Hindu Temples and the Emanating Cosmos

2016 ◽  
Vol 20 (1-2) ◽  
pp. 112-134
Author(s):  
Adam Hardy

A recurrent idea in Indian philosophical, theological, and mythological systems is that of a universe manifested through a sequence of emanations. Diverse traditions of doctrine and practice share this vision of the progression from the one to the many. Temple designs often embody the same pattern. Within the diverse traditions of Indian temple architecture, an emanatory scheme is observable both in the formal structure of individual temple designs, which express a dynamic sequence of emergence and growth, and in the way in which temple forms develop throughout the course of such traditions. The canonical Sanskrit texts on architecture (Vastu Shastras) share this emanatory way of thinking, presenting varied temple typologies in which designs develop from simple to complex, emerging sequentially one from another. These texts provide a framework for design that demands interpretation and improvisation, while leading to results that are only partly determined by the individual architect. This contributes to a sense, powerfully established by the unfolding potential of the tradition of architectural practice, that a new temple design is svayambhu (self-manifesting) appearing through a cosmic process from a supra-human source.

Author(s):  
Christopher Hanlon

Emerson’s Memory Loss is about an archive of texts documenting Emerson’s intellectual state during the final phase of his life, as he underwent dementia. It is also about the way these texts provoke a rereading of the more familiar canon of Emerson’s thinking. Emerson’s memory loss, Hanlon argues, contributed to the shaping of a line of thought in America that emphasizes the social over the solipsistic, the affective over the distant, the many over the one. Emerson regarded his output during the time when his patterns of cognition transformed profoundly as a regathering of focus on the nature of memory and of thinking itself. His late texts theorize Emerson’s experience of senescence even as they disrupt his prior valorizations of the independent mind teeming with self-sufficient conviction. But still, these late writings have succumbed to a process of critical forgetting—either ignored by scholars or denied inclusion in Emerson’s oeuvre. Attending to a manuscript archive that reveals the extent to which Emerson collaborated with others—especially his daughter, Ellen Tucker Emerson—to articulate what he considered his most important work even as his ability to do so independently waned, Hanlon measures the resonance of these late texts across the stretch of Emerson’s thinking, including his writing about Margaret Fuller and his meditations on streams of thought that verge unto those of his godson, William James. Such ventures bring us toward a self defined less by its anxiety of overinfluence than by its communality, its very connectedness with myriad others.


Entropy ◽  
2021 ◽  
Vol 23 (3) ◽  
pp. 290
Author(s):  
Maxim Pyzh ◽  
Kevin Keiler ◽  
Simeon I. Mistakidis ◽  
Peter Schmelcher

We address the interplay of few lattice trapped bosons interacting with an impurity atom in a box potential. For the ground state, a classification is performed based on the fidelity allowing to quantify the susceptibility of the composite system to structural changes due to the intercomponent coupling. We analyze the overall response at the many-body level and contrast it to the single-particle level. By inspecting different entropy measures we capture the degree of entanglement and intraspecies correlations for a wide range of intra- and intercomponent interactions and lattice depths. We also spatially resolve the imprint of the entanglement on the one- and two-body density distributions showcasing that it accelerates the phase separation process or acts against spatial localization for repulsive and attractive intercomponent interactions, respectively. The many-body effects on the tunneling dynamics of the individual components, resulting from their counterflow, are also discussed. The tunneling period of the impurity is very sensitive to the value of the impurity-medium coupling due to its effective dressing by the few-body medium. Our work provides implications for engineering localized structures in correlated impurity settings using species selective optical potentials.


1970 ◽  
Vol 16 ◽  
pp. 163-179
Author(s):  
Salah Natij
Keyword(s):  
The One ◽  

Cet article est consacré à l’étude de la conception ğāḥiẓienne de l’adab. Notre objectif y est double : d’une part, tenter d’examiner la manière dont al-Ğāḥiẓ conçoit, définit et entend exercer la pensée de l’adab, et, d’autre part, mettre à contribution cette conception ğāḥiẓienne de l’adab pour enrichir notre compréhension du régime épistémique propre à la pensée de d’adab. Car, en effet, si al-Ğāḥiẓ fut et est encore considéré comme le plus grand représentant de l’adab, c’est parce qu’à travers le travail de son oeuvre, l’adab est venu à prendre conscience de lui-même à la fois comme concept et comme un champ de pensée constitué et possédant sa vision épistémique propre. Pour étayer cette hypothèse, nous tentons une reconstruction de la conception ğāḥiẓienne de l’adab en nous appuyant sur la présentation et l’analyse des vues et idées déve-loppées par al-Ğāḥiẓ dans son épître intitulée Risāla fī ṣināʿāt al-quwwād. This article is dedicated to the study of the ğāḥiẓian conception of adab. Our objective is twofold: on the one hand, we try to examine the way al-ğāḥiẓ conceives, defines, and intends to exercise an ‘adab way of thinking’; on the other hand, we will use the ğāḥiẓian conception of adab to enrich our understanding of the ‘epistemology of adab’. For, if al-ğāḥiẓ was and is still considered as the greatest representative of adab, it is because through his writings that adab became aware of itself both as a concept and as a system of thought, possessing its own epistemic vision. To support this hypothesis, we try to reconstruct the ğāḥiẓian conception of adab based on the presentation and the analysis of the views and ideas the author develops in his epistle entitled Risāla fī ṣināʿāt al-quwwād.Key words: Adab, Ṣināʿa, al-Jāḥiẓ / al-ğāḥiẓ, Adab thinking, Epistemology of adab, Adῑb vs. ṣāniʿ .


Author(s):  
Lidia Tanuszewska

This article is about the translation as a process which changes the way of thinking in the other language, the one in which we translate. In order to make that text understandable for readers, the translator needs to make some changes in the original text, i.e. to manipulate with the language, so that the translation will transfer the same meaning and sense of the original one. Paraphrase is one of the strategies that is presented in this work.


1881 ◽  
Vol 23 (1) ◽  
pp. 18-28
Author(s):  
Cornelius Walford

I think the time has arrived when the subject indicated in the title of this paper may be fairly and fully considered. It is certainly one which must frequently have presented itself to the managerial mind; and there can be no reason why this question should not be discussed with as much philosophic calmness as any of the many theoretical problems, or points in practice, which continually present themselves for reflection, and perchance for decision.The point may indeed arise—whether I am the proper person to introduce the topic. I take the individual responsibility of deciding in the affirmative. I have, on the one hand, been as frequently assailed by the insurance press, as any one, and, on the other, received as much kindness and friendly recognition as any man can desire, and more than I claim to deserve. It may be that in either case the extreme has been reached, or passed. I have the advantage of having been a writer upon the press, insurance and general, from the days of my youth, and I say at once that my sympathies are largely on that side. But I think that the familiarity which draws me to the side of its virtues, also renders me, at least in some degree, cognizant of its short-comings. I have the further advantage of having been on various occasions consulted by managers on the one hand, and by editors on the other, upon the points which I now proceed to discuss.


Good Form ◽  
2019 ◽  
pp. 153-190
Author(s):  
Jesse Rosenthal

This chapter assesses the counterintuitive: the ending that “feels wrong,” or that does not work out as it seems it should. Certainly, this could mean many things, from a poorly constructed novel to the pedagogy implied by naturalist accident. The form of the counterintuitive that structures much of George Eliot's Daniel Deronda (1876), however, and which enacts the novel's stern moral lesson, develops from Eliot's more social concerns. Eliot, throughout her writing career, worked with an idea of narrative intuition, and formal morality, connected with the model consisting of a working out of the identity between an individual and the larger group. In Deronda, though, with its consistent concentration on ideas of probability and statistical significance, one sees a conceptual shift in Eliot's thinking about the relation of the one and the many. In short: though the larger workings of human interaction indicate that a certain state of affairs shall certainly come about at the largest levels, this offers no indication of how or when this might resolve in the individual case.


Author(s):  
Jean-Marc Narbonne

Abstract Taking as a starting point a crucial passage of Aristotle’s Poetics where poetical technique is declared to be different from all other disciplines in human knowledge (25, 1460b8–15), I try to determine in what sense and up to what point poetry can be seen as an autonomous or sui generis creative activity. On this path, I come across the so-called “likely and necessary” rule mentioned many times in Aristotle’s essay, which might be seen as a limitation of the poet’s literary freedom. I then endeavour to show that this rule of consistency does not preclude the many means by which the poet can astonish his or her audience, bring them into error, introduce exaggerations and embellishments on the one hand (and viciousness and repulsiveness on the other), have the characters change their conduct along the way, etc. For Aristotle, the poetic art—and artistic activities in general—is concerned not with what in fact is or what should be (especially ethically), but simply with what might be. Accordingly, one can see him as historically the very first theorist fiction, not only because he states that poetry relates freely to the possible, but also because he explains why poetry is justified in doing so.


1991 ◽  
Vol 8 (2) ◽  
pp. 130-149 ◽  
Author(s):  
Margaret Jane Radin

For the students, while the numbers are up,… the problem that minorities face – and it is persistent – is that there is still too much of a patronizing air in the professional schools. And there's still too much of the notion that if you're here it must be because someone gave you a break and you're different and you really don't belong here. And indeed when my son went off to school four years ago… I really wanted to warn him about the atmosphere that you see on all too many campuses, diat if you're black and walking on campus, that all too many people look at you and say, “You must be an affirmative action product,” whatever that means to them. “You're here only at our good grace.” And no one's looking at the individual. Thinking about it in retrospect, I guess, in some ways I enjoyed an advantage in being [the only black in my law school class]. It was a terrible disadvantage in a lot of ways, but, because I was the only black, the one thing I never faced was anyone ever challenging my intellectual capability. The way they brought this off was to say, “Well, you're different. You're black but you're not really black.” I think it's a lot worse now…. Professional schools are hard enough as it is, and to constantly have the pressure of what others are thinking about you and wondering whether you really belong, that really is a difficult burden.


2002 ◽  
Vol 19 (1) ◽  
pp. 113-134
Author(s):  
Michael W. Payne

AbstractThis article explores the multidimensional nature of globalization as it impacts on "identity," both individually and corporately, in its most common manifestation as violence. Identity is explored in terms of the dialectical interplay between the "one" and the "many" or "universality" and "particularity" in order to offer an alternative reading of "identity" in light ofMiroslav Wolf's work Exclusion and Embrace. To do this the language of Paul in Galatians, and in other epistles as well, needs to be considered. Utilizing the insights of N. T. Wright and Richard Hays, the article then attempts to re-locate "identity" as constituted by our being new women and men in Christ. Also utilized is Paul Hiebert's analysis of set theory, which illustrates the necessity of moving away from "ssentialist" or "primordialist" readings of culture and identity in order to move toward more "centered set" thinking which is typical of Paul in Galatians. The article attempts to reorient Christians to a new way of thinking missiologically in light of the reality of violence and the need for broader notions of reconciliation and redemption.


KronoScope ◽  
2014 ◽  
Vol 14 (1) ◽  
pp. 25-34
Author(s):  
Frederick Turner

Abstract This summary of the fundamental insights of J.T. Fraser dwells on four main themes. The first is the way that Fraser disposes of the ancient struggle between monism and dualism, with its related problem of ontology versus epistemology. His tree-like vision of the evolution of the many out of the one is both ordered and open-ended. The second is his critique of philosophy’s (and science’s) tendency to reify simple, defined, pure, and exclusive abstractions. Subjectivity, intentionality, consciousness, freedom, mind, cause, and the experience of time are shown by him to be composite, present in different degrees and kinds in different organisms and different times, constructed and complex. The third theme is Fraser’s decisive refutation of the metaphor of time as a line, as in clocks, calendars, and the t-axis in science. We must explore other geometries. The fourth theme is Fraser’s rehabilitations of the arts, including literature, as potentially legitimate ways of understanding the world and exploring the nature of time.


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