scholarly journals Tsunami currents in ports

Author(s):  
Jose C. Borrero ◽  
Patrick J. Lynett ◽  
Nikos Kalligeris

Tsunami-induced currents present an obvious hazard to maritime activities and ports in particular. The historical record is replete with accounts from ship captains and harbour masters describing their fateful encounters with currents and surges caused by these destructive waves. Despite the well-known hazard, only since the trans-oceanic tsunamis of the early twenty-first century (2004, 2010 and 2011) have coastal and port engineering practitioners begun to develop port-specific warning and response products that accurately assess the effects of tsunami-induced currents in addition to overland flooding and inundation. The hazard from strong currents induced by far-field tsunami remains an underappreciated risk in the port and maritime community. In this paper, we will discuss the history of tsunami current observations in ports, look into the current state of the art in port tsunami hazard assessment and discuss future research trends.

Author(s):  
Tatyana Zlotnikova ◽  

Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of power. The first facet is the unique, not only political, but also mental determinant of the problem of power in Russia, a kind of reflection of modus vivendi. The second facet is the artistic and image-based determinant of problem of power in Russia designated as artis imago. Theoretical grounds for solving these problems are found in F. Nietzsche’s perceptions of the binary “potentate-mass” opposition, G. Le Bon’s of the “leader”, K.-G. Jung’s of mechanisms of human motivation for power. The paper dwells on the “semiosis of power” in the focus of thoughts by A. F. Losev, P. A. Sorokin, R. Barthes. Based on S. Freud’s views of the unconscious and G. V. Plekhanov’s and J. Maritain’s views of the totalitarian power, we substantiate the concept of “the imperial unconscious”. The paper focuses on the importance of the freedom motif in art (D. Diderot and V. G. Belinsky as theorists, S. Y. Yursky as an art practitioner). Power as a subject of influence and object of analysis by Russian creators is studied on the material of perceptions and creative experience of A. S. Pushkin (in the context of works devoted to Russian “impostors” by numerous authors). Special attention is paid to the early twenty-first century television series on Soviet rulers (Stalin, Khrushchev, Brezhnev, Furtseva). The conclusion is made on the relevance of Pushkin’s remark about “living power” “hated by the rabble” for contemporary Russia.


Author(s):  
Alfred L. Brophy

This chapter discusses the role of historical analysis in property law. The history of property has been used to offer support for property rights. Their long history makes the distribution of property look normal, indeed natural and something that cannot or should not be challenged. However, historically in the U.S there have been competing visions of property. From the Progressive era onward especially, the history of property has been used to show the unequal distribution of property and to offer an alternative vision that expands the rights of non-owners of property. In the late twentieth and early twenty-first century, the history of opposition to feudalism and protection of the rights of non-owners was used to protect the rights of non-owners. Thus, the history of property has been a tool of judges and legislators to support property rights and it has also been, less frequently, a tool of critique.


Tempo ◽  
2019 ◽  
Vol 73 (289) ◽  
pp. 30-41 ◽  
Author(s):  
Hunter Coblentz

AbstractThis article serves as an introduction to the twentieth- and twenty-first-century musical practices that have made use of glass instruments and objects. Emphasis is placed on those practices that use glass in a raw, acoustic manner, and those that take advantage of the precision with which glass can be tuned. First, a general history of glass music is presented, followed by an overview of the physical and acoustic aspects pertaining to the material that are relevant to those composers wishing to integrate glass into their works. Finally, the composers, performers and instrument builders who have made significant use of glass in the late twentieth and early twenty-first centuries are surveyed.


Author(s):  
Bruno David ◽  
Ian J. McNiven

This Introduction to The Oxford Handbook of the Archaeology and Anthropology of Rock Art highlights a number of conceptual themes and issues that go to the heart of rock art research. Rock art research in the early twenty-first century is daunting in its complexity and scope due largely to major technological advances in digital recording and chronometric dating, the increasing employment of sophisticated methods and theories harnessed not just from archaeology and anthropology but also from a wide array of disciplines, and greater awareness of Indigenous voices, ethical responsibilities, and political sensitivities of working collaboratively with Indigenous communities. As archaeological and anthropological approaches to rock art mutually inform each other’s research agendas, new methodological and theoretical ways of approaching, conceptualising, and historicising rock art symbolism, biography, authorship, gender, sexuality, spiritualism, agency, and relationality continue to develop to shape future research agendas.


2020 ◽  
Vol 31 (3) ◽  
pp. 351-358
Author(s):  
Andrew Scull

Michel Foucault remains one of the most influential intellectuals in the early twenty-first century world. This paper examines the origins and impact of his first major work, Folie et déraison, on the history of psychiatry, particularly though not exclusively in the world of Anglo-American scholarship. The impact and limits of Foucault’s work on the author’s own contributions to the history of psychiatry are examined, as is the larger influence of Madness and Civilization (as it is known to most Anglophones) on the nascent social history of psychiatry. The paper concludes with an assessment of the sources of the appeal of Foucault’s work among some scholars, and notes his declining influence on contemporary scholars working on the history of psychiatry.


2020 ◽  
Vol 12 (1) ◽  
pp. 62-90
Author(s):  
Brooke Holmes

Abstract This essay examines, from a position within Classics, different angles on critiques of historicism and the turn to anachronism in History, Art History, Medieval Studies, and Queer Theory before proposing the idea of ‘kairological history’, on the model of the artist Paul Chan’s ‘kairological art’. On this analysis, ‘kairological history’ engages the critical and creative resources of anachronic thinking alongside tools of historicism (e.g. empiricism, successionism, periodization, alterity) in making choices about ‘telling time’. These choices reflect a critical understanding of how temporality shapes the valuation of the past, particularly in relation to a ‘classical’ past; the negotiation of identity and difference between past and present; and the kinds of communities that history aims to support. The second half of the essay examines two instances of anachronism within the history of anatomy, one from Galen and one from the early twenty-first century. Both cases represent problems that historicism can correct. But the modality of correction, in itself, is anaemic and risks the very teleology that linear history is so often faulted for. The essay therefore explores what gets lost and what gets found when temporality is aligned with linearity, as well as non-linear modes of telling time.


2018 ◽  
Vol 31 (3) ◽  
pp. 547-562
Author(s):  
Karin Tybjerg

Abstract Surgical instrument collections have been used in a multitude of ways – as tools, taxonomies, teaching aids, representation, historical highlights and public displays – and they provide a key to understanding the shifting relations between surgery, medical museums and medical history. Tracing the uses of the surgical instrument collections from the Royal Danish Academy of Surgery and the Medical Historical Museum at the University of Copenhagen reveals a network of disciplinary and institutional changes from the late nineteenth to early twenty-first century. The history of the collections maps relations between scientific and cultural historical collections and between medicine and history. In the same way as surgical instruments have connected the surgeon’s hand to the patients’ body, the surgical instrument collections connect together the public, medical practice and history.


2009 ◽  
Vol 10 (6-7) ◽  
pp. 1047-1087 ◽  
Author(s):  
Adam M. Dodek

This article analyzes the transformation in the scholarship of legal ethics that has occurred in Canada over the last decade, and maps out an agenda for future research. The author attributes the recent growth of Canadian legal ethics as an academic discipline to a number of interacting factors: a response to external pressures, initiatives within the legal profession, changes in Canadian legal education, and the emergence of a new cadre of legal ethics scholars. This article chronicles the public history of legal ethics in Canada over the last decade and analyzes the first and second wave of scholarship in the area. It integrates these developments within broader changes in legal education that set the stage for the continued expansion of Canadian legal ethics in the twenty-first century.


2011 ◽  
Vol 91 (3) ◽  
pp. 503-527 ◽  
Author(s):  
Anne-Emanuelle Birn ◽  
Raúl Necochea López

Abstract This essay analyzes the current state of the field of history of health and medicine in Latin America and proposes questions and areas for further investigation. Using a variety of databases to identify relevant historiographical sources from across the Americas, the authors focus on a range of subjects that have substantially engaged contemporary historians while opening up still more research avenues. These include the health of diverse populations; new perspectives on religion and on women’s health; the historicizing of health systems, health politics, and social medicine; and the local-global nexus in Latin American health and medicine. These themes both draw from and extend beyond those addressed in pathbreaking works such as Nancy Leys Stepan’s Beginnings of Brazilian Science. Among the most stimulating developments of recent years are the incorporation of interdisciplinary perspectives on historical analysis, and the elucidation of regional patterns of and preoccupations with the interrelations among state, society, and medicine. The proliferation of historical knowledge regarding the health and medical landscape of Latin America has made this one of the most dynamic fields in historical scholarship today. The authors conclude by discussing emerging methodological and theoretical challenges, including Cold War studies and postcolonialism, and by reflecting on the shared scholarly and political responsibilities of Latin Americanists.


Author(s):  
Andrew Laghos ◽  
Panayiotis Zaphiris

This entry provides a thorough introduction to computer- assisted and -aided language learning (CALL). It starts by providing the definition and history of CALL and associated relevant terms. Then, an existing CALL methodological framework is presented and discussed. This is then followed by an overview of the current state of CALL by citing some representative examples of its uses and discussing advantages and disadvantages of current CALL systems. The chapter concludes with a discussion of present and future research and commercial directions of CALL.


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