Popular Music, the Devil, and Aerobics

2021 ◽  
pp. 141-194
Author(s):  
Peter J. Schmelz
Keyword(s):  
Soviet Union ◽  
Popular Music ◽  
Pop Music ◽  
Piano Concerto ◽  
Film Scores ◽  
Concerto Grosso ◽  
The Soviet Union ◽  
Entire Career ◽  
First Time ◽  
Group Center

This chapter advances the argument of Sonic Overload by turning to the interactions between art and popular music in Schnittke’s Symphony No. 1, Requiem (1975), Concerto Grosso No. 1 (1977), Piano Concerto (1979), Symphony no. 3 (1976–81), and Faust Cantata (Seid nüchtern und wachet, 1983), as well as several of his film scores. It considers for the first time Schnittke’s ongoing negotiations between high and low across his entire career, giving careful scrutiny to his declaration in the late 1980s that “pop culture is a good disguise for any kind of devilry.” Schnittke’s change of heart, from embracing popular music—and specifically jazz and rock—from the late 1960s through the 1970s, to expressing grave concerns about its effects a decade later, mirrored the sentiments of many. In the turbulent final years of the Soviet Union, rock supplanted poetry as the conscience of the nation yet it still inspired deep anxiety among those embracing traditional Soviet conceptions of being “cultured.” Schnittke’s apprehensions about popular music in the 1980s stemmed from its growing presence in the fragmented late-Soviet soundscape and its growing prestige among newly influential tastemakers, chief among them younger intellectuals and other cultural figures. The elevation of pop music in the USSR (as in the West) expanded a growing generational divide. Schnittke’s own rejection of popular music seems to have been instigated in part by his son, Andrey, who in the early 1980s was a member of the noted Moscow rock group Center (Tsentr), a fact overlooked by previous scholars.

Alfred Schnittke's Concerto Grosso no. 1

2019 ◽  
Author(s):  
Peter J. Schmelz
Keyword(s):  
Soviet Union ◽  
Primary Sources ◽  
The Novel ◽  
Concerto Grosso ◽  
The Soviet Union ◽  
Novel Structure ◽  
New Information ◽  
Wide Range ◽  
Serial Music ◽  
First Time

This book provides for the first time an accessible, comprehensive study of Alfred Schnittke’s Concerto Grosso no. 1 (1977). One of Schnittke’s best-known and most compelling works, the Concerto Grosso no. 1 sounds the surface of late Soviet life, resonating as well with contemporary compositional currents around the world. This innovative monograph builds on existing publications about the Concerto Grosso no. 1 in English, Russian, and German, augmenting and complicating them. It adds new information from underused primary sources, including Schnittke’s unpublished correspondence and his many published interviews. It also engages further with his sketches for the Concerto Grosso no. 1 and contemporary Soviet musical criticism. The result is a more objective, historical appraisal of this rich, multifaceted composition. The Concerto Grosso no. 1 provided a utopian model of the contemporary soundscape. It was a decisive point in Schnittke’s development of the approach he called polystylism, which aimed to contain in a single composition the wide range of contemporary musical styles, including jazz, pop, rock, and serial music. Thanks to it and his other similar compositions, Schnittke became one of the most-performed and most-recorded living composers at the end of the twentieth century. The novel structure of this book engages the Concerto Grosso no. 1 conceptually, historically, musically, and phenomenologically: the six movements of the composition frame the six chapters. The present volume thus provides a holistic accounting of Schnittke’s Concerto Grosso no. 1, its influences, and its impact on subsequent music making in the Soviet Union and worldwide.

Pie laika … Now is the time. The singing revolution on Latvian radio and television

Popular Music ◽  
2020 ◽  
Vol 39 (2) ◽  
pp. 270-293
Author(s):  
Pekka Gronow ◽  
Jānis Daugavietis
Keyword(s):  
Soviet Union ◽  
Popular Music ◽  
Public Interest ◽  
Political Movements ◽  
Pop Music ◽  
Independence Movement ◽  
The Soviet Union ◽  
Private Entrepreneurs ◽  
Political Songs

AbstractIn the Soviet Union, song competitions had an important role in presenting new artists and songs. The Mikrofona aptauja contest of Latvian radio (1968–1994) was the main forum for new Latvian pop music. It had a reputation for expressing nationalist feelings within the limits of Soviet censorship. In 1988, with the rise of new political movements in the Soviet Union, the competition became a venue for the Latvian independence movement. The winning song of 1988 was a demand for ‘freedom to the fatherland’. The competition also played a part in the rehabilitation of pre-war popular music which had been forbidden in Soviet Latvia. The paper discusses the role of journalists, politicians and songwriters in this process. After the privatisation of the economy, the song competition was taken over by private entrepreneurs, as public interest in political songs waned.

Christian Radicalism in the Church of England and the Invention of the British Sixties, 1957-1970

2018 ◽  
Author(s):  
Sam Brewitt-Taylor
Keyword(s):  
Cold War ◽  
Soviet Union ◽  
Church Of England ◽  
Social Revolution ◽  
The Soviet Union ◽  
Moral Arguments ◽  
Cultural Origins ◽  
The Cold War ◽  
First Time ◽  
The Church

Like all transformative revolutions, Britain’s Sixties was an episode of highly influential myth-making. This book delves behind the mythology of inexorable ‘secularization’ to recover, for the first time, the cultural origins of Britain’s moral revolution. In a radical departure from conventional teleologies, it argues that British secularity is a specific cultural invention of the late 1950s and early 1960s, which was introduced most influentially by radical utopian Christians during this most desperate episode of the Cold War. In the 1950s, Britain’s predominantly Christian moral culture had marginalized ‘secular’ moral arguments by arguing that they created societies like the Soviet Union; but the rapid acceptance of ‘secularization’ teleologies in the early 1960s abruptly normalized ‘secular’ attitudes and behaviours, thus prompting the slow social revolution that unfolded during the 1970s, 1980s, and 1990s. By tracing the evolving thought of radical Anglicans—uniquely positioned in the late 1950s and early 1960s as simultaneously moral radicals and authoritative moral insiders—this book reveals crucial and unexpected intellectual links between radical Christianity and the wider invention of Britain’s new secular morality, in areas as diverse as globalism, anti-authoritarianism, sexual liberation, and revolutionary egalitarianism. From the mid-1960s, British secularity began to be developed by a much wider range of groups, and radical Anglicans faded into the cultural background. Yet by disseminating the deeply ideological metanarrative of ‘secularization’ in the early 1960s, and by influentially discussing its implications, they had made crucial contributions to the nature and existence of Britain’s secular revolution.

scholarly journals The Carter Administration and the Evolution of American Nuclear Nonproliferation Policy, 1977–1981

2002 ◽  
Vol 14 (3) ◽  
pp. 261-292 ◽  
Author(s):  
J. Michael Martinez
Keyword(s):  
Soviet Union ◽  
Nuclear Weapons ◽  
Nuclear Nonproliferation ◽  
Nuclear Testing ◽  
Energy Agency ◽  
The Soviet Union ◽  
Subsequent Response ◽  
The World ◽  
Uncertain Time ◽  
First Time

In the wake of India's May 1998 decision to resume nuclear testing for the first time since 1974, as well as arch-rival Pakistan's subsequent response, the attention of the world again has focused on nuclear nonproliferation policy as a means of maintaining stability in politically troubled regions of the world. The 1990s proved to be an uncertain time for nonproliferation policy. Pakistan acquired nuclear capabilities. Iraq displayed its well-known intransigence by refusing to allow International Atomic Energy Agency (IAEA) arms inspectors access to facilities suspected of manufacturing nuclear weapons. North Korea maintained a nuclear weapons program despite opposition from many Western nations. Troubling questions about nuclear holdings persisted in Argentina, Brazil, and South Africa. New nuclear powers were created in Belarus, Kazakhstan, Russia, and Ukraine after the disintegration of the Soviet Union. Even the renewal of the Treaty on the Non-Proliferation of Nuclear Weapons in 1995 failed to assuage the concerns of Western powers fearful of aggressive measures undertaken by rogue nuclear proliferants.

Fleeing the Soviet Union, Dancing on the West Coast

Experiment ◽  
2014 ◽  
Vol 20 (1) ◽  
pp. 297-316
Author(s):  
Lorin Johnson ◽  
Donald Bradburn
Keyword(s):  
Soviet Union ◽  
Los Angeles ◽  
High Power ◽  
West Coast ◽  
Southern California ◽  
The West ◽  
The Arts ◽  
The Soviet Union ◽  
First Time

In the 1970s and 1980s, Los Angeles audiences saw Soviet defectors Mikhail Baryshnikov, Alexander Godunov, Natalia Makarova, and Rudolf Nureyev in the prime of their careers at the Hollywood Bowl, The Dorothy Chandler Pavilion and the Greek Theater. Dance photographer Donald Dale Bradburn, a local Southern California dancer describes his behind-the-scenes access to these dancers in this interview. Perfectly positioned as Dance Magazine’s Southern California correspondent, Bradburn offers a candid appraisal of the Southern California appeal for such high-power Russian artists as well as their impact on the arts of Los Angeles. An intimate view of Russian dancers practicing their craft on Los Angeles stages, Bradburn’s interview is illustrated by fourteen of his photographs, published for the first time in this issue of Experiment.

scholarly journals Spatial Location and the State of Timber Industry Enterprises in the Soviet Union by the End of the First Five-Year Plan

2021 ◽  
Vol 22 (3) ◽  
pp. 491-515
Author(s):  
Ivan Zykin
Keyword(s):  
Soviet Union ◽  
Spatial Location ◽  
Timber Industry ◽  
New Economic Policy ◽  
Industry Location ◽  
The Soviet Union ◽  
Forested Areas ◽  
Wood Machining ◽  
First Time ◽  
Made In

In the period of New Economic Policy in the USSR industrialization issues became very topical. In timber industry complex, the solutions were related to the development of forested areas in Northeastern regions of the country as well as to the construction and reconstruction of enterprises. The article provides the first-time analysis of maps and forest industry location, based on the results of the First Five-Year Plan published in the atlas “The Industry in the USSR and the beginning of the Second Five-Year Plan“ and statistical collection materials ”Social Construction of the USSR”. The analysis was made in order to define the situation in the industry, the main directions of production as well as the regional specificities. Using the example of wood machining sphere the author presents the analysis of enterprise groups according to different criteria. The research resulted in conclusions about highest intensity of enterprise reconstruction and construction in timber sawing, in furniture industry and intra-sectoral combination. In timber industry, the majority of enterprises were small and middle companies, which greatly contributed to its development. Regional specificities of timber industry location included concentration of main facilities in northwestern, western and central parts of the country, in the Volga region and in Ural. However only several regions had developed wood machining and deep processing spheres, such as Leningrad oblast, the Gorky Krai, Belarusian and the Ukrainian Soviet Republics.

scholarly journals Emigration of Jews from the Soviet Union in the 1960-1970s through the eyes of the American press

2019 ◽  
Vol 11 (2) ◽  
pp. 136-160
Author(s):  
Alexey V. Antoshin ◽  
Dmitry L. Strovsky
Keyword(s):  
Soviet Union ◽  
The United States ◽  
Cultural Development ◽  
The Soviet Union ◽  
American Press ◽  
The Usa ◽  
History Of ◽  
The Media ◽  
The 1960S ◽  
First Time

The article analyzes the features of Soviet emigration and repatriation in the second half of the 1960s through the early 1970s, when for the first time after a long period of time, and as a result of political agreements between the USSR and the USA, hundreds of thousands of Soviet Jews were able to leave the Soviet Union for good and settle in the United States and Israel. Our attention is focused not only on the history of this issue and the overall political situation of that time, but mainly on the peculiarities of this issue coverage by the leading American printed media. The reference to the media as the main empirical source of this study allows not only perceiving the topic of emigration and repatriation in more detail, but also seeing the regularities of the political ‘face’ of the American press of that time. This study enables us to expand the usual framework of knowledge of emigration against the background of its historical and cultural development in the 20th century.

Modern domestic cinema and the legacy of shaken Aimanov

Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
A.S. Jumadilov ◽  
Keyword(s):  
National Identity ◽  
Soviet Union ◽  
National Culture ◽  
Film Industry ◽  
National Cinema ◽  
Soviet State ◽  
The Soviet Union ◽  
The World ◽  
History Of ◽  
First Time

Following the collapse of the Soviet Union, the post-Soviet state of post-Soviet autonomous republics turned out to be the ideology for which cinematographers and screenwriters have to make a film epic of epoch - national cinema. In this article, the author can only use the ever-present cinematography, the unmerciful nationalistic culture, the ideological orientation of the film industry, the uniqueness or national identity. It's a good idea to have a world-renowned artisan who is doing all the same, seeking internationalization and gloss? Another - cinematic and astrophysical art of Shaken Aimanov, whose works live in volumes or polls, and others. For many years, many changes have taken place in the national cinema, such as national culture, a national emblem of national culture. For the first time in the history of national cinema, national cinema and the world of cinema, the future and future films have been transformed into a lot of changes. The Concept of distinguished singer Shaken Aimanova is embodied in the volume, which, unlike the researchers and artists all over the world of cinema Shaken Aimnayev, the director of which, as long as he is a filmmaker, creates a film studio as part of national culture.

Revolution in Iraq

2017 ◽  
Author(s):  
Dina Rezk
Keyword(s):  
Cold War ◽  
Soviet Union ◽  
Middle East ◽  
Communist Party ◽  
Intelligence Community ◽  
Policy Makers ◽  
The Soviet Union ◽  
Virus Spreading ◽  
First Time

In July 1958, an unknown nationalist, General Abdul Karim Qasim, came to the helm of power in Iraq. Chapter 3 reveals how analysts reacted to the brutal murder of his predecessor Nuri al Said, as Britain’s most important ally in the Middle East seemed to contract the Nasser ‘virus’ spreading through the region. Qasim quickly demonstrated that he was no Nasserist stooge however. Whilst British policymakers hoped in vain that the new Iraqi leader could be cultivated as a counterweight to Nasser, the intelligence community rapidly realised that Qasim had neither the charisma nor the popularity to compete with his Egyptian counterpart in the Arab Cold War. Qasim reliance on Iraqi Communists to counteract the influence of local Nasserites led to widespread fears that Iraq was on the brink of acquiring Soviet satellite status. This chapter brings to light for the first time the JIC’s nuanced analysis of the Iraqi Communist Party (ICP), suggesting to policy-makers that in fact the Soviet Union was acting as a restraining influence on the Iraqi communists. Qasim came to be increasingly depicted as ‘paranoid’ and ‘irrational’, whilst assessments of Nasser took on a new and more complimentary light as a ‘moderate’ potential ally in the quest to prevent Communist penetration of the Middle East.

Churchill, Sir Winston Leonard Spencer (1874 –1965)

2018 ◽  
Author(s):  
Alexandra Gerena Cubbon
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
Prime Minister ◽  
Liberal Party ◽  
Home Office ◽  
Winston Churchill ◽  
The Soviet Union ◽  
British Prime Minister ◽  
The Caribbean ◽  
First Time

Winston Churchill was British Prime Minister twice during his eventful political career. Churchill initially served the British Empire as a soldier in the Caribbean, India, and Africa during the imperial wars of the 1890s. His political service began in Parliament in May 1904 when he joined the Liberal Party and became undersecretary at the Colonial Office (1905). Prime Minister Herbert Asquith promoted Churchill to the Home Office and, in 1911, appointed him First Lord of the Admiralty. After briefly resigning from politics, Churchill returned in 1917 as an ardent anti-communist, joining the Conservatives in 1924, the year he became Chancellor of the Exchequer. He was again appointed First Lord of the Admiralty following the outbreak of World War II and became Prime Minister for the first time in May 1940. As Prime Minister during the war, Churchill relied on vigorous nationalist rhetoric to rouse his compatriots against Germany. Although defeated in the general election of 1945, he continued to speak and publish, delivering his famous "iron curtain" speech at Fulton College in Missouri on March 5, 1946. A lifelong anti-communist, he used this particular speech to emphasize the ideological gulf between the democratic, liberty-embracing West and the Soviet Union. Churchill again served as Prime Minister from 1951 until 1955.

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