Editorial: Urban Transformations in Rapidly Growing Contexts

2019 ◽  
Vol 44 (4) ◽  
pp. 4-4
Author(s):  
Yonca Hurol ◽  
Ashraf M. Salama

Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired by Baudelaire's poems and formed his philosophy, which relates poetics to modernity during the 20th century. Modern cities take an important role in his philosophy too, because Benjamin was making a collection of political event news in the cities of Germany. Then he had to leave Germany because of the growth of fascism. He left his collection behind. When he went to Paris he wrote about the passages and the poetic dimensions of modern city life. When Nazi army came to France, he had to leave Paris too. The poetry of Baudelaire and the philosophy of Benjamin are evidences for the poetic nature of modern city life. The relationship between the modern city and the free individual can easily be felt in their works. However, when you read heir work, you can easily understand that today's Paris is not the same Paris any more. It is still poetic, but in another way.

Discourse ◽  
2021 ◽  
Vol 7 (4) ◽  
pp. 33-44
Author(s):  
D. V. Andreenko

Introduction. Shaping modernity in the first third of the twentieth century is tied to the private worldview of the person of this era in which the main metaphor of the individual perception of “their time” is melancholy. The crisis of this historical period forms the prism of melancholic worldview. The goal of this article is to substantiate the reasons for the perception of melancholy as a phenomenon caused in part by the problem of individual experience of time. The relationship between melancholy and modernity has already been noted in the literature, but this text raises a new question – what is the temporal nature of this mutual influence?Methodology and sources. A key role in the understanding of melancholy is played by the texts of authors of the early 20th century: Walter Benjamin, devoted to Charles Baudelaire and the work of Sigmund Freud “Mourning and Melancholy”. The issue of temporality in the work is interpreted through the reference to the phenomenological tradition, namely in reference to the modern phenomenological analysis of depressive disorder in the work of Domonkos Sik.Results and discussion. The author comes to the conclusion that the feeling of the interrelation of melancholy and the epoch is extremely specific for a person of the first third of the 20th century, evidence of which could be found in the philosophical and cultural reflection of this period. Crisis worldview is reflected in literature, painting, cinema, philosophy, social theory, etc. Thus, it is possible to represent melancholy as a phenomenon, partly caused by the problem of individual experience of time. Melancholy occurs when a crisis worldview is supplemented by an experience of circular temporality, the disappearance of the future, preoccupation with the past, passivity, or isolation.Conclusion. If these elements come together, a total worldview is formed in which real world events intensify melancholy. In this sense, phenomenologically speaking, melancholy is not so much a state as a dynamic process.


Author(s):  
Vito Adriaensens

Boris Barnet (b. June 18, 1902, Moscow, Russia; d. January 8, 1965, Riga, Latvia) was a Russian actor, director, and professional boxer. He made his debut as an actor in Lev Kuleshov’s comedy Neobychainye priklyucheniya mistera Vesta v strane bolshevikov (The Extraordinary Adventures of Mr West in the Land of the Bolsheviks) (1924) along with Vsevolod Pudovkin, after they both famously attended Kuleshov’s three-year workshop on film principles that spawned the film. Barnet inherited Kuleshov’s montage principles, consisting of the combination of American-style fast cutting, combined with avant-garde techniques from French Impressionism and German Expressionism, thus setting it apart from its "dull" predecessors. For Kuleshov, the film came together in the editing room, where he insisted on the importance of the relationship between shots and scenes. Barnet debuted with the contemporary spy serial Miss Mend (1926), and became well known for his swiftly paced comedies; he was therefore somewhat of an anomaly in the propaganda-driven Soviet montage cinema. In his two most celebrated comedies, Devushka s korobkoi (The Girl with the Hatbox) (1927) and Dom na Trubnoi (The House on Trubnaya Square) (1928), Barnet took on the speed of modern city life and translated it into an elating style by combining the visual characteristics of Dziga Vertov with the rhythm and acting of someone like Buster Keaton. In the sound era, Barnet continued to impress internationally with lyrical masterpieces such as the understated Great War ensemble piece Okraina (Outskirts) (1933) and the impressionistic fisherman’s drama U samogo sinego morya (By the Bluest of Seas) (1936).


2021 ◽  
pp. 001139212098334
Author(s):  
Roberta Teresa Di Rosa ◽  
Giuseppina Tumminelli

Italy experienced the transition from a country of emigration to a country of immigration only in the last decade of the 20th century. The extreme heterogeneity of the Italian scene – from the distribution and variety of productive sectors and local economic dimensions, to the geographical, cultural and linguistic varieties – results in an incredibly differentiated background on which the phenomenon of migrations fits as multiplier of diversity. But there are some particular fields in Italy where the challenges of superdiversity appear to be more prominent: the impact on the school system, in terms of linguistic-cultural pluralism; the change in religious belonging and identities; the dynamics of cohesion/marginality in everyday life; and the relationship between spaces and identities in a superdiverse context.


wisdom ◽  
2016 ◽  
Vol 2 (7) ◽  
pp. 187
Author(s):  
Mane KHACHIBABYAN

Time is an important matter of study in science, religion, philosophy, art and literature. The issues that interest scholars and theorists are reflected in the art and literature as well, since those are the embodiments of society, its mind, life and issues. Historical traditions, economic, social and political features have huge impact on the perceptions of concepts and theories. This article aims to identify the relationship between the concept of time and art/literature. Through analysis of the works of modernist artists and authors the article will showcase the representations of the concept of time in the works of Charles Baudelaire, Salvador Dali, Walter Benjamin and Henri Bergson.


Author(s):  
Peggy Gabo Ntseane ◽  
Idowu Biao

This chapter opens up with the suggestion that the “leaning cities” concept may well apply to ancient cities since learning has characterized life in all cities of the world since time immemorial. However, it is acknowledged that the “learning cities” construct was specifically originated during the 20th century for the purpose of assisting city dwellers cope with the challenges of modern city life. Dwelling on the situation in Sub-Saharan Africa, the chapter reveals that learning cities projects are not currently popular in the sub-continent. This lack of interest has been attributed to the fact that Africans were never and are still not taken along during the process of transformation of both ancient and modern spaces into cities. Consequently, it is here recommended that a transformative learning process that uses both indigenous knowledges and endogenous city clusters as learning pads should be adopted for the revitalization of the implementation of learning cities projects in Sub-Saharan Africa.


Author(s):  
Suraiya Sultana

Charles Baudelaire employs the notion of flaneur as an idle wanderer and a passionate observer of the city life in the context of nineteenth-century Paris. Walter Benjamin in the twentieth century revisits the same notion in a slightly different manner. For Benjamin, flaneur, on the one hand, can be overwhelmed by the phantasmagoria of the city life and can develop a ‘shock experience' and on the other hand, can respond to the stimuli of the urban ambiance and can exhibit instrumental means of thinking to cope with the altered environment. In this circumstance, the latter, as Benjamin argues, is also evocative of the prospect of the flaneur’s conversion into a commodity. Following the argument of Walter Benjamin, the present paper aims to analyze the mobility and transformation of the central character, Christopher, in Julian Barnes’s novel Metroland (1980). This paper also reinforces that the character’s transformation is influenced by the societal structures as propounded by the structural Marxists like  Louis Althusser.


2014 ◽  
Vol 67 (1) ◽  
Author(s):  
Farahwahida Mohd Yusof ◽  
Siti Norlina Muhamad ◽  
Arieff Salleh Rosman ◽  
Sarimah Noor Ahmad ◽  
Nor Farhah Razak ◽  
...  

This article discusses the phenomenon of sleep, with emphasized to its importance, sleeping times, sleeping positions and even the etiquette of sleeping, from the views of Islam and Science. The Quran and Science are inseparable and the relationship between the two is highly balanced. Scientists have said that the phenomena of sleep is a miracle that deserves to be analysed and studied in depth, as it is a complex phenomena. Glory and Praise to be Allah Almighty has decreed in the Quran of the importance of sleep in the day and night, and that sleep is one of the signs of Allah’s Almighty power and is a miracle to be studied by each individual. Islam places great importance on taking care of one’s body and sleep is one need that has to be fulfilled. Scientists have stressed that sleep is needed to rest the brain, improve memory, and increase one’s energy. This shows that Islam places great importance on having productivity and alertness in each individual’s deed. Many scientific facts that had been clearly stated in a fundamental manner in the Quran could only be analysed with the advanced technology of the 20th century. These facts were not known when they were first revealed and are proof that the Quran is the book of Allah Almighty. The view of Islam on the sleep phenomenon is in line with and is according to the findings of contemporary scien


2021 ◽  
Vol 58 (1) ◽  
pp. 63-75
Author(s):  
SONYA STEPHENS

This article examines the relationship between Baudelaire’s prose poem, “Assommons les pauvres!” (Le Spleen de Paris, 1869) and Shumona Sinha’s 2011 novel of the same title. Focusing on questions of reading and intertextuality, from Baudelaire’s reference to Proudhon to Sinha’s engagement with the prose poem and Le Spleen de Paris more broadly, it explores forms of confinement and creativity, the connections between narrative and freedom and the ways in which lyrical subjectivity and literary form reflect the social challenges of each period. In expressing socio-cultural and linguistic alienation, these texts centre the textual in an exploration of the marginal, thereby demonstrating that the connection between them goes beyond a critical act of violence and the presumed equality or dignity it confers, to represent a shared interrogation of universalism, multiculturalism, and authorial and political power.


2018 ◽  
Vol 28 (6) ◽  
pp. 817-838 ◽  
Author(s):  
Kathryn McNeilly

Human rights were a defining discourse of the 20th century. The opening decades of the twenty-first, however, have witnessed increasing claims that the time of this discourse as an emancipatory tool is up. Focusing on international human rights law, I offer a response to these claims. Drawing from Elizabeth Grosz, Drucilla Cornell and Judith Butler, I propose that a productive future for this area of law in facilitating radical social change can be envisaged by considering more closely the relationship between human rights and temporality and by thinking through a conception of rights which is untimely. This involves abandoning commitment to linearity, progression and predictability in understanding international human rights law and its development and viewing such as based on a conception of the future that is unknown and uncontrollable, that does not progressively follow from the present, and that is open to embrace of the new.


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