Frances Power Cobbe

Frances Power Cobbe (b. 1822–d. 1904) was an Anglo-Irish journalist, religious writer, feminist activist, and leading antivivisectionist. She was among the best-known feminist writers and thinkers of her day. She was a prominent spokeswoman for the improvement of Victorian women’s educational and employment opportunities; a witty defender of so-called redundant women; an incisive critic of the Victorian idea of marriage; and a passionate advocate for women’s suffrage and right to bodily integrity. She published essays on these topics in prestigious periodicals and wrote over twenty books on Victorian women, science and medicine, and religious duty, as well as innumerable essays, pamphlets, and tracts for the antivivisection movement. She was a pioneering journalist who wrote the second-leader for the London Echo on the same wide variety of social and cultural topics that animated her highly regarded signed work in the periodical press. She founded two antivivisection societies, the Society for the Protection of Animals Liable to Vivisection (known as the Victoria Street Society) in 1875, and the British Union for the Abolition of Vivisection (BUAV) in 1898. Both societies comprised nationally organized branches that undertook campaigning, demonstrated against institutions that licensed vivisection, and produced and distributed mass publications, many of them by Cobbe herself. She brought her considerable journalistic know-how to her extensive work as leader of these organizations, evident especially in the productivity she was able to sustain over decades of activism and her success at placing essays in leading periodicals. She was instrumental in the passage of the Cruelty to Animals Act (1876), which created a regulatory framework for the use of live animals in scientific research, which she came to see as facilitating abuse rather than protecting animals. She advocated for improved legal protections for laboratory animals until her death. She also wrote carefully to advance the Matrimonial Causes Act (1878), which created new mechanisms for granting child custody and maintenance orders to wives separated from violent husbands, and continued to advocate for women’s autonomy in marriage and as mothers. Based in London for much of her career, Cobbe moved to Wales with her life companion, Mary Lloyd, in 1884 after receiving a substantial legacy from an antivivisectionist supporter. There she continued to write and publish, primarily on her antivivisection causes. She is buried with Lloyd in a double grave at Llanelltydd, Wales, in Lloyd’s family churchyard. Cobbe’s journalism, particularly on domestic violence, was at the center of the scholarship that first brought her writing to the forefront of feminist knowledge in the 1990s. More recently, scholarly frameworks that have reshaped feminist history-making, a revitalized interest in the Victorian Woman Question, and compelling new explorations of LGBTQ identities and life experiences, as well as new approaches to the Victorian periodical and newspaper press, have reframed our understanding of her spirited style and compelling ideas. Scholarship on Cobbe in sexuality studies remains limited, perhaps owing to the scant archival sources. New explorations of LGBTQ2S identities and life experiences may well spur new research into Cobbe’s life and relationships. She is increasingly an integral part of informed understanding of 19th-century feminism, journalism, and reform. Vitally, too, Cobbe’s central role in the antivivisection movement, which had long given her a global popular prominence in animal welfare and rights history, has made her writing and activities of growing academic interest in the field of critical animal studies.

2021 ◽  
Vol 10 (2) ◽  
pp. 139-161
Author(s):  
Núria Almiron ◽  
Laura Fernández

In this paper we argue that adopting critical animal studies perspectives in critical public relations can not only be very fruitful, but that it is also a necessity if the aims of the latter are to be achieved. To this end, this text introduces the challenges and opportunities that the field of critical animal studies brings to critical public relations studies. First, a short explanation of what critical animal studies is and why it can contribute to critical public relations studies is provided. Then the main fields of research where this contribution can be most relevant are discussed, including ethics, discourse studies and political economy. The final aim of this theoretical paper is to expand research within the field of critical public relations by including a critical animal studies approach. Eventually, the authors suggest that embracing the animal standpoint in critical public relations is an essential step to furthering the study of power, hegemony, ideology, propaganda or social change and to accomplishing the emancipatory role of research.


2021 ◽  
Vol 11 (17) ◽  
pp. 8079
Author(s):  
Ekuyikeno Silas ◽  
Siyanda Ndlovu ◽  
Selaelo Ivy Tshilwane ◽  
Samson Mukaratirwa

Animal and human studies have demonstrated that helminth infections are associated with a decreased prevalence of type 2 diabetes mellitus (T2DM). Lack of exposure to helminth infections has been postulated to be one mechanism to explain the markedly increased prevalence of T2DM in developed countries. However, there is still paucity of information regarding the immunological interactions between helminth infections and T2DM. The study aimed at reviewing peer-reviewed articles on host immune and pathophysiological outcomes from human and laboratory animal studies of helminth infections and T2DM comorbidity. A literature search was carried out in Google Scholar, PubMed, and EBSCOhost databases using the following keywords; immune responses OR immune modulation of helminth infections OR parasites infections AND Type 2 diabetes comorbidity in humans AND experimental/laboratory animals. Results showed that helminth infections provided some degree of protection from the pathology associated with T2DM by modulating the surrounding cytokine and chemokine milieu in humans and animals. Whilst there is some evidence regarding the protective effects of helminth infections to T2DM in cases of comorbidity, there is paucity of research in both laboratory animals and humans, with reference to the immunological and pathophysiological mechanisms which occur during comorbidity, and these constitute gaps for future research.


Author(s):  
Peter Everts ◽  
Kentaro Onishi ◽  
Prathap Jayaram ◽  
José Fábio Lana ◽  
and Kenneth Mautner

Emerging autologous cellular therapies that utilize platelet-rich plasma (PRP) applications have the potential to play adjunctive roles in a variety of regenerative medicine treatment plans. There is a global unmet need for tissue repair strategies to treat musculoskeletal (MSK) and spinal disorders, osteoarthritis (OA), and patients with chronic complex and recalcitrant wounds. PRP therapy is based on the fact that platelet growth factors (PGFs) support the three phases of wound healing and repair cascade (inflammation, proliferation, remodeling). Many different PRP formulations have been evaluated, originating from human, in vitro, and animal studies. However, recommendations from in vitro and animal research often lead to different clinical outcomes because it is difficult to translate non-clinical study outcomes and methodology recommendations to human clinical treatment protocols. In recent years, progress has been made in understanding PRP technology and the concepts for bioformulation, and new research directives and new indications have been suggested. In this review, we will discuss recent developments regarding PRP preparation and composition regarding platelet dosing, leukocyte activities concerning innate and adaptive immunomodulation, serotonin (5-HT) effects and pain killing. Furthermore, we discuss PRP mechanisms related to inflammation and angiogenesis in tissue repair and regenerative processes. Lastly, we will review the effect of certain drugs on PRP activity, and the combination of PRP and rehabilitation protocols.


2021 ◽  
Vol 10 (1) ◽  
pp. 11-29
Author(s):  
Alexandra Isfahani-Hammond

Covid-19 originates with humans’ instrumentalization of other animals, an “inconvenient truth” elided by scientists procuring a vaccine while refusing to contend with the captivity, slaughter and encroachment on wild animals’ habitats that brought the fatal disease upon us. The interlocking of homo sapiens’ and other species’ suffering is, of course, glaringly evidenced by disproportionate Black and brown death due to Covid-19 worldwide, itself intensifying the foundational pandemic of anti-Black violence. “Akbar, My Heart” contemplates transpecies loss in a relational frame, attending to the entanglement of white supremacy with anthropocentrism at the same time that I reflect on caregiving for my canine companion, Akbar, during his decline from neurological disease. My elderly friend’s worsening symptoms coincided with the pandemic’s spread, the Summer’s uproar against anti-Black violence and California’s wildfires. The vortex of these events is a point of departure for meditating about carceral logic, animalization and the seeming “end of days” together with another kind of ending, one centered on providing comfort and an honorable death. Mourning for Akbar through the preparation of this piece, I have called upon the wisdom of critical animal studies scholars as well as Sufi poets and even the texts of my dreams. Deciphering this bewildering time of transformation has been an invitation to imagine another world while abiding with Akbar in the threshold, attempting to see through the smoke, so to speak, to the other side of this scorched earth.


2021 ◽  
Author(s):  
Jonathan Saha

Animals were vital to the British colonization of Myanmar. In this pathbreaking history of British imperialism in Myanmar from the early nineteenth century to 1942, Jonathan Saha argues that animals were impacted and transformed by colonial subjugation. By examining the writings of Burmese nationalists and the experiences of subaltern groups, he also shows how animals were mobilized by Burmese anticolonial activists in opposition to imperial rule. In demonstrating how animals - such as elephants, crocodiles, and rats - were important actors never fully under the control of humans, Saha uncovers a history of how British colonialism transformed ecologies and fostered new relationships with animals in Myanmar. Colonizing Animals introduces the reader to an innovative historical methodology for exploring interspecies relationships in the imperial past, using innovative concepts for studying interspecies empires that draw on postcolonial theory and critical animal studies.


Ensemble ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 18-27
Author(s):  
RINU KRISHNA K ◽  

Throughout the debated discourse of humanism, humans were considered as the only species endowed with reason and moral values. The result was an andro/anthropocentric humanism that divided everything into hierarchies and confined everything within boundaries. European model of higher education has undoubtedly been an enforcement of humanist ideas and ideologies which established certain humans as exceptional and superior to other ‘non-privileged’ humans and nonhuman animals. In this era of posthumanism all the imposed and imbibed boundaries between the human and nonhuman are being questioned, challenged and eliminated to create an open network of cross-species encounters. In this context this article through the theories of Posthuman philosophy and Critical Animal Studies proposes a shift towards posthuman ethics of inclusion and understanding in the field of classical humanities in India. This can be achieved by employing postontological methods to create and understand nonhuman representations. Theories and studies by posthuman scholars like Donna Haraway, Rosi Braidotti, Cary Wolfe, Graham Harman form the basis of this paper. This article is an acknowledgement as well as an advocation of the shift happening across disciplines from humanities to posthumanities, which however is yet to make a movement in education in India.


Author(s):  
Lorraine Janzen Kooistra

In this essay, Lorraine Janzen Kooistra explores the career of an important yet neglected artist whose work in the illustrated press deserves more concentrated attention. From 1885 to 1895, Clemence Housman (1861–1955) worked as an engraver for the Graphic (1869–1932), but by the mid-1890s there was little work in the trade since most papers were converting to systems of photomechanical reproduction. She then transitioned to fine-art wood engraving in the book trade, producing several exquisite titles in collaboration with her brother Laurence Housman, including The Were-Wolf (1896). She continued working the field until the 1920s, eventually producing her masterpiece, an engraving of James Guthrie’s ‘Evening Star.’ The trajectory of her career not only demonstrates how new reproductive technologies altered women’s work in the periodical press over the course of the nineteenth century but also reminds us of the thousands of other women who contributed to this industry but have been largely overlooked in press history. Indeed, as Janzen Kooistra’s essay makes clear, women were not just the subject matter or intended audience for periodical advertisements and illustrations; they were actively engaged in the production of the images that proliferated throughout the Victorian illustrated press.


Animal Worlds ◽  
2019 ◽  
pp. 42-65
Author(s):  
Laura McMahon

This chapter develops key aspects of the book’s theoretical framework, moving between philosophies of animal worlds and Deleuze’s account of cinematic time. It draws on the concept of the Umwelt proposed by Uexküll, and the different responses to this concept offered by Heidegger and Deleuze and Guattari. Focusing in particular on Deleuze and Guattari’s reworking of the Umwelt as a process of ‘desubjectified’ assemblages, the chapter links this to Deleuze’s thinking of the time-image as a shift from subject to world, and as a realm that is intricately bound up with questions of differing, becoming and the virtual. While suggesting ways of thinking through links between Deleuze, cinema and the slow animal film, the chapter also turns to recent accounts of the relation between animals and film, by Burt, Pick, Lippit, Sobchack and others. Engaging with yet also moving beyond the recourse to Bazin that has tended to shape the field thus far, it emphasises what Deleuze’s theory of cinematic time can add to this developing body of work, as well as what a more detailed and wide-ranging account of Deleuze and Guattari’s model of animal worlds can contribute to the field of critical animal studies.


Screen Bodies ◽  
2021 ◽  
Vol 6 (1) ◽  
pp. 44-61
Author(s):  
Holly Cecil

This article explores the innovative use of virtual reality (VR) technology in nonfiction documentary film formats by animal-advocacy organizations. I examine the potential of the VR medium to communicate the living and dying environments of factory-farmed animals, and to generate viewer empathy with the animal subjects in their short, commodified lives from birth to slaughterhouse. I present a case study of the iAnimal short film series produced by Animal Equality, which made its public debut at the 2016 Sundance Film Festival. Employing a critical animal studies framework, I engage Kathryn Gillespie’s work on witnessing of the nonhuman condition as a method of academic research, and apply to it the embodied experience of virtual witnessing through virtual realty.


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