part of Afghan visual culture and at the same time they are an inseparable element of the broader propaganda culture developed by communist parties. Consequently, such categories as unity, utility and wishful thinking characteristic for the socialist realist art and propaganda put the posters in the broadly understood phenomenon of Orwellian newspeak. To discuss their Orwellian dimension theoretical tools developed by Umberto Eco have been applied.


2021 ◽  
Vol 139 (4) ◽  
pp. 739-757
Author(s):  
Christina Slopek

Abstract This article analyzes queerness in Ocean Vuong’s On Earth We’re Briefly Gorgeous (2019), teasing out how the queer relationship at the core of the novel is framed. Ocean Vuong’s novel mobilizes queerness to straddle boundaries between cultures, gender roles and bodies. On Earth We’re Briefly Gorgeous places the queer sexual orientations and gender performances of its protagonists, one Vietnamese American, one white American, in firm relation to the formative force of cultural contexts. Zooming in on two young boys’ queerness, the novel diversifies gender roles and makes room especially for non-normative masculinities. What is more, On Earth We’re Briefly Gorgeous mobilizes the abject to showcase how queer sexual intimacy straddles boundaries between bodies and subjects. The article attends to language politics in connection with the novel’s coming-out performance, striated constructions of gender roles and their interplay with the abject and “bottomhood” (Nguyen 2014: 2) to come to grips with the novel’s diversification of queer masculinities.


2015 ◽  
Vol 8 (10) ◽  
pp. 4487-4505 ◽  
Author(s):  
K.-L. Chang ◽  
S. Guillas ◽  
V. E. Fioletov

Abstract. Total column ozone variations estimated using ground-based stations provide important independent source of information in addition to satellite-based estimates. This estimation has been vigorously challenged by data inhomogeneity in time and by the irregularity of the spatial distribution of stations, as well as by interruptions in observation records. Furthermore, some stations have calibration issues and thus observations may drift. In this paper we compare the spatial interpolation of ozone levels using the novel stochastic partial differential equation (SPDE) approach with the covariance-based kriging. We show how these new spatial predictions are more accurate, less uncertain and more robust. We construct long-term zonal means to investigate the robustness against the absence of measurements at some stations as well as instruments drifts. We conclude that time series analyzes can benefit from the SPDE approach compared to the covariance-based kriging when stations are missing, but the positive impact of the technique is less pronounced in the case of drifts.


Matatu ◽  
2017 ◽  
Vol 49 (2) ◽  
pp. 400-415
Author(s):  
Maurice Taonezvi Vambe

Abstract Recent surges and advances in the popular use of electronic technology such as Internet, email, iPad, iPhone, and touch-screens in Africa have opened up great communicative possibilities among ordinary people whose voices were previously marginalized in traditional elitist media. People far apart geographically and living in different times can communicate rapidly and with great ease. This technological revolution has challenged and broken down boundaries of dependence on television, newspapers, and novels, the traditional forms of communication. It is now possible to upload a novel onto an iPad and read it as one moves from place to place. The burden of carrying hard copies is relieved but not eradicated; in most African countries, including Zimbabwe (the centre of focus in the present article), the creative work of art or hard copy of a novel is still relied upon as source of information. There are creative, experimental innovations in the novel form in Zimbabwe which to some extent can justify one’s speaking of a hypertextual novel. This new type of novel incorporates multiple narratives, and sometimes deliberately uses genres such as the email form as a constitutive narrative style that confirms as well as destabilizes previous assumptions of single coherent stories told from one point of view. Using the concepts of hypertextuality, intertextuality, and Bakhtin’s notions of carnivalesque and heteroglossia in speech and written utterances, this article reconsiders the implications of the presence of ideologies of hypertextuality in one novel from Zimbabwe, Nyaradzo Mtizira’s The Chimurenga Protocol (2008). The article argues that the multiplicity of narratives constitutes the hypertextual dimension of the novelistic form.


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