scholarly journals Building the Rainbow Nation. A critical analysis of the role of architecture in materializing a post-apartheid South African identity

Afrika Focus ◽  
2012 ◽  
Vol 25 (1) ◽  
pp. 7-27
Author(s):  
Kim De Raedt

Soon after apartheid was abolished in 1994, the quest for a new, ‘authentic’ South African identity resulted in the emergence of the “Rainbow Nation” idea, picturing an equal, multicultural and reconciled society. As architecture is considered a crucial element in the promotion of this Rainbow identity, the country witnessed a remarkable “building boom” with its apogee roughly between 1998 and 2010. Huge investments have been made in state-driven projects which place the apartheid memory at the center of the architectural debate – mostly museums and memorials. However, the focus of this paper shall lie on another, less highlighted tendency in current architectural practice. This paper demonstrates that, through the construction of urban community services, South African architects attempt to materialize the Rainbow Nation in a way that might be closer to the everyday reality of society.

Afrika Focus ◽  
2012 ◽  
Vol 25 (1) ◽  
Author(s):  
Kim Raedt

Soon after apartheid was abolished in 1994, the quest for a new, ‘authentic’ South African identity resulted in the emergence of the "Rainbow Nation" idea, picturing an equal, multicultural and reconciled society. As architecture is considered a crucial element in the promotion of this Rainbow identity, the country witnessed a remarkable "building boom" with its apogee roughly between 1998 and 2010. Huge investments have been made in state-driven projects which place the apartheid memory at the center of the architectural debate – mostly museums and memorials. However, the focus of this paper shall lie on another, less highlighted tendency in current architectural practice. This paper demonstrates that, through the construction of urban community services, South African architects attempt to materialize the Rainbow Nation in a way that might be closer to the everyday reality of society. Key words: architecture, post apartheid, Cape Town, South Africa, identity 


2020 ◽  
Vol 12 (2-3) ◽  
pp. 229-246
Author(s):  
Sogen Moodley ◽  
Arushani Govender

Keeping up with the Kandasamys (Moodley 2017), a family comedy co-written and directed by Jayan Moodley, was the first cinematic feature to be set in the post-apartheid Indian township of Chatsworth, Durban and generated R16.3 million at the box office. The film delves into the matriarchal rivalry of neighbouring families while showcasing the unique Chatsworth subculture. This box office success prompted the release of the sequel Kandasamys: The Wedding (Moodley 2019), which broke its own sales record, earning R18.9 million. As filmmakers who were intimately involved in the production of the sequel, and who engaged with viewers and community members, we provide a critical analysis, reflecting on why the films attracted large audiences and galvanized an outburst of fandom. This article postulates that Indian South African audiences identified with the authentic portrayal of the nuances of every-day life in Chatsworth, resulting in feelings of visibility and nostalgia. In attempting to explain the phenomenal support from these audiences, the authors examine theories of place identity and literature on Indian South African identity, inferring that the intersection of place, and the representation of Indian South Africans in the features, is significant to the films’ success.


2018 ◽  
Vol 24 ◽  
pp. 1-21
Author(s):  
Julia C. Wells

Public history practise in South Africa holds out much promise of further things to come. It can close the gulf between history and heritage. This chapter argues that the role of the public historian should not be conflated with the dynamics of the heritage sector, but suggests how trained academics can indeed put their skills to work in a society that is passionately interested in understanding itself and how its pasts created the present. The student movement sharply raised the image of universities in crisis, requiring a whole new, relevant curriculum and rethinking the ways that universities relate to their publics. Public historians can work towards creating invented spaces for co-production of knowledge, moving beyond the traditional oral history interview. The divide between academia and communities is huge and needs to be constantly tackled, providing access to the secluded information of the professional world. I suggest that due to their privileged place in society, many historians have been unable or unwilling to engage with the recovery agenda – the massive need for affirmation of African identity, capacity and culture. A handful of dedicated public historians do not fit this mould and have been exemplary in rolling up their sleeves and boldly engaging with the messy complications of dealing with non-academic communities to produce new forms of historical knowledge, based on inclusiveness.


Author(s):  
A S Van Wyk

The resettlement of 372 San (Bushmen) soldiers with dependents from 31/201 and 203 Battalions in Namibia to Schmidtsdrift in the Northern Cape during March 1990 was the last chapter in the process of militarisation of the !Xun and Khwe communities. However, there is a popular perception that the South African Defence Force (SADF) was primarily responsible for the militarisation of this particular San community, with the founding of 31 Battalion during 1974. This ignores the fact that the !Xun and Khwe originated in Angola, where they were actively involved with the Portuguese security forces. With one exception, only superficial mention is made in the literature about the role of the San soldiers in Angola before independence in November 1975. This article shows that the militarisation of the San actually started in 1966, when members of the !Xun were recruited by the Portuguese Security Police (PIDE) and successfully used against the Angolan liberation movements MPLA, FNLA and UNITA. The lifestyle of the San before the PIDE era is discussed, as is the period in which they were raised to a superior status as flecha fighters. This period of military prowess ended with the independence of Angola and resulted in the !Xun and Khwe seeking refuge with the SADF. These geo-political events led to the founding of 31 Battalion, situated in the Western Caprivi, where former flecha soldiers were retrained and incorporated into SADF structures. In closing, brief mention is made of the resettlement of the !Xun and Khwe to Schmidtsdrift in South Africa.


INVENSI ◽  
2018 ◽  
Vol 3 (1) ◽  
pp. 15-22
Author(s):  
Iskandar Iskandar

Kartun merupakan salah satu bentuk dialektika tanda dalam kategori bahasa verbal dan nonverbal, yang membuat dirinya unik adalah karena karakternya yang menyimpang, lucu, bersifat satir atau menyindir, baik terhadap orang atau tindakannya. Sebagai salah satu bahasa politik, kartun telah menjadi instrumen pokok untuk menceritakan realitas, segala tindakan dalam kartun merupakan studi tentang tanda. Penelitian ini bertujuan untuk mengetahui metafora yang digunakan dalam kartun bertema korupsi. Metodologi penelitian yang digunakan adalah metodologi kualitatif, dengan pendekatan deskriptif, yaitu dimana data yang dikumpulkan adalah karya visual kartun G.M. Sudharta yang dibuat tahun 2012 untuk koran Kompas, dan yang dipublikasikan pada media sosial Facebook-nya. Hasil penelitian ini menunjukkan bahwa terdapatnya metafora yang sangat dominan dan beragam dalam kartun bertema korupsi yang menandakan terdapatnya proses yang kritis dalam memandang budaya komunikasi. Setiap kartunis menciptakan tokoh kartun fiktif sebagai identitas yang mewakili dirinya untuk menyampaikan opini, kritik, dan olok-olok terhadap sesuatu yang sedang berlaku dalam realitas sehari-hari. Selain itu, setiap kartunis memiliki keunikan dalam menyampaikan pesan, hal tersebut merupakan gaya yang dipengaruhi oleh latar belakangnya masing-masing. Cartoon is a form of dialectic sign in the category of verbal and nonverbal language, which makes it unique is that deviant character, humorous, satirical or sarcatic, either against the person or his actions. As one of the political languages, cartoons have become a staple instrument to communicate the reality, every action in cartoon are the study of signs. This study aims to determine the metaphor used in cartoons with the theme of corruption. The research methodology used is qualitative methodology, with descriptive approach, that is where the data collected is a visual work of cartoon G.M. Sudarta made in 2012 for Kompas newspaper, and published on social media Facebook. The results of this study indicate that there is a very dominant and varied metaphor in a corruption-themed cartoon that signifies the existence of a critical process in viewing the culture of communication. Each cartoonist creates a fictitious cartoon character as an identity representing him/herself to convey opinions, criticisms, and banter towards something that is prevailing in the everyday reality. In addition, each cartoonist is unique in conveying the message, it is a style influenced by their background.


Author(s):  
Mathabo Mohwaduba

The issue of land reform lies at the heart of African pride and dignity. However, colonisation leads to the systematic deprivation of land among the conquered people, as Ramose calls them. Ramose states that colonisation and racism were a dehumanising product of an unjust system, land deprivation being a sub-product of that system.1 Ramose calls it a double injustice in an unjust war. A system of injustice where the conquered was denied the basic courtesy of humanity by the conqueror. Apartheid and colonisation were the draconian systems that denied an entire people the ability to be regarded as an equal. However, the most tragic legacy left by apartheid and colonisation is the denying of conquered people their unique way of life and culture which is intertwined and dependant on land. The focus of this article is ascertaining what an African perspective to justice is and why it is needed as the primary premise in resolving land reform matters. Most importantly I will be looking at case law to assess whether South African courts are starting to turn to an African perspective to justice when dealing specifically with land wars in post-apartheid South Africa. I will also emphasise the need for our judicial system to re-imagine land and reform outside from what it is ordinarily understood to be in European norms.


Obiter ◽  
2017 ◽  
Vol 38 (2) ◽  
Author(s):  
Michael C Buthelezi

On 22 July 2016, the Durban High Court ruled (per Masipa J) that there is no longer an action for defamation founded on the publication of allegations of adultery against another person. The court solely based its finding on the earlier judgment of the Constitutional Court (CC) in DE v RH (2015 (5) SA 83 (CC); 2015 (9) BCLR 1003 (CC), hereinafter “DE”). Earlier, in June 2015, in the DE judgment, the CC had unanimously struck down delictual action for contumelia and loss of consortium damages founded on adultery. In annulling this action, the CC held that the common-law action for contumelia and loss of consortium was no longer viable and that it was incompatible with the Constitution of the Republic of South Africa, 1996. Still, a question that was never considered by the courts prior the judgment of J is whether the DE judgment has automatically abolished other delictual actions aimed at protecting personality rights, specifically an action for defamation, and in general, actions for invasion of privacy and impairment of dignity, all founded on allegations of adultery. In this judgment, the court held that in view of the decision of DE, “public opinion no longer considers adultery as tabooed... a statement to the effect that a person committed adultery can no longer convey a meaning with the propensity to define a person …”. Nevertheless, when the opportunity to definitively answer this question ultimately presented itself, albeit in relation to defamation of character (or the protection of reputation), the court in J failed to satisfactorily address this vital question. As it will be demonstrated in this contribution, the judgment of Masipa J in the J judgment does not appear to be legally sound. Primarily, no authority, other than the CC judgment of DE, is used to support the judgment of J. As a result, the judgment has not even succeeded in dealing with the question of defamation, let alone other actions (namely, privacy and dignity) – all founded on adultery. Instead, the judgment creates confusion whether the judgment of DE extends to an action for defamation, and possibly to privacy and dignity. The objective of this note is to provide a critical analysis of the high court judgment in J. The critique is undertaken in light of the reasoning in DE and other like judgments. It begins by setting out the background to the ruling of the high court, followed by a commentary on the judgment. The commentary is undertaken in the form of a comparative analysis between the approaches adopted by the court in DE and in J, highlighting the striking differences in approaches by the two courts, when they develop the common-law. In addition, the critique of the high court judgment is made in light of the interests that the judgment of DE sought to protect when it abolished an action in adultery, and those that were at issue in the judgment of J. Thereafter, a conclusion is provided. The stance that the note adopts is that the CC in DE did not repeal defamation action founded on allegations of adultery; and that even if such action were to be annulled privacy and dignity ought to remain, as of necessity.


Author(s):  
Petar Halachev ◽  
Victoria Radeva ◽  
Albena Nikiforova ◽  
Miglena Veneva

This report is dedicated to the role of the web site as an important tool for presenting business on the Internet. Classification of site types has been made in terms of their application in the business and the types of structures in their construction. The Models of the Life Cycle for designing business websites are analyzed and are outlined their strengths and weaknesses. The stages in the design, construction, commissioning, and maintenance of a business website are distinguished and the activities and requirements of each stage are specified.


Author(s):  
Stephen Yablo

Aboutness has been studied from any number of angles. Brentano made it the defining feature of the mental. Phenomenologists try to pin down the aboutness features of particular mental states. Materialists sometimes claim to have grounded aboutness in natural regularities. Attempts have even been made, in library science and information theory, to operationalize the notion. However, it has played no real role in philosophical semantics, which is surprising. This is the first book to examine through a philosophical lens the role of subject matter in meaning. A long-standing tradition sees meaning as truth conditions, to be specified by listing the scenarios in which a sentence is true. Nothing is said about the principle of selection—about what in a scenario gets it onto the list. Subject matter is the missing link here. A sentence is true because of how matters stand where its subject matter is concerned. This book maintains that this is not just a feature of subject matter, but its essence. One indicates what a sentence is about by mapping out logical space according to its changing ways of being true or false. The notion of content that results—directed content—is brought to bear on a range of philosophical topics, including ontology, verisimilitude, knowledge, loose talk, assertive content, and philosophical methodology. The book represents a major advance in semantics and the philosophy of language.


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