Metrical Displacement and Group Interaction in ‘Evidence’ by the Thelonious Monk Quartet

2021 ◽  
pp. 388-414
Author(s):  
Ryan D. W. Bruce
Keyword(s):  
Group Interaction ◽  
Thelonious Monk ◽  
Its Analysis ◽  
Musical Signals ◽  
Point Of Reference ◽  
The Way

Jazz pianist Thelonious Monk is known for his rhythmically complex compositions and improvisations. His typical 32-bar AABA form pieces provide a framework of musical norms in terms of harmonic movement, and thus a point of reference for the harmonic rhythm to be displaced. ‘Evidence’ is exemplary of Monk’s displaced rhythms, which creates a sense of metrical shifts during the head arrangement. Composed c.1948 and a frequent piece of Monk’s performance repertoire into the 1970s, a transcription and analysis of the recording from Thelonious Monk Quartet Plus Two at the Blackhawk demonstrates a conflicting sense of metre between band members of the quartet. This chapter investigates how the musicians negotiated metrical discrepancies in the composed section and the saxophone solo in terms of group interaction. A mediation of time is demonstrated by a displaced metre in the drums and each musician’s performative response to the discrepancy by providing musical signals during the course of performance. Through analysis of this performance, the chapter examines the way in which the musicians arbitrated a decisive point of reference within a confounding performance of overturning the beat. This chapter contributes to understanding rhythm and metre through improvisatory processes, augmenting scholarship on jazz through its analysis of the temporal constituents of group interaction.

Race, Criminal Justice, and Migration Control

2018 ◽  
Keyword(s):  
Criminal Justice ◽  
Social Control ◽  
Conceptual Analysis ◽  
Its Analysis ◽  
The World ◽  
Migration Control ◽  
Key Sites ◽  
And Migration ◽  
The Way

In an era of mass mobility, those who are permitted to migrate and those who are criminalized, controlled, and prohibited from migrating are heavily patterned by race. By placing race at the centre of its analysis, this volume brings together fourteen essays that examine, question, and explain the growing intersection between criminal justice and migration control. Through the lens of race, we see how criminal justice and migration enmesh in order to exclude, stop, and excise racialized citizens and non-citizens from societies across the world within, beyond, and along borders. Neatly organized in four parts, the book begins with chapters that present a conceptual analysis of race, borders, and social control, moving to the institutions that make up and shape the criminal justice and migration complex. The remaining chapters are convened around the key sites where criminal justice and migration control intersect: policing, courts, and punishment. Together the volume presents a critical and timely analysis of how race shapes and complicates mobility and how racism is enabled and reanimated when criminal justice and migration control coalesce. Race and the meaning of race in relation to citizenship and belonging are excavated throughout the chapters presented in the book, thereby transforming the way we think about migration.

scholarly journals Vatersehnsucht. Botho Strauß erzählt sich seine Herkunft

2017 ◽  
pp. 65-77
Author(s):  
Andrzej Denka
Keyword(s):  
Literary Form ◽  
Sensory Stimuli ◽  
Narrative Fragments ◽  
Point Of Reference ◽  
The Way

Botho Strauß (b. 1944), German playwright, novelist and essayist, devotes his book Herkunft [Origin] (2014) to a subtle portrait of his slightly underestimated father, who died in 1971. This sample of prose is typical of Strauss as it encompasses meditative descriptions, disquisitions, aphorisms and narrative fragments. This narration contains numerous biographical details about his father, as well as his mother and the writer himself, and it tells us a lot about his youth and cultural maturation. Strauss’ hometown, Bad Ems, provides a certain topographic point of reference here. This is a highly personal and emotional text which simultaneously exhibits all esthetic properties that characterize Strauss’ style. This text is also about the way different sensory stimuli incite our memory and how difficult it is to find a literary form adequate to reconstruct memory.

scholarly journals Democracy and Competing Values

1996 ◽  
Vol 31 (4) ◽  
pp. 467-486 ◽  
Author(s):  
Michael Saward
Keyword(s):  
Competing Values ◽  
Political Units ◽  
Point Of Reference ◽  
The Way

Where it is Practised, Democracy is a) Not The Only principle practised, and b) practised differently from the way it is practised in other places. If democracy has a clear meaning and clear requirements – I shall argue that it does – then we should be able to map out the bases on which degrees of democracy are traded off in the name of other values, and with what justification. In attempting to make some inroads into the serious conceptual and empirical problems this topic presents, my point of reference will be the modern nationstate, though the use of the phrase ‘political units’ throughout signals the fact that the argument largely holds for other geographically-defined entities as well.

Oecuménisme méthodologique et dialogue entre paradigmes

1995 ◽  
Vol 14 (S1) ◽  
pp. 37-51 ◽  
Author(s):  
Verena Haldemann ◽  
Ron Lévy
Keyword(s):  
Comparative Analysis ◽  
Reference Points ◽  
Internal Reference ◽  
High Quality ◽  
Joint Research ◽  
High Quality Research ◽  
Quality Research ◽  
External Point ◽  
Point Of Reference ◽  
The Way

ABSTRACTWhile multi-method research is currently provoking much interest, there is little reflection on the legitimacy of this kind of research and on the conditions for achieving high quality research. This article first describes the scientific and socio-political contexts from which this movement towards multi-method research has emerged. It then goes on to discuss why comparative analysis is central to the triangulation of methods and why the notion of triangulation itself requires an external point of reference. It is suggested that the reason why we produce only half-hearted or even illigitimate comparisons is because the reference points are hidden. For multi-method research to be of high quality it must clearly externalize valid inferences at each moment in the spiral of knowledge, identify its analytical logic and establish its internal reference points. (This article is the result of joint research and the respective positions of the authors are reflected in the way in which the article is presented.)

scholarly journals Włoska historia jednego gatunku

2020 ◽  
pp. 191-197
Author(s):  
Katarzyna Kowalik
Keyword(s):  
Point Of Reference ◽  
The Way

The text is devoted to Giancarlo Alfano and Francesco de Cristofaro’s monograph Il roman­zo in Italia published in 2018. The work is an attempt to systematize the information about Italian tradition of the genre which nowadays unquestionably dominates the publishing market. Moreover, it describes the structure of the publication, metho­dological assumptions adopted by the authors, their objectives, and the way of their realisation. The analysis of these elements shows whether the work discussed can be an important point of reference for future academic works dedicated to Italian novels.

scholarly journals The tourist gaze in English, Italian and German travel articles about Puglia: A corpus-based study

ICAME Journal ◽  
2014 ◽  
Vol 38 (1) ◽  
pp. 57-72
Author(s):  
Angela D’Egidio
Keyword(s):  
German Language ◽  
Tourist Destination ◽  
Comparable Corpora ◽  
Tourist Gaze ◽  
Similarities And Differences ◽  
Travel Writers ◽  
Travel Articles ◽  
Online Travel ◽  
Point Of Reference ◽  
The Way

Abstract This paper shows how online travel articles may provide important insights into how a tourist destination is perceived and to what extent what is known as the ‘tourist gaze’ may be used to recontextualise tourist material in order to produce more effective tourist texts, which meet receivers’ expectations. For this purpose, three comparable corpora of online travel articles in English, Italian and German language were assembled and analysed in order to understand the way ordinary travellers perceive and experience a tourist destination in Italy (Puglia) by taking language as a point of reference. The first fifteen words of the frequency lists in the three corpora highlighted what landmarks and elements of attraction English, Italian and German travel writers gaze at while on holiday in Puglia. The analysis demonstrated that the Italian tourist gaze is different from the English and German tourist gazes, since not all of them focus on the same landscapes, and even when they gaze at the same sights, their perception and representation are often different. The similarities and differences between the ways the tourists behave suggest a distinction between a model of ‘global gaze’ embodied by English and German travellers, seen as ‘outsiders’, and a model of ‘local gaze’ embodied by Italian tourists, seen as ‘insiders'

Indexing narrative metalepsis in German conversational story-telling

Pragmatics ◽  
2013 ◽  
Vol 23 (1) ◽  
pp. 23-49 ◽  
Author(s):  
Jörg Bücker
Keyword(s):  
Extended Version ◽  
Story Telling ◽  
Direct Speech ◽  
Du Bois ◽  
Powerful Means ◽  
Point Of Reference ◽  
The Way

The purpose of this study is to show that direct speech in narratives introduced by “von wegen” (‘like’) and “nach dem Motto” (‘along the lines of’) can be analyzed as a powerful means to transform a stretch of talk into a massive “stance index” which transcends the boundaries between the narrator’s world and the narrated world in terms of narrative metalepsis. “Von wegen” and “nach dem Motto” are non-canonical reporting frames which are syntactically flexible and semantically facilitate a transformation of direct speech into a “category-animation”. For these reasons, they can be employed spontaneously in spoken talk-in-interaction and make it possible to shape a stretch of direct speech creatively in order to position oneself, other discourse participants and narrated characters as committed or non-committed to what is seen to be a relevant normative point of reference. The way direct speech introduced by “von wegen” and “nach dem Motto” can be used to construct positions in order to evaluate discourse participants and narrated characters can be grasped schematically by means of a slightly revised and extended version of Du Bois’ “stance triangle”.

Views of knowledge and attitudes towards truth reflected in the group interaction patterns of Malaysian and British students

2004 ◽  
Vol 14 (2) ◽  
pp. 319-353 ◽  
Author(s):  
Tan Bee Tin
Keyword(s):  
Educational Experiences ◽  
Group Discussion ◽  
Group Interaction ◽  
Task Completion ◽  
Interaction Patterns ◽  
Undergraduate Program ◽  
Knowledge And Attitudes ◽  
Different Types ◽  
Malaysian Students ◽  
The Way

The paper analyzes the group interaction patterns of Malaysian and British students on a British undergraduate program in order to investigate how the way knowledge is constructed by the British and the Malaysian students in various group discussion tasks reflects the various philosophical and cultural views of knowledge into which they might have been socialized by their previous socio-cultural and educational experiences. The results show that the presence of the British students has an effect on the Malaysian students’ use of reactive framing. The Malaysian students in bi-national tasks do not react as much as they do when they are on their own. The interaction patterns in divergent tasks indicate that while the British students add and react alternately as individuals, the Malaysian students add together and react together as a group. Two different types of intolerance are also seen at play in convergent tasks: intolerance of accuracy (certainty about truth) vs. intolerance of task completion. While the British students have a higher degree of intolerance concerning the accuracy and certainty of knowledge than Malaysians, Malaysians have a higher degree of intolerance concerning the completion of the task.

The Third Origin

2017 ◽  
Author(s):  
Roberto Esposito
Keyword(s):  
Political Action ◽  
Triangular Form ◽  
The Third ◽  
Point Of Reference ◽  
The Way

This chapter argues that the double operation involving the urbanization of originary conflict and the “heroization” of political action is not yet sufficient to bridge the principle gap between polemos and polis, or between violence and power, at least in reference to the way the Arendt herself radicalizes the opposition. Unless a third point of reference, a third archetype, or a third origin intervenes it is impossible to confer stability and duration upon a politics that is still overly exposed to the wound generated by originary scission. Arendt finds her last pole star—a third point capable of uniting the scene of origin in a perfect triangular form—in Rome. This is the third origin that fuses all the flotsam and jetsam that distances Troy from Athens, thereby consolidating a broader originary figure finally liberated from all residues of violence.

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