Introduction
This chapter establishes a genealogy of the concept of ‘connectivity’ from the foundation of the US Army Signal Corps in 1860 (motto: ‘Getting the message through’) via cybernetics and information theory to the first stirrings of the World Wide Web in the 1990s (motto: ‘What matters is in the connections’). Three key terms are defined and briefly illustrated: signal, medium, interface. The book’s primary concern is with literature’s ability to illuminate from within the complex, vivid, unpredictable romance the principle of connectivity has woven through the enduring human desire and need for remote intimacy. It offers, in its first part, an alternative view of canonical ‘British’ writing from the Victorian era to modernism; and, in its second, case studies of European and African-American fiction, and of interwar British cinema, designed to open the topic up for further enquiry.