ОПЫТ ИСТОРИОГАФИЧЕСКОГО ОСМЫСЛЕНИЯ ПОСЛЕДНИХ ДЕСЯТИЛЕТИЙ

2013 ◽  
Vol 6 (1) ◽  
pp. 158-201 ◽  
Author(s):  
Валентина Павловна Корзун ◽  
Герман Пантелеймонович Мягков
Keyword(s):  
Philosophy Of Science ◽  
First Century ◽  
Modern Concept ◽  
Future Research ◽  
Anthropological Perspective ◽  
Historical Scholarship ◽  
New Model ◽  
Class Interest ◽  
Early Twenty ◽  
Perspective Analysis

This article traces the turn in Russian historical scholarship from the “encounter” that occurred in the 1970s between historiography, the philosophy of science [naukovedenie] and class interest as an explanation for the appearance of scholarly communities of various types, to the creation of and transition to a new model of scholarship in the early twenty-first century oriented on the study of scholarly communities understood from an anthropological perspective. Analysis of various methods of studying schools of historiography in pre-revolutionary Russia enables the authors to identify the heuristic potential of a post-modern concept of a scientific or scholarly “school,” and to identify questions awaiting future research.

Conserving Digital Art for Deep Time

Leonardo ◽  
2011 ◽  
Vol 44 (4) ◽  
pp. 302-308 ◽  
Author(s):  
Francis T. Marchese
Keyword(s):  
Software Engineering ◽  
Digital Art ◽  
Deep Time ◽  
Distant Future ◽  
Historical Scholarship ◽  
New Model ◽  
Early Twenty ◽  
New Thinking ◽  
Late Twentieth

Displaying digital art in the late twentieth and early twenty-first centuries is already proving to be a challenge. Exhibiting this same art in the distant future will depend upon new thinking and practices developed today by artists, conservators, and curators. Established software engineering methods for dealing with aging systems can provide a new model for the conservation of digital art, and a foundation for the enhancement of art-historical scholarship. Artists with an interest in a more refined approach to the programming that underpins their work will also be interested in software engineering concepts.

Introduction

2017 ◽  
Author(s):  
Bruno David ◽  
Ian J. McNiven
Keyword(s):  
Rock Art ◽  
Indigenous Communities ◽  
First Century ◽  
Future Research ◽  
Digital Recording ◽  
Technological Advances ◽  
Early Twenty ◽  
Research Agendas ◽  
Art Research ◽  
Ethical Responsibilities

This Introduction to The Oxford Handbook of the Archaeology and Anthropology of Rock Art highlights a number of conceptual themes and issues that go to the heart of rock art research. Rock art research in the early twenty-first century is daunting in its complexity and scope due largely to major technological advances in digital recording and chronometric dating, the increasing employment of sophisticated methods and theories harnessed not just from archaeology and anthropology but also from a wide array of disciplines, and greater awareness of Indigenous voices, ethical responsibilities, and political sensitivities of working collaboratively with Indigenous communities. As archaeological and anthropological approaches to rock art mutually inform each other’s research agendas, new methodological and theoretical ways of approaching, conceptualising, and historicising rock art symbolism, biography, authorship, gender, sexuality, spiritualism, agency, and relationality continue to develop to shape future research agendas.

scholarly journals Tsunami currents in ports

2015 ◽  
Vol 373 (2053) ◽  
pp. 20140372 ◽  
Author(s):  
Jose C. Borrero ◽  
Patrick J. Lynett ◽  
Nikos Kalligeris
Keyword(s):  
Historical Record ◽  
First Century ◽  
Future Research ◽  
Current State ◽  
Early Twenty ◽  
Tsunami Current ◽  
History Of ◽  
Induced Currents ◽  
Port Engineering ◽  
Maritime Community

Tsunami-induced currents present an obvious hazard to maritime activities and ports in particular. The historical record is replete with accounts from ship captains and harbour masters describing their fateful encounters with currents and surges caused by these destructive waves. Despite the well-known hazard, only since the trans-oceanic tsunamis of the early twenty-first century (2004, 2010 and 2011) have coastal and port engineering practitioners begun to develop port-specific warning and response products that accurately assess the effects of tsunami-induced currents in addition to overland flooding and inundation. The hazard from strong currents induced by far-field tsunami remains an underappreciated risk in the port and maritime community. In this paper, we will discuss the history of tsunami current observations in ports, look into the current state of the art in port tsunami hazard assessment and discuss future research trends.

Dust and Shadows … A Progress Report

2013 ◽  
Vol 10 (3) ◽  
pp. 415-429 ◽  
Author(s):  
Patrick Russell
Keyword(s):  
General Public ◽  
Documentary Film ◽  
Progress Report ◽  
First Century ◽  
Future Research ◽  
Documentary Films ◽  
Non Fiction ◽  
Early Twenty ◽  
Key Features ◽  
Twenty First Century

This article considers postwar British documentary films in light of recent curatorial initiatives and wider historiographical issues. The article places the BFI's 2010 Shadows of Progress project in the context of a wider and substantial shift of perception of non-fiction film in the early twenty-first century, which has caused the canon of British documentaries to increase in size, scope and profile. The article argues that archivists, media producers and the general public have played at least as large a role in these developments as scholars of the documentary film. The article summarises some of the key features of postwar British documentary as it is now understood and mentions other aspects of postwar, and other, British factual film meriting future research.

Conclusion

2018 ◽  
pp. 442-447
Author(s):  
Thomas Nail
Keyword(s):  
Digital Image ◽  
First Century ◽  
Future Research ◽  
Quantum Fields ◽  
Global Mobility ◽  
Early Twenty ◽  
Twenty First Century ◽  
Ontological Framework

Being and Motion puts forth a new conceptual and ontological framework of analysis that begins with the primacy of motion. Indeed, the early twenty-first century has already shown itself to be an age defined increasingly by motion—by migration and global mobility, by kinetic theories of quantum fields, and by the mobility of the digital image. This short conclusion highlights the main theses put forward by this book and reviews what we have gained from them, their limitations, and what directions they have opened for future research. The conclusion looks at the five main theses of the book, the consequences of these theses, the limitations of the book as a whole, and the areas of future research.

Jazz Bubble

2018 ◽  
Author(s):  
Dale Chapman
Keyword(s):  
New York ◽  
Political Economy ◽  
Social Practice ◽  
Global Economy ◽  
First Century ◽  
Music Culture ◽  
Social Trends ◽  
Governmental Organizations ◽  
Early Twenty ◽  
A Site

Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period. The emergence of financialization as a key dimension of the global economy shapes a variety of aspects of contemporary jazz culture, and jazz culture comments upon this dimension in turn. During the stateside return of Dexter Gordon in the mid-1970s, the cultural turmoil of the New York fiscal crisis served as a crucial backdrop to understanding the resonance of Gordon’s appearances in the city. The financial markets directly inform the structural upheaval that major label jazz subsidiaries must navigate in the music industry of the early twenty-first century, and they inform the disruptive impact of urban redevelopment in communities that have relied upon jazz as a site of economic vibrancy. In examining these issues, The Jazz Bubble seeks to intensify conversations surrounding music, culture, and political economy.

Voters and Voting in Context

2017 ◽  
Author(s):  
Harald Schoen ◽  
Sigrid Roßteutscher ◽  
Rüdiger Schmitt-Beck ◽  
Bernhard Weßels ◽  
Christof Wolf
Keyword(s):  
Voting Behavior ◽  
Contextual Effects ◽  
First Century ◽  
Sources Of Information ◽  
Opinion Formation ◽  
Contextual Features ◽  
Early Twenty ◽  
Methodological Approaches ◽  
Rich Data ◽  
Theoretical Issues

After a brief review of the scholarly discussion about the idea that context affects political behavior, this chapter proposes a model for the analysis of contextual effects on opinion formation and voting behavior. It highlights theoretical issues in the interplay of various contextual features and voter predispositions in bringing about contextual effects on voters. This model guides the analyses of contextual effects on voter behavior in Germany in the early twenty-first century. These analyses draw on rich data from multiple voter surveys and various sources of information about contextual features. The chapter also gives an overview of different methodological approaches and challenges in the analysis of contextual effects on voting behavior.

Continuing Visions

2018 ◽  
Author(s):  
Linda Freedman
Keyword(s):  
Social Activism ◽  
William Blake ◽  
First Century ◽  
Ridley Scott ◽  
American Novel ◽  
Early Twenty ◽  
Protest Group ◽  
Late Twentieth ◽  
Twenty First Century ◽  
Dead Man

The questions that drove Blake’s American reception, from its earliest moments in the nineteenth century through to the explosion of Blakeanism in the mid-twentieth century, did not disappear. Visions of America continued to be part of Blake’s late twentieth- and early twenty-first century American legacy. This chapter begins with the 1982 film Blade Runner, which was directed by the British Ridley Scott but had an American-authored screenplay and was based on a 1968 American novel, Do Androids Dream of Electric Sheep? It moves to Jim Jarmusch’s 1995 film, Dead Man and Paul Chan’s twenty-first century social activism as part of a protest group called The Friends of William Blake, exploring common themes of democracy, freedom, limit, nationhood, and poetic shape.

Dewey and Pragmatist Feminist Philosophy

2017 ◽  
pp. 270-290
Author(s):  
Lisa Heldke
Keyword(s):  
Political Philosophy ◽  
Philosophy Of Education ◽  
Family Members ◽  
Value Theory ◽  
Feminist Epistemology ◽  
First Century ◽  
Feminist Philosophy ◽  
Small Field ◽  
Early Twenty ◽  
Late Twentieth

John Dewey’s record as a feminist and an advocate of women is mixed. He valued women intellectual associates whose influences he acknowledged, but did not develop theoretical articulations of the reasons for women’s subordination and marginalization. Given his mixed record, this chapter asks, how useful is Dewey’s work as a resource for feminist philosophy? It begins with a survey of the intellectual influences that connect Dewey with a set of women family members, colleagues, and students. It then discusses Dewey’s influence on the work of late twentieth- and early twenty-first-century pragmatist feminist philosophers. Dewey’s influence has been strongest in the fields of feminist epistemology, philosophy of education, and social and political philosophy. Although pragmatist feminist philosophy remains a small field within feminist philosophy, this chapter argues that its conceptual resources could be put to further good use, particularly in feminist metaphysics, epistemology, and value theory.

Sign in / Sign up

Export Citation Format

Share Document