scholarly journals Da assimilada à mãe Africa: representações do feminismo em O Alegre Canto da Perdiz, de Paulina Chiziane

2021 ◽  
pp. 131-160
Author(s):  
Mariana Motta Campinho Cardoso ◽  
Renata Flavia da Silva
Keyword(s):  

À luz de teóricos como Stuart Hall, Albert Memmi, Kabenguele Munanga e outros, este artigo propõe uma análise das personagens femininas centrais do romance O alegre Canto da Perdiz da escritora moçambicana Paulina Chiziane. Na presente leitura, é levado em conta o resgate da história e da memória cultural de Moçambique relacionadas ao regime colonial e ao processo de descolonização. Nesse sentido, são privilegiadas as análises de duas representações ligadas a tais processos: a mulher assimilada e a mulher sacralizada na figura de mãe África.

2018 ◽  
pp. 128-139
Author(s):  
Josiane Nava Vogt ◽  
Josiele Kaminski Corso Ozelame

O presente artigo busca demonstrar a fragmentação da identidade do narrador no livro Os cus de Judas escrito por António Lobo Antunes, em 1979. Para tanto, foram consideradas características do enredo, cujo foco foi a análise da personagem principal no intuito de compreender os aspectos da identidade nacional, o retrato do colonizador e a passagem dessa para uma identidade híbrida, pós-moderna. Os trabalhos de Zygmunt Bauman (2005) e Stuart Hall (2005) auxiliaram na compreensão do conceito de identidade. Quanto à colonização, optou-se pelo trabalho de Albert Memmi (2007) e no que tange aos dos elementos que constituem a narrativa as principais contribuições advém dos escritos de Antonio Candido (2002).


2021 ◽  
Vol 1 ◽  
pp. 137
Author(s):  
Priscila Finger do Prado ◽  
Luana Miranda

O presente artigo busca refletir sobre relações entre literatura e história, ao analisar aspectos sobre colonização e identidade no conto A historiadora obstinada, do livro No seu Pescoço, da escritora nigeriana Chimamanda Ngozi Adichie. Na leitura do conto, percebe-se a representação do choque cultural entre o colonizador e o colonizado, bem como a forma como a identidade cultural africana é alterada, até que haja uma contemporânea desmistificação da história oficial do colonizador pelo olhar da personagem Grace. O conto, publicado em 2017, aponta para a discussão sobre a necessidade de trabalhar outro olhar sobre a colonização de países africanos como a Nigéria, desta vez a partir da visão do colonizado. O estudo foi norteado pela relação entre literatura e história na perspectiva teórica de Linda Hutcheon, com o livro Poética do Pós-Modernismos, e de Roger Chartier, no livro A História Cultural Entre Práticas e Representações. Sobre a identidade cultural, fez-se uso do trabalho de Stuart Hall no livro A Identidade Cultural da Pós-Modernidade. Por fim, sobre a problemática do sujeito colonizado foi apresentada a leitura do livro O Retrato do colonizador precedido pelo Colonizado, de Albert Memmi.Palavras-chave: Chimamanda Adichie. Identidade. Colonização. Literatura e história.ABSTRACTThis article aims to analyze relationship between literature and history in the short story “The headstrong historian”, in the book The thing around your neck, by Chimamanda Ngozi Adichie. We find to understand how colonization and identity are built in the text. In short story’s lecture, we realize the cultural shock’s representation between colonizer and colonized, as well as how African cultural identity is changed. We observe in the text too a contemporary point of view on the character Grace, that demystifies colonizer official story. The short story was published in 2017, and your plot aims to discuss about other views of African countries as Nigeria, emphasizing colonized point of view. The study was guided by literature and history’s relationship proposed by Linda Hutcheon, with the book A Poetics of Posmodernism: History, Theory, Fiction, and by Roger Chartier, with the book Cultural History: between practices and representations. About cultural identity, we use Stuart Hall’s study, in the book The question of cultural identity. At least, we present the lecture of the book The colonizer and the colonized, by Albert Memmi, to think about colonized subject’s problem.Keywords: Chimamanda Adichie. Identity. Colonization. Literature e history.


Author(s):  
Aji Sulistyo

Television advertisement is an effective medium that aims to market a product or service, because it combines audio and visuals. therefore television advertisement can effectively influence the audience to buy the product or service. Advertisement nowadays does not only convey promotional messages, but can also be a medium for delivering social messages. That is one form of the function of the media, which is to educate the public. The research entitled Representation of Morality in the Teh Botol Sosro Advertisement "Semeja Bersaudara" version analyzed the morality value in a television advertisement from ready-to-drink tea producers, Teh Botol Sosro entitled "Semeja Bersaudara" which began airing in early 2019. In this study researchers used Charles Sanders Peirce's Semiotics theory with triangular meaning analysis tools in the form of Signs, Objects and Interpretations. In addition, researchers also use representation theory from Stuart Hall in interpreting messages in advertisements. The results of this study found that the "Semeja Bersaudara" version of Teh Botol Sosro advertisement represented a message in the form of morality. There are nine values of morality that can be taken in this advertisement including, friendly attitude, sharing, empathy, help, not prejudice, no discrimination, harmony, tolerance between religious communities and cross-cultural tolerance. The message conveyed in this advertisement is how the general public can understand how every human action in social life has moral values, so that the public can understand and apply moral values in order to live a better life.


Author(s):  
Jordan T. Camp

While many analysts have commented on the representation of 1968 campus events and antiwar demonstrations, less attention has been paid to the global significance of the dramatic struggles in industrial Detroit during the period. The meanings of events in the city were intensely fought over. As Stuart Hall, Chas Critcher, Tony Jefferson, John Clarke, and Brian Roberts observed, the events of 1968 were “an act of collective will, the breaks and ruptures stemming from the rapid expansion in the ideology, culture and civil structures of the new capitalism . . . in the form of a ‘crisis of authority.’” In Detroit the crisis of authority was expressed in the form of popular political struggles against racism, state violence, and the contradictions of life in the industrial capitalist city. This article asks and answers the following research questions about the struggle over the meaning of this decisive turning point in US history: What was the relationship between racial ordering, uneven capitalist development, and mass antiracist and class struggles? How did Black working-class organic intellectuals resist and alter hegemonic definitions of the situation? How are the dialectics of insurgency and counterinsurgency to be best theorized during this precise historical conjuncture? 


2019 ◽  
Vol 1 (2) ◽  
pp. 125-138
Author(s):  
Ery Agus Kurnianto
Keyword(s):  

Identitas gender seseorang, baik laki-laki maupun perempuan, menjadi dinamis karena faktor lingkungan yang ada di sekitarnya. Kedinamisan identitas gender menunjukkan bahwa identitas diri seseorang bukanlah sesuatu yang bersifat absolut. Hal tersebut terepresentasi dalam novel Boy-Boy Love Story karya Salsa Ivy. Makalah ini akan membahas kegagalan tokoh Riano pada novel Boy-Boy Love Story karya Salsa Ivy dalam mempertahankan kestatisan identitas gendernya. Tujuan makalah ini adalah mendeskripsikan kegagalan tokoh Riano dalam mempertahankan kestatisan identitas gendernya. Teori identitas Stuart Hall, yaitu identitas sebagai proses being dan becoming yang tidak pernah statis dan akan selalu berubah, akan digunakan sebagai titik tolak untuk mengungkapkan kegagagalan tokoh  Riano dalam mempertahankan kestatisan identitas gendernya. Hasil kajian terhadap novel ini menunjukkan bahwa kegagalan tokoh Riano dalam mempertahankan identitas gendernya karena faktor lingkungan. Kegagalan tersebut juga disebabkan tokoh Riano tidak memiliki keberanian untuk melakukan perlawanan terhadap kekuasaan yang ada di sekitarnya lingkungannya.


2018 ◽  
Vol 6 (1) ◽  
pp. 18-28
Author(s):  
Mia Purwanti
Keyword(s):  

Penelitian ini merupakan kajian tekstual yang bertujuan untuk menganalisis representasi maskulinitas dalam cerita rakyat Jambi, Bukit Perak. Sumber data penelitian adalah buku bacaan cerita rakyat yang diterbitkan oleh Kementerian Pendidikan dan Kebudayaan. Penelitian menggunkan metode kualitatif untuk mencari kualitas maskulinitas yang tereprensentasikan pada cerita rakyat dan masa tersebut. Teori representasi Stuart Hall menjadi landasan teori penelitian yang didukung oleh konsep tujuh area maskulinitas menurut Janet Saltzman Chafetz. Hasil penelitian menunjukan tujuh area maskulinitas tersebut, terepresentasikan didalam cerita rakyat Jambi, Bukit Perak yakni: 1). penampilan fisik: bertubuh tegap, tampan dan gagah berani; 2). fungsional: memposisikan dirinya sebagai pencari nafkah atau penyedia; 3). agresif seksual: menarik lawan jenis, agresif, bertutur kata hangat, dan perhatian; 4). emosi: dapat mengontrol emosi dan mengutarakan keinginannya dengan baik dan bijaksana; 5). intelektual: pemikiran rasional, cerdas, mampu merencanakan dan memecahkan masalah; 6). interpersonal: memimpin, tegas, peduli, bertanggung jawab dan mendominasi; 7). karakter personal lainnya: pelindung, khawatir terhadap sosok perempuan, kompetitif, dan berjiwa petualang.


Author(s):  
Sabrina Strings

Studies on the development of fat stigma in the United States often consider gender, but not race. This chapter adds to the literature on the significance of race in the propagation of fat phobia. I investigate representations of voluptuousness among “white” Anglo-Saxon and German women, as well as “black” Irish women between 1830 and 1890—a time period during which the value of a curvy physique was hotly contested—performing a discourse analysis of thirty-three articles from top newspapers and magazines. I found that the rounded forms of Anglo-Saxon and German women were generally praised as signs of health and beauty. The fat Irish, by contrast, were depicted as grotesque. Building on the work of Stuart Hall, I conclude that fat was a “floating signifier” of race and national belonging. That is, rather than being universally lauded or condemned, the value attached to fatness was related to the race of its possessor.


2014 ◽  
Vol 46 (5) ◽  
pp. 446-448
Author(s):  
Roger Dale
Keyword(s):  

2009 ◽  
Vol 23 (4) ◽  
pp. 538-558 ◽  
Author(s):  
Michael Keith
Keyword(s):  

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