OPTICKS and Visual Moonbounce in Live Performance

Leonardo ◽  
2016 ◽  
Vol 49 (5) ◽  
pp. 438-439 ◽  
Author(s):  
Daniela de Paulis

OPTICKS is an art project realized by interdisciplinary artist Daniela de Paulis, in collaboration with the CAMRAS radio amateur association based at the Dwingeloo radio telescope in The Netherlands. The project is presented as a live audio-visual performance during which digital images are transmitted as radio signals to the Moon from a radio station in Brazil, the U.K., Switzerland, Poland or Italy. The signals reflected by the Moon’s surface are received by the Dwingeloo radio telescope, converted back into the original images and projected live at an exhibition venue. The project uses Visual Moonbounce, an application of the Moonbounce technology, developed by the artist in collaboration with the CAMRAS team during her residency at the Dwingeloo radio telescope.

2009 ◽  
Vol 18 (10) ◽  
pp. 1597-1601
Author(s):  
O. SCHOLTEN ◽  
J. BACELAR ◽  
K. SINGH ◽  
R. AL YAHYAOUI ◽  
S. BUITINK ◽  
...  

We show that at wavelengths comparable to the length of the shower produced by an Ultra-High Energy cosmic ray or neutrino, radio signals are an extremely efficient way to detect these particles. First results are presented of an analysis of 20 hours of observation data for NuMoon project using the Westerbork Synthesis Radio Telescope to search for short radio pulses from the Moon.


2021 ◽  
Author(s):  
Hanna Rothkaehl ◽  
Barbara Matyjasiak ◽  
Carla Baldovin ◽  
Mario Bisi ◽  
David Barnes ◽  
...  

<p>Space Weather (SW) research is a very important topic from the scientific, operational and civic society point of view. Knowledge of interactions in the Sun-Earth system, the physics behind observed SW phenomena, and its direct impact on modern technologies were and will be key areas of interest.  The LOFAR for Space Weather (LOFAR4SW) project aim is to prepare a novel tool which can bring new capabilities into this domain. The project is realised in the frame of a Horizon 2020 INFRADEV call.  The base for the project is the Low Frequency Array (LOFAR) - the worlds largest low frequency radio telescope, with a dense core near Exloo in The Netherlands and many stations distributed both in the Netherlands and Europe wide with baselines up to 2000 km.  The final design of LOFAR4SW will provide a full conceptual and technical description of the LOFAR upgrade, to enable simultaneous operation as a radio telescope for astronomical research as well as an infrastructure working for Space Weather studies.  In this work we present the current status of the project, including examples of the capabilities of LOFAR4SW and the project timeline as we plan for the Critical Design Review later in 2021.</p>


1959 ◽  
Vol 9 ◽  
pp. 13-18 ◽  
Author(s):  
J. S. Hey ◽  
V. A. Hughes

This note describes some of the initial results derived from observations of radar echoes from the moon obtained at 10-cm wavelength at the Royal Radar Establishment, Malvern. The radar, which has been described elsewhere [1], has a transmitter of 2 megawatts peak power with a pulse length of 5 microseconds and a pulse recurrence frequency of 260 per second. The receiver is of conventional design and has a bandwidth of 500 kc/s and a noise factor of 7.5. The aerial used is the 45-foot diameter radio telescope shown in Fig. 1. The telescope is controlled from a mechanical computer that converts the lunar coordinates into azimuth and elevation, which are then fed into a servo drive.


1985 ◽  
Vol 79 (1) ◽  
pp. 163-168 ◽  
Author(s):  
Carl Q. Christol

On July 11, 1984, the 1979 Agreement Governing the Activities of States on the Moon and Other Celestial Bodies entered into force following the deposit with the Secretary-General of the United Nations of the fifth instrument of ratification. The Agreement, following its adoption by the General Assembly, was opened for signature on December 18, 1979. In the intervening years, it has been signed by Austria, Chile, France, Guatemala, India, Morocco, the Netherlands, Peru, the Philippines, Romania and Uruguay. The fifth state to deposit its ratification was Austria, which followed Chile, the Philippines, Uruguay and the Netherlands.


Author(s):  
Saptarshi Bandyopadhyay ◽  
Joseph Lazio ◽  
Adrian Stoica ◽  
Paul Goldsmith ◽  
Brad Blair ◽  
...  
Keyword(s):  

1999 ◽  
Vol 9 ◽  
pp. 29-34
Author(s):  
Justin Bennett

The author outlines the history and methodologies of the Netherlands-based audio/visual performance group BMB con. He discusses the trio's approaches to audience relationships, technology and collaboration, and attempts to describe the nature of the sound of BMB con.


2020 ◽  
Vol 10 (3) ◽  
pp. 261
Author(s):  
Rick Honings

<p>In 1883, the volcano Krakatau erupted and collapsed, causing the deaths of tens of thousands. The eruption was one of the first disasters to take place beyond the Dutch boundaries that received so much attention in the Netherlands. Although the disaster appealed to the imagination, it barely led to the publication of fiction. Only in Dutch Indies youth literature can one find something about the Krakatau. In this article, four Dutch stories and novels are analysed: “Stories of the moon” by Nellie van Kol-Porreij, The hermit of Rakata or Krakatau on fire by Robert Michael Ballantyne, “Nine Months on Krakatau” by B.L. Kailola and Escaped from the jaws of death: The Krakatau tragedy by Rick Blekkink. These sources are analysed from a postcolonial perspective focusing on unequal power relations. Focal points are the representation of the Indies and the indigenous people of the colony. This article illustrates the continuities and shifts in the representations over de course of time (1886-2014). </p>


Author(s):  
Scovazzi Tullio

The Bankovic case is one of few cases in which the European Court of Human Rights took a position that, without an acceptable explanation, restricts the application of rights granted by the European Convention on Human Rights. The application was submitted by individuals who put forward that in 1999 seventeen states parties violated art. 2 (right to life) of the Convention by bombing by aircraft the television and radio station in Belgrade. As a consequence of this NATO directed operation sixteen civilians were killed and another sixteen were seriously injured. The Court found that it had no jurisdiction to entertain the case, as at that time Yugoslavia was not a party to the Convention. The Court gave a too restrictive interpretation of the word ‘jurisdiction’ to basically conclude that the Convention applies only within the territory of states parties. The Bankovic decision has been contradicted by subsequent judgments.


1994 ◽  
Vol 140 ◽  
pp. 154-155
Author(s):  
J. Cernicharo ◽  
W. Brunswig ◽  
G. Paubert ◽  
S. Liechti

VLBI observations show that the SiO maser emitting regions in oxygen-rich stars are very clumpy and that these clumps extend over a few stellar radii (Mclntosh et al. 1987; Colomer et al. 1992). These observations indicate that the ideal instrument for the study of the SiO masers is an interferometer with baselines covering between a few and several hundreds/thousands km. Such an instrument is so far unavailable.A classical way to get high angular resolution and a full beam synthesis with a single telescope of moderate size is through lunar occultations. This observing technique provides the angular resolution of a single linear antenna several kilometers long. However, at millimeter wavelengths the Fresnel fringes produced by the Moon limb as the source under study is occulted have never been observed. We present here the observation with the 30-m IRAM radio telescope of the v=1 J=2-1 line of SiO during an occultation (and reappearance) of R Leo by the Moon.


2017 ◽  
Vol 22 (2) ◽  
pp. 228-237
Author(s):  
Hannah Bosma

Relations between histories, sources and preservation problematics are explored by evaluating how Dutch electroacoustic musical life is discussed in international histories of electronic music. Some Dutch cases consisting of different generations of interdisciplinary, live, performance-based electroacoustic work are discussed: the work of Dick Raaijmakers, Michel Waisvisz and Huba de Graaff. These cases point to some important aspects of preservation and the formation of histories. An emphasis in electronic music histories on technology and on technological innovation comes at the expense of information on the musical and artistic aspects. For greater interest in musical aspects, it is crucial to have more access to the music itself. The works and practices of Dick Raaijmakers, Michel Waisvisz and Huba de Graaff seem to resist documentation, ontologically and practically but, on the other hand, there is a desire for its documentation and dissemination. For their work, preservation means: making something new while being faithful to the past. It is therefore that I propose to regard preservation as performance. This music only remains alive when we are not solely interested in linear innovation, but in a profound relation with the past, in reworking the past.


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