The Decadent Book

2021 ◽  
Author(s):  
Kirsten MacLeod
Keyword(s):  
Book Arts ◽  
The Novel ◽  
Late Nineteenth ◽  
Material Form

In the late nineteenth and early twentieth centuries, decadent culture is manifest not only between the covers of a book, but also on them, with the book itself taking material form as an aesthetic artifact of the very culture the book describes. This essay considers this phenomenon in relation to the livres de luxe produced by French bibliophile societies of this era. Following an outline of French bibliophile culture and its promotion of a decadent trend in the French book, Huysmans’s À rebours (Against Nature, 1884) serves as case study to consider the decadent materiality of the book, in two senses: first, how decadent bibliophilia and the decadent book arts are represented in this novel; second, how the novel itself was subject to decadent embodiment in a 1903 edition produced for the society Les Cent Bibliophiles, and in a series of unique bindings commissioned by its bibliophile owners.

scholarly journals Constructing and Contesting the Shrine: Tourist Performances at Seimei Shrine, Kyoto

Religions ◽  
2020 ◽  
Vol 12 (1) ◽  
pp. 19
Author(s):  
Mia Tillonen
Keyword(s):  
Popular Culture ◽  
Consumer Society ◽  
The Novel ◽  
New Meanings ◽  
Material Environment ◽  
The Subject ◽  
Religious Reasons ◽  
Late Modern ◽  
Material Form

Japanese Shinto shrines are popular pilgrimage sites not only for religious reasons, but also because of their connections to popular culture. This study discusses how tourism is involved in the construction of the shrine space by focusing on the material environment of the shrine, visitor performances, and how the shrine is contested by different actors. The subject of the study, Seimei Shrine, is a shrine dedicated to the legendary figure Abe no Seimei (921–1005), who is frequently featured in popular culture. Originally a local shrine, Seimei Shrine became a tourist attraction for fans of the novel series Onmyōji (1986–) and the movie adaptation (2001). Since then, the shrine has branded itself by placing themed statues, which realize the legend of Abe no Seimei in material form, while also attracting religious and touristic practices. On the other hand, visitors also bring new meanings to the shrine and its objects. They understand the shrine through different kinds of interactions with the objects, through performances such as touching and remembering. However, the material objects, their interpretation and performances are also an arena of conflict and contestation, as different actors become involved through tourism. This case study shows how religion and tourism are intertwined in the late-modern consumer society, which affects both the ways in which the shrine presents and reinvents itself, as well as how visitors understand and perform within the shrine.

Serial fictions: Urdu print culture and the novel in colonial South Asia

2017 ◽  
Vol 54 (4) ◽  
pp. 403-422 ◽  
Author(s):  
Jennifer Dubrow
Keyword(s):  
Nineteenth Century ◽  
South Asia ◽  
South Asian ◽  
Print Culture ◽  
Late Nineteenth Century ◽  
The Novel ◽  
South Asian Literature ◽  
Late Nineteenth ◽  
Open Nature

Serialisation allowed for remarkable experimentation with the new genre of the novel in colonial South Asia. The open nature of serialisation in South Asia, in which novels were not planned in advance but rather could develop and change while in progress, meant that serialised versions of novels were often more experimental than their later book editions. In this article, I use the pioneering Urdu novel Fasāna-e Āzād (1878–83) as a case study to examine serialisation’s effects on the emerging novel genre in the late nineteenth-century South Asia. By comparing the serial version and later book editions, I show that Fasāna-e Āzād underwent a fundamental transformation from serial to book, changing from a set of satirical sketches critical of Westernisation, to a pro-colonial novel. The protagonist Azad’s shift from a picaresque anti-hero to a proto-nationalist hero reflected the changing nature of respectability, what in Urdu was called sharafat, in the late nineteenth-century South Asia. Finally, I suggest that Fasāna-e Āzād’s evolution from serial to book anticipated the turn in South Asian literature from satire towards nationalist and prescriptive discourse, reflecting the broad movement from ideological and narratological openness to closedness in the twentieth century.

A novel method for the determination of linting propensity of paper

TAPPI Journal ◽  
2012 ◽  
Vol 11 (10) ◽  
pp. 9-17
Author(s):  
ALESSANDRA GERLI ◽  
LEENDERT C. EIGENBROOD
Keyword(s):  
Ash Content ◽  
The Novel ◽  
Offset Printing ◽  
Excellent Correlation ◽  
End Conditions ◽  
Bottom Side ◽  
Novel Method ◽  
Total Fraction

A novel method was developed for the determination of linting propensity of paper based on printing with an IGT printability tester and image analysis of the printed strips. On average, the total fraction of the surface removed as lint during printing is 0.01%-0.1%. This value is lower than those reported in most laboratory printing tests, and more representative of commercial offset printing applications. Newsprint paper produced on a roll/blade former machine was evaluated for linting propensity using the novel method and also printed on a commercial coldset offset press. Laboratory and commercial printing results matched well, showing that linting was higher for the bottom side of paper than for the top side, and that linting could be reduced on both sides by application of a dry-strength additive. In a second case study, varying wet-end conditions were used on a hybrid former machine to produce four paper reels, with the goal of matching the low linting propensity of the paper produced on a machine with gap former configuration. We found that the retention program, by improving fiber fines retention, substantially reduced the linting propensity of the paper produced on the hybrid former machine. The papers were also printed on a commercial coldset offset press. An excellent correlation was found between the total lint area removed from the bottom side of the paper samples during laboratory printing and lint collected on halftone areas of the first upper printing unit after 45000 copies. Finally, the method was applied to determine the linting propensity of highly filled supercalendered paper produced on a hybrid former machine. In this case, the linting propensity of the bottom side of paper correlated with its ash content.

Hurry Up and Wait: The Nigger of the ‘Narcissus’ and the Maritime in Modernism

2017 ◽  
Vol 12 (2) ◽  
pp. 173-197 ◽  
Author(s):  
Maxwell Uphaus
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Modernist Literature ◽  
Left Behind ◽  
Late Nineteenth ◽  
Cultural Role

The burgeoning subfield of literary oceanic studies has largely neglected modernist literature, maintaining that the end of the age of sail in the late nineteenth century also marks an end to maritime literature's substantive cultural role. This essay outlines a way of reading the maritime in modernism through an analysis of the engagement with history and temporality in Joseph Conrad's sea novel The Nigger of the ‘Narcissus’ (1897). The novel depicts the sea as variously an anachronistic sphere left behind by history, an integral foundation to history, an element that eclipses history, and an archive of history's repressed violence. This article traces the interactions of these various views of the sea's relationship to history, highlighting how they are shaped and inflected by the novel's treatment of race. Based on this analysis, it proposes an approach to the sea in modernist literature that focuses on its historiographical rather than social import.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

scholarly journals Becoming a Crorepati: From Glocal TV Game to Grobal Fiction

2020 ◽  
Vol 73 (3) ◽  
pp. 497-520
Author(s):  
Nicola Pozza
Keyword(s):  
Effective Means ◽  
The Novel ◽  
Cultural Products ◽  
Slumdog Millionaire ◽  
Interactive Nature ◽  
Tv Show ◽  
Shed Light ◽  
The Way

AbstractNumerous studies have dealt with the process of globalization and its various cultural products. Three such cultural products illustrate this process: Vikas Swarup’s novel Q and A (2005), the TV quiz show Kaun banega crorepati? (Who Wants to Be a Millionaire?), and Danny Boyle’s film Slumdog Millionaire (2008). The novel, the TV show and the film have so far been studied separately. Juxtaposing and comparing Q and A, Kaun banega crorepati, and Slumdog Millionaire provides an effective means to shed light on the dialogic and interactive nature of the process of globalization. It is argued through this case study that an analysis of their place of production, language and content, helps clarify the derivative concepts of “glocalization” and “grobalization” with regard to the way(s) contemporary cultural products respond to globalization.

scholarly journals Building Telemedicine Capacity for Trainees During the Novel Coronavirus Outbreak: a Case Study and Lessons Learned

2020 ◽  
Vol 35 (9) ◽  
pp. 2675-2679 ◽  
Author(s):  
Katharine Lawrence ◽  
Kathleen Hanley ◽  
Jennifer Adams ◽  
Daniel J Sartori ◽  
Richard Greene ◽  
...  
Keyword(s):  
Lessons Learned ◽  
The Novel ◽  
Novel Coronavirus

V. The Liberal Revival in Northamptonshire, 1880–1895: A Case Study in Late Nineteenth Century Elections

1969 ◽  
Vol 12 (1) ◽  
pp. 78-118 ◽  
Author(s):  
Janet Howarth
Keyword(s):  
Conclusive Evidence ◽  
Party Competition ◽  
Late Nineteenth Century ◽  
Voting Behaviour ◽  
English History ◽  
Quantitative Evidence ◽  
General Terms ◽  
Late Nineteenth ◽  
Local Pressures

There can be few fields in modern English history in which the historian is so frustrated by lack of evidence as in the study of elections between the introduction of the secret ballot and the coming of the opinion polls. For threequarters of a century after the Ballot Act was passed there is no precise quantitative evidence relating to movements of opinion or the voting behaviour of different groups within the electorate. We cannot even hope for conclusive evidence of what, in general terms, the determinants of voting behaviour were in this period; how to balance the importance of the national party competition and of local pressures; of the ‘image’ and the leadership of the parties and their programmes; of class loyalties and religious loyalties; of electoral persuasion and the fluctuations of a still unmanaged economy. These questions are strictly unanswerable, for there are no pollbooks from which we can deduce the opinions of late nineteenth and early twentieth-century electors, and they are beyond the reach of questionnaires. The only statistics we possess are the bare figures for votes cast for each party in contested elections, and the number of registered electors in each constituency (from which we can calculate the percentage of voters who went to the poll).

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