Moments

Author(s):  
Paula Varsano

How do the moments that comprise a human life appear through the kaleidoscopic lens of China’s changing modes of literary expression? Many of the writings we have in our possession evince a profound sense of “timeliness”: an awareness of how life events may or may not correspond with the larger, and doubtless much more impersonal, processes of cosmic, historical, or physiological change. Beginning with some of the foundational philosophical texts of the pre-Qin period and proceeding through a range of genres, including biographies, essays, poems, and stories, this chapter will follow the natural arc of a human life—from infancy, through adulthood, old age and death—to consider some of the ways in which writers emerge from, live in, shape, conceptualize, and resist the workings of time upon human life.

2021 ◽  
Vol 1 ◽  
pp. 86-117
Author(s):  
Mark G. Altshuller ◽  

The Little Tragedies and Belkin’s Tales were written at the same time. In the former, Pushkin examines the main, eternal, and insoluble confl icts of existence: love and death, life and death, inspiration and hard work, youth and old age. These confl icts are tragic, and are in principle insoluble, for humanity. Their collision constitutes the very essence of human life and of human civilization. But — according to Pushkin — what is insoluble for humanity as a whole might be, at least partly, resolved by way of a compromise, when it comes to individual human lives. This is what Belkin’s Tales are about.


Author(s):  
Sergei Scherbov ◽  
Warren C. Sanderson

Probably the most famous demographic riddle of all time is the one that the Sphinx was said to have posed to travellers outside the Greek city of Thebes: ‘Which creature walks on four legs in the morning, two at noon, and three in the evening?’ Unfortunate travellers who could not answer the riddle correctly were immediately devoured. Oedipus, fresh from killing his father, was the first to have got the answer right. The correct answer was ‘humans’. People crawl on their hands and knees as infants, walk on two feet in adulthood, and walk with a cane in old age. We easily recognize the three ages of humans. Humans are born dependent on the care of others. As they grow, their capacities and productivities generally increase, but eventually these reach a peak. After a while, capacities and productivities decline and, eventually, if they are lucky enough to survive, people become elderly, often again requiring transfers and care from others. The human life cycle is the basis of all studies of population ageing, and so we cannot begin to study population ageing without first answering the Sphinx’s riddle. However, answering the Sphinx’s riddle is not enough to get us started on a study of population ageing. We must take two more steps before we begin. First, we must recognize that not all people age at the same rate. As seen in Chapter 5, nowadays more educated people tend to have longer life expectancies than less educated people. Second, we must realize that there is no natural generalization of the Sphinx’s riddle to whole populations. Populations cannot be categorized into the stages of infancy, adulthood, and old age. Indeed, if the Sphinx was reborn today, we might find her sitting near another city and posing an equally perplexing riddle, one especially relevant for our times: ‘What can grow younger as it grows older?’ Answering this riddle correctly is the central challenge of this chapter and the key to understanding population ageing in the twenty-first century.


1968 ◽  
Vol 11 (1) ◽  
pp. 53-63 ◽  
Author(s):  
Charlotte Bühler ◽  
Anna Brind ◽  
Althea Horner
Keyword(s):  
Old Age ◽  

2017 ◽  
Vol 5 (2) ◽  
pp. 37-65
Author(s):  
Christèle Barois

The representation of the process of human life is at the heart of questions about longevity, rejuvenation practices and possibly those which aim at immortality. The key term for “age” in medieval India is vayas, which means “vigour”, “youth” or even  “any period of life”, that is to say  exactly the same meaning as ours (duration of life). As a criterion for the examination of the patient, vayas is invariably divided into three periods: childhood, intermediate age and old age, precisely defined in the ayurvedic saṃhitās. It seems that vayas might be a relevant gateway to the cross-disciplinary understandings of age in medieval India, and therefore to the conditions of its (relative) mastery.  


2017 ◽  
Vol 1 (suppl_1) ◽  
pp. 862-862
Author(s):  
L. Rubio ◽  
H.A. Vera ◽  
C.G. Dumitrache ◽  
I. Rosario

Author(s):  
Susannah Ottaway

This article attempts to pull together recent developments and to summarize our knowledge of old age. It primarily focuses on the history of ageing in the West and compares it with other cultures. It concerns the limits and possible extension of the human life span. It includes discussion almost exclusively on male ageing. There are a few medical texts written specifically on female ageing and these focus primarily on menopause. Most studies of the history of ageing, and certainly those most relevant to the history of medicine deal with the demographic and social history of old age and a few larger works have framed the discussion of old age history more generally as centred on the question of continuity versus change in the historical expectations and experiences of old age. There is currently a burgeoning literature on pensions and on old age institutions.


2017 ◽  
Vol 163 ◽  
pp. 611-622
Author(s):  
Dorota Żygadło-Czopnik

Old age: socio-cultural anti-phenomenonin the literary works of Jiřina ŠiklováJiřina Šiklová is a Czech sociologist and writer. She published under different names, mainly abroad. In the times of the former regime she was persecuted and imprisoned. She wrote anumber of bestselling books: Deník staré paní 2003, Dopisy vnučce 2007, Matky po e-mailu 2009, Stoupenci proměn 2012, Vyhoštěná smrt 2013. Books of this Czech writer haven’t been translated yet into Polish. From the perspective of an old woman she presents old age as a specific moment in human life. Šiklová writes akind of adiary in which she speaks about the current situation brought to her by life. In her books, the writer solves problems between grandparents and grandchildren as well as the issues of asixty year old woman taking care of her octogenarian mother. Šiklová provides an independent reaction to the problems of aging society. She teaches her readers to accept old age, not only as loss of strength, but as atime belonging to the fullness of human life. At the same time in avery business like manner and with no sentiment she offers a number of steps that can help in old age.Stáří — sociálnĕ-kulturní antifenoménv literární tvorbĕ Jiřiny ŠiklovéJiřina Šiklová je česká socioložka apublicistka. Publikovala pod různými jmény, především v zahraničí. Za minulého režimu byla pronásledovaná avězněná. Napsala nĕkolik literárních bestsellerů: Deník staré paní 2003, Dopisy vnučce 2007, Matky po e-mailu 2009, Stoupenci proměn 2012, Vyhoštěná smrt 2013. Knihy české spisovatelky ještĕ nebyly přeložené do polštiny. Z pohledu staré ženy popisuje stáří jako specifický moment v životĕ človĕka. Šiklová píše svého druhu deník, ve kterém hovoří oaktuálních situacích, které jí život přináší. Spisovatelka v knihách řeší problémy mezi prarodiči avnoučaty nebo starosti šedesátileté ženy, která se musí postarat o svoji osmdesátiletou matku. Šiklová představuje svébytnou reakci na problém stárnutí populace. Učí čtenáře přijímat stáří nikoli jako pouhý úbytek sil, ale jako období náležející k plnosti lidského života. Zároveň přitom zcela věcně anesentimentálně upozorňuje na řadu kroků, které mohou stáří usnadnit.


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