Public Opinion Polling in Mid-Century British Literature

2021 ◽  
Author(s):  
Megan Faragher
Keyword(s):  
Public Opinion ◽  
Virginia Woolf ◽  
British Literature ◽  
Body Politic ◽  
The Body ◽  
Opinion Polling ◽  
Public Consciousness ◽  
New Material ◽  
Governmental Institutions ◽  
Group Thinking

Whereas modernist writers lauded the consecrated realm of subjective interiority, mid-century writers were engrossed by the materialization of the collective mind. An obsession with group thinking was fueled by the establishment of academic sociology and the ubiquitous infiltration of public opinion research into a bevy of cultural and governmental institutions. As authors witnessed the materialization of the once-opaque realm of public consciousness for the first time, their writings imagined the potentialities of such technologies for the body politic. Polling opened new horizons for mass politics. Public Opinion Polling in Mid-Century British Literature: The Psychographic Turn traces this most crucial period of group psychology’s evolution—the mid-century—when “psychography,” a term originating in Victorian spiritualism, transformed into a scientific praxis. The imbrication of British writers within a growing institutionalized public opinion infrastructure bolstered an aesthetic turn towards collectivity and an interest in the political ramifications of meta-psychological discourse. Examining works by H.G. Wells, Evelyn Waugh, Val Gielgud, Olaf Stapledon, Virginia Woolf, Naomi Mitchison, Celia Fremlin, Cecil Day-Lewis, and Elizabeth Bowen, this book utilizes extensive archival research to trace the embeddedness of writers within public opinion institutions, providing a new explanation for the new “material” turn so often associated with interwar writing.

FREEDOM, JUSTICE, AND THE POWER OFADAB

2016 ◽  
Vol 48 (1) ◽  
pp. 25-46 ◽  
Author(s):  
Ellen McLarney
Keyword(s):  
Public Opinion ◽  
Body Politic ◽  
The Body ◽  
The Political ◽  
The Public ◽  
The People ◽  
Political Relationships ◽  
Political Struggles ◽  
Islamic Thought ◽  
Self Rule

AbstractThis article analyzes in depth four main writings by the pioneeringnahḍaintellectual Rifaʿa Rafiʿ al-Tahtawi, who drew on classical kinds ofadabto articulate new kinds of political subjectivities. He especially draws on the image of the body politic as a body with the king at its heart. But he reconfigures this image, instead placing the public, or the people, at the heart of politics, a “vanquishing sultan” that governs through public opinion. For al-Tahtawi,adabis a kind of virtuous comportment that governs self and soul and structures political relationships. In this, he does not diverge from classical conceptions ofadabas righteous behavior organizing proper social and political relationships. But in his thought, disciplinary training inadabis crucial to the citizen-subject's capacity for self-rule, as he submits to the authority of his individual conscience, ensuring not only freedom, but also justice. These ideas have had lasting impact on Islamic thought, as they have been recycled for the political struggles of new generations.

Conjuring the Body Politic From the Corpus Mysticum: The Post-Independent Pursuit of Public Opinion in Mexico, 1821-1854

1999 ◽  
Vol 55 (3) ◽  
pp. 459-479 ◽  
Author(s):  
Brian F. Connaughton
Keyword(s):  
Public Opinion ◽  
Political Theory ◽  
Middle Ages ◽  
Body Politic ◽  
The Body ◽  
Late Middle Ages ◽  
The People ◽  
Political Office ◽  
The Law ◽  
The Relationship

Political theory, consensus and participation have often had deeply religious motivations and inspirations driving them. And however peculiar to theology the concept of corpus mysticum may seem to us today, it has often been used in association with politics. In the late Middle Ages, the notions of political office as against personalism, continuity of sovereignty in spite of the unexpected and politically perilous deaths of monarchs, unity over factionalism, the relationship between authority and the law, and that between authority and the people, were persuasively addressed through this religious metaphor.

‘Good enough for a spot of lippy anyway’: Rape and the Body Politic in My Brother Tom

2013 ◽  
Vol 10 (2) ◽  
pp. 358-373
Author(s):  
Louise Wilks
Keyword(s):  
Sexual Abuse ◽  
Female Body ◽  
Body Politic ◽  
The Body ◽  
Sexual Violation ◽  
Female Protagonist ◽  
British Cinema ◽  
Hollywood Movies ◽  
Contemporary Cinema ◽  
Rape Narratives

The representation of rape continues to be one of the most highly charged issues in contemporary cinema, and whilst many discussions of this topic focus on Hollywood movies, sexual violation is also a pervasive topic in British cinema. This article examines the portrayal of a female's rape in the British feature My Brother Tom (2001), a powerful and often troubling text in which the sexual violation of the teenage female protagonist functions as a catalyst for the events that comprise the plot, as is often the case in rape narratives. The article provides an overview of some of the key feminist academic discussions and debates that cinematic depictions of rape have prompted, before closely analysing My Brother Tom's rape scene in relation to such discourses. The article argues that the rape scene is neither explicit nor sensationalised, and that by having the camera focus on Jessica's bewildered reactions, it positions the audience with her, and powerfully but discreetly portrays the grave nature of sexual abuse. The article then moves on to examine the portrayal of sexual violation in My Brother Tom as a whole, considering the cultural inscriptions etched on the female body within its account of rape, before concluding with a discussion of the film's depiction of Jessica's ensuing methods of bodily self-inscription as she attempts to disassociate her body from its sexual violation.

Receptions of the Past: Commemoration, Racism, Desire

Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 288-303
Author(s):  
Michael Connors Jackman
Keyword(s):  
Critical Point ◽  
Social Relations ◽  
White Privilege ◽  
Body Politic ◽  
The Body ◽  
Race And Racism ◽  
Lesbian And Gay ◽  
The Past ◽  
History Of

This article investigates the ways in which the work of The Body Politic (TBP), the first major lesbian and gay newspaper in Canada, comes to be commemorated in queer publics and how it figures in the memories of those who were involved in producing the paper. In revisiting a critical point in the history of TBP from 1985 when controversy erupted over race and racism within the editorial collective, this discussion considers the role of memory in the reproduction of whiteness and in the rupture of standard narratives about the past. As the controversy continues to haunt contemporary queer activism in Canada, the productive work of memory must be considered an essential aspect of how, when and for what reasons the work of TBP comes to be commemorated. By revisiting the events of 1985 and by sifting through interviews with individuals who contributed to the work of TBP, this article complicates the narrative of TBP as a bluntly racist endeavour whilst questioning the white privilege and racially-charged demands that undergird its commemoration. The work of producing and preserving queer history is a vital means of challenging the intentional and strategic erasure of queer existence, but those who engage in such efforts must remain attentive to the unequal terrain of social relations within which remembering forms its objects.

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