scholarly journals A computational approach to lexical polysemy in Ancient Greek

2019 ◽  
Vol 34 (4) ◽  
pp. 893-907 ◽  
Author(s):  
Barbara McGillivray ◽  
Simon Hengchen ◽  
Viivi Lähteenoja ◽  
Marco Palma ◽  
Alessandro Vatri
Keyword(s):  
Bayesian Learning ◽  
Word Meaning ◽  
Computational Modelling ◽  
Research Area ◽  
Ancient Greek ◽  
Expert Annotation ◽  
Historical Semantics ◽  
The One ◽  
Lexical Polysemy ◽  
Computational Systems

Abstract Language is a complex and dynamic system. If we consider word meaning, which is the scope of lexical semantics, we observe that some words have several meanings, thus displaying lexical polysemy. In this article, we present the first phase of a project that aims at computationally modelling Ancient Greek semantics over time. Our system is based on Bayesian learning and on the Diorisis Ancient Greek corpus, which we have built for this purpose. We illustrate preliminary results in light of expert annotation, and take this opportunity to discuss the role of computational systems and human analysis in a complex research area like historical semantics. On the one hand, computational approaches allow us to model large corpora of texts. On the other hand, a long and rich scholarly tradition in Ancient Greek has provided us with valuable insights into the mechanisms of semantic change (cf. e.g. Leiwo, M. (2012). Introduction: variation with multiple faces. In Leiwo, M., Halla-aho, H., and Vierros, M. (eds), Variation and Change in Greek and Latin, Helsinki: Suomen Ateenan-instituutin säätiö, pp. 1–11.). In this article, we show that these qualitative analyses can be leveraged to support and complement the computational modelling.

scholarly journals Stability analysis and controller synthesis for hybrid dynamical systems

2010 ◽  
Vol 368 (1930) ◽  
pp. 4937-4960 ◽  
Author(s):  
W. P. M. H. Heemels ◽  
B. De Schutter ◽  
J. Lunze ◽  
M. Lazar
Keyword(s):  
Dynamical Systems ◽  
Mathematical Models ◽  
Hybrid Systems ◽  
Discrete Event ◽  
Research Area ◽  
Hybrid Dynamical Systems ◽  
Technological Systems ◽  
Analysis And Synthesis ◽  
Control Community ◽  
The One

Wherever continuous and discrete dynamics interact, hybrid systems arise. This is especially the case in many technological systems in which logic decision-making and embedded control actions are combined with continuous physical processes. Also for many mechanical, biological, electrical and economical systems the use of hybrid models is essential to adequately describe their behaviour. To capture the evolution of these systems, mathematical models are needed that combine in one way or another the dynamics of the continuous parts of the system with the dynamics of the logic and discrete parts. These mathematical models come in all kinds of variations, but basically consist of some form of differential or difference equations on the one hand and automata or other discrete-event models on the other hand. The collection of analysis and synthesis techniques based on these models forms the research area of hybrid systems theory, which plays an important role in the multi-disciplinary design of many technological systems that surround us. This paper presents an overview from the perspective of the control community on modelling, analysis and control design for hybrid dynamical systems and surveys the major research lines in this appealing and lively research area.

Zur Entstehung und Entwicklung des begriffes „Konzept“ in der kognitiven Semantik

2021 ◽  
pp. 251-259
Author(s):  
Nedas Jurgaitis ◽  
Keyword(s):  
Middle Ages ◽  
Cognitive Linguistics ◽  
Word Meaning ◽  
Cognitive Semantics ◽  
Subjective Perception ◽  
Scientific Discussion ◽  
European Languages ◽  
The One ◽  
Meta Analyses ◽  
Linguistic Units

The present article deals with the genesis of the notion “concept” in German cognitive semantics. The aim of the study is to present the origin and development of the notion “concept” from a diachronic perspective. The genesis of the notion “concept” in linguistics, particularly cognitive semantics, is an object of discussion. It reveals a connection between ancient ideas about word meaning and trends in modern linguistics. The roots of the notion can be traced back to ancient Greek philosophy – the concept debuts as a primal notion of mental experiences in Aristotle’s writings. However, the controversial translation of ancient works leaves room for scientific discussion regarding the prototype of the notion. In the Middle Ages, the word concept originated in European languages from Latin, later establishing itself in scientific discourse through the influence of Neo-Scholasticism, Frege’s conception of logic and the semiotic triangle, as well as the principle of the arbitrariness of linguistic signs. Finally, the notion concept gains importance in the transition from objective to the subjective perception of the meaning of linguistic units (the shift from structuralism to cognitivism) and becomes under the influence of cognitive psychology, the central term in cognitive linguistics in the 1970s and 1980s. The unconventional use of the notion in linguistic studies, on the one hand, makes meta-analyses of the semantics of certain concepts more difficult; on the other hand, it favours disciplinary and methodological diversity in today’s linguistic research.

scholarly journals Mysticism and/in the Old Testament: Methodological orientation and a textual example

2015 ◽  
Vol 71 (1) ◽  
Author(s):  
Christo Lombaard
Keyword(s):  
Old Testament ◽  
Academic Discipline ◽  
Specific Aspect ◽  
The Other ◽  
Hellenistic Period ◽  
Ancient Greek ◽  
Other Hand ◽  
Mission History ◽  
The One ◽  
Interpretative Framework

This contribution is the second in a series on methodology and Biblical Spirituality. In the first article, ‘Biblical spirituality and interdisciplinarity: The discipline at cross-methodological intersection’, the matter was explored in relationship to the broader academic discipline of Spirituality. In this contribution, the focus is narrowed to the more specific aspect of mysticism within Spirituality Studies. It is not rare for Old Testament texts to be understood in relationship to mystical contexts. One the one hand, when Old Testament texts are interpreted from a mystical perspective, the methods with which such interpretations are studied are familiar. The same holds true, on the other hand, if texts in the Old Testament, dating from the Hellenistic period, are identified as mystic. However, African mission history has taught us that the Western interpretative framework, based on ancient Greek philosophical suppositions (most directly the concepts rendered by Plato and Aristotle) and rhetorical orientations, is so strong that it transposes that which it encounters in other cultures into its terms, thus rendering the initial cultural understandings inaccessible. This is precisely the case too with Old Testament texts dating from pre-Hellenistic times, identified as mystic. What are the methodological parameters required to understand such texts on their own terms? In fact, is such an understanding even possible?

Control of flexible manipulators: A survey

Robotica ◽  
2004 ◽  
Vol 22 (5) ◽  
pp. 533-545 ◽  
Author(s):  
M. Benosman ◽  
G. Le Vey
Keyword(s):  
Linear Models ◽  
Control Strategies ◽  
Research Area ◽  
Future Research ◽  
Complex Nature ◽  
Open Problems ◽  
Complex Models ◽  
The Many ◽  
The One ◽  
Flexible Arms

A survey of the field of control for flexible multi-link robots is presented. This research area has drawn great attention during the last two decades, and seems to be somewhat less “attractive” now, due to the many satisfactory results already obtained, but also because of the complex nature of the remaining open problems. Thus it seems that the time has come to try to deliver a sort of “state of the art” on this subject, although an exhaustive one is out of scope here, because of the great amount of publications. Instead, we survey the most salient progresses – in our opinion – approximately during the last decade, that are representative of the essential different ideas in the field. We proceed along with the exposition of material coming from about 119 included references. We do not pretend to deeply present each of the methods quoted hereafter; however, our goal is to briefly introduce most of the existing methods and to refer the interested reader to more detailed presentations for each scheme. To begin with, a now well-established classification of the flexible arms control goals is given. It is followed by a presentation of different control strategies, indicating in each case whether the approach deals with the one-link case, which can be successfully treated via linear models, or with the multi-link case which necessitates nonlinear, more complex, models. Some possible issues for future research are given in conclusion.

scholarly journals Mytens tvang

1999 ◽  
Author(s):  
Lars Albinus
Keyword(s):  
Blind Spot ◽  
The Other ◽  
Instrumental Reason ◽  
Ancient Greek ◽  
Self Reflection ◽  
Negative Dialectics ◽  
Other Hand ◽  
The Subject ◽  
The One

The purpose of the article is to show how the negative dialectics of Adorno gets involved with a concept of myth that is questionable in several respects. First of all, Adorno tries to combine, but rather conflates, two understandings of myth. On the one hand, the concept of myth is defined as the ancient Greek mythos, in which the subject of man is projected on to nature; on the other hand, myth is defined as the backfire of enlightenment, in which self-reflection becomes the blind spot of instrumental reason. Along these lines of argument, Adorno’s interpretation of Homer, which, at any rate, is highly inspiring, attempts to demonstrate that Odysseus is already enlightened in that he keeps the myth at bay in order to gain his self. The point is, as a matter of dialectic necessity, that he just ends up in myth once again, albeit in the second sense, namely by being a victim of his own self-denial. A question that seems to remain unanswered, though, is how the two kinds of myth are related. Further, Adorno draws on a problematic distinction between myth and literature in order to claim that Homer separates himself from the realm of myth. By adopting Adorno’s own game of interpretation, however, it is possible to regard myth as such, including the Homeric one, as being contingently open-ended rather than just a matter of dialectic determination.

scholarly journals Word meaning access: The one-to-many mapping from form to meaning

2019 ◽  
Author(s):  
Jennifer M Rodd
Keyword(s):  
A Priori ◽  
Word Meaning ◽  
Semantic Features ◽  
Contextual Cues ◽  
Word Meanings ◽  
Wide Range ◽  
Core Feature ◽  
Distributional Information ◽  
Current Context ◽  
The One

This chapter focuses on the process by which stored knowledge about a word’s form (orthographic or phonological) maps onto stored knowledge about its meaning. This mapping is made challenging by the ambiguity that is ubiquitous in natural language: most familiar words can refer to multiple different concepts. This one-to-many mapping from form to meaning within the lexicon is a core feature of word-meaning access. Fluent, accurate word-meaning access requires that comprehenders integrate multiple cues in order to determine which of a word’s possible semantic features are relevant in the current context. Specifically, word-meaning access is guided by (i) distributional information about the a priori relative likelihoods of different word meanings and (ii) a wide range of contextual cues that indicate which meanings are most likely in the current context.

Changing the Topic

Mnemosyne ◽  
2014 ◽  
Vol 67 (2) ◽  
pp. 181-213 ◽  
Author(s):  
Rutger J. Allan
Keyword(s):  
Word Order ◽  
Information Structure ◽  
Main Clause ◽  
The Other ◽  
Coherent System ◽  
Ancient Greek ◽  
Flexible System ◽  
Pragmatic Function ◽  
The One ◽  
Topic Constructions

AbstractIn Ancient Greek, topics can be expressed as intra-clausal constituents but they can also precede or follow the main clause as extra-clausal constituents. Together, these various topic expressions constitute a coherent system of complementary pragmatic functions. For a comprehensive account of topic organization, therefore, a limited focus on the clause proper is insufficient. In this paper, I will argue that it is possible to distinguish five different structural positions in which topic constituents may appear in Ancient Greek. These are: (i)Theme, (ii)clause-initial, (iii)postverbal in Setting, (iv)postverbal in main clauseand (v)Tail.Each of these positions in the sentence is associated with a specific pragmatic function: Resumed Topic, Contrastive/New Topic, Given Topic or clarification of Given Topic. In linguistic theory, topic and focus are often seen as independent aspects of information structure instead of complementary functions. It is, therefore, attractive to posit two separate sets of constructional templates: on the one hand, a topic set comprising the aforementioned topic constructions and, on the other hand, a focus set containing two (narrow and broad) focus-constructions. This results in a flexible system in which the word order of each sentence is determined by a combination of a focus construction plus one or more topic constructions.

Legend: From Einfache Formen (“Simple Forms”)

PMLA ◽  
2013 ◽  
Vol 128 (3) ◽  
pp. 728-743
Author(s):  
André Jolles ◽  
Peter J. Schwartz
Keyword(s):  
World War I ◽  
Cultural History ◽  
Middle Ages ◽  
Art History ◽  
World War ◽  
Ancient Greek ◽  
Stage Design ◽  
Italian Poetry ◽  
Habilitation Thesis ◽  
The One

Who was andré Jolles? born in den helder in 1874; raised in amsterdam; in his youth a significant player in the literary Movement of the Nineties (Beweging van Negentig), whose organ was the Dutch cultural weekly De Kroniek; a close friend of Aby M. Warburg's and Johan Huizinga's—Jolles studied art history at Freiburg beginning in 1902 and then taught art history in Berlin, archaeology and cultural history in occupied Ghent during World War I, and Netherlandic and comparative literature at Leipzig from 1919 until shortly before his death, in 1946. A man of extraordinary intellectual range—his publications include essays on early Florentine painting, a dissertation on the aesthetics of Vitruvius, a habilitation thesis on Egyptian-Mycenaean ceremonial vessels, literary letters on ancient Greek art, and essays in German and Dutch on folklore, theater, dance, Boccaccio, Dante, Goethe, Zola, Ibsen, Strindberg, and Provençal and Renaissance Italian poetry—he was also an amateur playwright and an outspoken champion of modern trends in dramatic art and stage design. To his friends, he could be something of an intellectual midwife, helping Warburg to formulate what would become a signature notion, the “pathos formula,” and Huizinga to conceive The Waning of the Middle Ages (1919). Jolles's chief work, the one for which he is best known, is Einfache Formen (1930; “Simple Forms”), a collection of lectures he had delivered in German at Leipzig in 1927-28 and revised.

scholarly journals SUNG POEMS AND POETIC SONGS: HELLENISTIC DEFINITIONS OF POETRY, MUSIC AND THE SPACES IN BETWEEN

2019 ◽  
Vol 69 (2) ◽  
pp. 597-615
Author(s):  
Spencer A. Klavan
Keyword(s):  
The Other ◽  
The Political ◽  
English Speaker ◽  
Ancient Greek ◽  
Greek Poetry ◽  
Cosmic Order ◽  
The One ◽  
The City

Simply by formulating a question about the nature of ancient Greek poetry or music, any modern English speaker is already risking anachronism. In recent years especially, scholars have reminded one another that the words ‘music’ and ‘poetry’ denote concepts with no easy counterpart in Greek. μουσική in its broadest sense evokes not only innumerable kinds of structured movement and sound but also the political, psychological and cosmic order of which song, verse and dance are supposed to be perceptible manifestations. Likewise, ποίησις and the ποιητικὴ τέχνη can encompass all kinds of ‘making’, from the assembly of a table to the construction of a rhetorical argument. Of course, there were specifically artistic usages of these terms—according to Plato, ‘musical and metrical production’ was the default meaning of ποίησις in everyday speech. But even in discussions which restrict themselves to the sphere of human art, we find nothing like the neat compartmentalization of harmonized rhythmic melody on the one hand, and stylized verbal composition on the other, which is often casually implied or expressly formulated in modern comparisons of ‘music’ with ‘poetry’. For many ancient theorists the City Dionysia, a dithyrambic festival and a recitation of Homer all featured different versions of one and the same form of composition, a μουσική or ποιητική to which λόγοι, γράμματα and συλλαβαί were just as essential as ἁρμονία, φθόγγοι, ῥυθμός and χρόνοι.

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