Human Rights and Power

1993 ◽  
Vol 41 (1) ◽  
pp. 70-82 ◽  
Author(s):  
Neil Stammers

This paper is an initial attempt to link the concepts of human rights and power from a social constructionist perspective. It looks at aspects of the social history of natural and human rights and the relationship of this history to extant power relations. It suggests that conceptions of human rights have both challenged and sustained particular forms of power, thus playing a highly ambivalent role. The paper also examines and criticises the philosophical underpinnings of liberal and marxist approaches to the concept of human rights. In a concluding section it considers the possibility of constructing a power analysis which might provide a way of anchoring the concept of human rights in social practices.

2019 ◽  
Vol 16 (1) ◽  
pp. 142-153
Author(s):  
Anna Triayudha ◽  
Rateh Ninik Pramitasary ◽  
Hermansyah Akbar Anas ◽  
Choirul Mahfud

The growth and development of Islamic Education is inseparable from the growth of institutions. The Prophet made it happen by establishing institutions that had a role in developing and advancing Islamic education, one of which was a mosque. Research on the relationship of mosques with the social history of Islamic education is discussed by using descriptive qualitative methods that are oriented to literature review. This paper shows that in the early period of Islamic education, the Prophet provided exemplary by building and empowering mosques. The example of the Prophet continued with the Caliphs afterwards until the present era. The mosque was built by the Prophet from the Al Haram mosque located in Makkah, Quba Mosque located in Quba, Nabawi mosque located in Medina and so on. The role and function of the mosque at that time was as a place of prayer, a place of prayer, a place for discussion or deliberation, a meeting place to develop a war strategy and others related to the problems and needs of Muslims. From time to time, the role or function of the mosque has changed slightly. In essence, mosques are currently influencing the development of the social history of Islamic education in Indonesia.


Hawwa ◽  
2010 ◽  
Vol 8 (3) ◽  
pp. 317-347
Author(s):  
Rogaia Mustafa Abusharaf

AbstractThis essay presents a woman whose ideas not only signifies a challenge to conventional approaches to the relationship between colonialism and feminism, but also enables us to appreciate the intricacies and diversities of colonial experiences and the multiple roles played by individuals who wielded some level of authority in a colonised society. Since this essay is a tribute to Ina Beasley, it reproduces substantial excerpts from her papers on the subjects that engaged her most deeply during her Sudan service. Her writings shed new light on the social history of human rights during the Condominium, which matters both to scholars and to concerned citizens. In recognition of Ina Beasley, who devoted her life to improving the lives of women and children in a society rife with hardship and discriminatory practices, the essay addresses her work on education and its relevance to eradicating female circumcision that was universally practiced at the time. The essay begins with a brief discussion of Sudanese politics at the time of her arrival and then examines her work as educator who managed to craft several influential programs to empower women and girls. The rest of the paper focuses on her reproductive health advocacy as exemplified in a formidable body of work that articulated her activities and approaches to social rights.


Author(s):  
Gavin Schaffer

This chapter interrogates the relationship between television comedy, power and racial politics in post-war Britain. In a period where Black and Asian Britons were forced to negotiate racism as a day-to-day reality, the essay questions the role played by television comedy in reflecting and shaping British multicultural society. Specifically, this chapter probes Black and Asian agency in comedy production, questioning who the joke makers were and what impact this had on the development of comedy and its reception. The work of scholars of Black and Asian comedy television such as Sarita Malik, and of Black stand-up comedy such as Stephen Small, has helped us to understand that Black- and Asian-led British comedy emerged belatedly in the 1980s and 1990s, hindered by the historical underrepresentation of these communities in British cultural production and the disinclination of British cultural leaders to address this problem. This chapter uses these scholarly frames of reference, alongside research that addresses the social and political functions of comedy, to re-open the social history of Black British communities in post-war Britain through the story of sitcom.


Author(s):  
Don C. Postema

Understanding the role of ethics committees in providing ethics consultations, ethics education, and ethics-related policies is the context for exploring the relationship of ethics, psychiatry, and religious and spiritual beliefs. After a brief history of biomedical ethics in the United States since the mid-20th century, this chapter presents several case studies that exemplify frequently encountered tensions in these relationships. The central contention is that respecting these beliefs is not equivalent to acquiescing to ethical claims based on them. Rigorous critical reflection and psychiatric insight, coupled with the values embedded in the social practices of healthcare, provide the grounds for evaluating the weight and bearing of religious and spiritual beliefs in ethically complex cases. This is one contribution that ethics committees can make at the intersection of psychiatry and religion.


1987 ◽  
Vol 35 (1_suppl) ◽  
pp. 65-98
Author(s):  
Gordon Fyfe

This paper is a critique of the contribution of William Ivins's Prints and Visual Communication (1953) to an understanding of the meaning of fine art reproductions. Ivins showed that photographic reproduction was constructed in relation to, and displaced, older ways of reproducing art which were carried out by handicraft engravers. His analysis alerts us to the fact that ambiguity characterized art reproduction before photographs. Art reproductions, then, were interpretations in line based on conventional modes of representation – what Ivins calls a visual syntax. In this respect he enhances our understanding of the social construction of the artist. For Ivins the social history of reproduction seems to end with the camera. This completed an individuation of creativity ushered in with the Renaissance, but which was always qualified by the interfering visual syntax of craftsmen-interpreters. It is argued that the value of Ivins's account resides in its reconstruction of the relationship between handicraft engraving, fine art reproduction and aesthetic objects that have long since slipped from our consciousness.


2009 ◽  
Vol 47 (1) ◽  
pp. 19-39 ◽  
Author(s):  
Kevin S. Fridy ◽  
Victor Brobbey

ABSTRACTThere is a common perception in Ghana that Accra Hearts of Oak is the soccer club of the National Democratic Congress, and Kumasi Asante Kotoko that of the New Patriotic Party. In this paper we explore the roots of these perceptions by examining the social history of these two clubs specifically, and the Ghanaian soccer league system in general, with an eye for the actors, practices and events that injected political airs into purportedly ‘apolitical’ athletic competitions. With this social history clearly defining the popularly perceived ‘us’ versus ‘them’ of the Hearts/Kotoko rivalry, we analyse on the basis of a modest survey some of the assumptions these widely held stereotypes rely upon. We find that ethnicity and location matter both in terms of predicting one's affinity for a given soccer club and partisan inclinations. These factors do not, however, completely dispel the relationship between sports and politics as spurious. Though not conclusive, there is enough evidence collected in the survey to suggest that one's preferred club, even when controlling for ethnicity and location, does have an effect on one's partisan leanings, or perhaps vice versa. This finding highlights the independent role that often-understudied cultural politics can play.


INFERENSI ◽  
2013 ◽  
Vol 7 (2) ◽  
pp. 451
Author(s):  
Saifuddin Saifuddin

“Tebokan” was the history of jenang production processes that was visualizedon cultural carnival. It was one of the place where the relationship of religious traditions and the myth of local society became a new spirit to increase the economy of the community. This research was based on interpretative perspective to religious behaviors such as done by Clifford Geertz. Therefore this research used qualitative method. This study found the cultural illustrations where the relationship of myth, religious tradition, and the social structure was able to activate spirit of productivity in the Kaliputu Society as a central of jenang Production in Kudus. Both of these systems of meaning were able to present three important spirits, those areinnovative, identity affirmation, and work ethic. 


1981 ◽  
Vol 8 ◽  
pp. 125-154 ◽  
Author(s):  
T.C. McCaskie

There is a considerable literature dealing with the phemenon of twentieth-century anti-witchcraft cults among the Akan peoples of Ghana, and notably the Asante. This literature is written from the disciplinary perspective of social anthropology and it may be divided into two interpretative views of the matter. The first espouses the theory that such cults are ‘new’--creations of the twentieth century--in that they represent a reflexive response to the social disorientation assumed to have been engendered by colonial overrule. The second questions the causative link between the twentieth century and increased anomie, and suggests the location of such cults in a time perspective reaching back into the distant--but undefined--pre-colonial past. For a social historian interested in the problem of witchcraft and its suppression this literature presents a resistant difficulty. It concerns itself with the material appurtenances and the impressionistic ‘psychohistory’ of cult practices, but it is almost entirely bereft of historical data and it indulges in generalizations erected upon the flimsiest of factual considerations. McLeod, who has ably reviewed this literature, has commented upon this deficiency with regret, but--at least so far--has done little to rectify it.In this paper I am concerned with the discrete history--social, economic and political--of three important anti-witchcraft cults that flourished in Asante between the late 1870s adn the late 1920s; in chronological order these were, domankama (‘The Creator’), aberewa (‘The Old Woman’) and hwe me so (‘Watch Over Me’). In discussing these cults as historical phenomena I seek to explicate or otherwise to dissolve some of the generalizations evident in the existing literature. I seek too to say something concerning the construction of a valid Asante (and African) social history, the relationship between social history and social anthropology in the African context, and the significance for the historian of Africa of socio-cultural phenomena such as witchcraft.


2021 ◽  
pp. 1-64

Abstract In this roundtable discussion, five scholars of modern India with diverse methodological training examine aspects of Rupa Viswanath's 2014 book, The Pariah Problem: Caste, Religion, and the Social in Modern India, and assess its arguments and contributions. This book has made strong challenges to the scholarly consensus on the nature of caste in India, arguing that, in the Madras presidency under the British, caste functioned as a form of labour control of the lowest orders and, in this roundtable, she calls colonial Madras a ‘slave society’. The scholars included here examine that contention and the major subsidiary arguments on which it is based. Uday Chandra identifies The Pariah Problem with a new social history of caste and Dalitness. Brian K. Pennington links the ‘religionization’ of caste that Viswanath identifies to the contemporary Hindu right's concerns for religious sentiment and authenticity. Lucinda Ramberg takes up Viswanath's account of the constitution of a public that excluded the Dalit to inquire further about the gendered nature of that public and the private realm it simultaneously generated. Zoe Sherinian calls attention to Viswanath's characterization of missionary opposition to social equality for Dalits and examines missionary and Dalit discourses that stand apart from those that Viswanath studied. Joel Lee extends some of Viswanath's claims about the Madras presidency by showing strong parallels to social practices in colonial North India. Finally, Viswanath's own response addresses the assessments of her colleagues.


2021 ◽  
pp. 136843102098882
Author(s):  
Jeroen Oomen ◽  
Jesse Hoffman ◽  
Maarten A. Hajer

The concept of the future is re-emerging as an urgent topic on the academic agenda. In this article, we focus on the ‘politics of the future’: the social processes and practices that allow particular imagined futures to become socially performative. Acknowledging that the performativity of such imagined futures is well-understood, we argue that how particular visions come about and why they become performative is underexplained. Drawing on constructivist sociological theory, this article aims to fill (part of) this gap by exploring the question ‘how do imagined futures become socially performative’? In doing so, the article has three aims to (1) identify the leading social–theoretical work on the future; (2) conceptualize the relationship of the imagination of the future with social practices and the performance of reality; (3) provide a theoretical framework explaining how images of the future become performative, using the concepts ‘techniques of futuring’ and ‘dramaturgical regime’.


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