scholarly journals The Role of Art Developer in the Formation of Contemporary Art Practices

2021 ◽  
pp. 102-111
Author(s):  
Nataliya Kondel-Perminova ◽  
Oleksandra Khalepa
Keyword(s):  
Contemporary Art ◽  
Project Implementation ◽  
Urgent Problem ◽  
Project Approach ◽  
Industrial Areas ◽  
Art Practices ◽  
Experimental Project ◽  
New Type ◽  
Post Industrial

Filling the spaces of abandoned industrial areas with new content is an urgent problem of the present time. Successful redevelopment of post-industrial locations suitable for the deployment of the latest artistic practices is possible with the multi-vector practice of a new type of figure—the art developer. This concept isintroduced into the scientific circulation in the article. The activity of an art developer is a special art of mixing and performing a number of functions inherent, specifically, to a curator, art manager, and developer. Exemplified with the author’s experimental project of Carbon Аrt Residence (Kyiv), the main content of the art developer’s work is analyzed. According to the project approach, it includes three main stages: concept — project — implementation. Artworks in various creative formats tested in Carbon Аrt Residence are presented.

scholarly journals Parallelotopia: Ottoman transcultural memory assemblages in contemporary art practices from the Middle East

2019 ◽  
Vol 12 (5) ◽  
pp. 493-513
Author(s):  
Gabriel Koureas
Keyword(s):  
Ottoman Empire ◽  
Contemporary Art ◽  
Ethnic Violence ◽  
Late Nineteenth Century ◽  
Ethnic Communities ◽  
The Past ◽  
Art Practices ◽  
Etel Adnan ◽  
Dynamic Exchange

This article engages with the conversations taking place in the photographic space between then and now, memory and photography, and with the symbiosis and ethnic violence between different ethnic communities in the ex-Ottoman Empire. It questions the role of photography and contemporary art in creating possibilities for coexistence within the mosaic formed by the various groups that made up the Ottoman Empire. The essay aims to create parallelotopia, spaces in the present that work in parallel with the past and which enable the dynamic exchange of transcultural memories. Drawing on memory theory, the article shifts these debates forward by adopting the concept of ‘assemblage’. The article concentrates on the aesthetics of photographs produced by Armenian photographic studios in Istanbul during the late nineteenth century and their relationship to the present through the work of contemporary artists Klitsa Antoniou, Joanna Hadjithomas, Khalil Joreige and Etel Adnan as well as photographic exhibitions organised by the Centre for Asia Minor Studies, Athens, Greece.

Contemporary Art in the Classic Museum: Strategies for a Productive Dialogue

2021 ◽  
pp. 19-27
Author(s):  
Е.А. Kartseva
Keyword(s):  
Contemporary Art ◽  
Modern World ◽  
Domestic Institutions ◽  
Cultural Institutions ◽  
Art Practices ◽  
Specialized Institutions ◽  
Cultural Dialogue ◽  
Almost All ◽  
Changing Role

A variety of strategies for incorporating contemporary art are found today in almost all world museums. Domestic institutions in recent years have also taken a course on contemporary art, which has become the occasion of numerous discussions. Not all are advocates of such integrations, suggesting that for contemporary art there are specialized institutions. However, with the changing role of the museum in the modern world, the acquisition of new functions, as well as the development of contemporary art practices, classical cultural institutions are less and less able to resist the expansion of contemporary art. The article formulates the advantages and risks of including contemporary art in a classical museum, and offers scenarios for a productive cultural dialogue.

The Participatory Art Museum: Approached from a Philosophical Perspective

2016 ◽  
Vol 79 ◽  
pp. 319-339 ◽  
Author(s):  
Sarah Hegenbart
Keyword(s):  
Contemporary Art ◽  
Aesthetic Experience ◽  
Art Museum ◽  
Philosophical Perspective ◽  
Participatory Art ◽  
Exhibition Space ◽  
Art Practices ◽  
The Status ◽  
The Spectator

AbstractThis chapter introduces the participatory art museum and discusses some of the challenges it raises for philosophical aesthetics. Although participatory art is now an essential part of museological programming, an aesthetic account of participatory art is still missing. The chapter argues that much could be gained from exploring participatory art, as it raises fundamental challenges to our understanding of issues in aesthetics, such as the nature of aesthetic experience, the value of art, and the role of the spectator. Moreover, participatory art fundamentally questions the status of the museum as an exhibition space for contemporary art practices.

The Effect of Cultural and Creative Industries on Economic Development of the Cities

2016 ◽  
pp. 320-340
Author(s):  
Gokce Dervisoglu Okandan
Keyword(s):  
Contemporary Art ◽  
Developing Economies ◽  
Developed Countries ◽  
Creative Industries ◽  
Mena Region ◽  
Cultural Planning ◽  
The Subject ◽  
Post Industrial ◽  
Cultural And Creative Industries

Cultural creative industries are an emerging field which gained importance on the intangible nature of the subject both for the developed and developing economies. The post- industrial discussion on many developed countries, especially after the economic crisis, is very much related with the access of human factor, intangible assets, innovation aspect of the country. This chapter discusses the role of contemporary art market in urban transformation focusing on two examples from MENA region: Turkey and the UAE. The chapter furthermore discusses different kinds of cultural planning aspect using comparative analysis of major cultural cities Istanbul, Dubai and Abu Dhabi.

Screening Statues

2017 ◽  
Author(s):  
Steven Jacobs ◽  
Susan Felleman ◽  
Vito Adriaensens ◽  
Lisa Colpaert
Keyword(s):  
Contemporary Art ◽  
Three Dimensional ◽  
Interdisciplinary Approach ◽  
Film History ◽  
Two Dimensional ◽  
Artistic Practice ◽  
Experimental Art ◽  
Broad Scope ◽  
Art Practices ◽  
Extensive Reference

Sculpture is an artistic practice that involves material, three-dimensional, and generally static objects, whereas cinema produces immaterial, two-dimensional, kinetic images. These differences are the basis for a range of magical, mystical and phenomenological interactions between the two media. Sculptures are literally brought to life on the silver screen, while living people are turned into, or trapped inside, statuary. Sculpture motivates cinematic movement and film makes manifest the durational properties of sculptural space. This book will examine key sculptural motifs and cinematic sculpture in film history through seven chapters and an extensive reference gallery, dealing with the transformation skills of "cinemagician" Georges Méliès, the experimental art documentaries of Carl Theodor Dreyer and Henri Alekan, the statuary metaphors of modernist cinema, the mythological living statues of the peplum genre, and contemporary art practices in which film—as material and apparatus—is used as sculptural medium. The book’s broad scope and interdisciplinary approach is sure to interest scholars, amateurs and students alike.

Toward a theory on workplaces for smart workers

Facilities ◽  
2019 ◽  
Vol 38 (3/4) ◽  
pp. 298-315
Author(s):  
Luisa Errichiello ◽  
Tommasina Pianese
Keyword(s):  
Web Sites ◽  
Participant Observation ◽  
Secondary Data ◽  
Primary Data ◽  
Innovative Design ◽  
Content Type ◽  
New Type ◽  
Smart Working ◽  
Research Propositions

Purpose The purpose of this paper is to identify the main features of smart work centers (SWCs) and show how these innovative offices would support the implementation of smart working and related changes in workspaces (“bricks”), technologies (“bytes”) and organizational practices (“behaviors”). Design/methodology/approach In this study, scientific literature is combined with white papers and business reports and visits to 14 workplaces, including offices designed as SWCs, co-working spaces, one telecenter, one accelerator and one fab lab. Primary data were collected through interviews with managers and users and non-participant observation, whereas secondary data included web-sites, brochures, presentations, press releases and official documents. Findings The authors developed research propositions about how the design of spaces and the availability of technology within SWCs would support the “bricks” and “bytes” levers of smart working. More importantly, the authors assumed that this new type of workplace would sustain changes in employees’ behaviors and managers’ practices, thus helping to overcome several challenges traditionally associated with remote working. Research limitations/implications The exploratory nature of the research only provides preliminary information about the role of SWCs within smart working programs. Additional qualitative and quantitative empirical investigation is required. Practical implications This study provides valuable knowledge about how the design of corporate offices can be leveraged to sustain the implementation of smart working. Originality/value This study advances knowledge on workplaces by focusing on an innovative design of traditional offices (SWC). It also lays the foundations for future investigation aimed at testing the developed propositions.

scholarly journals The Persistence of Primitivism: Equivocation in Ernesto Neto’s A Sacred Place and Critical Practice

Arts ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 111
Author(s):  
Camila Maroja
Keyword(s):  
Contemporary Art ◽  
Art History ◽  
Native People ◽  
Amazon Rainforest ◽  
Critical Practice ◽  
Sacred Place ◽  
Art Practices ◽  
Environmental Work ◽  
Global Art ◽  
Venice Biennale

During the 2017 Venice Biennale, the area dubbed the “Pavilion of the Shamans” opened with A Sacred Place, an immersive environmental work created by the Brazilian artist Ernesto Neto in collaboration with the Huni Kuin, a native people of the Amazon rainforest. Despite the co-authorship of the installation, the artwork was dismissed by art critics as engaging in primitivism and colonialism. Borrowing anthropologist Eduardo Viveiros de Castro’s concept of equivocation, this article examines the incorporation of both indigenous and contemporary art practices in A Sacred Place. The text ultimately argues that a more equivocal, open interpretation of the work could lead to a better understanding of the work and a more self-reflexive global art history that can look at and learn from at its own comparative limitations.

scholarly journals Urban Regeneration: From the Arts `Feel Good' Factor to the Cultural Economy: A Case Study of Hoxton, London

Urban Studies ◽  
2009 ◽  
Vol 46 (5-6) ◽  
pp. 1041-1061 ◽  
Author(s):  
Andy C. Pratt
Keyword(s):  
Service Sector ◽  
Urban Regeneration ◽  
Cultural Economy ◽  
Cultural Industries ◽  
Industrial City ◽  
Policy Debates ◽  
The Arts ◽  
Post Industrial

This paper seeks to examine critically the role of culture in the continued development, or regeneration, of `post-industrial' cities. First, it is critical of instrumental conceptions of culture with regard to urban regeneration. Secondly, it is critical of the adequacy of the conceptual framework of the `post-industrial city' (and the `service sector') as a basis for the understanding and explanation of the rise of cultural industries in cities. The paper is based upon a case study of the transformation of a classic, and in policy debates a seminal, `cultural quarter': Hoxton Square, North London. Hoxton, and many areas like it, are commonly presented as derelict parts of cities which many claim have, through a magical injection of culture, been transformed into dynamic destinations. The paper suggests a more complex and multifaceted causality based upon a robust concept of the cultural industries as industry rather than as consumption.

The Entrepreneurial University: Evidence of the Changing Role of Universities in Modern Russia

2014 ◽  
Vol 28 (4) ◽  
pp. 271-280 ◽  
Author(s):  
Dina Williams ◽  
Alexey Kluev
Keyword(s):  
Entrepreneurial University ◽  
Primary Data ◽  
Strategy Development ◽  
Infrastructure Development ◽  
Innovation Development ◽  
Policy Makers ◽  
Managerial Competencies ◽  
New Type ◽  
Changing Role

This paper examines the evolution of the entrepreneurial function of Russia's leading universities: the study is based on a conceptualization of a university's entrepreneurial development pathway developed by the OECD in 2009. The data on entrepreneurship development were collected in 2012 through a survey of technology transfer and innovation development managers of 18 National Research Universities. The primary data were complemented by desktop analysis of the strategy development documents of the universities surveyed. The results suggest that in the period studied, 2008–2012, a new type of university, the entrepreneurial university, has emerged in Russia. However, these entrepreneurial universities are facing serious challenges in the implementation of an entrepreneurial, innovation-oriented mission due to the lack of managerial competencies and inadequate infrastructure development. The paper has significant theoretical and practical implications in shedding light on the development of the entrepreneurial university in Russia, where the process is still in its infancy. The authors depict a trajectory of entrepreneurial transformation in and barriers to this process that, it is argued, university executives and policy makers should take into consideration.

The eMobiLArt Project from a Curatorial Perspective

Leonardo ◽  
2010 ◽  
Vol 43 (5) ◽  
pp. 478-479
Author(s):  
Annick Bureaud ◽  
Nina Czegledy ◽  
Christiana Galanopoulou
Keyword(s):  
Experimental Project

The three curators of the eMobiLArt project developed collaboration within the curatorial group and with other people involved including participating artists and organizers. This article is focused on how the various tasks evolved during the project process. A reflection on the outcomes (artworks and exhibitions) and the role of curators in such a collaborative experimental project is also included.

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