Who Doesn’t Like Aleksander Kobzdej?

Author(s):  
Magdalena Moskalewicz

This article looks into the extraordinary Cold War–era career of the Polish artist Aleksander Kobzdej in order to provide insight into the complexity of the emergence and demise of socialist realism in the People’s Republic of Poland and its repercussions for today’s discourses. The author reconstructs Kobzdej’s smooth shift from a much-awarded socialist realist artist into an internationally recognized modernist abstract painter through the analysis of his artworks, travels, and participation in major art exhibitions, and discusses them in the context of the larger changes that took place in the official state policies and cultural diplomacy as Stalinism was giving way to the cultural Thaw in the mid-1950s. This case study serves to argue that not just socialist realism but also much of the later modernist art produced in Poland should be seen as de facto communist, that is, as art that emerged as a product of the delicate but stable, and mutually beneficial, consensus between artists and the communist state.

Author(s):  
April A. Eisman

This article focuses on the East German artistic response to the 1973 putsch in Chile, an event now recognized as foundational in the development of neoliberalism. Outraged and saddened, artists in East Germany responded to the putsch with thousands of works of art. These works disrupt Western expectations for East German art, which was far more modern and complex than the term “socialist realism” might suggest. They also offer insight into the horrors of the putsch and remind us that there have been—and can once again be—alternatives to neoliberal capitalism. In addition to creating prints, paintings, and sculptures, East German artists organized solidarity events to raise money for Chile and spearheaded a book project with artists from sixteen communist and capitalist countries to document the event and losses suffered. This article ultimately shows that communist visual culture can serve as a model for art as an activist practice.


2020 ◽  
Vol 62 (3) ◽  
pp. 619-650
Author(s):  
Jocelyn Alexander ◽  
Joann McGregor

AbstractStudies of southern Africa's liberation movements have turned attention to the great importance of their transnational lives, but have rarely focused on the effects of the military training Cold War-era allies provided in sites across the globe. This is a significant omission in the history of these movements: training turns civilians into soldiers and creates armies with not only military but also social and political effects, as scholarship on conventional militaries has long emphasized. Liberation movement armies were however different in that they were not subordinated to a single state, instead receiving training under the flexible rubric of international solidarity in a host of foreign sites and in interaction with a great variety of military traditions. The training provided in this context produced multiple “military imaginaries” within liberation movement armies, at once creating deep tensions and enabling innovation. The article is based on oral histories of Zimbabwe People's Revolutionary Army (ZIPRA) veterans trained by Cuban and Soviet instructors in Angola in the late 1970s. These soldiers emerged from the Angolan camps with a military imaginary they summed up in the Cuban exhortation “Adelante!” (Forward!). Forty years later, they stressed how different their training had made them from other ZIPRA cadres, in terms of their military strategy, mastery of advanced Soviet weaponry, and aggressive disposition, as well as their “revolutionary” performance of politics and masculinity in modes of address, salute, and drill. Such military imaginaries powerfully shaped the southern African battlefield. They offer novel insight into the distinctive institutions, identities, and memories forged through Cold War-era military exchanges.


2019 ◽  
Vol 4 (4) ◽  
pp. 508-529
Author(s):  
Adhira Mangalagiri

Abstract This article studies China-India cultural diplomacy in the context of the socialist Chinese literary sphere. Decentering “dialogue” as an easy metaphor for transnationalism, I propose ellipses – the mark of silences, tensions, the unsaid – as a conceptual frame that makes visible those literary ties that frustrate the logic and aims of cultural diplomacy. I offer as a case study the Hindi poet Dinkar’s travelogue recording his visit to China in 1957. The travelogue brings together two concurrent Cold War phenomena that have so far been studied as separate: the Chinese political campaigns of 1957, and the 1950s era of China-India cultural diplomacy. Recording the Anti-Rightist Campaign in a Hindi idiom, Dinkar’s literary practice crafts the realm of ellipses as generating new China-India literary ties, obscured by the official banner of cultural diplomacy.


Slavic Review ◽  
1984 ◽  
Vol 43 (4) ◽  
pp. 573-587 ◽  
Author(s):  
Katerina Clark

Chingiz Aitmatov's recent novel I dol'she veka dlitsia den’ provides an excellent case study of the way the socialist realist canon can generate new paradigms out of itself. At a time when it is widely assumed in the West that all reputable Soviet authors have gone “beyond” socialist realism, the appearance of this novel is particularly instructive.Aitmatov's book has had greater impact in the Soviet Union than any other novel published there in recent years. It covers subjects that are both highly topical and sensitive politically. Yet it does so by using the conventions of socialist realism to a greater extent than has been seen in the major Soviet writing of the past fifteen years. Indeed, Aitmatov has somehow contrived to weave into the fabric of his text patterns reminiscent of every period in the development of socialist realism.


2017 ◽  
Vol 9 (1) ◽  
pp. 7-26
Author(s):  
Paweł Jaworski

This article is a case study on the role of media during the Cold War era. The aim is to present the effects of the ventures of Swedish journalists in Poland during the strike of summer 1980 and in its aftermath when the Polish authorities decided to accept the creation of a new trade union independent from the communist regime. How these events were interpreted and what kind of the future was predicted? The article will demonstrate that the creation and development of ”Solidarity” Trade Union was received with a great interest in Sweden as well as in other western countries. Besides, it proves that this interest was a result of the course and the meaning of internal changes in Poland. Their scale and the non-violent means by which they were reached surprised and impressed numerous foreign observers.


Author(s):  
Elizabeth Rae Coody

This chapter offers a sketch of the general relationship between comics understood as “nonbiblical” (or not directly portraying biblical material) and the Bible. Although comics are still recovering from a Cold War–era reputation for being “lowbrow” in the United States, they are an important window into the reception of biblical material. Comics that treat near-biblical material in particular are an intriguing area for study. They offer a set of visual languages whose translation and evaluation give insight into the text of the Bible and its interpretation. Attention to the visual can yield suggestive insights in a traditionally textual field of study. This chapter introduces the concept of the Bible as an icon and gives a brief demonstration of the use of a particular set of closely related but nonetheless nonbiblical comics to reflect on biblical characters, and concludes by offering questions that might benefit from further study of these texts.


1998 ◽  
Vol 31 (3) ◽  
pp. 287-302 ◽  
Author(s):  
Suisheng Zhao

The decline of Communism after the end of the post-Cold War has seen the rise of nationalism in many parts of the former Communist world. In countries such as the former Soviet Union and Yugoslavia, nationalism was pursued largely from the bottom up as ethnic and separatist movements. Some observers also take this bottom-up approach to find the major cause of Chinese nationalism and believe that “the nationalist wave in China is a spontaneous public reaction to a series of international events, not a government propaganda.” (Zhang, M. (1997) The new thinking of Sino–US relations. Journal of Contemporary China, 6(14), 117–123). They see Chinese nationalism as “a belated response to the talk of containing China among journalists and politicians” in the United States and “a public protest against the mistreatment from the US in the last several years.” (Li, H. (1997) China talks back: anti-Americanism or nationalism? Journal of Contemporary China, 6(14), 153–160). This position concurs with the authors of nationalistic books in China, such as The China That Can Say No: Political and Sentimental Choice in the Post-Cold War Era (Song, Q., Zhang Z., Qiao B. (1996) Zhongguo Keyi Shuo Bu (The China That Can Say No). Zhonghua Gongshang Lianhe Chubanshe. Beijing), which called upon Chinese political elites to say no to the US, and argue that the rise of nationalism was not a result of the official propaganda but a reflection of the state of mind of a new generation of Chinese intelligentsia in response to the foreign pressures in the post-Cold War era. Indeed, Chinese nationalism was mainly reactive sentiments to foreign suppressions in modern history, and this new wave of nationalist sentiment also harbored a sense of wounded national pride and an anti-foreign (particularly the US and Japan) resentment. Many Chinese intellectuals gave voice to a rising nationalistic discourse in the 1990s (Zhao, S. (1997) Chinese intellectuals' quest for national greatness and nationalistic writing in the 1990s. The China Quarterly, 152, 725–745). However, Chinese nationalism in the 1990s was also constructed and enacted from the top by the Communist state. There were no major military threats to China's security after the end of the Cold War. Instead, the internal legitimacy crisis became a grave concern of the Chinese Communist regime because of the rapid decay of Communist ideology. In response, the Communist regime substituted performance legitimacy provided by surging economic development and nationalist legitimacy provided by invocation of the distinctive characteristics of Chinese culture in place of Marxist–Leninism and Mao Zedong Thought. As one of the most important maneuvers to enact Chinese nationalism, the Communist government launched an extensive propaganda campaign of patriotic education after the Tiananmen Incident in 1989. The patriotic education campaign was well-engineered and appealed to nationalism in the name of patriotism to ensure loyalty in a population that was otherwise subject to many domestic discontents. The Communist regime, striving to maintain authoritarian control while Communist ideology was becoming obsolete in the post-Cold War era, warned of the existence of hostile international forces in the world perpetuating imperialist insult to Chinese pride. The patriotic education campaign was a state-led nationalist movement, which redefined the legitimacy of the post-Tiananmen leadership in a way that would permit the Communist Party's rule to continue on the basis of a non-Communist ideology. Patriotism was thus used to bolster CCP power in a country that was portrayed as besieged and embattled. The dependence on patriotism to build support for the government and the patriotic education campaign by the Communist propagandists were directly responsible for the nationalistic sentiment of the Chinese people in the mid-1990s. This paper focuses on the Communist state as the architect of nationalism in China and seeks to understand the rise of Chinese nationalism by examining the patriotic education campaign. It begins with an analysis of how nationalism took the place of the official ideology as the coalescing force in the post-Tiananmen years. It then goes on to examine the process, contents, methods and effectiveness of the patriotic education campaign. The conclusion offers a perspective on the instrumental aspect of state-led nationalism.


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