A Revivalist Ars Poetica for an Itinerant Coterie

2020 ◽  
pp. 170-202
Author(s):  
Wendy Raphael Roberts

This chapter argues that evangelical wit and poetic networks were central to evangelical conversion, itinerancy, and verse culture (both evangelical and nonevangelical). In fact, to understand evangelicalism as an aesthetic movement means acknowledging itinerant networks as large scale poetic coteries and extemporenous preaching as part of the larger culture of wit in the eighteenth century. By looking at the Virginian itinerant minister James Ireland’s conversion narrative, Roberts shows how poetics and sociability could work in the opposite direction of Erskine, Moorhead, Davies, and Wheatley to help construct a muscularized and white evangelical masculinity among male poet-ministers. The chapter also shows how Ireland’s narrative reveals the importance of revival poetic forms to conversion and to a larger poetic history. Roberts argues that poems became crucial artifacts of evangelical conversion and its punctiliar and historical nature. Perhaps most importantly, she argues that revival poetics was crucial to the development of the lyric and helped constitute its particular mode of address to the stranger.

Author(s):  
Stefan Winter

This chapter follows the rise to power of the Shamsins, the Bayt al-Shillif, and associated ʻAlawi families as Ottoman tax concessionaries. It shows that their position of local autonomy, rather than having evolved out of some domestic or “tribal” leadership structure, resulted from a paradigm shift in Ottoman provincial administration as well as from a very favorable economic context, in particular the development of commercial tobacco farming in the northern highlands around Latakia. If the eighteenth century witnessed the emergence of a veritable Ottoman–ʻAlawi landed gentry, it also saw increasing social disparities lead to large-scale emigration away from the highlands toward the coastal and inland plains as well as toward the Hatay district of what is today southern Turkey.


Author(s):  
Olga V. Khavanova ◽  

The second half of the eighteenth century in the lands under the sceptre of the House of Austria was a period of development of a language policy addressing the ethno-linguistic diversity of the monarchy’s subjects. On the one hand, the sphere of use of the German language was becoming wider, embracing more and more segments of administration, education, and culture. On the other hand, the authorities were perfectly aware of the fact that communication in the languages and vernaculars of the nationalities living in the Austrian Monarchy was one of the principal instruments of spreading decrees and announcements from the central and local authorities to the less-educated strata of the population. Consequently, a large-scale reform of primary education was launched, aimed at making the whole population literate, regardless of social status, nationality (mother tongue), or confession. In parallel with the centrally coordinated state policy of education and language-use, subjects-both language experts and amateur polyglots-joined the process of writing grammar books, which were intended to ease communication between the different nationalities of the Habsburg lands. This article considers some examples of such editions with primary attention given to the correlation between private initiative and governmental policies, mechanisms of verifying the textbooks to be published, their content, and their potential readers. This paper demonstrates that for grammar-book authors, it was very important to be integrated into the patronage networks at the court and in administrative bodies and stresses that the Vienna court controlled the process of selection and financing of grammar books to be published depending on their quality and ability to satisfy the aims and goals of state policy.


Author(s):  
Catherine Massip

Among the documents which give access to musical life and its various events, ephemera occupy a special field. The word (ephemeron singular; ephemera plural) covers several kinds of written or printed documents largely scattered but being produced for a short life and not subject to be handled and stored in a permanent way. “Those papers of the day” as defined in eighteenth century were produced on a large scale in the nineteenth century when newspapers became the major medium for publicity. The main purpose of these documents was primarily information and publicity. This chapter argues how ephemera may be read not as mere sidelines to culture but as central documents pertaining to the wide and complex intellectual issues in music.


Slavic Review ◽  
2017 ◽  
Vol 76 (4) ◽  
pp. 907-930
Author(s):  
Igor Fedyukin

This article uses the materials of the Drezdensha affair, a large-scale investigation of “indecency” in St. Petersburg in 1750, to explore unofficial sociability among the Imperial elite, and to map out the institutional, social, and economic dimensions of the post-Petrine “sexual underworld.” Sociability and, ultimately, the public sphere in eighteenth century Russia are usually associated with loftier practices, with joining the ranks of the reading public, reflecting on the public good, and generally, becoming more civil and polite. Yet, it is the privately-run, commercially-oriented, and sexually-charged “parties” at the focus of this article that arguably served as a “training ground” for developing the habits of sociability. The world of these “parties” provides a missing link between the debauchery and carousing of Peter I's era and the more polite formats of associational life in the late eighteenth century, as well as the historical context for reflections on morality, sexual licentiousness, foppery, and the excesses of “westernization.”


2018 ◽  
Vol 15 (2) ◽  
pp. 177-205 ◽  
Author(s):  
JULIA DOE

ABSTRACTLarge-scale programming studies of French Revolutionary theatre confirm that the most frequently staged opera of the 1790s was not one of the politically charged, compositionally progressive works that have come to define the era for posterity, but rather a pastoral comedy from mid-century:Les deux chasseurs et la laitière(1763), with a score by Egidio Duni to a libretto by Louis Anseaume. This article draws upon both musical and archival evidence to establish an extended performance history ofLes deux chasseurs, and a more nuanced explanation for its enduring hold on the French lyric stage. I consider the pragmatic, legal and aesthetic factors contributing to the comedy's widespread adaptability, including its cosmopolitan musical idiom, scenographic simplicity and ready familiarity amongst consumers of printed music. More broadly, I address the advantages and limitations of corpus-based analysis with respect to delineating the operatic canon. In late eighteenth-century Paris, observers were already beginning to identify a chasm between their theatre-going experiences and the reactions of critics: Was a true piece of ‘Revolutionary’ theatre one that was heralded as emblematic of its time, or one, likeLes deux chasseurs, that was so frequently seen that it hardly elicited a mention in the printed record?


2016 ◽  
Vol 1 (1) ◽  
pp. 79-105 ◽  
Author(s):  
Thomas Stockinger ◽  
Thomas Wallnig

The article addresses the question of how to situate a Benedictine scholar of the early eighteenth century in relation to recent research on the intersecting goals of historical-critical scholarship and the search for confessional identities. The Benedictine Bernhard Pez (1683–1735) was among the first scholars in Austria to engage in the systematic collection and critical publication of medieval source texts. He has been long regarded as a pioneer of the historical-critical method though, like many contemporaries, he used it mainly for apologetic purposes, especially in favour of the Benedictine Order. What is interesting about Pez are his attempts to evade the institutional limitations in theology by highlighting the historical nature of church history and to search for Protestant allies in an anti-Roman struggle for a historical view of the antiquities of the ‘German’ church.


2008 ◽  
Vol 5 (1) ◽  
pp. 27-50 ◽  
Author(s):  
FLOYD GRAVE

ABSTRACTWhen the French critic Bernard Germain Lacépède identified minor harmony with inner pain, restlessness and torment (La poétique de la musique, 1785), he was recognizing what had evolved as a lopsided dichotomy within the tonal system: rather than viewing major and minor as equivalent, mutually defining opposites, later eighteenth-century musicians often viewed the latter as a site of disturbing associations and thus potentially problematic as the foundation for large-scale instrumental compositions. Against this backdrop, it is notable that Haydn ended most of his later minor-key works in major, and in the finales of his quartets Op. 76 Nos 1–3 he exploits modal reversal as a special theme by having each begin in minor before undergoing an artfully contrived switch to major. Because the tonality of two of these quartets was major to begin with, Nos 1 in G and 3 in C, this entailed a double reversal: from major to minor as the finale began, from minor to major at a crucial moment prior to the end. The finale of Op. 76 No.1 surpasses the others of this group in tonal range, intricate play of symmetries and palpable connections to its preceding movements. Crowning it is a coda that turns the movement’s stark opening unison into a cheerful rustic tune. Thus opening theme and coda, although diametrically opposed in topic and imagery, are heard to share the same underlying identity. The result may be read as a vividly evoked musical subject whose vicissitudes trace a path from darkness to light, from turmoil and confusion to a state of pastoral joy and contentment.


Author(s):  
Teraphan Ornthammarath

Over the last few decades, three moderate earthquakes (Mw greater than 6.0) occurred in and around the Golden Triangle area (including Myanmar, Thailand and Lao PDR) causing unprecedented damage and loss of lives in the epicentral region. In addition to the damage to modern structures, most heritage structures in Chiang Saen, a major city of the Lan Na kingdom (from the thirteenth to the eighteenth century), were also affected. This work is intended to present observed historical structure damage from recent earthquakes, which could provide evidence for the severity of historical earthquakes from the thirteenth to the eighteenth century. Based on historical records, geological evidence and observed damage to ancient monuments in this historic town, existing heritage stupas and temples constructed since the fourteenth century sustained only minor to moderate damage from these historical earthquakes. Considering the seismic vulnerability of these historical monuments, Chiang Saen might have never been subjected to severe ground shaking greater than MMI intensity VII, similar to the major earthquake in 460 A.D. along the Mae Chan fault, which was responsible for the large-scale liquefaction and inundation of ancient Yonok town. This information could be important for paleoseismological and historical earthquake research to constrain the recurrence interval of major active faults in this area. This article is part of the theme issue ‘Environmental loading of heritage structures’.


Water History ◽  
2020 ◽  
Author(s):  
Oscar Jacobsson

AbstractThis paper analyses the development of flood related problems in two parishes in southeastern Sweden—Högsby and Mörlunda—during the period 1500–1800. The questions asked concern the role of the larger development of the agricultural production in the expansion of flooding problems during the late seventeenth and eighteenth centuries, and also investigates how this relationship was perceived by the local inhabitants. This is done through an analysis of the development of agriculture in the area using historical maps, combined with a study of written source material such as parish records and court protocols. The river Emån which flows through these parishes had long been a vital resource in the cattle–based economy of the studied parishes. This relationship turned more problematic by the turn of the eighteenth century due to the introduction of autumn rye into the agricultural scheme, prolonging the period of flood risk exposure for the arable crops. Combined with arable field expansion during the eighteenth century, this increased the sensitivity of agriculture to flooding. This development was not apparent in the discourse of the local inhabitants by the end of the eighteenth century, who instead interpreted increasing flooding problems in relation to existing water rights principles. These emphasized the more direct effects of human and natural obstructions in the river channel. The limits of historical memory as well as the necessities of agricultural development colored the local interpretation. Such processes on a general level were also closely inter–linked with the large–scale institutional changes of the period.


2015 ◽  
Vol 33 (3) ◽  
pp. 543-575 ◽  
Author(s):  
Lee B. Wilson

In 1706, Jamaica's provost marshal received a writ of escheat from the island's Supreme Court of Judicature. The writ directed him to empanel a jury of “Twelve and Lawful Men of the Neighbourhood” who would determine whether the slaves of James Whitchurch, a Jamaican merchant, should be escheated—returned—to the Crown. Did the “Negro Woman Slave Commonly Called Catalina” and her “Seaven Pickaninny” belong to Whitchurch, or could Queen Anne claim her prerogative right to an escheat because the previous owner of the slaves, Charles Delamaine, had died without an heir? The jury found in the Crown's favor, but a dissatisfied Whitchurch petitioned Queen Anne for relief, asking her to return the slaves and quiet his title. Whitchurch's petition, the first Jamaican escheat case to come before the Queen, sparked a transatlantic legal controversy as colonists, Assembly members, and imperial officials weighed the Crown's prerogative right to escheats against local political grievances and the Board of Trade's desire to encourage West Indian settlement and trade. This seemingly mundane conflict over property law quickly acquired constitutional significance, generating the kind of rights talk so familiar to early American historians: Jamaican colonists claimed the rights of Englishmen, and the Jamaican Assembly asserted an institutional capacity akin to Parliament. In this article, I contextualize colonists' rights talk, rooting their claims to English rights in concerns about the administration of property law during a crucial liminal moment in Jamaican history. As the colony transitioned from a small-scale to a large-scale plantation economy and from a society with slaves to a slave society, property and the law that governed it became the focus of intense political conflict.


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