Israel in Egypt
Weill’s evolving relationship with his Jewish heritage is apparent in several of his works. Although the pageant The Eternal Road (1937) premiered in the United States, it was conceived with European audiences in mind. Thus, Weill’s score draws on both German and Jewish musical styles and forms in order to prove that—despite Nazi declarations—the two identities were not in conflict. He wrote his first Jewish characters for the mainstream Broadway stage in Street Scene (1947), which explores the place of Jews within a multicultural community. Lost in the Stars (1949) represents the culmination of Weill’s lifelong passion for racial equality, and hearkens back to some aspects of The Eternal Road, aligning it with emergent conceptions and agendas a “Judeo-Christian” community.