Training Children for Work in the Nineteenth Century

Author(s):  
Vicky Crewe

Material culture in Victorian working-class homes acted as a medium through which messages about the importance of industry, diligence, and obedience could be emphasized to children. This chapter will review the ways in which material culture scholars have approached the subject of child labour in different areas of the Victorian world, as well as elucidating the differences and similarities in children’s experiences of work in different parts of the western world during the nineteenth century. It will consider decorative motifs on mass-produced domestic material culture, the role of toys as objects for training children, and work-related artefacts with which children may have interacted, but which do not bear obvious characteristics suggesting that they were specifically made for children. Labour will be addressed in its broadest sense, including gendered differences in the material culture of labour and the broader historical driving forces behind the existence of work-related material ‘propaganda’.

2009 ◽  
Vol 51 (3) ◽  
pp. 563-589 ◽  
Author(s):  
Raf Gelders

In the aftermath of Edward Said's Orientalism (1978), European representations of Eastern cultures have returned to preoccupy the Western academy. Much of this work reiterates the point that nineteenth-century Orientalist scholarship was a corpus of knowledge that was implicated in and reinforced colonial state formation in India. The pivotal role of native informants in the production of colonial discourse and its subsequent use in servicing the material adjuncts of the colonial state notwithstanding, there has been some recognition in South Asian scholarship of the moot point that the colonial constructs themselves built upon an existing, precolonial European discourse on India and its indigenous culture. However, there is as yet little scholarly consensus or indeed literature on the core issues of how and when these edifices came to be formed, or the intellectual and cultural axes they drew from. This genealogy of colonial discourse is the subject of this essay. Its principal concerns are the formalization of a conceptual unit in the sixteenth and seventeenth centuries, called “Hinduism” today, and the larger reality of European culture and religion that shaped the contours of representation.


This interdisciplinary collection investigates the forms that authority assumed in nineteenth-century Ireland, the relations they bore to international redefinitions of authority, and Irish contributions to the reshaping of authority in the modern age. At a time when age-old sources of social, political, spiritual and cultural authority were eroded in the Western world, Ireland witnessed both the restoration of older forms of authority and the rise of figures who defined new models of authority in a democratic age. Using new comparative perspectives as well as archival resources in a wide range of fields, eleven chapters show how new authorities were embodied in emerging types of politicians, clerics and professionals, and in material extensions of their power in visual, oral and print cultures. Their analyses often eerily echo twenty-first-century debates about populism, the suspicion towards scholarly and intellectual expertise, and the role of new technologies and forms of association in contesting and recreating authority. Several contributions highlight the role of emotion in the way authority was deployed by figures ranging from O’Connell to Catholic priests and W.B. Yeats, foreshadowing the perceived rise of emotional politics in our own age. This volume stresses that many contested forms of authority that now look ‘traditional’ emerged from 19th-century crises and developments, as did the challenges that undermine authority.


Author(s):  
Rodney Harrison

The focus of this article is stone tools. The history of stone tool research is linked integrally to the history of archaeology and the study of the human past, and many of the early developments in archaeology were connected with the study of stone artefacts. The identification of stone tools as objects of prehistoric human manufacture was central to the development of nineteenth-century models of prehistoric change, and especially the Three Age system for Old World prehistory. This article draws on concepts derived from interdisciplinary material culture studies to consider the role of the artefact after being discarded. It suggests that it is impossible to understand the meaning or efficacy of stone tools without understanding their ‘afterlives’ following abandonment. This article aims to complement contemporary metrical studies of the identification of stone tools and the description of their production. A brief history of the stone tools is explained and this concludes the article.


2004 ◽  
Vol 60 (3) ◽  
pp. 431-446 ◽  
Author(s):  
Ross W. Jamieson

People use domestic material culture to create an image of themselves that they project to others who live in, or visit, their homes. This was as true in the Spanish colonial city as it is in any city today. If, therefore, we wish to investigate status and ethnicity in the Spanish colonies, domestic material culture is an excellent source of information on how people imagined their own place, and that of others, in society. The first step toward this is the reconstruction of the material culture of urban colonial houses. There are two main bodies of evidence available to accomplish this. The first is descriptions of household goods in the notarial archives of the colonies, and the second is the physical remains of household refuse found in archaeological contexts in cities. Each body of evidence can make unique contributions to our understanding of social relations in the colonial city, but each also has unique limitations. I use the interplay between colonial notarial documents and archaeological remains to help define the role of material culture in the study of caste relations in Cuenca, Ecuador. The Spanish colonial régimen de castas was a system that categorized people by caste, using a complex mixture of legal status, ethnicity, racial (or physical) categorization, and economic roles.


2013 ◽  
Vol 17 (1) ◽  
pp. 1-22
Author(s):  
Yolanda Gamarra Chopo

The bibliography of Spanish international law textbooks is a good indicator of the evolution of the historiography of international law. Spanish historiography, with its own special features, was a recipient of the great debates concerning naturalism v. positivism and universalism v. particularism that flourished in European and American historiography in the nineteenth century. This study is articulated on four principal axes. The first states how the writings of the philosophes continued to dominate the way in which the subject was conceived in mid-nineteenth century Spain. Secondly, it explores the popularization and democratization of international law through the work of Concepcion Arenal and the heterodox thought of Rafael Maria de Labra. Thirdly, it examines the first textbooks of international law with their distinct natural law bias, but imbued with certain positivist elements. These textbooks trawled sixteenth century Spanish history, searching for the origins of international law and thus demonstrating the historical civilizing role of Spain, particularly in America. Fourthly, it considers the vision of institutionist, heterodox reformers and bourgeois liberals who proclaimed the universality of international law, not without some degree of ambivalence, and their defence of Spain as the object of civilization and also a civilizing subject. In conclusion, the article argues that the late development of textbooks was a consequence of the late institutionalization of the study of international law during the last decade of the nineteenth century. Nevertheless, the legacy of the nineteenth century survives in the most progressive of contemporary polemics for a new international law.


1976 ◽  
Vol 8 (2) ◽  
pp. 142-153 ◽  
Author(s):  
Richard W. Davis

It is far too early to talk with any real certainty about the mid-nineteenth century electoral structure. The very materials of which it was built are in dispute, let alone the shape of the edifice. A deference school of historians is challenging traditional notions of the growth of political individualism in the period, while so-called quantitative historians are beginning to question the assumptions and approach of both deference historians and traditionalists. Serious and detailed study of the questions involved has hardly begun. Still, some comment on the present state of the controversy may not be entirely out of place. An enduring interpretation can only be constructed of sound materials; and I am by no means certain of the soundness of some of those now being put forward for our use.W. O. Aydelotte, in a paper read a couple of years ago and soon to be published in a series of essays entitled The History of Parliamentary Behavior, notes the divergence of opinion among historians on the role of the electorate in shaping parliamentary opinion after 1832. As he rightly suggests, Norman Gash in his Politics in the Age of Peel appears to be of two minds on the subject, depending on whether one reads his introduction or his text. In the former Professor Gash stresses the increase of popular influence on Parliament, in the latter the continuance of traditional influences over the mass of the electorate. D. C. Moore comes down heavily on the side of the latter influences, contending that a relatively few leaders of what he has called “deference communities” represented effective electoral opinion, which was simply registered by the mass of the electorate.


2018 ◽  
Vol 22 (1-2) ◽  
pp. 40-57
Author(s):  
Kathleen Stuart

Abstract This article considers how a viewer identifies spiritual meaning in landscape images of the Romantic era as well as the role of artists’ statements about their work in a viewer’s interpretive process. It examines landscapes by Samuel Palmer and John Martin, two early nineteenth-century British artists known for the spiritual content of their work, and the connection between the work and their published statements about it. The article also considers the “secular” landscapes by their contemporary John Sell Cotman for the work’s possible spiritual meaning despite the absence of published comments by the artist on the subject.


1977 ◽  
Vol 11 (1) ◽  
pp. 81-101 ◽  
Author(s):  
Robert Reinders

“ Tranquility is the first duty of every citizen ” has never been an American motto. “ What is impressive to one who begins to learn about American violence,” Richard Hofstadter once remarked, is its “ extraordinary frequency, its sheer commonplaceness in our history, its persistence into very recent and contemporary times, and its rather abrupt contrast with our pretensions to singular national virtue.” If, as Hofstadter complains, violence has been overlooked in American history, the maintenance of peace, particularly the significant role of the militia in public disorders — “ the most important single form of domestic violence in American history ” — has been almost totally ignored by historians. For example, Marcus Cunliffe's otherwise excellent study of the military mind in ante-bellum United States devotes two sentences to the subject, a rather surprising omission in view of the, quite correct, contemporary opinion that “the Militia are, after all … neither more nor less than an Auxiliary Police Force, and for the last forty-odd years that is the only duty they have ever been called on to perform.”


Experiment ◽  
2012 ◽  
Vol 18 (1) ◽  
pp. 33-60 ◽  
Author(s):  
Margaret Samu

Abstract This article analyzes Russian attitudes toward nudity in art in the eighteenth and nineteenth centuries, from the importation of Italian nudes by Peter the Great to the continued study of the nude model by Socialist Realist artists. Questions addressed include the reception of nude sculpture in Russia and its change over time; the role of life models; and the subject matter sculptors chose.


1970 ◽  
Vol 28 (2) ◽  
pp. 197-209
Author(s):  
Katarzyna Kabacińska-Łuczak

The aim of the article is to attempt and show the “enlightenment” of the peasants of Greater Poland in the middle of the nineteenth century in the magazines addressed to them, especially in relation to matters of education and upbringing. The subject of the research is the information on educational issues raised in one of the magazines for the people – “Wielkopolanin,” which was published in the years 1848-1850. Among the educational issues raised, the most important was the promotion of national identity both at school and at home. Further, it covered such topics as the influence of teachers on patriotic activity (their attitudes, values, importance in the local community), the role of village nursery schools, and support for orphans.


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