There Was So Much Silence Growing Up…: Artistic Interventions of Tomie Arai and Flo Oy Wong

2021 ◽  
Vol 6 (3) ◽  
pp. 217-237
Author(s):  
Dipti Desai

Abstract This essay explores the specific artworks of Asian American artists Tomie Arai and Flo Oy Wong as complex articulations between culture, identity, history, and memory. Based on oral history interviews that were integral parts of their artistic processes, Arai and Wong created works that explored the family histories and memories of Asian immigrants and Asian Americans living in New York City’s Chinatown and California. Their artworks open up a space to explore memory as a way of knowing that is shaped not only by what is said, but more importantly by what is not said—by silences and secrets.

2020 ◽  
Vol 46 (1) ◽  
pp. 92-106
Author(s):  
Tanya Evans

Drawing on survey data and oral history interviews undertaken with family historians in Australia,England, and Canada this article will explore how family historians construct memories using diverse sources in their research. It will show how they utilize oral history, archival documents, material culture, and explorations of space to construct and reconstruct family stories and to make meaning of the past, inserting their familial microhistories into global macrohistories. It will ask whether they undertake critical readings of these sources when piecing together their families’ stories and reveal the impact of that work on individual subjectivities, the construction of historical consciousness, and the broader social value of family history scholarship. How might family historians join with social historians of the family to reshape our scholarly and “everyday” knowledge of the history of the family in the twenty-first century?


Author(s):  
Gaston Rinfret

ABSTRACTGrowing Up starts from the premise that once the family nest is empty and professional activities have ceased, an elderly person is still a growing person. Even if specialists in human development who have dealt with this subject can enlighten us, the wisdom of certain characters in the New and Old Testaments can guide us in a special way. In reading the Bible, priests, pastoral counsellors and seniors will discover a companion which can help them in their reflections and which can also serve to guide pastoral interventions.


2018 ◽  
Vol 15 ◽  
pp. 1-10
Author(s):  
Juthamas Tangsantikul

This paper presents a case study on the role objects played in the construction of Thai women as social subjects in the period of American Era and Development. Based on the analysis of popular Thai etiquette manual Kritsana son nong: Naenam marayat thi ngam haeng araya samai, I conducted oral history interviews with women growing up in the period. The conversation brought to light the term pen sao and illustrated that while certain objects and practices were portrayed generally as signs of modernity and civilisation, they could also be perceived as suspicious when being viewed as signs of gender differences.


Author(s):  
Ying Xu

Angel Island poetry refers to Chinese poems carved on the barrack walls of the US Angel Island Immigration Station in San Francisco Bay, which was in operation from 1910 to 1940. An estimated 50,000 Chinese were processed and detained during that period there and left their words, recording a dark chapter of racial exclusion in history. These poems were written in the classical style of Chinese poetry and were discovered by California State Parks ranger Alexander Weiss in 1970, who contacted his teacher George Araki from San Francisco State College. Araki brought the site to the attention of the community and invited San Francisco photographer Mak Takahashi to photograph these poems. Today, around two hundred poems from the Angel Island barracks have been deciphered and published in various places, though many still remain indecipherable. The Angel Island poetry sources include the Jann and Yee collections, Mak Takahashi’s photographs, Kearny Street Workshop (KSW) rubbings, poems published in various Chinese newspapers, and the findings of poetry consultants commissioned in 2003 by the Angel Island Immigration Station Foundation for an evaluation. In this article, the Angel Island poetry more specifically refers to two editions of Island: Poetry and History of Chinese Immigrants on Angel Island, 1910–1940, edited by Him Mark Lai (who passed away in 2009, between publication of the two editions), Genny Lim, and Judy Yung, since most scholarship has derived from these two books. The first edition of Island was self-published in 1980, which set up a model of editing and presenting Chinese-language material, consisting of a historical introduction, 135 poems in Chinese and English, excerpts from thirty-nine oral-history interviews, and twenty-two photographs. Island went into a second printing in 1983 and was republished by the University of Washington Press in 1991. The second edition of Island, published in 2014, combines all 135 poems into one section and expands the Chinese poems by adding those on the walls from the immigration stations at Ellis Island in New York and Victoria, British Columbia. Yung and Lim rewrote the historical introduction and replaced the excerpts of oral histories in the first edition with twenty full profiles and stories, with new translations, correction of errors in the first edition, and more photographs. Island possesses a unique place in Asian American studies, ethnic studies, US immigration history, and American literature classes.


2006 ◽  
Vol 7 (1-2) ◽  
pp. 7-12
Author(s):  
Jane Marie Law

Ithaca, New York, September 2007 “The past is not dead. In fact, it is not even past.”WILLIAM FAULKNER The burgeoning field of study loosely known as “cultural memory studies” fills a strange gap between more traditional historiography and the anthropology of memory. Historiography in the more traditional sense embraces the stance that the past is knowable, verifiable to the extent that we have reliable evidence, and retrievable to some extent. It concerns itself with what happened in the past (and the many complications of knowing that). Cultural memory studies, on the other hand, address what Paul Ricoeur so aptly labeled “the mnemonic phenomenon,” the dialogical process through which collectivities recall the past in light of present concerns that arein part shaped by this very past that is being recalled and refashioned in the present. For the scholar of cultural memory, the object of study is not the past, but the many projects memory undertakes: healing, denial, revision, invention, recreation and re-creation, forgetting. What is the relationship between history and memory? What should it be? ...


Author(s):  
Arleen Pancza Graham

Irving Harry Sandler, an American art historian, critic and administrator, was born in New York City and brought up and educated in Philadelphia. He received his M.A. from the University of Pennsylvania in 1950 and completed his Ph.D. at New York University in 1976. In the intervening years, Sandler managed the Tanager Gallery, served as the director of The Club (1957–1962), and wrote criticism for ARTnews (1956–1962). After completing his doctorate, he taught at the State University of New York at Purchase (1972–1997), where he curated a number of exhibitions and conducted oral history interviews with contemporary artists.


2017 ◽  
Vol 12 (6) ◽  
pp. 646-659 ◽  
Author(s):  
Anna Green ◽  
Kayleigh Luscombe

Contemporary research into the relationship between material culture and the formation of personal and family identities has emphasized the idealized symbolic role of inherited objects and ‘things’. In the following research, oral history interviews were recorded with 12 multigenerational families in Devon and Cornwall about memories and stories from the family’s past. Within this oral history cohort, the eldest member in four families identified objects that did not fit the model of positive, affective resonance. These material things symbolized a calamitous or difficult key turning point in family history and generated counterfactual thinking about the family trajectory over time. In this form of family memory, personal identities could be grounded in the lives of earlier generations prior to the pivotal event.


2019 ◽  
Vol 67 (2) ◽  
pp. 165-184
Author(s):  
Sandra Kreisslová ◽  
Jana Nosková

Abstract The study deals with the transmission of family memory in three three-generation families of Germans forcibly displaced from Czechoslovakia, in which the oldest generation, the so-called generation of experience, actually experienced the migration movement after the end of World War II. In the study, the family is seen as a specific social framework in which the past is retrieved. Generations are characterized in a biological sequence, with only the oldest “generation of experience” defined by Karl Mannheim. The research of generational family memory focuses on the actor’s reception through an analysis and interpretation of narrative and oral-history interviews with representatives of generations while exploring the way family memory is mediated. Specifically, the authors inquire into the role the memory media play in their materialised form, i.e. artefacts that act as an impulse and source of remembrance narrative, in the process of generational transmission of memories in families. The focus here is on remembrance narratives related to the forced displacement, which thematise material artefacts, with the focus being not only on what artefacts there are in connection with the recollection of this historical process and what stories are related to them, but also the effort to uncover the meaning and the function of these artefacts during family remembrance.


2020 ◽  
Vol 73 (suppl 6) ◽  
Author(s):  
Mariana Rigolon ◽  
Diene Monique Carlos ◽  
Wanderlei Abadio de Oliveira ◽  
Natalia Rejane Salim

ABSTRACT Objectives: to understand the life stories and itineraries of transvestites and transsexuals in health services. Methods: study with a qualitative approach, anchored in the methodological framework of Oral History. Interviews were conducted and thematically analyzed. Results: two themes emerged: 1) gender and sexuality in life stories; and 2) the trajectories in health services. These revealed the challenges in the process of recognizing gender identity before the family and society. The reports show the dilemmas that transsexuals and transvestites face in health care, which ends up generating the removal of this population from services. Final Considerations: it has been demonstrated that Oral History can increase knowledge, especially about life histories and trajectories in the health services of transvestites and transsexuals; in addition, information was offered that can assist managers and health professionals in making decisions or caring for these people.


Sign in / Sign up

Export Citation Format

Share Document