Introduction

2021 ◽  
pp. 1-34
Author(s):  
Eugen J. Pentiuc

The introductory chapter deals with the Byzantine Orthodox Holy Week and its hymnography. This section of the book covers the Great Lent, a forty-day fasting period preceding Holy Week, as a baptismal/penitential liturgical cycle. The focus shifts then to Holy Week which culminates with Pascha or Easter vigil. The chapter reconstructs briefly the history of the Byzantine Holy Week with its main moments (i.e., Mar Sabas and Constantinopolitan rites and Constantinopolitan-Sabaic synthesis/symbiosis) and primary sources of evidence, such as the pilgrim Egeria’s Diary (384 C.E.) on Jerusalem rite. A close examination of Holy Week (Holy Monday through Holy Saturday) as observed currently by Orthodox communities follows. The introduction concludes with a brief summary of Byzantine hymnography prescribed for Holy Week, along with some of the most famous hymnographers, such as Theodore the Studite.

Author(s):  
Jed Z. Buchwald ◽  
Mordechai Feingold

Isaac Newton’s Chronology of Ancient Kingdoms Amended, published in 1728, one year after the great man’s death, unleashed a storm of controversy. And for good reason. The book presents a drastically revised timeline for ancient civilizations, contracting Greek history by five hundred years and Egypt’s by a millennium. This book tells the story of how one of the most celebrated figures in the history of mathematics, optics, and mechanics came to apply his unique ways of thinking to problems of history, theology, and mythology, and of how his radical ideas produced an uproar that reverberated in Europe’s learned circles throughout the eighteenth century and beyond. The book reveals the manner in which Newton strove for nearly half a century to rectify universal history by reading ancient texts through the lens of astronomy, and to create a tight theoretical system for interpreting the evolution of civilization on the basis of population dynamics. It was during Newton’s earliest years at Cambridge that he developed the core of his singular method for generating and working with trustworthy knowledge, which he applied to his study of the past with the same rigor he brought to his work in physics and mathematics. Drawing extensively on Newton’s unpublished papers and a host of other primary sources, the book reconciles Isaac Newton the rational scientist with Newton the natural philosopher, alchemist, theologian, and chronologist of ancient history.


Author(s):  
Begüm Tuğlu

Feminist authors have long been trying to alter the patriarchal structure of the Western society through different aspects. One of these aspects, if not the strongest, is the struggle to overcome centuries long dominance of male authors who have created a masculine history, culture and literature. As recent works of women authors reveal, the strongest possibility of actually achieving an equalitarian society lies beneath the chance of rewriting the history of Western literature. Since the history of Western literature relies on dichotomies that are reminiscences of modernity, the solution to overcome the inequality between the two sexes seems to be to rewrite the primary sources that have influenced the cultural heritage of literature itself. The most dominant dichotomies that shape this literary heritage are represented through the bonds between the concepts of women/man and nature/culture. As one of the most influential epics that depict these dichotomies, Homer's Odysseus reveals how poetry strengthens the authority of the male voice. In order to define the ideal "man", Homer uses a wide scope of animal imagery while forming the identities of male characters. Margaret Atwood, on the other hand, is not contended with Homer's poem in that it never narrates the story from the side of women. As a revisionist mythmaker, Atwood takes the famous story of Odysseus, yet this time presents it from the perspective of Penelope, simultaneously playing on the animal imagery. Within this frame, I intend to explore in this paper how the animal imagery in Homer's most renowned Odysseus functions as a reinforcing tool in the creation of masculine identities and how Margaret Atwood's The Penelopiad defies this formation of identities with the aim of narrating the story from the unheard side, that of the women who are eminently present yet never heard.


Author(s):  
Thomas H. McCall ◽  
Keith D. Stanglin

“Arminianism” was the subject of important theological controversies in the seventeenth and eighteenth centuries, and it maintains an important position within Protestant thought. What became known as “Arminian” theology was held by people across a swath of geographical and ecclesial positions; it developed in European, British, and American contexts, and it engaged with a wide range of intellectual challenges. While standing together in their common rejection of several key planks of Reformed theology, proponents of Arminianism took various positions on other matters. Some were broadly committed to catholic and creedal theology; others were more open to theological revision. Some were concerned primarily with practical concerns; others were engaged in system building as they sought to articulate and defend an overarching vision of God and the world. The story of this development is both complex and important for a proper understanding of the history of Protestant theology. However, this historical development of Arminian theology is not well known. In this book, Thomas H. McCall and Keith D. Stanglin offer a historical introduction to Arminian theology as it developed in modern thought, providing an account that is based upon important primary sources and recent secondary research that will be helpful to scholars of ecclesial history and modern thought as well as comprehensible and relevant for students.


Author(s):  
Travis D. Stimeling

Nashville Cats: Record Production in Music City, 1945–1975 is the first history of record production during country music’s so-called Nashville Sound era. This period of country music history produced some of the genre’s most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music’s overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945–1975 is the first book to take a global view of record production in Nashville during the three decades that the city’s musicians established the city as the leading center for the production and distribution of country music.


Author(s):  
James Whitehead

The introductory chapter discusses the popular image of the ‘Romantic mad poet’ in television, film, theatre, fiction, the history of literary criticism, and the intellectual history of the twentieth century and its countercultures, including anti-psychiatry and psychoanalysis. Existing literary-historical work on related topics is assessed, before the introduction goes on to suggest why some problems or difficulties in writing about this subject might be productive for further cultural history. The introduction also considers at length the legacy of Michel Foucault’s Folie et Déraison (1961), and the continued viability of Foucauldian methods and concepts for examining literary-cultural representations of madness after the half-century of critiques and controversies following that book’s publication. Methodological discussion both draws on and critiques the models of historical sociology used by George Becker and Sander L. Gilman to discuss genius, madness, deviance, and stereotype in the nineteenth century. A note on terminology concludes the introduction.


2021 ◽  
pp. 103985622110142
Author(s):  
Phil Maude

Objective: To examine the history of Fremantle, Western Australia’s first purpose-built asylum. Method: A range of primary sources were consulted. Results: Fremantle was opened in 1865 to house inmates away from the populace and for the most part under the care of Dr HC Barnett. Attendants as well as inmates were occupied with work roles that kept the asylum functioning cost effectively. Conclusion: Within 15 years, the structure was neglected and overcrowded. Changes to the Penal Servitude Act limiting convict transportation, petty crime and a need to manage its proliferation resulted in large numbers of people being incarcerated at Fremantle.


2019 ◽  
Vol 19 (4) ◽  
pp. 213-220
Author(s):  
Umida Kuranbaeva ◽  

This article is devoted to the history, unique culture and traditions of the Indian people, described in the writings of Abu Rayhan Biruni “Athar al-Baqiyah”, “Tafhim” and “India”, which are the primary sources on the history of India. It analyzes and classifies information that is collected from scientific literature on the works of Abu Rayhan Biruni. To date, the works of Abu Rayhan Beruni on the history, ethnography, chronology, toponymy, calendars, holidays and religious events of the above-mentioned peoples occupy one of the main places in research works.


1984 ◽  
Vol 11 ◽  
pp. 57-67
Author(s):  
H.O. Danmole

Before the advent of colonialism, Arabic was widely used in northern Nigeria where Islam had penetrated before the fifteenth century. The jihād of the early nineteenth century in Hausaland led to the establishment of the Sokoto Caliphate, the revitalization of Islamic learning, and scholars who kept records in Arabic. Indeed, some local languages such as Hausa and Fulfulde were reduced to writing in Arabic scripts. Consequently, knowledge of Arabic is a crucial tool for the historian working on the history of the caliphate.For Ilorin, a frontier emirate between Hausa and Yorubaland, a few Arabic materials are available as well for the reconstruction of the history of the emirate. One such document is the Ta'līf akhbār al-qurūn min umarā' bilad Ilūrin (“The History of the Emirs of Ilorin”). In 1965 Martin translated, edited, and published the Ta'līf in the Research Bulletin of the Centre for Arabic Documentation at the University of Ibadan as a “New Arabic History of Ilorin.” Since then many scholars have used the Ta'līf in their studies of Ilorin and Yoruba history. Recently Smith has affirmed that the Ta'līf has been relatively neglected. He attempts successfully to reconstruct the chronology of events in Yorubaland, using the Ta'līf along with the Ta'nis al-ahibba' fi dhikr unara' Gwandu mawa al-asfiya', an unpublished work of Dr. Junaid al-Bukhari, Wazīr of Sokoto, and works in English. The purpose of this paper is to analyze the information in the Ta'līf by comparing its evidence with that of other primary sources which deal with the history of Ilorin and Yorubaland.


1950 ◽  
Vol 1 (1) ◽  
pp. 51-62
Author(s):  
Stephen A. van Dijk

Everybody who knows the ABC of the history of the Roman liturgy has undoubtedly heard of the story about the fourteenth-century dean of Tongres, Ralph van der Beke (de Rivo). His education in matters ecclesiastical had been splendid; his zeal for the reform of the Church was fervent and sincere; he was especially devoted to a revival of the liturgy of his time and the problems which he raised are accepted as being of the greatest importance. But this is not the whole story. Ralph's life does not lack a certain note comigue which is not often heard of. Ralph had his weaknesses: one of them was a whole-hearted aversion to the Friars Minor, who a century before had occasioned a liturgical reform in the Church, the consequences of which he saw every day and simply did not like. Until someone has checked Ralph's personal connections with the friars and the influence which he underwent from those Italians, who, under a show of zeal for the Eternal City, hid their jealousy and selfinterest and disputed everything concerning the papal court at Avignon, it is difficult to decide whether he could not stand the friars because of their Roman liturgy or the Roman liturgy because of the friars. All the same, whatever they did, for Ralph it was always wrong, and the most flattering thing which he could find in his heart was that those friars singularem usum cum regula servant singulari, as though it were a crime to follow the customs of the pope and nothing but praiseworthy to keep to those of the bishop of Liège or Lyons, or even the abbot of Cluny or Montecassino.


2018 ◽  
Vol 20 (3) ◽  
pp. 305-327
Author(s):  
Graham A Duncan

The use of credentials in an ecclesiastical context is a means of assuring that a minister is who he or she claims to be and is therefore trained and qualified to exercise ministry within a particular church tradition as determined by individual denominations. The concept and use of credentials has developed over time. Using primary sources in the main, this article examines the use of credentials as a tool for ‘inclusion’ or a means of ‘exclusion’, or both, in the history of the largest Presbyterian church in Southern Africa and its predecessors. The research question under study is to what degree, if any, were credentials used to control ministers and to cleanse and purify the church of radical – such as anti-apartheid – elements?


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