Race and Imaginary Intimacy in Jack
Through its focus on an interracial relationship in St. Louis after the Second World War, Jack interrogates the imaginative privilege of a white character whose seeming transcendence of the ordinary occurs at the expense of the black woman he romances. Jack’s aesthetic sensibility immobilizes and isolates him in an imaginative landscape; his desire to have Della, a black woman, accompany him there, however, implicates him in the literal destruction of her everyday world. This chapter uses phenomenological race theory and everyday life studies to highlight the way that the historical, material, and political pressures of the period, including the threat of eminent domain that looms over the abstracted landscape of the novel, disrupt Jack’s literary and symbolic rendering of this love story. By inviting the reader to pursue Jack’s imaginative interests, the novel constructs an uncomfortable romance troubled by the encroachments of the wider world it would exclude.