The Construction of Inner Religious Space in Wandering Religion of Classical Greece

Numen ◽  
2015 ◽  
Vol 62 (5-6) ◽  
pp. 596-626
Author(s):  
Miguel Herrero de Jáuregui

In classical Greece, different kinds of itinerant purifiers are well known mainly through hostile descriptions (Plato, Demosthenes) and sometimes also through some evidence from inside (Empedocles, Orphic gold tablets). However, both perspectives coincide in showing that such wandering “priests” aimed to construe a transportable sacred space, attached to specific people rather than to any specific location. Thus, sacred places could easily turn into metaphorical images for inner states. The main mechanisms of such construction are: creating conceptual boundaries which separate the initiate from the profane; depicting imaginary spaces of purity and impurity at both sides of the boundary; and imagining ways of spatial change from the impure to the pure side, be it as a gradual process (imagined as walking through a path) or as a sudden transportation (imagined as leaping or falling). Sacred space as a metaphor for inner religious experience gained enormous popularity from Plato onwards, and this kind of construction may have been the most immediate antecedent. This approach helps to explain several pieces of evidence of Greek itinerant religion, and, more generally, to understand how the possibility of internalizing sacred spaces may be exploited in specific situations.

Religions ◽  
2018 ◽  
Vol 9 (12) ◽  
pp. 414 ◽  
Author(s):  
Thomas Patton

Despite the growing research done on sacred spaces in Buddhist Myanmar, no attention has yet been given to the role dreams play in the selection and development of such spaces. This article will address this lacuna by exploring how dreams are regarded by 20th–21st centuries Buddhists in Myanmar, as evidenced in autobiographies, ethnographic work, and popular literature in relation to the creation and evolution of sacred places. Although there are many kinds of sacred sites in Myanmar, this article will look specifically at Buddhist stupas, commonly referred to in Burmese as, pagoda or zedi. These pagodas, found in nearly every part of Buddhist Myanmar, are also those structures most prevalent in Buddhist dream accounts and often take on phantasmagorical qualities when those same Buddhists attempt to recreate the pagodas of their dreams.


Author(s):  
C. Chiranthanut

Abstract. After nearly twenty years of studying vernacular houses in the field, the rapid loss of beliefs in sacred household spaces that used to influence people’s roles in spatial organization has been found. This article thus presents the various roles of inherent wisdoms in the house by revealing the ancestors’ living wisdoms transferred through the use of sacred space as the tool for the control over the order of household members. The research was performed by means of the qualitative method and comparison of information collected from the field surveys of the vernacular household patterns of the Tai-speaking ethnic groups living in Southeast Asia from 2000 until the present. The results reveal the relationships between the sacred space and spatial organization in the house. The household area in the front has a higher intersectional sacred power than the back part. The former is associated with the family head and males, while the latter is associated with socially inferior members such as daughters, sons-in-law, daughters-in-law. In addition, it can be said that the sacred places are used as a stratagem for transferring lifestyle wisdoms and household patterns until a group’s identities are formed. This study indicates the importance and urgency to conserve intangible cultural heritages that are fading with urbanization. Otherwise, a risky situation towards incapacities to retrieve valuable roots of thoughts could happen in the near future if there is no tool to conserve the intangible cultural wisdom heritages such as the household sacred spaces.


Author(s):  
Victoria Smolkin

When the Bolsheviks set out to build a new world in the wake of the Russian Revolution, they expected religion to die off. Soviet power used a variety of tools—from education to propaganda to terror—to turn its vision of a Communist world without religion into reality. Yet even with its monopoly on ideology and power, the Soviet Communist Party never succeeded in overcoming religion and creating an atheist society. This book presents the first history of Soviet atheism from the 1917 revolution to the dissolution of the Soviet Union in 1991. The book argues that to understand the Soviet experiment, we must make sense of Soviet atheism. It shows how atheism was reimagined as an alternative cosmology with its own set of positive beliefs, practices, and spiritual commitments. Through its engagements with religion, the Soviet leadership realized that removing religion from the “sacred spaces” of Soviet life was not enough. Then, in the final years of the Soviet experiment, Mikhail Gorbachev—in a stunning and unexpected reversal—abandoned atheism and reintroduced religion into Soviet public life. The book explores the meaning of atheism for religious life, for Communist ideology, and for Soviet politics.


Author(s):  
Jorunn Økland

This chapter analyses the terms with which Paul of Tarsus designates various sacred spaces—hieron, naos, eidoleion, ekklesia—in conversation with the archaeology of sacred spaces, research on the Pauline house churches, and with the help of theories of space, new materialism, and the sacred. The chapter starts with an introduction of the analytical frameworks and ends with ideas about ‘monumentalization’: that the social-structural relations between people in a sacred space tended to materialize over time into purpose-built buildings—hence the double meanings of synagogue, ekklesia, and hieron as designations both of assemblies and later of the buildings accommodating the respective assemblies. A central argument is that Paul’s letters constitute a special case in the development of the early Christian ekklesia and the parallel development of the synagogue, because in Paul’s time the temple in Jerusalem was still standing and was a self-evident part of his religious universe.


2008 ◽  
Vol 5 (1) ◽  
pp. 7-23
Author(s):  
Richard A. Cohen
Keyword(s):  

Monoteistinės religijos oponuoja erdvę sakralizuojančiai stabmeldystei, taip pat mitologinam pasauliui, kurio dalis visa stabmeldystė yra. Menas, tiek monoteizme, tiek mitologijose, yra neutralus šios opozicijos atžvilgiu. Judaizmo pavyzdys pasitelkiamas parodyti, kaip dvi „sakralizuotos erdvės“ – antikinė šventykla Jezuralėje ir vedybinis guolis namuose – reprezentuoja ne vietos sakralizavimą, o etiškumo sustiprinimo būdu įvykdytą vietos pakeitimą ekstrateritoriniu u-topos.Pagrindiniai žodžiai: Levinas, menas, sakralumas, judaizmas, seksualumas, utopia.“ART, SACRED SPACE AND UTOPIA”Richard A. Cohen SummaryMonotheist religions oppose the idolatry which makes space sacred and the mythological world upon which all idolatry depends. Art, used by monotheisms and mythologies, is neutral in this opposition. The example of Judaism is invoked to show how two apparently “sacred spaces,” the ancient Temple in Jerusalem and the conjugal bed of the home, represent not sacralizations of places but displacements through the intensification of an ethical extra-territorial u-topos.Keywords: Levinas, Art, sacred, Judaism, sexuality, utopia.


2021 ◽  
pp. 1-33
Author(s):  
Adam C. Bursi

Abstract This article examines a ḥadīth text that illustrates the complicated interactions between Christian and Islamic sacred spaces in the early period of Islamic rule in the Near East. In this narrative, the Prophet Muḥammad gives a group of Arabs instructions for how to convert a church into a mosque, telling them to use his ablution water for cleansing and repurposing the Christian space for Muslim worship. Contextualizing this narrative in terms of early Muslim-Christian relations, as well as late antique Christian religious texts and practices, my analysis compares this story with Christian traditions regarding the collection and usage of contact relics from holy persons and places. I argue that this story offers an example of early Islamic texts’ engagement with, and adaptation of, Christian literary themes and ritual practices in order to validate early Islamic religious claims.


Author(s):  
Laura Varnam

This chapter argues that the profane challenge posed by lay misbehaviour and sacrilege in the church paradoxically strengthens sacred space. Sermon exempla from the literature of pastoral care (e.g. Mirk’s Festial, Mannyng’s Handlyng Synne) show how devils and demons assist in the cleansing of the church from profane contamination and the chapter argues for the integral relationship between violence and the sacred, focusing on the punishment of sinners and on the sacrificial blood of Christ, depicted in lyrics and wall paintings. The chapter reassesses the relationship between church art and sermon exempla and argues for a symbiotic relationship that presents the material church and its devotional objects as living, breathing actors in the drama of salvation. The performance of narrative exempla animates the visual depictions of angels, devils, and saints in the church who come to life to protect and fight for their sacred spaces.


2009 ◽  
Vol 37 (2) ◽  
pp. 232-241 ◽  
Author(s):  
Mehri Bahar

AbstractThe major claim of this paper concerns the following question: 'Do the religious tools and symbols presented in the media lose their holiness at the time when they are being represented in the media?' To answer this question I propose that we should consider the media as a new creation of text for religion. Of course, we have to consider the capacities and meaning of media and religion when it arrives in the media. In other words, we should accept that the level of discourse and function of the media (whether religious or other types of media) in presenting a religious ceremony directed towards a series of spiritual values, and occasionally the values which are shown on the screens or through T.V. programmes are not the same as a religious ceremony performed outside the media area as, for example, in a mosque. Two main phenomena are important in each religious ceremony: sacred space and sacred time. It seems that in media these two are lost by the new atmosphere of the media. In this article we consider what is the religious media, and the traits and the nature of religious media. In order to discuss this concept, importance is put on three main concepts in the media. We try to say that media could present a new possibility and present religious experience for its audiences. Many of the ideas of Hoover and Eliade, even ones not mentioned in this study, are important for the study.


Author(s):  
Ashadi Ashadi ◽  
Anisa Anisa ◽  
Finta Lissimia

The building of worship is a building that has sacred spaces as a container of its activities. The case study taken in this research is the historic mosque which is often referred to as a sacred mosque because of the tomb of Habib Islamic syiar carrier. The existence of the tomb inside the mosque is what makes the mosque visited by pilgrims and pilgrims and has various activities related to worship and pilgrimage. The purpose of this research is to get a conclusion about the sacred space and its meaning in Masjid Jami 'AlMukarromah Kampung Bandan. This research uses descriptive interpretive method. Field observations were conducted by, first, observation of study subjects, ie by observing the activities undertaken at Masjid Jami 'Al Mukarromah Kampung Bandan. From activity observation can be found sacred activity and profane activity. Second, observing the spaces used sacred activities that are done in the mosque. Interviews were conducted with the main sources and direct descendants of Habib Alwi bin Ali As-Syatiri. The result of this study is that the sacred space of the Jami 'AlMukarromah mosque has a clear definition and is reflected in its physical form. The sacred space used is the main prayer room as the sacred space which has the highest hierarchy. The main prayer room is part of the expansion building. Sacred space of pilgrimage is on the part adjacent to the tomb and the original part of the mosque which is often called the Nine pillars. The area adjacent to the tomb is an important area so the expansion or renovation of the mosque does not change the original form. The sacred space used for the haul activity is the same as the sacred space for pilgrimage, that is, in the section adjacent to the tomb and pillar of nine


Author(s):  
Vitaliy Stepkin

Introduction. The article presents the caves of Ust-Medveditsky St. Saviour convent in Volgograd region. The relevance of the research issue is in improving the recreational potential of the subject under study. The novelty of the work is in explaining the meaning of cave complex elements and the iconic stone with the image of knee and palm prints. The aim of the work is to study the history of creating the sacred space in the caves of Ust-Medveditsky convent. Herewith the work covers the following issues: 1) considering the history of creating caves by hegumeness Arseniya (Sebryakova); 2) clarification of the semantic meaning of some architectural elements in the cave complex in the context of creating the sacred space in the New Jerusalem of the Don region; 3) recommendations for developing the esthetical component of the caves, which increases the recreational potential for using the caves. Methods. In order to achieve the goals the author uses the structuralsemantic method, which allows to reveal the meaning of separate architectural elements in the caves in the structure of the cave complex. The system-based culturological method and the historical archaeological approach are used to understand the uniqueness of the object against the historical background of the dominating culture. The sources used to fulfill the objective include material ones such as architectural elements of the caves, written ones such as piligrimages, travellers’ notes about visits to the Holy Land, the biography of hegumeness Arseniya (Sebryakova). Analysis and Results. The caves under consideration were created in the second half of the 19th century by hegumeness Arseniya (Sebryakova). There was a sacred space of the Holy Land reconstructed: “Stations of the Cross” and “Sorrowful Way of the Holy Mother”. The stone with the image of knee and palm prints symbolizes the place where the Christ fell down after being arrested. Premise no. 8 with a step can symbolize the Holy Sepulcher with the tomb of Jesus. To improve the recreational potential of Ust- Medveditsky convent it is necessary to control microclimatic conditions, support the cave surface natural stone relief and colour, decorate the key sacred spaces with thematic icons.


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