The Passion in Film

2020 ◽  
pp. 257-301
Author(s):  
Richard Viladesau
Keyword(s):  
Twentieth Century ◽  
Historical Narrative ◽  
Passion Of Christ ◽  
Christ Figures ◽  
Secondary Element

In general film treatments of the Passion fall into a few categories or types. Obviously, these categories are general characterizations of approaches, and may sometimes overlap. (1) During the first fifty years of the genre’s existence, most “Jesus” films took a traditional religious approach, being more or less faithful to the Gospels. (2) In the latter part of the twentieth century films increasingly attempted to treat the Passion as a realistic narrative. (3) Others deal with the Passion as a historical narrative that also functions as a “myth” with universal significance. (4) The story of Jesus’ crucifixion may be combined with explicitly fictional elements. (5) The Passion is also represented in a theatrical context. (6) In a number of films the Passion of Christ figures as a secondary element in a story about another figure or event. (7) Finally, there are films not about the Passion itself but about portraying the Passion.

Power and the Reproduction of History: Twentieth-Century Histories of Abortion in the Ancient Mediterranean World

2021 ◽  
pp. 1-20
Author(s):  
Tara Baldrick-Morrone
Keyword(s):  
Twentieth Century ◽  
Religious Identity ◽  
Historical Narrative ◽  
Theoretical Frameworks ◽  
Mediterranean World

Abstract This essay explores issues of identity and power in twentieth-century scholarship on abortion in the ancient Mediterranean world. I consider how two scholars, John T. Noonan, Jr. and Beverly Wildung Harrison, approach the same ancient Christian sources from different theoretical frameworks: narrative historiography and feminist liberation ethics, respectively. While Noonan’s historical narrative on ancient Christian opposition to abortion demonstrates the “moral supremacy” of Christianity, Harrison’s historical counternarrative reads the ancient sources as borne out of the “sex-negativism” of a minority of ancient Christians. In this analysis I focus on the ways in which the production of history manufactures power by means of authority and legitimacy, particularly for each scholar’s own religious identity and views on the morality of abortion in America. In conclusion, I consider the interests of the respective authors in the production of these histories.

The Stuart Relics in the Stonyhurst Collections

2012 ◽  
Vol 31 (2) ◽  
pp. 147-169 ◽  
Author(s):  
Jan Graffius
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Passion Of Christ ◽  
The Creation ◽  
Jesuit College

The Stuart artefacts described in this article have not previously been examined as an entity, and many are relatively unfamiliar to scholars. This paper will consider this unique collection of relics and discuss their significance within the personal as well as national and international contexts of their origins. That significance rests largely in their royal provenance, which was valued by the custodians at the English Jesuit College of St Omers, the predecessor of Stonyhurst College, founded to educate English Catholic boys in 1593. The Stuart cause, from Mary Queen of Scots to Charles Edward Stuart represented the best hope of English Catholics for a formal restoration of the faith. Relics, such as Mary Queen of Scots’ Thorn, were powerful symbols of tenacity and hope, providing an unbroken thread from the Passion of Christ to the martyred Queen, the more valued as the College gained its own seventeenth-century martyrs. Artefacts which arrived at Stonyhurst College after 1794 were valued for their romantic association with the failed Stuart cause. The creation of the Stuart Parlour in 1911and the adoption of the Borrodale tartan as part of the girls’ uniform in the 1990s demonstrate the significance these objects possess well into the twentieth century.

scholarly journals Dialogical elements in Harris, Dewey, Cutter, Otlet, Kaiser, and Ranganathan: Theoretical convergences in the history of Knowledge Organization

2018 ◽  
Vol 30 (3) ◽  
pp. 348-362
Author(s):  
Rodrigo de SALES ◽  
Daniel MARTÍNEZ-ÁVILA ◽  
José Augusto GUIMARÃES
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Point Of View ◽  
Historical Narrative ◽  
Knowledge Organization ◽  
Methodological Development ◽  
History Of Knowledge ◽  
History Of ◽  
Nineteenth And Twentieth Centuries ◽  
Descriptive Approach

Abstract In this paper, we study the theoretical intersections and dialogues between some foundational authors on classification and indexing of the nineteenth and twentieth centuries that helped developing the theoretical-methodological framework of knowledge organization. More specifically, we highlight and analyze the theoretical convergences of Harris, Dewey, Cutter, Otlet, Kaiser, and Ranganathan as they can provide a clearer picture of the historical and theoretical contributions to the epistemological foundations of knowledge organization. Our methodology follows a critical-descriptive approach to the analysis of the main contributions of the authors and the critical reflections of some specialists and biographers. We continue with a discussion of the links between bibliographic classifications and knowledge organization drawing on the ideas of Bliss; then, we divide our historical narrative between the theoretical contributions during the nineteenth-century (Harris, Dewey, and Cutter) and the twentieth century (Otlet, Kaiser, and Ranganathan); and finally, we present a discussion of the history of knowledge organization from the point of view of the theoretical and methodological development of classification and indexing at the turn of the nineteenth century to the twentieth century. We conclude with some remarks on their main contributions to the development of the knowledge organization field.

On the history of the title and surname inheritance of Counts Perovsky by Mikhail Mikhailovich Petrovo-Solovovo in 1907: legal norms and archival reconstruction of circumstances

2019 ◽  
pp. 250-259
Author(s):  
Kseniia Donik
Keyword(s):  
Twentieth Century ◽  
Transfer Process ◽  
Historical Context ◽  
Russian Empire ◽  
Local History ◽  
Historical Narrative ◽  
Legal Norms ◽  
New Information ◽  
History Of ◽  
The Russian Empire

We highlight unknown circumstances of the title and surname transfer of Counts Perovsky to M.M. Petrovo-Solovovo – a statesman, a representative of an ancient aristocratic family who owned an estate in the Kirsanovsky County of the Tambov Governorate on the basis of new archive sources that were not previously introduced into scientific circulation. In various local history interpretations, modern periodicals that somehow transmit a historical narrative about the last owner of the Karay-Saltykovsky estate, there is a wide variety of versions of how M.M. Petrovo-Solovovo became Count Perovsky (mainly the title inheritance from mother is men-tioned). The purpose of this study is a detailed reconstruction of the titled surname Perovsky transfer in accordance with the legislation of the Russian Empire at the beginning of the twentieth century. Methodologically the study is based on historiographic criticism of documents and analysis of legislation on noble surnames based on the data of genealogical studies of different years. We pay special attention to the historical context of the analyzed events. We prove that the transfer initiative came from M.M. Petrovo-Solovovo’s aunt – maid of honor of the Empress, Countess V.B. Perovskaya, who, having previously secured the permission of the emperor, was able to begin the formal transfer process, although under the law as a female person she did not have such rights. We introduce new information both in Russian genealogical historiography as a whole, and in the history of the Petrovo-Solovovo clan and Tambov’s local history in particular.

Families

2005 ◽  
Author(s):  
John Dewar
Keyword(s):  
Twentieth Century ◽  
Social Behaviour ◽  
Family Law ◽  
Historical Narrative ◽  
Complex Interplay ◽  
Legal Concept ◽  
Dominant Theme ◽  
Starting Point ◽  
History Of

Family law is largely an aggregation of instrumental legislation, designed to achieve specific social and political purposes. Unlike disciplines that take a legal concept as its starting-point — such as contract, trust, or restitution — family law tends to be more than usually susceptible to shifts in politics and social behaviour, and the complex interplay between the two. This means that a dominant theme of family law scholarship has been that of change and transformation. This article offers a brief history of these transformations in family law, and describes how change has been described and analysed. This historical narrative provides a framework for a discussion of the debates that have characterized the discipline in the latter part of the twentieth century.

The Islamic City Critique: Revising the Narrative

2013 ◽  
Vol 56 (3) ◽  
pp. 471-493 ◽  
Author(s):  
Gregory Aldous
Keyword(s):  
Twentieth Century ◽  
Alternative Explanation ◽  
Ideal Type ◽  
Historical Narrative ◽  
Early Twentieth Century ◽  
The 1950S

Abstract In recent years scholars have challenged the concept of an Islamic city by constructing a historical narrative in which it derives from the orientalist tradition. They claim that French orientalists in the early twentieth century created an ideal type of the Islamic city as contrasted with its Western counterpart in order to support the assumptions of orientalist discourse. The first part of the article challenges this assumption by showing that the French orientalists did not in fact posit an Islamic city type. The second part offers an alternative explanation for the genesis of the concept by tracing it to the work of American anthropologists in the 1950s.

CREOLE NATIONALISTS AND THE SEARCH FOR NATIVIST AUTHENTICITY IN TWENTIETH-CENTURY ZANZIBAR: THE LIMITS OF COSMOPOLITANISM

2014 ◽  
Vol 55 (2) ◽  
pp. 229-247 ◽  
Author(s):  
Jonathon Glassman
Keyword(s):  
Twentieth Century ◽  
Political Authority ◽  
Historical Narrative ◽  
National Party ◽  
Party Leaders ◽  
Pan Africanism

AbstractThe founders of the Zanzibar National Party can be understood as creole nationalists, who imagined their political authority as stemming from membership in a transnational Arab elite. But in the mid-twentieth century, prompted by the rising hegemony of territorial nationalism and by subaltern challenges informed by pan-Africanism, they crafted a new historical narrative that depicted their movement as having originated with indigenous villagers. Party leaders then related this narrative to Western scholars, whose publications helped reproduce the myth throughout the rest of the century. This article traces the genesis of this masquerade and asks what it implies about the nature of the creole metaphor and its supposed link to discourses of cosmopolitan hybridity. The conventional contrast betweencréolitéand nativist essentialism is shown to be illusory.

‘That ubiquitous monarch’

2018 ◽  
Author(s):  
Martha Vandrei
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Early Modern ◽  
Local History ◽  
Historical Narrative ◽  
Early Modern Drama ◽  
Specific Site ◽  
Modern Drama ◽  
Popular Narrative ◽  
Historical Culture

This chapter extends the chronology to the first half of the twentieth century, when Boudica emerged as a figure in modern popular culture, particularly in film. But she also acted as an embodiment of local history and identity, once again puncturing the notion that she was merely an icon of empire with no specific ‘site of memory’. Rather, this chapter shows how Boudica came to be associated most notably with the historical narrative of Wales—though not unproblematically. She was also associated with more local histories, in the east of England, where her story was celebrated through the medium of historical pageants. These forms of historical culture show the persistence of history as a form of popular narrative, particularly in the crossovers between early modern drama and twentieth-century film and pageantry. Thus this chapter argues for the localized nature of historical culture, and for Boudica’s geographic and chronological persistence.

A Brief History of Motives—Composition

2021 ◽  
pp. 25-54
Author(s):  
Brent Auerbach
Keyword(s):  
Twentieth Century ◽  
Music Composition ◽  
Historical Narrative ◽  
Western Music ◽  
Early Twentieth Century ◽  
History Of ◽  
Changing Role

Chapter 2 provides a brief history of the role of motives in Western music composition. Motive is posited as one of the several generative forces in music, alongside harmony, counterpoint, and form. Motive’s relative prominence is tracked in style periods of the last four centuries, with peak influence manifesting in the late Romantic and early twentieth-century periods. This changing role of motives is illustrated by a set of analyses of chronologically ordered pieces by Handel, Mozart, Brahms, Wagner, Holst, and Schoenberg. The musical examples, in addition to supporting the historical narrative, serve to introduce readers to the new conventions of nomenclature and rules motivic association that will be presented in detail in the methodology chapters of the book.

Introduction

2016 ◽  
Author(s):  
Michael Farquhar
Keyword(s):  
Twentieth Century ◽  
Historical Narrative ◽  
Religious Influence ◽  
Spiritual Capital ◽  
Social Technologies ◽  
Material Capital ◽  
Religious Economy

This chapter introduces the question of Saudi “religious expansion” — that is, the various processes by which Saudi actors are said to have exerted increasing religious influence beyond the kingdom’s borders in the course of the twentieth century — and it situates the Islamic University of Medina as a key institution in relation to such dynamics. It establishes the contours of the Salafi and Wahhabi traditions, before setting out the historiographical framework employed throughout the remainder of the book. The latter is grounded in a particular conception of a transnational religious economy, comprising flows — both within and across borders — of material capital, spiritual capital, religious migrants and social technologies. The chapter ends with a brief overview of the historical narrative and arguments that run through the book.

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