Eumenides and the Invention of Politics

2022 ◽  
Vol 39 (1) ◽  
pp. 77-98
Author(s):  
Peter J. Steinberger
Keyword(s):  
Political Society ◽  
Political Ethics ◽  
Literary Practice ◽  
Recent Scholarship ◽  
Coherent Picture

Abstract Recent scholarship has shown that the Eumenides of Aeschylus, far from presenting a complete and coherent picture of the well-ordered polis, in fact offers something quite different, namely, a complex set of questions, concerns and conundrums regarding the very nature of political society. But I suggest that the literature has not yet provided a fully satisfying account of the ways in which those questions are underwritten by the specifically literary practice of Aeschylus as it develops the play’s larger theoretical – especially moral – implications. I argue that the Eumenides can fruitfully be read as a sustained exercise in the subversion of expectations that unsettles its audience and thereby opens up a discursive and aesthetic space for the development of a distinctive political problematic; and further, that this problematic involves a challenging series of meditations on what today would be called political ethics, broadly conceived.

Recent Scholarship in Spanish Literature

1968 ◽  
Vol 21 (1) ◽  
pp. 118-124
Author(s):  
Alexander A. Parker
Keyword(s):  
Spanish Literature ◽  
Recent Scholarship

Modernism and Music: A Review of Recent Scholarship

2017 ◽  
Vol 12 (2) ◽  
pp. 316-330 ◽  
Author(s):  
Nathan Waddell
Keyword(s):  
Recent Scholarship

Of Travellers, Messengers and Foundlings – Fictionality, Authorship, and Textual Property in Thomas More’s Paratexts

Moreana ◽  
2016 ◽  
Vol 53 (Number 205- (3-4) ◽  
pp. 17-44
Author(s):  
Gabriela Schmidt
Keyword(s):  
Present Article ◽  
Print Culture ◽  
Thomas More ◽  
Recent Scholarship ◽  
One Step

Paratexts have attracted increasing attention in recent scholarship as an especially privileged tool for managing the reception of a text in early print culture, and Thomas More was certainly an exceptionally versatile user of this strategic publishing device. Not only does he make ample use of conventional paratextual techniques such as prefaces, marginal glosses and commendatory poems, he also takes the medium one step further by making his paratexts part of the narrative setting of his works, especially in the literary dialogues. In creating a plethora of (semi-)fictional voices and contexts, he effectively blurs the line between text and context, fact and fiction, and author and editor/printer. While this textual game of hide-and-seek has been extensively studied in Utopia and has often been seen as a typically ‘humanist’ feature of the text, the present article explores similar techniques throughout More’s work, thus overcoming the alleged rift between his pre- and post-reformation writings.

Rewriting the Narrative

2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal
Keyword(s):  
Twentieth Century ◽  
Native American ◽  
American Indian ◽  
Modern Society ◽  
Mixed Media ◽  
The State ◽  
Historical Narratives ◽  
Recent Scholarship ◽  
Art Scene ◽  
The 1960S

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.

Towards an Interdisciplinary Field of Black Girlhood Studies

2017 ◽  
Vol 6 (3) ◽  
pp. 116-132 ◽  
Author(s):  
Tammy C. Owens ◽  
Durell M. Callier ◽  
Jessica L. Robinson ◽  
Porshé R. Garner
Keyword(s):  
Black Girls ◽  
Annotated Bibliography ◽  
Interdisciplinary Field ◽  
Recent Scholarship ◽  
Black Girlhood ◽  
Girlhood Studies

Scholarly interest in the experiences of Black girls has grown significantly. Although many scholars, activists, and artists have completed substantial scholarship and creative works that constitute the foundation of Black girlhood studies, their body of work and names are oftentimes omitted from recent scholarship on Black girlhood. In this collectively authored essay, scholars, artists, and activists present an annotated bibliography of historical and contemporary texts, as well as cultural works, that center the voices and experiences of Black girls. This annotated bibliography serves as a resource for activists and scholars alike who are interested in Black girlhood.

Vernon Lee’s Novel Construction

2020 ◽  
Vol 75 (3) ◽  
pp. 346-371
Author(s):  
Irena Yamboliev
Keyword(s):  
Nineteenth Century ◽  
Literary Practice ◽  
Prose Style ◽  
Sentence Level

Irena Yamboliev, “Vernon Lee’s Novel Construction” (pp. 346–371) This essay proposes that we understand Vernon Lee’s debut novel, Miss Brown (1884), as enacting a theory of literary language’s constructive potency that Lee develops in her critical essays. Those critical essays offer a vibrant nineteenth-century formalism, suggesting how fiction constructs and formalizes our realities, shaping readers’ mental and emotional circuits as it arranges phrases, sentences, and paragraphs. In Miss Brown, Lee crafts a prose style that meticulously tracks the protagonist’s formation—the “little dramas of expectation, fulfilment and disappointment,…of tensions and relaxations”—rendering that formation as a drama of sentence-level structuration. The resulting “representation” of Anne Brown is interrupted with adjective-rich stretches conspicuously geared toward defining, formulating, and theorizing what is being represented, essay-like. By treating the protagonist as an occasion to foreground syntax’s active building and abstracting, Miss Brown’s prose partakes in the kind of literary practice that has recently been described as nonmimetic realism—realism that does more than denote and refer and reflect what is, and instead performs, meditating on form’s process, to project and inform new potentialities.

“The Truth of Reliable Tradition”: Saadya Gaon, Arabic Rhetoric, and the Challenge to Rhetorical Historiography

2017 ◽  
Vol 35 (2) ◽  
pp. 161-188
Author(s):  
Brandon Katzir
Keyword(s):  
Middle Ages ◽  
Tenth Century ◽  
Arabic Language ◽  
Rhetorical Strategies ◽  
Medieval Rhetoric ◽  
Recent Scholarship ◽  
Latin Language ◽  
Arabic Rhetoric ◽  
Rhetorical Traditions ◽  
The Middle Ages

This article explores the rhetoric of medieval rabbi and philosopher Saadya Gaon, arguing that Saadya typifies what LuMing Mao calls the “interconnectivity” of rhetorical cultures (Mao 46). Suggesting that Saadya makes use of argumentative techniques from Greek-inspired, rationalist Islamic theologians, I show how his rhetoric challenges dominant works of rhetorical historiography by participating in three interconnected cultures: Greek, Jewish, and Islamic. Taking into account recent scholarship on Jewish rhetoric, I argue that Saadya's amalgamation of Jewish rhetorical genres alongside Greco-Islamic genres demonstrates how Jewish and Islamic rhetoric were closely connected in the Middle Ages. Specifically, the article analyzes the rhetorical significance of Saadya's most famous treatise on Jewish philosophy, The Book of Doctrines and Beliefs, which I argue utilizes Greco-Islamic rhetorical strategies in a polemical defense of rabbinical authority. As a tenth-century writer who worked across multiple rhetorical traditions and genres, Saadya challenges the monocultural, Latin-language histories of medieval rhetoric, demonstrating the importance of investigating Arabic-language and Jewish rhetorics of the Middle Ages.

Religion and the Construction of a Christian Roman Polity

2020 ◽  
Vol 4 (1) ◽  
pp. 76-113
Author(s):  
Francesco Rotiroti
Keyword(s):  
Theoretical Framework ◽  
Political Community ◽  
The Political ◽  
Political Dimension ◽  
Roman World ◽  
Recent Scholarship ◽  
Theories Of Religion ◽  
Ancient Christianity

This article seeks to define a theoretical framework for the study of the relation between religion and the political community in the Roman world and to analyze a particular case in point. The first part reviews two prominent theories of religion developed in the last fifty years through the combined efforts of anthropologists and classicists, arguing for their complementary contribution to the understanding of religion's political dimension. It also provides an overview of the approaches of recent scholarship to the relation between religion and the Roman polity, contextualizing the efforts of this article toward a theoretical reframing of the political and institutional elements of ancient Christianity. The second part focuses on the religious legislation of the Theodosian Code, with particular emphasis on the laws against the heretics and their performance in the construction of the political community. With their characteristic language of exclusion, these laws signal the persisting overlap between the borders of the political community and the borders of religion, in a manner that one would expect from pre-Christian civic religions. Nevertheless, the political essence of religion did also adapt to the ecumenical dimension of the empire. Indeed, the religious norms of the Code appear to structure a community whose borders tend to be identical to the borders of the whole inhabited world, within which there is no longer room for alternative affiliations; the only possible identity outside this community is that of the insane, not belonging to any political entity and thus unable to possess any right.

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