Orwell’s Jews

2018 ◽  
Author(s):  
Lyndsey Stonebridge
Keyword(s):  
Twentieth Century ◽  
Social Democracy ◽  
The Novel ◽  
Jewish Refugees ◽  
Jewish Refugee ◽  
The Mediterranean ◽  
Post War

Everybody remembers the rats in George Orwell’s Nineteen Eighty-Four but few recall that Winston Smith begins his resistance by writing about an attack on a Jewish refugee boat in the Mediterranean. Orwell understood that the citizenship on offer in the mid-twentieth century was fragile, based on a defensive fantasy that not only threatened people on boats in the Mediterranean, but also questioned what kind of social democracy was possible in the post-war world. Criticizing readings of the novel that have focused exclusively on the travails of the liberal conscience under totalitarianism, this chapter argues for an anti-colonial Orwell whose imperfect solidarity with the Jewish refugees was more globally imaginative than critics have supposed.

Social democracy

2018 ◽  
Author(s):  
David Miller
Keyword(s):  
Political Philosophy ◽  
Twentieth Century ◽  
Social Justice ◽  
Social Democracy ◽  
General Interest ◽  
Social Democrats ◽  
Social Democratic ◽  
Practical Politics ◽  
Post War ◽  
Distribution Of Income

The idea of social democracy is now used to describe a society the economy of which is predominantly capitalist, but where the state acts to regulate the economy in the general interest, provides welfare services outside of it and attempts to alter the distribution of income and wealth in the name of social justice. Originally ’social democracy’ was more or less equivalent to ’socialism’. But since the mid-twentieth century, those who think of themselves as social democrats have come to believe that the old opposition between capitalism and socialism is outmoded; many of the values upheld by earlier socialists can be promoted by reforming capitalism rather than abolishing it. Although it bases itself on values like democracy and social justice, social democracy cannot really be described as a political philosophy: there is no systematic statement or great text that can be pointed to as a definitive account of social democratic ideals. In practical politics, however, social democratic ideas have been very influential, guiding the policies of most Western states in the post-war world.

A ‘Mediterranean New Left’? Comparing and Contrasting the French PSU and the Italian PSIUP

2010 ◽  
Vol 19 (4) ◽  
pp. 309-330 ◽  
Author(s):  
DANIEL A. GORDON
Keyword(s):  
Twentieth Century ◽  
Eastern Europe ◽  
New Left ◽  
Social Democracy ◽  
Self Management ◽  
The Political ◽  
The Mediterranean ◽  
Political Spectrum ◽  
The 1960S ◽  
New Evidence

AbstractThis article argues that Gerd-Rainer Horn's model of a ‘Mediterranean New Left’ encompassing both the French Parti socialiste unifié (PSU, 1960–1990) and the Italian Partito socialista italiano di unità proletaria (PSIUP, 1964–1972) needs to be significantly revised. It agrees that, half a century on from the events which gave rise to their foundation, this much misunderstood part of the political spectrum, midway between social democracy and the far left, is worthy of rescue from the ‘enormous condescension of posterity’, but questions how similar the two parties actually were. Major differences emerge, especially in the nature of each party's relationship with communism, with the philosovietism of the PSIUP contrasting with the PSU's evolution towards an anti-Leninist decentralist socialism of self-management. Yet, at the same time, important new evidence is uncovered about the concrete political and personal links that developed between leading intellectuals of the PSIUP and PSU, an example being the friendship of the Italian parliamentarian and theorist Lelio Basso with the journalist Gilles Martinet, later French ambassador to Italy. Other transnational links, both across the Mediterranean and to eastern Europe, are explored. Furthermore, the location of the roots of both parties in the 1940s generation of anti-fascist resistance calls into question prevailing assumptions equating the New Left with the youth of the 1960s, with wider implications for our understanding of the development of the European left across the twentieth century.

scholarly journals Nogi. Męskość i niepełnosprawność w Szpitalu Czerwonego Krzyża Michała Choromańskiego

2020 ◽  
Author(s):  
Arleta Galant
Keyword(s):  
Twentieth Century ◽  
Gender Roles ◽  
Literary History ◽  
Second World War ◽  
The Novel ◽  
World War ◽  
Post War ◽  
Masculine Gender Roles ◽  
Second World ◽  
Masculine Gender

In the article, the author presents an interpretation of the novel Szpital Czerwonego Krzyża by Michał Choromański. One of the key interpretative hypothesis advanced by the author of the article based on a reading of the novel is the assumption that the work constitutes an important statement on masculinity and disability, exposing the artificiality and unoriginality of masculine gender roles and criticizing somatic culture. This criticism is, in turn, significant with regard to twentieth-century reflections on body issues in post-war modernity. The author of the article indicates that Choromański’s work, written before the Second World War but published not until 1956, is a piece of significancefor the reconstruction of issues of disability in terms of Polish literary history.

Introduction: The Life and Death of the Post-War Novel

2018 ◽  
Author(s):  
Peter Boxall ◽  
Bryan Cheyette
Keyword(s):  
Twentieth Century ◽  
The Novel ◽  
Contemporary Novel ◽  
Life And Death ◽  
Global Form ◽  
The Future ◽  
Post War

OUR history begins with the ‘death of the novel’ and ends with the ‘future of the novel’. This may give the impression that the volume is constructed around a redemptive narrative; out of the ashes of the post-war British and Irish novel arose a revitalized contemporary novel which is newer and more ‘novel’ than ever. But it is precisely this kind of sanguine linearity which we are at pains to avoid. In fact, it could be argued that the very conception of the ‘death of the novel’, in the post-war period, has been elided with a lost ideal of linear progress which, in an English context at least (and we will see below a marked difference in Ireland, Scotland, and Wales), took a global form in relation to the waning empire. As has long been recognized, in every decade in the twentieth century the novel has been perceived as an irretrievably exhausted and dying genre (...

Coda: The Rosetta Stone

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
Twentieth Century ◽  
New Media ◽  
Digital Media ◽  
The Novel ◽  
Digital Code ◽  
Media Technologies ◽  
Rosetta Stone ◽  
The World ◽  
Western Imagination ◽  
Origin Point

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....

Leroi-Gourhan and the Field of Ethnology

Paragraph ◽  
2020 ◽  
Vol 43 (1) ◽  
pp. 10-44
Author(s):  
Christopher Johnson
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Intellectual History ◽  
Natural Environment ◽  
Human Sciences ◽  
Arctic Circle ◽  
Ethnographic Fieldwork ◽  
Language Technology ◽  
Formative Experience ◽  
Post War

The work of French ethnologist and prehistorian André Leroi-Gourhan (1911–86) represents an important episode in twentieth-century intellectual history. This essay follows the development of Leroi-Gourhan's relationship to the discipline of ethnology from his early work on Arctic Circle cultures to his post-war texts on the place of ethnology in the human sciences. It shows how in the pre-war period there is already a conscious attempt to articulate a more comprehensive form of ethnology including the facts of natural environment and material culture. The essay also indicates the biographical importance of Leroi-Gourhan's mission to Japan as a decisive and formative experience of ethnographic fieldwork, combining the learning of a language with extended immersion in a distinctive material and mental culture. Finally, it explores how in the post-war period Leroi-Gourhan's more explicit meta-commentaries on the scope of ethnology argue for an extension of the discipline's more traditional domains of study to include the relatively neglected areas of language, technology and aesthetics.

Materializing Ulysses

2018 ◽  
Author(s):  
Chris Forster
Keyword(s):  
Twentieth Century ◽  
Film Adaptation ◽  
The Novel ◽  
Perceived Power

This chapter compares the reception of Joyce’s 1922 Ulysses with that of Joseph Strick’s 1967 film adaptation of the novel. Although Ulysses had been legally publishable in England for decades, Strick’s film still encountered censorship from the British Board of Film Censors. The chapter argues that Joyce’s novel, for all its obscenity and provocation, mitigated its threat by foregrounding its own printedness, allying its fate to the waning power of print as a bearer of obscenity. Strick’s film, by contrast, activated the perceived power of film. The contrast of the two versions of Ulysses, which are often identical in language, thus offers a valuable window on how obscenity changed across media through the twentieth century. In making this argument, the chapter surveys print strategies of censorship, including the asterisk, and how these strategies operated in a range of works.

Towards the Final Legitimation of the Party

2017 ◽  
Author(s):  
Piero Ignazi
Keyword(s):  
Twentieth Century ◽  
Great Britain ◽  
Political Parties ◽  
Political Party ◽  
Sole Source ◽  
The Political ◽  
Party Formation ◽  
Post War ◽  
Dominant Influence

Chapter 3 investigates the process of party formation in France, Germany, Great Britain, and Italy, and demonstrates the important role of cultural and societal premises for the development of political parties in the nineteenth century. Particular attention is paid in this context to the conditions in which the two mass parties, socialists and Christian democrats, were established. A larger set of Western European countries included in this analysis is thoroughly scrutinized. Despite discontent among traditional liberal-conservative elites, full endorsement of the political party was achieved at the beginning of the twentieth century. Particular attention is paid to the emergence of the interwar totalitarian party, especially under the guise of Italian and German fascism, when ‘the party’ attained its most dominant influence as the sole source and locus of power. The chapter concludes by suggesting hidden and unaccounted heritages of that experience in post-war politics.

Comedy, Class, and Nation

2018 ◽  
Author(s):  
Philip Tew
Keyword(s):  
Youth Culture ◽  
Public Life ◽  
The Novel ◽  
Traditional Values ◽  
Adequate Account ◽  
Cultural Narrative ◽  
Cultural Commodification ◽  
Comic Novel ◽  
Post War ◽  
Recurrent Motifs

This chapter studies the comic novel. If British and Irish culture in the post-war decades underwent some radical social and political upheavals, the novel registered and critiqued these transformations in part through the development of a particular comic mode. Comedy in British and Irish novels published from 1940 to 1973 often turned around the difficult intersection of class and nation. Alongside this overarching attention to class and nation, a number of other recurrent motifs can be traced in the comic novel of the period, such as the representation of cultural commodification, the decline of traditional values, and the emergence of new forms of youth culture. In the context of such widespread changes to the narratives that shaped public life, the comic novel expressed an ironic scepticism concerning the capacity of any cultural narrative to offer an adequate account of contemporary identities.

The Politics of Banking and Social Democracy

2017 ◽  
Author(s):  
Aled Davies
Keyword(s):  
Banking System ◽  
Social Democracy ◽  
The Political ◽  
Social Democratic ◽  
Industrial Economy ◽  
The Social ◽  
1960S And 1970S ◽  
Post War ◽  
The 1960S ◽  
Political Demand

This chapter concerns the politics of managing the domestic banking system in post-war Britain. It examines the pressures brought to bear on the post-war settlement in banking during the 1960s and 1970s—in particular, the growth of new credit creating institutions and the political demand for more competition between banks. This undermined the social democratic model for managing credit established since the war. The chapter focuses in particular on how the Labour Party attempted in the 1970s to produce a banking system that was competitive, efficient, and able to channel credit to the struggling industrial economy.

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