Element 75—Rhenium

Author(s):  
Eric Scerri

Th e element rhenium lies two places below manganese in group VII of the periodic table (fi g. 5.1). Its existence was predicted by Mendeleev when he first proposed his periodic table in 1869. This group is rather unique because when the periodic table was first published, it possessed only one known element, manganese, with at least two gaps below it. Th e first gap was eventually filled by element 43, technetium, while the second gap was filled by rhenium. But rhenium was the first to be discovered, in 1925, by Walter Noddack and Ida Tacke (later Noddack) (fi g. 5.2) and Otto Berg in Germany. In the course of an arduously long extraction, they of the ore molybdenite. The German discoverers called their element “rhenium” after Rhenus, Latin for the river Rhine, which fl owed close to the place where they were working. They also believed that they had isolated the other element missing from group 7, or element 43, which eventually became known as technetium, but this was hotly disputed by several other researchers. As recently as the early years of the twenty-first century, research teams from Belgium and the United States reanalyzed the X-ray evidence from the Noddacks and argued that they had in fact isolated element 43. But these further claims have been debated by many radiochemists and physicists and now have been laid to rest, at least for the time being. By a further odd twist of fate, the Japanese chemist Masataka Ogawa believed that he had isolated element 43 and called it nipponium even earlier, in 1908. His claim too was discredited at the time but as recently as 2004 it has been argued that he had in fact isolated rhenium rather than element 43, well before the Noddacks and Berg. Otto Hahn’s first entry into the fi eld of radioactivity was as a student of Ramsay’s at University College, London, just after the beginning of the twentieth century.

2018 ◽  
Vol 10 (1) ◽  
pp. 106-126
Author(s):  
Bahar Gürsel

The swift and profound transformations in technology and industry that the United States began to experience in the late 1800s manifested themselves in school textbooks, which presented different patterns of race, ethnicity, and otherness. They also displayed concepts like national identity, exceptionalism, and the superiority of Euro-American civilization. This article aims to demonstrate, via an analysis of two textbooks, how world geography was taught to children in primary schools in nineteenth century America. It shows that the development of American identity coincided with the emergence of the realm of the “other,” that is, with the intensification of racial attitudes and prejudices, some of which were to persist well into the twentieth century.


2015 ◽  
Vol 14 (2) ◽  
pp. 597-606
Author(s):  
NOAH B. STROTE

These two books bring fresh eyes and much-needed energy to the study of the intellectual migration from Weimar Germany to the United States. Research on the scholars, writers, and artists forced to flee Europe because of their Jewish heritage or left-wing politics was once a cottage industry, but interest in this topic has waned in recent years. During the height of fascination with the émigrés, bookstores brimmed with panoramic works such as H. Stuart Hughes's The Sea Change: The Migration of Social Thought, 1930–1965 (1975), Lewis Coser's Refugee Scholars in America: Their Impact and Their Experiences (1984), and Martin Jay's Permanent Exiles: Essays on the Intellectual Migration from Germany to America (1985). Now, while historians still write monographs about émigré intellectuals, their focus is often narrowed to biographies of individual thinkers. Refreshingly, with Emily Levine's and Udi Greenberg's new publications we are asked to step back and recapture a broader view of their legacy. The displacement of a significant part of Germany's renowned intelligentsia to the US in the mid-twentieth century remains one of the major events in the intellectual history of both countries.


2016 ◽  
Vol 51 (1) ◽  
pp. 163-182 ◽  
Author(s):  
PETER FERRY

This article identifies the humble beard as a device used in twenty-first-century American literature to examine the contemporary condition of American masculinity. Drawing on readings from key writers of post-9/11 fiction, such as John Updike, Moshin Hamid, and Don DeLillo, the article calls for the need to move on from the reductive rendering of the beard as an irrefutable representation of Otherness to see the beard as a device used to explore the construction of masculinities in relation to key issues such as racialization, sexuality and the queering of the Other, and nationhood in the globalized and globalizing arena of the United States. Reading Amy Waldman's nuanced engagement with the beard in The Submission (2011) alongside key works on hegemonic masculinity, whiteness, and globalized masculinities, the article underlines the power of the beard in the contradictions and complexities of a changing American masculinity now performed beyond the physical borders of “the nation” on the global stage.


2005 ◽  
Vol 17 (4) ◽  
pp. 375-403 ◽  
Author(s):  
Bruce J. Schulman

In the early years of the twentieth century, the United States created modern resource management—a collection of administrative bureaucracies that reversed long-standing policies of distributing lands into private hands and instead managed the public domain from Washington. The creation of these powerful, independent agencies underlay a broader effort to reorganize and enlarge the national government. The very same administrators who built the new conservation bureaucracies—Gifford Pinchot of the Forest Service, James R. Garfield of the Department of Interior, and Frederick Newell of the Bureau of Reclamation—also led President Theodore Roosevelt's drive for reorganization of the executive branch.


Author(s):  
Eugenia Tarzibachi

Abstract The introduction of commercialized disposable pads and tampons during the twentieth century changed the experience of the menstrual body in many (but not all) countries of the world. From a Latin-American perspective, this new way to menstruate was also understood to be a sign of modernization. In this chapter, Tarzibachi describes and analyzes how the dissemination and proliferation of disposable pads and tampons have unfolded first in the United States and later in Latin America, with a particular focus on Argentina. She pays particular attention to how the Femcare industry shaped the meanings of the menstrual body through discourses circulated in advertisements and educational materials. Tarzibachi explores how the contemporary meanings of menstruation are contested globally, as the traditional Femcare industry shifts its rhetoric in response to challenges from new menstrual management technologies, new forms of menstrual activism, and the increasing visibility of menstruation in mainstream culture.


Author(s):  
Susan Cooper

This chapter examines the work and career of British choreographer Liam Scarlett (born 1986), former artist in residence at The Royal Ballet (2012-2020), and artistic associate with Queensland Ballet (2016-2020). This chapter charts Scarlett’s meteoric rise to become one of the most highly sought-after contemporary ballet creators, placing his oeuvre within the British ballet heritage and the wider international dance field of the twenty-first century. A Royal Ballet School graduate, Scarlett began his global career subsequent to his first major Royal Ballet commission in 2010; therefore, this account is of a choreographer in what may be seen as his early years. Scarlett’s output comprises both plotless and narrative one-act ballets and full-evening works. He also produced The Royal Ballet’s Swan Lake in 2018. Scarlett’s choreographic style is rooted in classical ballet in the British tradition, following Sir Frederick Ashton and Sir Kenneth MacMillan, yet he grew up in a culture where contemporary dance was popular and respected, and he has worked alongside radical creator Wayne McGregor at The Royal Ballet. Scarlett’s works show a clear influence of non-traditional balletic norms, and his narrative ballets tend towards darkly dramatic themes. His international career includes commissions for major ballet companies in Australia, the United States of America, New Zealand, Denmark and Norway, and key works include Asphodel Meadows (2010), Viscera (2012), and Frankenstein (2016).


Author(s):  
Arna Bontemps

This chapter examines the rising tide of racial consciousness in Chicago during the early years of the twentieth century. It begins with a discussion of early efforts by Negroes to return to their ancestral homeland, some of them resorting to emigration outside the borders of the United States as a way out. In particular, it considers the influence of Marcus Garvey and his Universal Negro Improvement Association, which splintered into different organizations such as the Peace Movement of Ethiopia and the 49th State Movement in Chicago. The chapter also looks at Garvey's feud with Robert S. Abbott and his visit to the South Side in 1920 before concluding with an account of two organizations that strove to foster racial pride among Chicago Negroes: the Moorish American Science Temple and the Nation of Islam.


2013 ◽  
Vol 38 (03) ◽  
pp. 694-720 ◽  
Author(s):  
Austin Sarat ◽  
Katherine Blumstein ◽  
Aubrey Jones ◽  
Heather Richard ◽  
Madeline Sprung-Keyser ◽  
...  

Why have accounts of botched executions not played a larger role in the struggle to end capital punishment in the United States? In the twentieth century, when methods of execution became increasingly controlled and sterilized, botched executions would seem to have had real abolitionist potential. This article examines newspaper coverage of botched executions to determine and describe the way they were presented to the public and why they have contributed little to the abolitionist cause. Although botched executions reveal pain, violence, and inhumanity associated with state killing, newspaper coverage of these events neutralizes the impact of that revelation. Throughout the last century, newspapers presented botched executions as misfortunes rather than injustices. We identify three distinct modes by which newspaper coverage neutralized the impact of botched executions and presented them as misfortunes rather than as systemic injustices: (1) the dual narratives of sensationalism and recuperation in the early years of the twentieth century, (2) the decline of sensationalism and the rise of “professionalism” in the middle of the century, and (3) the emphasis on “balanced” reporting toward the end of the century.


2010 ◽  
Vol 11 (3) ◽  
pp. 468-523
Author(s):  
Rob Schorman

In 1906, a writer declared that it remained an “unsolved problem whether the automobile is to prove a fad like the bicycle, or a lasting factor in the industry of the country.” A few years later, concerned with the possibility of overproduction and market saturation, auto executives and other commentators were writing articles for the advertising trade press with titles like “Why Auto Production Must Be Curtailed” and “The Fading of the Automobile Rainbow.” Considering that by the early twenty-first century, the United States had a population of nearly 300 million people and an average of 2.1 registered motor vehicles per household, it is difficult to appreciate how uncertain the industry’s status seemed in its early years. Yet although contemporary observers may not have known it, in many ways by the end of 1908 the foundation stoneswere already in place for a hundred years of automotive economic and cultural preeminence in the United States. Two events from that year are well known as harbingers of the industry’s future. In September, General Motors was established, and in October, Ford introduced its Model T to the nation's auto dealers. In time, these developments had a profound impact on American automobile manufacture and management.


Author(s):  
Deborah Avant

Abstract What has made the United States a global leader? Though analysts often attribute American success to a combination of resources and ideas, a subtle undercurrent in these arguments points to pragmatism and the creativity it often generates as an important part of the story. First theorized by American philosophers in the nineteenth and early twentieth centuries, pragmatism emphasizes that creativity can reshape how we see norms and interests to make cooperation more likely. After discussing the basic elements of pragmatism and its intersection with prominent international relations arguments, I show how the creativity that pragmatism envisions appears in each of these books. Though the collected authors do not label themselves as pragmatists, piecing these pragmatic elements together demonstrates the importance of creativity for key global leadership moments in the twentieth century, as well as important, if under-appreciated, governance innovations in the twenty-first century. It also offers insights into how the United States might move into the future.


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