Southern White Patriarchy

2019 ◽  
pp. 158-188
Author(s):  
Angie Maxwell ◽  
Todd Shields

The pedestal upon which southern white womanhood stands is buttressed by an equally sacred southern white masculinity characterized by a distorted notion of honor, a penchant for violence, and male righteousness and superiority. Thus, Second-Wave Feminism spurred not only a defiant anti-feminism with which many white southern men and women identified, but also a men’s rights campaign that portrayed men as victims of reverse discrimination and promoted a dominant and defensive masculinity that was very familiar to southern white audiences. This misogyny, along with a religious assertion of manhood that was popular in southern evangelical churches, provided Republicans with an opportunity to build their partisan brand among white southerners. Often masked by romanticized notions of chivalry, southern white masculinity depends upon a patriarchal system and the traditional gender roles inherent in that system. The GOP would appeal to both as it chased southern white voters throughout the Long Southern Strategy.

2019 ◽  
pp. 131-157
Author(s):  
Angie Maxwell ◽  
Todd Shields

The stereotype of southern white womanhood is anything but new, and manipulating it for political gain became a critical part of the Long Southern Strategy. The stereotype strips women of their power, intelligence, and strength, casting them as delicate and in need of constant protection. Antebellum southern white men manufactured that vulnerability to justify the strict laws segregating the races that would protect white women from predatory black men. This notion of southern white womanhood clashed with Second-Wave Feminism and the ultimately failed effort to secure an Equal Rights Amendment. The feminist loss, however, was a major GOP gain, as the Republican establishment realized that traditional gender roles could be the next way to appeal to southern white voters. In due course, the GOP’s messaging tapped into and perpetuated a Modern Sexism, characterized by a distrust of ambitious women, a demonization of feminism, and a growing resentment toward working women.


2020 ◽  
Vol 8 (1) ◽  
pp. 1 ◽  
Author(s):  
Mujad Didien Afandi

The unfair gender roles under patriarchal system are constructed to preserve gender inequality between men and women. Gender role practices extend gradually to maintain the male hegemony to make women powerless because female traditional gender roles (femininities) create dependency to men. Men are assigned to masculinities equipped with power, whereas women are ascribed to femininities to set boundaries that limit their movement. Yet, the increase of female awareness of gender equality has changed this situation. Gender roles are gradually shifting from traditional to modern as the opportunities to receive education and job open widely to develop women's roles that enable them to give financial contribution to the family. This study was purposed to analyze the shift in gender roles in 'The Joy Luck Club' and 'The Kite Runner'. This study used qualitative design in which Chinese traditional gender roles were described using Confucian perspective, whereas Afghan traditional gender roles were exposed in Islamic perspective. Moreover, Karl Marx's conflict theory was used to analyze the shift in gender roles in both novels. The results of study found that the construction of traditional gender roles in both China and Afghanistan was influenced mostly by patriarchy which perceives men as more superior than women. However, the dynamic changes of gender roles, especially femininities, supported by the increase of female education and occupation provide women with more power to achieve development. Further studies are encouraged to analyze other gender roles which have not discussed in this study.


Author(s):  
Laura K. Nelson

Challenging the notion that public actions and political lobbying are the women’s movement’s main tactics, this chapter traces the history of an extra-institutional form of feminism—narrative-based consciousness-raising—from its inception in the 1910s through its contemporary online expression today. Rather than a product of second-wave feminism, narrative-based consciousness-raising has always been central to the women’s movement, as the chapter shows. Narrative-based consciousness-raising as a strategy assumes that, in order to change fundamental societal institutions such as marriage, the nuclear family, and the state, men and women must first change their consciousness about themselves and society. This strategy utilizes personal life stories, or life narratives, to reveal the collective roots of personal problems in order to effect this personal change. The persistence of this strategy through three waves of feminist activism demonstrates the value of raising collective awareness for fighting gendered oppression. The author argues that this continuity is a result of institutionalized knowledge and a response to similar historical circumstances, rather than direct connections between waves.


2021 ◽  
Author(s):  
Loren Glass

Carole King’s Tapestry is both an anthemic embodiment of second-wave feminism and an apotheosis of the Laurel Canyon singer-songwriter sound and scene. And these two elements of the album’s historic significance are closely related insofar as the professional autonomy of the singer-songwriter is an expression of the freedom and independence women of King’s generation sought as the turbulent sixties came to a close. Aligning King’s own development from girl to woman with the larger shift in the music industry from teen-oriented singles by girl groups to albums by adult-oriented singer-songwriters, this volume situates Tapestry both within King’s original vision as the third in a trilogy (preceded by Now That Everything’s Been Said and Writer) and as a watershed in musical and cultural history, challenging the male dominance of the music and entertainment industries and laying the groundwork for female dominated genres such as women’s music and Riot Grrrl punk.


1979 ◽  
Vol 7 (3) ◽  
pp. 202-211 ◽  
Author(s):  
Norman L. Thiesen ◽  
Benedict B. Cooley

The literature on the single male suggests that singleness is psychologically unhealthy and possibly even damaging. The California Psychological Inventory (CPI) and the Dean Alienation Scale were administered to single and married populations of seven evangelical churches in the Los Angeles area. The 233 subjects were all from 25–34 years of age and divided into four groups based on sex and marital status. The single men were found to report significantly less dominance, social presence, self-acceptance, communality, and intellectual efficiency than the married men. The single men did not significantly differ from the single women on any of the scales. It was concluded that while married men are more well-adjusted than single men, there is no difference between the adjustment of single men and women.


2004 ◽  
Vol 25 ◽  
pp. 5-23
Author(s):  
James L. Baumgardner

Throughout much of its existence, the Democratic Party was heavily dependent upon the votes of the white South for its electoral success. In the last forty years, that situation has changed drastically. The erstwhile Democratic Solid South has been transformed into a Republican bastion. While many commentators still seek to explain this phenomenon in terms of race, white Southerners publicly are able to maintain political correctness by setting their change of political heart in a quite different context. This paper seeks to place the current political situation in the South in a historical context that explains how the racial issues that actually launched the downfall of the Democratic Party in that region became eclipsed by a national cultural conflict that has allowed an ever increasing number of white voters in the South to explain themselves in the transcending language of morality that comes so easily to Republicans rather than in the debasing context of race.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Ramy Magdy ◽  
Maries Mikhael ◽  
Yassmine G. Hussein

Purpose This paper aims to analyze the discourse of Arab feminism social media pages as a form of real-time new media. This is to be conducted culturally to understand the Westernized character these pages tend to propagate and the politico-cultural significations of such a propagation. Design/methodology/approach Using visual and content analysis the paper analyzes both the written and visual contents of two popular Arab feminist Facebook pages, “Thory” and “Feminist doodles” to explore its culture relevance/Westernization via the categories of “re-employing the binary second wave feminism, the historical relevance and the Westernized tone of both pages. Findings The pages showed a tendency toward second wave, Westernized, anti-orient feminism. Such importation of feminism made the pages’ message not only a bit irrelevant but also conceptually violent to a large extent. Starting from alien contexts, the two pages dislocate the Arab women experiences of their situation for the sake of comprehending and adapting to heavily Westernized images. Originality/value The paper contributes to the ongoing debate over the gender issue in the Arab context after 2011, what it originally offers is discussing the cultural relevance of popular feminist Facebook pages claiming to represent the everyday struggles of the Arab women. In addition, it shows the impact of real-time media on identity formulation.


2019 ◽  
Vol 5 (1) ◽  
pp. 125-147
Author(s):  
Clarice Beatriz da Costa Söhngen ◽  
Danielle Massulo Bordignon

This paper proposes an analysis of the legal aspects present in the narrative of “The Handmaid´s Tale”, a novel by Margaret Atwood. First published in 1985, and heavily influenced by second-wave feminism, “The Handmaid´s Tale” addresses, mainly, the matter of gender inequality, once it creates a reality in which fertile women are compelled to reproduce through a servitude system. Through a rupture with the Cartesian dichotomy whose dualist notion separates objectivity from subjectivity, reason from emotion, this paper exposes that this oppression is not a literary creation by Atwood, but a reproduction of the power relations put forward in the history of humankind. In this regard, it is explored how Literature can aid the Law in facing the questions that come up in the resolution of legal and social problems. Besides gender inequality, it is possible to spot in the novel several violations concerning the principle of human dignity. Therefore, this research analyzes the legal provisions taken in the fictional space of Gilead, as well as in the country that preceded it, the United States of America, as well as in Brazil. In addition, it studies the symbolic violence to which women are submitted in Gilead and how it relates to the experiences lived by contemporary Brazilian women.


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